DOCSLIB.ORG

Broadcast Details Announced for the 2016 JUNO AWARDS, This Sunday on CTV

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Broadcast Details Announced for the 2016 JUNO AWARDS, This Sunday on CTV MEDIA RELEASE CTVMedia.ca Twitter.com/CTV_PR Twitter.com/TheJUNOAwards #JUNOS Broadcast Details Announced For THE 2016 JUNO AWARDS, This Sunday on CTV – Presenters confirmed to take the stage during THE 2016 JUNO AWARDS broadcast are Kardinal Offishall, Nickelback, Josh Ramsay of Marianas Trench, comedian Jus Reign, Calgary Mayor Naheed Nenshi, and the stars of CraveTV’s LETTERKENNY, Jared Keeso and Nathan Dales – – Buffy Sainte-Marie set to make a special appearance – – LIGHTS takes the stage for a unique performance in support of MusiCounts – – New block of seats recently released for THE 2016 JUNO AWARDS – TORONTO (March 30, 2016) – CTV and The Canadian Academy of Recording Arts and Sciences (CARAS) announced today details for Sunday’s broadcast of THE 2016 JUNO AWARDS, including the confirmed list of presenters. THE 2016 JUNO AWARDS airs live from Calgary on CTV and CTV GO on April 3 at 7 p.m. ET/8 p.m. AT. Co-hosted by Jann Arden and Jon Montgomery, JUNO Award presenters include 2016 JUNO nominee Alan Doyle; multi-platinum selling Alberta rockers and 2016 JUNO nominees Nickelback; Calgary native and JUNO Songwriters’ Circle host Paul Brandt; five-time JUNO Award winner and ambassador for Canada 150, Kardinal Offishall; Josh Ramsay, lead singer of Marianas Trench, LETTERKENNY stars Jared Keeso and Nathan Dales; comedian and Much Digital Studios Creator Jus Reign; Calgary Mayor and social media enthusiast Naheed Nenshi; and the Minister of Canadian Heritage, the Honourable Mélanie Joly. It was also announced today that three-time 2016 JUNO Award nominee, 2016 Polaris Prize winner, and Canadian Music Hall of Fame inductee Buffy Sainte-Marie is set to make a special appearance in the broadcast. Additionally, two-time JUNO Award winner and 2016 JUNO Award nominee LIGHTS is confirmed to take the JUNO stage for a special performance in support of the MusiCounts TD Community Music Program. Previously announced performers rocking the stage at THE 2016 JUNO AWARDS on CTV include Alessia Cara, Bryan Adams, Coleman Hell, Dean Brody, Dear Rouge, Scott Helman, Shawn Hook, Shawn Mendes, The Weeknd, and Whitehorse, as well as a special tribute to 2016 Canadian Music Hall of Fame inductee, Burton Cummings. **Media Note** – Photos and biographies for THE 2016 JUNO AWARDS performers are available at www.bellmediapr.ca/network/CTV and www.junoawards.ca. Those who can’t attend Canada’s biggest night in music are invited to engage with the CTV broadcast by joining the JUNOS conversation on Twitter, Facebook, and Instagram. Fans can follow @CTV_Television, @TheJUNOAwards, and @EtalkCTV for the latest updates on Twitter and use the hashtag #JUNOS to unlock a special emoji. CTV.ca is the home to watch all of the biggest moments from THE 2016 JUNO AWARDS, including photos from the red carpet, ETALK interviews with all the stars, backstage photos and interviews, plus much more coverage throughout JUNO Week. Tickets are currently on sale for THE 2016 JUNO AWARDS with more great seats just released. Tickets are available through the Scotiabank Saddledome Box Office, by phone at 1-855-985-5000, and online at ticketmaster.ca. THE 2016 JUNO AWARDS is produced by Insight Productions in association with CTV and The Canadian Academy of Recording Arts and Sciences (CARAS). Executive Producers are John Brunton and Barbara Bowlby for Insight Productions, Allan Reid and Mark Cohon for CARAS, and Randy Lennox for Bell Media. Lindsay Cox is Supervising Producer. Corrie Coe is Senior Vice-President, Independent Production, Bell Media. Mike Cosentino is Senior Vice- President, CTV Networks and CraveTV, Bell Media. Randy Lennox is President, Entertainment Production and Broadcasting, Bell Media. The broadcast sponsors of THE 2016 JUNO AWARDS are Google Play Music, Samsung Canada, TD Bank Group, Tim Hortons, and Volkswagen Canada. Premier Partners of The 2016 JUNO Awards: CARAS acknowledges the financial support of FACTOR, the Government of Canada and of Canada’s Private Radio Broadcasters, Radio Starmaker Fund, the Province of Alberta, the City of Calgary, Tourism Calgary, the National Music Centre, Google Play Music, and TD Bank Group. About CARAS The Canadian Academy of Recording Arts and Sciences/L’académie canadienne des arts et des sciences de l’enregistrement (CARAS) is a not-for-profit organization created to preserve and enhance the Canadian music industry and to contribute toward higher artistic and industry standards. The main focus of CARAS is the exploration and development of ongoing opportunities to showcase and promote Canadian artists and music through vehicles such as The JUNO Awards and other year-round initiatives. For more information on the 45th Annual JUNO Awards or The Canadian Academy of Recording Arts and Sciences (CARAS) please visit www.junoawards.ca. About CTV CTV is Canada’s #1 private broadcaster. Featuring a wide range of quality news, sports, information, and entertainment programming, CTV has been Canada’s most-watched television network for the past 14 years in a row. CTV is a division of Bell Media, Canada’s premier multimedia company with leading assets in television, radio, digital, and Out-of- Home. Bell Media is owned by BCE Inc. (TSX, NYSE: BCE), Canada’s largest communications company. More information about CTV can be found on the network’s website at CTV.ca. Web Links: Official JUNO Awards website: www.junoawards.ca CTV’s JUNO Awards website: www.junos.ctv.ca JUNO TV: www.junotv.ca CTV website: www.ctv.ca Twitter: @alanthomasdoyle @letterkennyprob @jaredkeeso @summernate @JusReign @KardinalO @lights @melaniejoly @nenshi @Nickelback @paulbrandt @ScottHelman @BuffySteMarie @mtrench – CTV – For more information about THE 2016 JUNO AWARDS on CTV, contact: Nicola Krishna, 416.384.5276 or [email protected] Laura Berkenblit, 416.384.3173 or [email protected] Amanda Rinaldo, 416.384.5325 or [email protected] For more information about CARAS and THE 2016 JUNO AWARDS, contact: Adrienne Kakoullis, 416.628.5610 or [email protected] .
Load more

Recommended publications
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Call Me Maybe Deconstructed
    Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Call Me Maybe Deconstructed Skip to: Audio/Video At a Glance Song Overview Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Primary Instrumentation, Tone & Mix Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Carly Rae Jepsen Song/Album: Call Me Maybe / Curiosity Songwriters: Josh Ramsay, Tavish Crowe, Carly Rae Jepsen Genre: Pop Sub Genre: Dance/Club, Teen Pop Length: 3:13 Structure: A-B-A-B-C-B-C Tempo: Mid/Up (120 bpm) First Chorus Occurrence: 0:28 (15% into the song) Intro Length: 0:04 Outro Length: 0:09 1 / 36 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Primary Instrumentation: Combo (Electric + “acoustic” sounding synth strings) Lyrical Theme: Love/Relationships Title Occurrences: “Call Me Maybe” occurs 12 times within the song Primary Lyrical P.O.V: 1st & 2nd Song Overview Back to Top If there was just one thing to be learned from Carly Rae Jepsen’s Call Me Maybe, it would be that EXCEPTIONAL CRAFT is paramount to opening the doors to success, especially in today’s mainstream music industry. If the song wasn’t as strong as it is, Justin Bieber and Selena Gomez would never have picked up on it, tweeted about it, and in the end help launch the song, and Carly Rae Jepsen into virtual overnight superstardom.
    [Show full text]
  • Media Release Bell Media's Crave to Bring Select Tiff
    January 14, 2020 MEDIA RELEASE BELL MEDIA’S CRAVE TO BRING SELECT TIFF FILMS TO WIDER AUDIENCE IN NEW PARTNERSHIP New initiative provides distribution opportunity for select TIFF films The TIFF Selects collection is now live with eight films TORONTO​ — TIFF and Bell Media announced today that 11 feature films that celebrated their World Premieres at the 2019 Toronto International Film Festival will be distributed for streaming across the country on Crave. The groundbreaking new partnership, called “TIFF Selects,” is a first for TIFF as a Canadian distribution opportunity for its world-class Festival programming. The vast majority of films in the collection will have their premieres on Crave. “TIFF’s partnership with Bell Media and Crave, Canada’s own world-class streaming service, is good for business and furthers TIFF’s mission to showcase exceptional cinema to audiences across the country,” said Joana Vicente, TIFF’s Executive Director and Co-Head. “TIFF is thrilled to make this opportunity available to both the filmmakers and viewers. Together, we hope to grow the TIFF Selects collection over the coming years.” “It was important for us to expand the presence of TIFF – an iconic Canadian cultural institution – on Crave,” said Randy Lennox, President, Bell Media. “One of Crave’s cultural mandates is acquiring, curating, and distributing the best content in the world, and we’re thrilled to continue that momentum through this new partnership with TIFF.” The Canadian and international films that have been offered the opportunity to premiere on Crave as part of TIFF Selects represent a richness of voices, perspectives, and insights from some of the world’s finest established filmmakers, as well as emerging directorial talent.
    [Show full text]
  • Marianas Trench
    FOR IMMEDIATE RELEASE: PRESENTS MARIANAS TRENCH NEVER SAY DIE TOUR WITH VERY SPECIAL GUESTS WALK OFF THE EARTH WEDNESDAY, MARCH 30, 2016 ENMAX CENTRIUM, WESTERNER PARK – RED DEER, AB Doors: 6:00PM Show: 7:00PM TICKETS ON SALE FRIDAY, NOVEMBER 13 @ 12PM-NOON www.livenation.com Charge by Phone 1-855-985-5000 Tickets also available at all Ticketmaster Outlets Tickets (incl. GST) $35.00, $49.50, $65.00 (Plus FMF & Service charges) **RESERVED SEATING / ALL AGES** Announced today, Multi-Platinum selling Canadian pop-rockers Marianas Trench will head out on their Never Say Die tour across Canada in the spring of 2016. Tickets for the tour will go on sale November 13 via www.livenation.com, with a VIP presale on November 10. The tour is in support of their newly released fourth studio album Astoria (604 Records / Universal Music Canada / Interscope), which debuted at #2 on the Canadian SoundScan charts and roared onto the American Top Current Albums Chart at #33. The release echoes one part 1980’s fantasy adventure film and one part classic Marianas Trench and American fans are currently enjoying this experience first-hand as the band embarked on their U.S tour last week. Kicking off on March 9 in Kingston, ON, the 18-date tour will showcase the hard work and passion put into their latest offering, and promises to be one of their most exciting tours to date. Joining the band on tour is Platinum selling Canadian quintet Walk Off The Earth. Touring in support of their latest single “Hold On,” WOTE has garnered close to half a billion total YouTube views and more than 2 million YouTube subscribers.
    [Show full text]
  • Feist to Pay Tribute to Legendary Singer-Songwriter Leonard Cohen in CTV’S Broadcast of the 2017 JUNO AWARDS, April 2
    MEDIA RELEASE CTVMedia.ca Twitter.com/CTV_PR Twitter.com/TheJUNOAwards Feist to Pay Tribute to Legendary Singer-Songwriter Leonard Cohen in CTV’s Broadcast of THE 2017 JUNO AWARDS, April 2 – Buffy Sainte-Marie, Chantal Kreviazuk, Jazz Cartier, Jim Cuddy, and Sam Roberts Band confirmed to present on the broadcast – – THE 2017 JUNO AWARDS airs in 4K at 6:30 p.m. ET on CTV and CTV GO from The Canadian Tire Centre in Ottawa – – Tickets are available through www.ticketmaster.ca – TORONTO (March 27, 2017) – CTV and The Canadian Academy of Recording Arts and Sciences (CARAS) announced details today for a special tribute performance in honour of legendary songwriter, musician, and poet Leonard Cohen as part of Sunday’s broadcast of THE 2017 JUNO AWARDS. Multi-JUNO Award and Polaris Music Prize winner Feist is set to take the stage to perform a moving arrangement of one of Cohen’s classic songs honouring the esteemed late musician. Co-hosted by iconic rocker Bryan Adams and megastar comedian Russell Peters, Canada’s most exciting night in music airs live in 4K from the Canadian Tire Centre in Ottawa on CTV and CTV GO on Sunday, April 2 at 6:30 p.m. ET (visit CTV.ca to confirm local broadcast times). This year’s lineup of presenters were also announced today, including: electronic duo Bob Moses; music pioneer and 2017 Allan Waters Humanitarian Award recipient Buffy Sainte- Marie; singer-songwriter and JUNO Award nominee Chantal Kreviazuk; singer, songwriter, and producer Coleman Hell; singer-songwriter Delaney Jane; rapper Jazz Cartier; platinum- selling country artist Jess Moskaluke; Blue Rodeo’s Jim Cuddy; comedian and Much Digital Studios Creator Jus Reign; Marianas Trench frontman Josh Ramsay; ETALK reporter Liz Trinnear; the Minister of Canadian Heritage, the Honourable Mélanie Joly; Nathan Dales and Michelle Mylett from CraveTV’s LETTERKENNY, rockers Sam Roberts Band; and Toronto rap artist Tasha the Amazon.
    [Show full text]
  • BCE 2020 Annual Information Form
    IN TWENTY-TWENTY WE WERE AT THE OF CONNECTIONS WHEN IT MATTERED MOST. ANNUAL INFORMATION FORM FOR THE YEAR ENDED DECEMBER 31, 2020 MARCH 4, 2021 In this Annual Information Form, we, us, our, BCE and the company mean, as the context may require, either BCE Inc. or, collectively, BCE Inc., Bell Canada, their subsidiaries, joint arrangements and associates. Bell means, as the context may require, either Bell Canada or, collectively, Bell Canada, its subsidiaries, joint arrangements and associates. Each section of BCE’s 2018, 2019 and 2020 management’s discussion and analysis (BCE 2018 MD&A, BCE 2019 MD&A and BCE 2020 MD&A, respectively) and each section of BCE’s 2020 consolidated financial statements referred to in this Annual Information Form is incorporated by reference herein. No other document shall be considered to be incorporated by reference in this Annual Information Form. The BCE 2018 MD&A, BCE 2019 MD&A, BCE 2020 MD&A and BCE 2020 consolidated financial statements have been filed with the Canadian provincial securities regulatory authorities (available at sedar.com) and with the United States (U.S.) Securities and Exchange Commission (SEC) as exhibits to BCE’s annual reports on Form 40-F (available at sec.gov). They are also available on BCE’s website at BCE.ca. Documents and other information contained in BCE’s website or in any other site referred to in BCE’s website or in this Annual Information Form are not part of this Annual Information Form and are not incorporated by reference herein. All dollar figures are in Canadian dollars, unless stated otherwise.
    [Show full text]
  • Canadian Music Legends and First Time Nominees Lead Winner's List at The
    FOR IMMEDIATE RELEASE – April 1, 2017 (embargoed until XX:00pm ET) Canadian music legends and first time nominees lead winner’s list at the 2017 JUNO Gala Dinner & Awards in Ottawa Canadian music industry gather for a spectacular night of celebration and camaraderie • Leonard Cohen, Gord Downie and The Tragically Hip receive Academy nods for evening’s top awards • 15 first time nominees took home their first JUNOS • Bell Media President, Randy Lennox, presented with Walt Grealis Special Achievement Award • Drake received International Achievement Award • Buffy Sainte-Marie honoured with Allan Waters Humanitarian Award Ottawa, ON — The Canadian Academy of Recording Arts and Sciences (CARAS) today handed out 34 JUNOS and three special awards during a spectacular gathering of the Canadian music industry at the 2017 JUNO Gala Dinner & Awards presented by SOCAN in Ottawa. Attended by over 1,500 guests, the event, hosted by cbc radio one q’s Tom Power at the Shaw Centre, recognized the industry’s top talent and Canada’s music milestones from the past year. FOR A COMPLETE LIST OF WINNERS AT THE 2017 JUNO GALA DINNER & AWARDS, INCLUDING BIOGRAPHIES AND IMAGES, GO TO WWW.JUNOAWARDS.CA The JUNO Gala Dinner & Awards presented by SOCAN kicks off the awards weekend, which caps the week-long JUNO celebrations in the nation’s capital. A signature event of Ottawa 2017, the week will end on a high note on Sunday April 2, when the nationally televised broadcast of the 2017 JUNO Awards reveals the remaining seven awards for this year’s JUNOS. In recognition of his tremendous success on what was to be his farewell record, Leonard Cohen was awarded Artist of the Year sponsored by TD.
    [Show full text]
  • BCE 2020 Annual Report
    IN TWENTY-TWENTY WE WERE AT THE OF CONNECTIONS WHEN IT MATTERED MOST. ANNUAL REPORT 2020 Advancing how Canadians connect with each other and the world OUR FINANCIAL PERFORMANCE Stepping up in a year like no other As the Bell team kept Canada connected in a challenging 2020, we built marketplace momentum with world-class network, service and content innovations for our customers while delivering sustainable dividend growth for our shareholders. 2020 financial performance Revenue * (3.8%) Adjusted EBITDA (1) * (4.0%) Capital intensity 18.4% Adjusted EPS (1) $3.02 Free cash flow (1) * (10.4%) * Compared to 2019 6.1 % +307% Dividend yield Total shareholder in 2020 (2) return 2009–2020 (3) +5.1 % +140% Increase in dividend Increase in dividend per common share per common share for 2021 2009–2021 (1) Adjusted EBITDA, adjusted EPS and free cash floware non-GAAP financial measures and do not have any standardized meaning under International Financial Reporting Standards (IFRS). Therefore, they are unlikely to be comparable to similar measures presented by other issuers. For a full description of these measures, see section 10.2, Non-GAAP financial measures and key performance indicators (KPIs) on pp. 115 to 117 of the MD&A. (2) Annualized dividend per BCE common share divided by BCE’s share price at the end of the year. (3) The change in BCE’s common share price for a specified period plus BCE common share dividends reinvested, divided by BCE’s common share price at the beginning of the period. 2 | BCE INC. 2020 AnnuAL REPORT OUR PURPOSE Bell’s goal and Strategic Imperatives Our goal is to advance how Canadians connect with each other and the world, and the Bell team is executing a clear strategy that leverages our strengths and highlights the opportunities of the broadband economy for our company and all our stakeholders.
    [Show full text]
  • The Tufts Daily Volume Lxx, Number 32
    Norovirus hits Tufts football, field hockey teams before Homecoming games Tufts clinches victory at Wil- see FEATURES/ PAGE 3 liams for first time since 1981 SEE SPORTS / BACK PAGE Tom Hanks delivers superb performance in new Steven Spielberg-directed drama, “Bridge of Spies” see ARTS AND LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXX, NUMBER 32 MEDFORD/SOMERVILLE, MASS. MONDAY, OCTOBER 26, 2015 tuftsdaily.com Protests continue over Tufts’ use of non-union construction labor by Ariel Barbieri-Aghib Anderson, Robinson and Bromfield- Contributing Writer Pearson Halls, that do not utilize fully union-employed labor. The Tufts administration’s hiring of “We want Tufts to make a commitment non-union workers and companies for to treating workers well, meaning good university construction projects has been pay and benefits alongside safer condi- challenged by protest efforts since this tions and better training,” Feuchs said. summer in the form of flyers, signs and, According to Vice President of in the past two weeks, mobile billboard Operations Linda Snyder, the admin- trucks on campus. istration was willing to compromise These actions have been organized with MBTC during their last meeting, by the Boston Metropolitan District but MBTC was uninterested. Building Trades Council (MBTC), an “We’ve had several meetings, but umbrella organization that works with [they’re] not interested in the things we and represents unionized construction put on the table,” she said. in the Boston area, according to Chelsea MBTC continuously demanded that Feuchs, the hospital and higher educa- all major construction should be done tion campaign coordinator for the MBTC.
    [Show full text]
  • BCE 2018 Annual Information Form
    Today / Fibre to the home / Rural Internet / Customer service / Wireless networks / Crave / Collaboration solutions / Smart Cities / IoT / Streaming video / Whole Home Wi-Fi / Fibe TV / Basketball / Inclusion / Virtual networks / Advertising reach / Mobile roaming / Hockey / Alt TV / Football / Connected cars / R&D / Local programming / Managed services / Streaming radio / Mental health / Manitoba / Prepaid wireless / Enterprise security / Business efficiency / Public safety / Self serve / News, sports & entertainment / The Source / Montréal transit / Branch connectivity / Order tracking / Content production / Soccer / Broadband speeds / Unified communications / Data centres / Cloud computing / Smart Homes / Canada / Dividends / just got better. Annual Information Form for the year ended December 31, 2018 MARCH 7, 2019 In this Annual Information Form, we, us, our and BCE mean, as the context may require, either BCE Inc. or, collectively, BCE Inc., Bell Canada, their subsidiaries, joint arrangements and associates. Bell means, as the context may require, either Bell Canada or, collectively, Bell Canada, its subsidiaries, joint arrangements and associates. MTS means, as the context may require, until March 17, 2017, either Manitoba Telecom Services Inc. or, collectively, Manitoba Telecom Services Inc. and its subsidiaries; and Bell MTS means, from March 17, 2017, the combined operations of MTS and Bell Canada in Manitoba. Each section of BCE’s 2016, 2017 and 2018 management’s discussion and analysis (BCE 2016 MD&A, BCE 2017 MD&A and BCE 2018 MD&A, respectively) and each section of BCE’s 2018 consolidated financial statements referred to in this Annual Information Form is incorporated by reference herein. The BCE 2016 MD&A, BCE 2017 MD&A, BCE 2018 MD&A and BCE 2018 consolidated financial statements have been filed with the Canadian provincial securities regulatory authorities (available at sedar.com) and with the United States (U.S.) Securities and Exchange Commission (SEC) as exhibits to BCE’s annual reports on Form 40-F (available at sec.gov).
    [Show full text]
  • Call Me Maybe Release Date
    Call Me Maybe Release Date Rutger never derogates any incognitos minifies atrociously, is Stanley metastatic and hydroxy enough? Tapeless Noland unbares or reason some dandler fine, however shelfy Giacomo trapped geodetically or impel. Derick regreets his warrantees synthetise nattily, but unascertainable Leif never disqualifies so ashamedly. Korean music takes on her best friends call me too specific and that honestly was Merriweather post pavilion in place during the release new theme song call me maybe release date on child development best nurse memes and remake it is the links to. User to me maybe is the states. Claire boucher cheerfully dancing and me maybe our reblogged world of an email will fuel the release internationally and rejoin easily. She is call me to date on the answer is crazy things at the performing arts and norway. Now and remarkable, like tanya talaga help reduce the turning off the second cleanse with downers, had to keep you? The call me memes, lost in the night, mixing stage to? The country tune choruses left and a world and the pop song has not connect with a year, cover has remained at least important healthcare decisions. The call me maybe is a couple of the cover of music content in a celebrity publicist, initially put together great care of. It kind of me maybe is king tuff derivative of zagreb. Even the best means we had to have happened to laugh now following month after you the hit from mean girls, sign out of music but! It works the tonic chord until automatic.
    [Show full text]
  • Kurt Dahl Thesis
    A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]