A Neurologist's Notebook to See and Not See
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												  What Literature Knows: Forays Into Literary Knowledge ProductionContributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism.
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												  Nostalgias in Modern Tunisia DissertationImages of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited.
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												  Idioms-And-Expressions.PdfIdioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
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												  Ballad of the Buried LifeBallad of the Buried Life From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Ballad of the Buried Life rudolf hagelstange translated by herman salinger with an introduction by charles w. hoffman UNC Studies in the Germanic Languages and Literatures Number 38 Copyright © 1962 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hagelstange, Rudolf. Ballad of the Buried Life. Translated by Herman Salinger. Chapel Hill: University of North Car- olina Press, 1962. doi: https://doi.org/10.5149/9781469658285_Hagel- stange Library of Congress Cataloging-in-Publication Data Names: Salinger, Herman. Title: Ballad of the buried life / by Herman Salinger. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 38. Description: Chapel Hill : University of North Carolina Press, [1962] Series: University of North Carolina Studies in the Germanic Languages and Literatures. Identifiers: lccn unk81010792 | isbn 978-0-8078-8038-8 (pbk: alk. paper) | isbn 978-1-4696-5828-5 (ebook) Classification: lcc pd25 .n6 no.
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												  When God Sees Your TearsCopyrighted material Unless otherwise indicated, all Scripture quotations are from the Holy Bible New International Version®, NIV®. © 1973, 1978, 1984, 2011 by Biblica, Inc. Used by permission. All rights reserved worldwide. Verses marked nasb are taken from the New American Standard Bible® © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. Used by permission. (www.Lock man.org) Verses marked nkjv are taken from the New King James Version®. Copyright © 1982 by Thomas Nel- son, Inc. Used by permission. All rights reserved. Verses marked nlt are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. Verses marked msg are taken from The Message. Copyright © by Eugene H. Peterson 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Verses marked cev are taken from the Contemporary English Version © 1991, 1992, 1995 by Ameri- can Bible Society. Used with permission. Verses marked kjv are taken from the King James Version of the Bible. Italicized text in Scripture quotations indicate author’s emphasis. Cover by Dugan Design Group, Bloomington, Minnesota Cover photo © 2010 Anna Nemoy (Xaomena) / Flickr Open / Getty Images WHEN GOD SEES YOUR TEARS Copyright © 2014 by Cindi McMenamin Published by Harvest House Publishers Eugene, Oregon 97402 www.harvesthousepublishers.com Library of Congress Cataloging-in-Publication Data McMenamin, Cindi, 1965- When God sees your tears / Cindi McMenamin. pages cm Includes bibliographical references. ISBN 978-0-7369-5667-3 (pbk.) ISBN 978-0-7369-5668-0 (eBook) 1.
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												  1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27C D E F G H K L 1 REC 2 Title Author(s) Year Edition Condition Collection Who? 2 1 Hayduke Lives! Abbey, Edward 1990 1st Ed; stated FINE; D.J. Western Fiction Elizabeth 3 2 The Monkey Wrench Gang Abbey, Edward 1985 Reprint FINE; D.J. Western Fiction Elizabeth 4 3 The Pleasures of Safari Adventure Abercrombie & Fitch 1991 1st Edition FINE Hunting/Adventure/Africa/Asia 5 4 A Summer in High Asia Adair, FES 1994 Reprint MINT; LEATHER Hunting/Adventure/Africa/Asia 6 5 Disease of the Supra-Renal Capsules Addison, Thomas 1980 Reprint MINT; LEATHER Medical 7 6 Greek Tragedies Aeschylus, Sophocles, Euripides1982 Reprint MINT; LEATHER Classics/Other Becky 8 7 A Book of the Wilderness and Jungle Aflalo, F.G. - - V. GOOD Hunting/Adventure/Africa/Asia 9 8 The Great Tragedies Agamemnon 1982 - MINT; LEATHER Classics/Other Becky 10 9 In the Brightest of Africa Akeley, Carl 1923 Memorial Ed. FINE Hunting/Adventure/Africa/Asia 11 10 Carl Akeley's Africa Akeley, Mary L. Jobe 1929 1st Ed; 6th printing GOOD Hunting/Adventure/Africa/Asia 12 11 Congo Eden Akeley, Mary L. Jobe 1950 1st Edition FINE; D.J. Hunting/Adventure/Africa/Asia 13 12 Restless Jungle Akeley, Mary L. Jobe 1936 1st Ed; stated FINE; D.J. Hunting/Adventure/Africa/Asia 14 13 Rumble of a Distant Drum Akeley, Mary L. Jobe 1948 1st Edition FAIR Hunting/Adventure/Africa/Asia 15 14 The Wilderness Lives Again Akeley, Mary L. Jobe 1940 1st Edition FINE Hunting/Adventure/Africa/Asia 16 15 Little Women Alcott, Louisa May 1976 Reprint MINT; LEATHER Classics/Other Becky 17 16 Michel De Montaigne Essays Alder, editor 1982 - MINT; LEATHER Classics/Other 18 17 The Greatest Ali, Muhammed 1975 1st Edition V.
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												  Billboard MagazineLamar photographed Dec. 30, 2015, in downtown Los Angeles. GRAMMYPREVIEW2016 KENDRICK’S February 13, 2016 SWEET | billboard.com REVENGE No, Lamar doesn’t care about those past snubs. Because the Compton rapper with 11 nominations knows this is his best work ever: ‘I want to win them all’ ‘IT’S STILL TOO WHITE, TOO MALE AND TOO OLD’ Grammy voters speak out! ‘THE SECRET IS… TALENT’ How Chris Stapleton conquered country WE PROUDLY CONGRATULATE OUR GRAMMY® THE RECORDING ACADEMY® SONG OF THE YEAR BEST DANCE/ELECTRONIC ALBUM LIFETIME ACHIEVEMENT AWARD ED SHEERAN CARIBOU HERBIE HANCOCK “THINKING OUT LOUD” OUR LOVE RECORD OF THE YEAR BEST NEW ARTIST BEST DANCE/ELECTRONIC ALBUM ED SHEERAN COURTNEY BARNETT DISCLOSURE “THINKING OUT LOUD” CARACAL BEST POP SOLO PERFORMANCE RECORD OF THE YEAR ED SHEERAN BEST DANCE/ELECTRONIC ALBUM MARK RONSON* “THINKING OUT LOUD” SKRILLEX & DIPLO “UPTOWN FUNK” SKRILLEX AND DIPLO PRESENT JACK Ü BEST POP SOLO PERFORMANCE ALBUM OF THE YEAR ELLIE GOULDING* BEST DANCE/ELECTRONIC ALBUM ED SHEERAN “LOVE ME LIKE YOU DO” JAMIE XX BEAUTY BEHIND THE MADNESS IN COLOUR BY THE WEEKND BEST POP DUO/GROUP PERFORMANCE (featured artist) MARK RONSON* BEST ROCK PERFORMANCE ALBUM OF THE YEAR “UPTOWN FUNK” ELLE KING “EX’S & OH’S” FLYING LOTUS BEST POP VOCAL ALBUM TO PIMP A BUTTERFLY MARK RONSON* BEST ROCK PERFORMANCE BY KENDRICK LAMAR UPTOWN SPECIAL WOLF ALICE (producer) “MOANING LISA SMILE” BEST DANCE RECORDING ALBUM OF THE YEAR BEST ROCK SONG JACK ANTONOFF ABOVE & BEYOND “WE’RE ALL WE NEED” ELLE KING (OF FUN. AND BLEACHERS) “EX’S & OH’S”
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												  ED354454.PdfDOCUMENT RESUME ED 354 454 CG 024 796 AUTHOR Erwin, Linda; And Others TITLE Middle Childhood Education Advisory Program. Instructional Guide. INSTITUTION Putnam County Schools, Winfield, WV. PUB DATE [92] NOTE 453p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Counseling Techniques; *Elementary School Teachers; Junior High Schools; *Middle Schools; *School Counseling IDENTIFIERS *Middle School Students; *Teacher Advisors ABSTRACr Guidelines for a middle school teacher-advisory program is presented in this document. The introduction notes that this guide was developed to enable all middle school teachers to function effectively as teacher-advisors as well as to feel comfortable in fulfilling that role. A simplified format is used so that each activity can be presented in a forthright and concise manner. Each activity is presented in an outline form to include the title, number of sessions needed to complete the activity, recommended materials, group size and purpose of the activity. Also included are a goal classification, a synopsis of the activity, suggested cues to facilitate the exercise, and a section on process procedures. The guide as a whole is divided into three main parts, one each for the sixth, seventh, and eighth grades. Each part contains four sections, of which the first two, Introduction to Advisory and Getting Acquainted, are the same for each part. The other two sections are, for the sixth grade, knowing yourself and Looking at Families; for the seventh grade, Looking at Others and Looking at Families; and for the eighth grade, Making Decisions and Looking Ahead. Activity sheets are included.
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												  Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-MilwaukeeUniversity of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years.
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												  Phantoms in the Brain.PdfPHANTOMS IN THE BRAIN Probing the Mysteries of the Human Mind V.S. Ramachandran, M.D., Ph.D., and Sandra Blakeslee Copyright © 1998 ISBN 0688152473 To my mother, Meenakshi To my father, Subramanian To my brother, Ravi To Diane, Mani and Jayakrishna To all my former teachers in India and England 1 To Saraswathy, the goddess of learning, music and wisdom Foreword The great neurologists and psychiatrists of the nineteenth and early twentieth centuries were masters of description, and some of their case histories provided an almost novelistic richness of detail. Silas Weir Mitchell—who was a novelist as well as a neurologist—provided unforgettable descriptions of the phantom limbs (or "sensory ghosts," as he first called them) in soldiers who had been injured on the battlefields of the Civil War. Joseph Babinski, the great French neurologist, described an even more extraordinary syndrome—anosognosia, the inability to perceive that one side of one's own body is paralyzed and the often−bizarre attribution of the paralyzed side to another person. (Such a patient might say of his or her own left side, "It's my brother's" or "It's yours.") Dr. V.S. Ramachandran, one of the most interesting neuroscientists of our time, has done seminal work on the nature and treatment of phantom limbs—those obdurate and sometimes tormenting ghosts of arms and legs lost years or decades before but not forgotten by the brain. A phantom may at first feel like a normal limb, a part of the normal body image; but, cut off from normal sensation or action, it may assume a pathological character, becoming intrusive, "paralyzed," deformed, or excruciatingly painful—phantom fingers may dig into a phantom palm with an unspeakable, unstoppable intensity.
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												  Racial Blindsight: the Absurdity of Color-Blind Criminal JusticeRacial Blindsight: The Absurdity of Color-Blind Criminal Justice * Andrew E. Taslitz In this introductory essay to this symposium, Professor Taslitz argues that the modern criminal justice system is plagued by “racial blindsight.” Analogizing to the physical phenomenon of “blindsight” in which a blind person sees objects but does not know that he sees them, Taslitz maintains that criminal justice system actors often view the world through racial stereotyping or bias but are consciously unaware, or refuse to become aware, of that bias. They see race as a primary guide to thought and action but do not know that they so see the world. Drawing on the too-oft-ignored political writings of Albert Einstein, Taslitz argues that racial blindsight is a particularly morally reprehensible form of self-deception and that persons and institutions are fully capable of removing their blinders. Taslitz identifies a temporal component to racial blindsight, exploring hindsight (ignoring past racial transgressions), foresight (ignoring future foreseeable but avoidable racial harms), and now-sight (ignoring individual and institutional racial biases currently at work), and discusses faux-sight (blatant and obvious efforts to pretend to a non-existent blindness). Taslitz summarizes each of the articles to follow, explaining how they fit within this temporal racial blindsight scheme and what each tells us about how we can open our eyes to promote more candid decisions about race in setting criminal justice policy. I. INTRODUCTION The articles in this Ohio State Journal of Criminal Law symposium address the implications for the criminal justice system of what I will call “racial blindsight.” The term derives from the psychological phenomenon of literal “blindsight,” meaning “seeing without knowing it.”1 English neurologist George Riddoch researched the phenomenon to explain stories of World War I soldiers who were seemingly blinded by head injuries yet dodged bullets.2 All the while 3 the soldiers insisted that they could not see the violence threatening them.
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												  Summer Assignments – AP Biology MrsSummer Assignments – AP Biology Mrs. Gleaves [email protected] 1. AP Biology Readiness Test AP Biology is an introductory college‐level biology course. Students interested in taking AP Biology should have: o high level of motivation, initiative and self‐discipline o high school level knowledge of biology and chemistry o good note taking skills o good test preparation skills o good time management skills o inquisitive and reflective mindset PURPOSE The purpose of the readiness test is to assess your understanding of the fundamental aspects of biology and chemistry, as well as provide you with insight to the rigor of the course, and provide feedback to help you determine what steps/adaptations you may need to take in order to be successful in the course and the AP Biology Exam in May 2019. o It is recommended that students interested in taking the AP Biology course purchase a comprehensive AP Biology study guide, which can be used along with the AP Edition Biology textbook. An AP Biology Readiness Test will be given in the first week of school covering chapters 1, 2 and 3. All information in the first three (3) chapters, including the vocabulary terms on the attached sheet are subject to testing except for the following items: Figures 2.2, 2.6, 2.7, 2.9, 2.10, 2.17, 2.18, 3.5, 3.8, 3.11 The test will be multiple choice – 50 to 60 questions. STUDENTS WILL TAKE NOTES ON ALL THREE (3) CHAPTERS AND VOCABULARY, AND TURN THEM IN ON THE FIRST DAY OF SCHOOL.