The Cowl Competitive As Some of the Best Graduate Students in the by Michael J
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Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
2003-04 University of Notre Dame Men's Basketball Prospectus
Senior Torrian Jones 2003-04 University of Notre Dame Men’s Basketball Prospectus 2003-04 UNIVERSITY OF NOTRE DAME MEN’S BASKETBALL QUICK FACTS NOTRE DAME DIRECTORY: Location .................................................................... Notre Dame, Indiana 46556 FACTS ON THE Founded ................................................................................................................ 1842 Enrollment ......................................................................................................... 10,311 FIGHTING IRISH: Nickname ............................................................................................. Fighting Irish Starters Returning/Lost: 3/2 Colors .................................................................................................... Gold and Blue Monogram Winners Returning/Lost: 7/4 President ................................................................. Rev. Edward A. Malloy, C.S.C. Provost .......................................................................................... Dr. Nathan Hatch Newcomers: 4 NCAA Faculty Representative .......................................... Fernand “Tex” Dutile Monogram Winners Returning (7) Athletic Director ................................................................................ Kevin White *denotes numbers of monograms won Office Phone .................................................................................. (574) 631-6107 Rick Cornett* ................................................. 6-8/244, So., F, 2.5 ppg., -
Hofstra University 2003-04 Men's Basketball Game Notes
HOFSTRA UNIVERSITY Hofstra - Manhattan Quick Facts 2003-04 MEN’S BASKETBALL Series Record: Manhattan leads 35-18 Last Meeting: 2002-03: Manhattan 93, @Hofstra 75 GAME NOTES Hofstra Coach: Tom Pecora (3rd season), 24-46 Manhattan Coach: Bobby Gonzalez (5th season), 75-49 Hofstra (4-5) vs. Manhattan (5-3) Wednesday, Dec. 31, 5 p.m. 2003-04 HOFSTRA MEN'S BASKETBALL Riverdale, NY -- Draddy Gymnasium SCHEDULE/RESULTS (4-5, 0-0 CAA) November TV/Radio: Fox-TV, WRHU (88.7 FM) 18 at Marist^ (Fox-TV) W 79-74 20 at Georgia Tech^ L 56-75 Streaks, Stats, and Storylines: 22 at Providence L 56-69 • The Pride is playing its last non-league game of the year 29 at Maryland (Raycom TV) L 72-87 before opening CAA play at Delaware on Saturday. December 2 at St. John's W 81-64 • Junior forward Kenny Adeleke needs only four points 6 at Columbia (Fox-TV) W 58-55 to become the 25th Hofstra player in the 1,000-point 10 at Monmouth L 79-87 club. 13 STONY BROOK L 69-70 23 ST. PETER'S W 87-77 • Junior center Wendell Gibson (team-high 67.1 FG%) 31 at Manhattan (Fox-TV) 5 p.m. has shot 60 percent or higher in eight of nine games this season, and 70 percent or higher in six of nine. He's also January coming off his first double-double (20 points, 10 3 at Delaware (Fox-TV)* 4 p.m. rebounds) since his freshman season. 5 VA. COMMONWEALTH* 7 p.m. -
Vf & Tso Mofo Mr
VIOLENT FEMMES AND THE TASMANIAN SYMPHONY ORCHESTRA World Premiere Monday 22 & Tuesday 23 January Due to popular demand Mona Foma today announced an extra show for the world premiere of the Violent Femmes performing with the TSO. For two nights only, the Violent Femmes will take their acoustic punk-rock and work with the Tasmanian Symphony Orchestra to reimagine it as a full orchestra experience. Conducted by Hamish McKeich they’ll perform a long list of cult classics such as Add It Up, Blister In The Sun, Kiss Off, Gone Daddy Gone, American Song and Gimme The Car at The Federation Concert Hall on Monday 22 and Tuesday 23 January. “Most rock bands would blow off an orchestra with the amplifiers, but for these two shows we’re prepared to back off on the volume and actually play almost at the same volume as the orchestra musicians and create a more unified approach, “ said Brian Ritchie. The Violent Femmes were formed in 1981 as an acoustic band playing on the streets of Milwaukee. Their main influences at that time were Gene Vincent and the Blue Caps and The Velvet Underground. Enduring a couple of hiatuses throughout their 36-plus year career, the band — original members Gordon Gano and Brian Ritchie, along with drummer John Sparrow have been performing steadily since reuniting again in 2013. The TSO’s performance with the Violent Femmes represents another innovative collaboration for the orchestra, which in 2017 alone has seen sold out concerts with vocal star Kate Miller-Heidke, a Dark MOFO collaboration with Norwegian metal band Ulver, an original show with comedy trio Tripod and a sold out concert with ARIA award-winning and multi-platinum artist Megan Washington. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Violent Femmes Hotel Last Resort Bio FINAL 2
VIOLENT FEMMES HOTEL LAST RESORT bio Gordon Gano: lead vocal, guitar Brian Ritchie: acoustic bass guitar, baritone guitar, vocal, percussion John Sparrow: BBQ, snare, tom, percussion, vocal Blaise Garza: baritone, contrabass and sopranino saxophones, vocal, piano, harmonium, theremin, percussion Violent Femmes 10th studio album, HOTEL LAST RESORT, resides among the groundbreaking band’s finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post punk, spiritual jazz, country blues, avant garde minimalism and golden age rock ‘n’ roll into something still altogether their own. Founded and fronted of course by singer/ guitarist Gordon Gano and acoustic bass guitarist Brian Ritchie, the Milwaukee-born combo remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity and organic sonic craftsmanship that has characterized the band’s body of work since their landmark self-titled 1983 debut. “I think it’s probably the best [album] we’ve made since HALLOWED GROUND,” Ritchie says. “We didn’t really know that we had something to say, but it turns out that the songs are really good and we were able to sink our teeth into them and come up with something which is just as good as anything we’ve ever done. I’m even a little bit surprised myself.” Violent Femmes are undeniably one of the most inventive and original bands of this or any other era, constantly pushing forward with their singular blend of folk and punk, sarcasm and spirituality. -
Dj Whoo Jae Millz Dj Vlad
BACK 2 SCHOOL FASHIONS MIXTAPE REVIEWS COLLECTOR’S EDITION Re-Defining The Mixtape Game DJ WHOO KIDG-UNIT’S GENERAL ADDS $TREET VALUE TO THE GAME JAE MILLZ PLUS: POPS OFF A CONRAD DIMANCHE XAVIER AEON MILLION ROUNDS HAWK VOLUME 1 ISSUE 2 DJ VLAD THE BUTCHER CUTS IT UP >DJ WHOO KID On the cover and this page: (“Street Value” Pg. 44) Photographed Exclusively for Mixtape Magazine by RON WEXLER FEATURES CONTENT VOL.1 ISSUE 2 44 DJ WHOO KID $TREET VALUE G-Unit General or G-Unit Soldier? Crown the kid king if you call him anything. DJ Whoo Kid in his most upfront story to date alerts the game about his strategy and formula for worldwide, not just domestic success. By Kay Konnect 70 Xavier Aeon 74 DJ VLAD 80 Jae Millz THE BUTCHER Rhythm and Blues new Mix it up. Blend it up. Jae Millz, the lyrical sharp- boy wonder from the CT, Whatever you do, make shooter steps to the streets Connecticut to be exact, sure to cut it up. DJ Vlad in a Mixtape Magazine explains in an uncut manner “The Butcher” slices the exclusive. He drops bullets the difference between a mixtape game in half with regarding his demeanor and typical artist and one with exclusive compilations from operation in the mixtape rap an edge. Shaken with a the east-south-mid-west. world. Ready as ever, Jae Hip Hop feel, Xavier Aeon DJ Vlad’s story plugs the Millz pops off a million exposes his sharpness. world to his sword-like rounds easily. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
Fifteen Years and Growing for the La Crosse Logan Band Antique Show in La Crosse, Wisconsin
Online! Always On Time! Over One Million Hits www.auctionactionnews.com Help Recycle, Buy Antiques! April 28, 2015 Vol. 20 No. 39 News Periodical Mailed on April 22 Miller’s Auction Co. Hosts Another Great Advertising & Antique Auction in Tomah, Wisconsin Article & photos by Glenn Miller Tomah Wisconsin has long been known for Cranberries, Fort McCoy and Tractor Pulls. Well I think Top Quality Advertising Auctions can be added to that list. A Phillips Glenn Miller owner of Millers Antiques & Auction Co (Hixton WI), has been con- 66 Curb Sign brought $2,100. ducting auctions in Tomah since 2007. Continued on pages 14 & 15 This Cast Iron Airplane brought $3,500. This National Pedal Blatz Old Heidelberg Beer Dump Truck sold for $3,100. Dodge Brothers Sign sold for $2,300. Sign sold for $2,800. Fifteen Years and Growing for the La Crosse Logan Band Antique Show in La Crosse, Wisconsin Article & photos by Brian Maloney On April 11th & 12th, La Crosse, Wisconsin’s Logan High School once again played host to the town’s premier antiques event: the forty-dealer-strong La Crosse Logan Band Antique Show. You’ll find many of the Badger State’s best antiques dealers here each spring - along with select exhibitors from sever- al surrounding states and some hometown dealers you won’t find showing anywhere else! Now in its fifteenth year, the event is for a good cause too, with all proceeds helping to finance the popular Logan High School Band program and to fund student scholarships. Continued on pages Two cast iron 6, 7 & 8 doorstops in good original paint from Boarding House Antiques: the Hubley #35 parrot priced at $145, the Bradley & At Boarding House Hubbard Gnome at Antiques sat this $295. -
He's Been Fighting for His Career for Near Fifteen Years. Never Afraid of Change, He's Sticking and Moving and Going For
! Ü HE’S BEEN FIGHTING FOR HIS CAREER FOR NEAR FIFTEEN YEARS. NEVER AFRAID OF CHANGE, HE’S STICKING AND MOVING " AND GOING FOR HIS. BUT TIME WEARS HARD ON THE BOOGIE DOWN STREETS. HAS HAD HIS HITS, BUT HE’S TAKEN SOME, TOO. SALTER S JEFFERY // IMAGE GOLIANOPOULOS THOMAS WORDS Ü " ! XXL MAGAZINE 000 ! Ü " " t’s seven o’clock in the evening, album past 500,000 in sales, earning him his and recent audience-expanding cameos with and Fat Joe needs a designated first gold plaque. Three years later, in 2001, Jennifer Lopez, Paris Hilton and Ricky Martin, driver. The 36-year-old rapper isn’t when Murder Inc. was dominating hip-hop he J.O.S.E. remains his only platinum record. inebriated, but he drives like Ricky released “What’s Luv?” a frothy Irv Gotti pro- Joe is well aware of his SoundScan struggles. Bobby after one too many Miller duction that propelled Jealous Ones Still Envy “The strangest thing in the whole universe,” Lites. He breaks too suddenly, ac- to platinum status. Today, the South runs hip- he says, “is Fat Joe being a household name, celerates too carelessly and nearly hop, and, of course, Fat Joe has noticed. making the biggest hit records in the history of crashes too often. He’s also eas- “Joe’s good at reading the future,” says mankind, and not selling that many records. It ily distracted by the radio (Nelly Miami-based DJ Khaled, who’s known him for will be reevaluated years from now.” Furtado’s “Promiscuous” brings more than 10 years. -
University Accr.Editing Agency to Be Reviewed by Jonathan Thomas Accrediting Organization Which Will Review Advisory Committee on Accreditation Will Their Membership
Spring break dreams ~ Fry leads Hens include tropical trips . :!'~ · ·~ past Huskies, 49-18 page11 -~ . · page 17 TUESDAY University accr.editing agency to be reviewed By Jonathan Thomas accrediting organization which will review advisory committee on accreditation will their membership. Organization's use of Copy Editor the W1iversity in February. hold a hearing on Middle States Nov. 22 and Simmons said the government has the The organization responsible for Middle States, an agency of the make its recommendation to Alexander, who responsibility to judge Middle States on its reviewing colleges and universities in the Commission on Higher Education. sets the will make the final decision on its continued total observations, not just on one issue. diversity criterion for mid-Atlantic region is itself under scrutiny standards for accreditation of schools . recognition. "I think this organization is in a region by the U.S. Department of Education for its Colleges that are not accredited will not If Middle States does not receive with powerful institutions," Simmons said. "I use of diversity as a requirement for receive federal funds or federal grants. government recognition, Wyner said, "there don't think anyone with any sense could college accreditation accreditation. The Chronicle of Higher Education are a number of legal and political believe that they would fail to be Rick Wyner, consultant to the General reponed in its Nov . 6 issue that government considerations involved." recognized." Council of the Department of Education, said approval of Middle States has been on hold Howard Simmons, executive director for A national organization of faculty formed leads to Education Education Secretary Lamar Alexander is for a year and Alexander has questioned its Middle States, said his organization would to fight political correctness (PC) has expected to decide this month if his use of racial diversi ty as a requirement for not be greatly affected without government launched a campaign against Middle States department will recognize Middle States accreditation. -
Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J.