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DG Press Kit
devingray drummer Photos by Sasha Johanssen (October 2006, Berlin, Germany) Selected Performance Experience (short list) Multiple jazz tours in Poland, France, Germany, Switzerland, Sweden, Denmark, Belgium and Canada. Extensive touring in East Coast (USA) major cities: Boston, NYC, Philadelphia, Baltimore, Washington D.C., and Portland, Maine. Kim Cass Quartet: Featuring George Garzone. Portland, Maine. Ted Rosenthal Trio: An Die Musik Live, Baltimore Corpulent: Gary Thomas, Joel Grip. Spy Club, Baltimore/Washington D.C. Devin Gray Trio: featuring, John O’Gallagher, and Michael Formanek. Baltimore. Dave Burrell Trio: An Die Musik Live, Baltimore drummer devJon Ballantyne/Devin Gray Duo: Portland Conservatory of Music, Maine. in Devin Gray Quartet: Russ Johnson, Kris Davis, Alexis Cuadrado, Yarmouth Clam Festival, Maine. Solo Drum Concert: May 2006. “National Galleriet,” Stockholm, Sweden. Devin Gray Trio: Baltimore Jazz and Blues Festival, June 2005-07. Performances & Recordings With: Tony Malaby, Rez Abbasi, Cameron Brown, Bill McHenry, Dave Ballou, George Garzone, Biography grayVardan Ovsepian, Russ Johnson, Ted Rosenthal, Gary Thomas, Joel Grip, John O’Gallagher, Steve Devin Gray began his love of music at age 7, with a new drum Grover, Ingrid Jensen, Michael Formanek, Dave set. He grew as an artist through his junior and senior high Burrell, Greg Osby, Jon Ballantyne, Jolly-Boat school education, winning awards such as the Tom Snow “jazz Pirates. musician” award, all-state big band and combo music competi- tions and earned the opportunity to play with vocalist Cleo Lane and a master class with Christian McBride, all at a very young Devin’s fresh approach to modern drumming has enabled him to age. -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Music, 1998/99 Mcgill Undergraduate Programs Calendar
FACULTY OF MUSIC 8. Courses, page 310 Table of Contents 8.1 Theory (211-), page 310 8.2 Musicianship (212-), page 312 12.Academic Staff, page 281 8.3 Composition (213-), page 312 1. The Faculty, page 283 8.4 History and Literature (214-, 215-), page 313 1.1 Location, page 283 8.5 Computer Applications; Technology (216-), page 314 1.2 The Faculty Then and Now, page 283 8.6 Sound Recording (Qualifying courses), page 315 2. Faculty Administration, page 283 8.7 Music Education (221-, 222-, 223-), page 315 2.1 Dean’s Office, page 283 8.8 Jazz Studies (240-), page 317 2.2 Undergraduate Student Affairs, page 284 8.9 Ensembles (243-), page 317 2.3 Academic Affairs, page 284 8.10 Performance Courses, page 318 2.4 Concerts and Publicity, page 284 8.11 Practical Subjects, page 319 2.5 Marvin Duchow Music Library, page 284 2.6 Performance Materials Library, page 284 2.7 Opera McGill, page 284 2.8 Electronic Music Studio, page 284 1. The Faculty 2.9 Recording Studio, page 284 2.10 Computer Music Research Laboratory, page 284 2.11 Music Education Research Laboratory, page 284 1.1 Location 2.12 McGill University Records, page 284 Strathcona Music Building 2.13 McGill Conservatory of Music, page 284 555 Sherbrooke Street West 2.14 Academic Staff, page 285 Montreal, QC, H3A 1E3 3. General Information, page 287 Canada 3.1 Degrees and Diplomas Offered, page 287 3.2 Orchestral Training, page 288 Telephone: (514) 398-4535 3.3 Scholarships and Financial Aid, page 288 Fax: (514) 398-8061 3.4 Summer Studies, page 288 3.5 Music Credit Options for Students in Other Faculties, page 288 1.2 The Faculty Then and Now 3.6 Conservatory of Music, page 288 The Conservatorium of Music was established in 1904 and the 4. -
Music Teacher Biographies 2015
Music Teacher Biographies Upper Canada College is privileged to have 15 private instrumental music teachers who complement our curricular music programs. They all teach at both the Prep and Upper School and many of them play in professional performance groups outside the school as well as teach for the TDSB or other independent schools. The teachers prepare pupils for performances, examinations, auditions and festivals or help with the repertoire that is learned in music class or band. Boys who are exposed to weekly music lessons, choir or band rehearsals, creative movement, or general music classes reap many benefits. Music develops self-discipline, self-esteem and increased organizational skills. Ensemble experience also builds teamwork. Band members or choristers learn the importance of being a reliable member of a group. Please find below an introduction to the private teachers. Clarinet Ms. Michele Verheul Michele Verheul holds a Master of Music degree from the Eastman School of Music. An active freelance musician, she performs with many ensembles including the Toronto Symphony, the Canadian Opera Company, the National Arts Centre Orchestra and the Hamilton Philharmonic. From 2003-2008 she taught clarinet at the University of Western Ontario while holding the position of principal clarinet with Orchestra London Canada. Clarinet & Saxophone Mr. Ryan Barker In addition to teaching at UCC, Ryan Barker is an Itinerant Music Instructor teaching middle school band programs for the Toronto District School Board. He holds an Honours B.A. in music from York University specializing in improvisation and performance and has performed in jazz clubs and shows in and around Toronto and Stockholm, Sweden. -
New MIKE ALLEN Bio Sheet
MIKE ALLEN jazz saxophonist "Spare, elegant, melodic, soaring, fierce - Vancouver's Mike Allen has arrived as the country's top jazz saxophonist. Echoes of John Coltrane, Ornette Coleman and Joe Lovano resonate through Allen's work, but the Vancouver-based sax man has channeled them into a voice of his own, by turns soulful, intense, lush and dynamic.” -OTTAWA CITIZEN “Throughout his career, Western Canadian Music Award-winning saxophonist Mike Allen has resided in multiple cities, ranging from New York to Montreal to Vancouver, and his credits as a sideman include stints with musicians as diverse as Cedar Walton, Kenny Wheeler, Gary Bartz and Chuck Israels. Allen was a member of Canadian jazz guitar legend Sonny Greenwich’s band from 1990–’95, and was a sideman on Michael Bublé’s Grammy-winning 2009 album, Crazy Love. His past album, Fearless, was among those listed by Jim Wilke (host of NPR’s Jazz Northwest) as the top albums of the Pacific Northwest. Allen was Director of Jazz Studies at Western Washington University for several years and has been mentored by jazz greats like Joe Henderson and Joe Lovano. His sublimely deep album A Hip Cosmos (Almus) topped Canadian and U.S. radio charts." -DOWNBEAT MAGAZINE Originally from Kingston Ontario, Mike kicked off his performing career in Montreal winning the 1987 Lowenbrau Quebec Jazz Search as a member of an exciting hard bop sextet comprised of jazz alumni from McGill University. During ten years on the Montreal scene he performed hundreds of gigs including dozens of concerts at the Montreal Int. Jazz festival with top musicians Jon Ballantyne, Pete Magadini, Jan Jarczyk, Andre White, Dave Laing, Avishai Cohen and Ted Warren. -
Compositions for Guitar Quartet: Suite for 24 Strings the Canadian
Compositions for Guitar Quartet: Suite For 24 Strings The Canadian Landmarks Suite Daron McColl A Thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Masters of Arts Graduate Program in Music York University Toronto, Ontario April 2019 © Daron Malcolm McColl, 2019 Abstract This thesis combines the score of an original work by Daron McColl for Guitar Quartet entitled “The Canadian Landmarks Suite”, for guitar quartet, plus a written analysis including process, intent, and methodology behind the works. In my analysis I will explore my personal process and challenges in completing this project. The suite was written to fill a gap in the guitar quartet repertoire and features themes that are based on a Canadian context and the celebration of the arts within Canada. The themes in the suite represent my personal experiences with places and nature that have impacted me, as well the composition is modeled after many of my musical influences. The score is a collection of works intended for a modern guitar player, who is experienced playing in both, commercial music and jazz settings, as well as having some knowledge of classical guitar repertoire. This collection of works is intended to be a departure from the conventional guitar quartet because, it is written specifically for steel string guitar rather then nylon string. The works also include parts that explore the extended techniques and timbres specific to the guitar. ii Acknowledgments Undertaking this project has been a journey that could not have been done alone. This acknowledgment is a small way that I can say thank you and express my gratitude. -
The Latin Side of Hot House
181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band. -
MBTS 2018 Programme
MUSIC BY THE SEA AT B A M F I E L D2018 VANCOUVER ISLAND, BC CONCERT 1: SATURDAY, JULY 21 8:15 () .............. 2 CONCERT 2: SUNDAY, JULY 22 12:00 ......................... 4 CONCERT 3: SUNDAY, JULY 22 8:30 ............................... 5 CONCERT 4: MONDAY, JULY 23 8:30 ............................... 6 CONCERT 5: TUESDAY, JULY 24 8:30 ............................... 7 SPECIAL EVENT: WEDNESDAY, JULY 25 8:00 ............................. 11 CONCERT 6: THURSDAY, JULY 26 8:30 ............................. 12 CONCERT 7: FRIDAY, JULY 27 8:30 ............................. 13 CONCERT 8: SATURDAY, JULY 28 8:30 ............................. 14 CONCERT 9: SUNDAY, JULY 29 12:00 ........................ 16 CONCERT 10: SUNDAY, JULY 29 8:15 () ............. 17 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2018 1 CONCERT 1 CONCERT 1 continued Saturday, July 21st ~ 8:15 PM ree Fanfares, for horn in a distant rowboat C. Donison Holberg Suite, op. 40 Edvard Grieg and tuned ships horns (2015) (b. 1952) (1843-1907) 8:15 I. Call and response between distant rowboat and boats Praeludium. Allegro vivace (with cannon start) Sarabande. Andante 8:20 -
PA Jazz Idol IV & the Sixth Annual Jazz Awards
Pennsylvania Jazz Collective presents PA Jazz Idol IV & the Sixth Annual Jazz Awards Foy Hall | Moravian College | Bethlehem, Pennsylvania April 19, 2017 Wednesday 7:30pm 1 t Place Spons Firs or Pennsylvania Jazz Collective is especially glad to thank all of our sponsors, patrons, and supporters. We know that we cannot do it without you, and Pennsylvania Jazz Collective we are grateful. Please enjoy this program you sincerely thanks made possible. Please join the PA Jazz Collective - your membership and Nazareth Music support enables us to present the finest Jazz artists, educate students and develop an audience for America’s music- Jazz for their support online now @ pajazzcollective.org Moravian College encourages persons with disabilities to participate in its programs and activities. If you anticipate needing any type of accommodation or have questions about the physical access provided, please contact Department of Music at [email protected], or call 610-861-1650 at least one week prior to the event. 2 3 More Events! More Jazz! June 11, 2017 PAJAZZ & Wine Festival Cherry Valley Winery, Saylorsburg, PA 2:00 pm – 5:00 pm Proceeds benefit the Jerry Kozic Memorial Jazz Scholarship Co-producer COTA (Celebration of the Arts) Wednesday April 19 PA Jazz Idol IV & Sixth Annual Awards July 22, 2017 The second annual Christmas City Summer Jazz Festival – Bethlehem Municipal Ice Rink Program 345 Illick’s Mill Rd OPENING REMARKS- DAVE ROTH, PRESIDENT, PJC 12:00 – 10:00 pm 1. Marywood University Jazz Ambassadors Combo “Wonderland” FREE & open to the public Composed by Benny Carter - Ross LeSoine - tenor saxophone, Mark Harvey - piano, Featuring the regions best Richard Baublitz - electric bass, Martin Monahan - drums Award Presentation - Talent Deserving Wider Recognition- Zach Martin October 8, 2017 “Fall for Jazz” Party 2:00 – 5:00 pm FREE party – 2. -
The Latin Side of Hot House
184753_HH_Sep_0 8/25/17 11:07 AM Page 1 The only jazz magazine in NY in print, online THE LATIN SIDE and on apps! OF HOT HOUSE P31 September 2017 www.hothousejazz.com Jazz At Lincoln Center Page 4 Jazz Standard Page 17 Fred Hersch Matt Wilson Rossano Sportiello Ce cile McLorin Salvant ́ Mezzrow Page 4 Village Vanguard Page 21 Where To Go & Who To See Since 1982 184753_HH_Sep_0 8/25/17 9:56 AM Page 2 2 184753_HH_Sep_0 8/25/17 9:56 AM Page 3 3 184753_HH_Sep_0 8/25/17 9:56 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler HE STORY OF JAZZ PIANO buoyantly striding left hand. stretches back to the music's earliest He tosses in Art Tatum-like runs and daysT and has been parallel but somewhat flourishes on Cole Porter's "All Through independent of jazz history as a whole. the Night;" is off and running with allu- Pianists, especially when playing solo, sions to the melody on Jerome Kern's belong to a jazz piano tradition that "Nobody Else but Me" and manages to play encompasses a much larger keyboard her- both Erroll Garner's "That's My Kick" and itage including the instrument's European its inspiration, "I Get a Kick Out of You," classical and folk traditions. almost simultaneously while bouncing a Two pianists who take different stride beat reminiscent of Garner. Another approaches to solo piano jazz, Rossano effective tribute is Rossano's own Sportiello and Fred Hersch, have new "Dedicated to George Shearing," recogniza- albums that comprise this Winning Spins.