DOCSLIB.ORG

Axwell Λ Ingrosso Slipper Ny Låt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Axwell Λ Ingrosso Slipper Ny Låt 06-11-2014 14:26 CET AXWELL Λ INGROSSO SLIPPER NY LÅT Axwell Λ Ingrosso, to tredjedeler av Swedish House Mafia, pangstarter en ny æra med et fyrverkeri av en låt. "Can't Hold Us Down" er den første låten fra deres kommende debutalbum som en duo, og er ventet i 2015. Hør låten her og les full pressemelding nedenfor. AXWELL Λ INGROSSO - TWO THIRDS OF THE LEGENDARY SWEDISH HOUSE MAFIA - ANNOUNCE DAWN OF A NEW BEGINNING WITH 'CAN’T HOLD US DOWN', FIRST TRACK FROM THEIR DEBUT ALBUM AS A DUO, ARRIVING IN 2015 ! 'CAN’T HOLD US DOWN' REDEFINES ACID HOUSE, PREMIERES TONIGHT AS HOTTEST RECORD IN THE WORLD ON ZANE LOWE’S BBC RADIO 1 SHOW! LISTEN HERE: http://po.st/cantholdusdown FIRST OFFICIAL SINGLE TO LAUNCH LATER THIS YEAR FROM AXWELLΛ INGROSSO’S NEW ALBUM, ON VIRGIN EMI IN THE UK AND DEF JAM RECORDINGS IN THE U.S. The duo of Axwell Λ Ingrosso, former members of the legendary Swedish House Mafia, proclaim The Dawn Of A New Beginning, officially starting their new campaign tonight (Wednesday) with the world premiere of 'Can’t Hold Us Down,'The Hottest Record In The World on influential BBC Radio 1 presenter Zane Lowe’s show. Hear the track: http://po.st/cantholdusdown 'Can’t Hold Us Down' is the first track to surface from Axwell Λ Ingrosso’s eagerly anticipated first official album as a duo, to arrive in 2015. The first official single from the album will follow 'Can’t Hold Us Down' by the end of 2014 on Virgin EMI in the UK and Def Jam Recordings in the U.S. Axwell Λ Ingrosso’s previous band, Swedish House Mafia never released a full studio album, despite selling over 10 million records worldwide. (Two compilation albums were issued in 2010 (Until One) and 2012 (Until Now), on Virgin Records/Astralwerks.) Swedish House Mafia was renowned for selling out Madison Square Garden in nine minutes for their concert in 2012, without any album in the marketplace. The group disbanded in March 2013, after playing their final sets that month at the Ultra Music Festival in Miami. Emerging as a duo, Axwell Λ Ingrosso first premiered their new music on Zane Lowe’s show in late March 2014. “I was lucky enough to go down to the studio this week, listen to a whole bunch of songs. It’s going to be incredible,” Lowe raved on air. “It’s a whole new era for these two.” # # # For more information on Axwell Λ Ingrosso see below: soundcloud.com/axwellingrosso facebook.com/axwellingrosso instagram.com/axwell instagram.com/ingrosso twitter.com/axwell twitter.com/ingrosso vine.co/u/1141497206579638272 Snapchat: axwellingrosso Om Universal Music Universal Music AS er verdens og Norges største musikkselskap og representerer blant annet artister som U2, Rolling Stones, Eminem, Lady Gaga, Rihanna, a-ha, Sissel Kyrkjebø, Odd Nordstoga, Bernhoft, Gabrielle mm. Universal Music Group er operative i 59 land som representerer lablene A&M/Octone, Decca, Def Jam Recordings, Deutsche Grammophon, Disa, Emarcy,Fonovisa, Geffen Records, Interscope Records, Island Records, Lost Highway Records, Machete Music, MCA Nashville, MercuryNashville, Mercury Records, Polydor Records, Motown, Universal Music Latino, Universal Republic og Verve Music Group. Kontaktpersoner Margit Katharine Bøhn Pressekontakt Head of Promotion, International International Promo [email protected] +47 45478431 +47 22541444 Silje Sjulstad Pressekontakt Promoansvarlig Lokalavdeling [email protected] 98822425 +47 22541457 Thea Landehagen Gulbrandsen Pressekontakt Promoansvarlig Lokal avdeling [email protected] +47 22 54 14 40 Katrine Nagy Pressekontakt International Promotion Manager [email protected] +4722541439.
Load more

Recommended publications
  • South Australia Got It Right When They Kindled the Talent by the Name of Steve Hart. Embracing the Combination of a Superior
    http://www.stevehartmusic.com/ http://soundcloud.com/steve-hart http://www.facebook.com/stevehartmusic South Australia got it right when they kindled the talent by the name of Steve Hart. Embracing the combination of a superior appetite for the studio and over a decade of sophistication behind the decks of the nation’s hottest nightclubs and festivals, it’s no doubt Steve Hart has his energy in the beat. With a wealth of adoration for house music in all its kinds, this robust musical character prides himself on the mission so well conquered; making headway in the Australian dance music industry. Drawing potent inspiration from the carefully crafted talents of fellow industry professionals Denzal Park, Hook N Sling and Tommy Trash; Steve Hart endears local success with immense pride and motivation to further his dance-provoking career in the studio and in the clubs. Combining local talent and infamous assets from lands far away like Axwell, Adelaide’s ARIA Club Chart artist contributes a worthy platter of class in the musical department. Inheriting praise from Australia’s leading dance music label Vicious Recordings, In The Mix’s #50 (2011 & 2012) Steve Hart encapsulates the epitome of house glamour showcasing more than an album’s worth of thriving tracks. From chart hitting ‘Change’ feat Melinda Appelby to an immense multitude of officially released remixes including that of Dizzee Rascal’s ‘Dirtee Cash’, ‘Everybody Be Somebody’ by Thomas Gold & Mattias Menck, 'Tell Your Story Walking ' by Sarah Mcleod, 'Love is Crazy' by Dirty Laundry and ‘Into The Light’ by J Cannons, Adelaide’s gem is surging through milestones with force.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • 1. John Tejada Where (Palette) 6
    1. JOHN TEJADA Where (Palette) 6. THE FASHION The Fashion (Epic Records) Known to most as one of the USA’s top minimal minds, this LA based techno Friendly snarls open the Fashion’s sophomore album on “Dead Boys.” This sounds athlete is back for yet another solid album on his very own highly respected like a contradiction in terms (How are snarls friendly and is that the right tone for imprint. Marking the 50th installment for the label, and the 11th full-length of his a song about the deceased?), but that might just be the Danish (now) quartet’s career, Where is another Tejada classic. Taking a delicate approach, using friendly secret weapon. Creating a combination of the best of British and American indie- synth voices, light hits and dynamic mixes, the tracks are full of life and beg to be pop, the Fashion know their way around an infectious, easy hook. The bounce, played either on the club floor or out of your car door. Spacious and extra melodic, tempered with a stretched-out chorus on “Letters From The Ambulance” belie an Tejada knows exactly how to take a simple one bar synth loop and expand it into effortless ability to bring together disparate moods in one song and turn them into a throbbing pulse that makes your foot pound relentlessly. While the tracks keep one accessible entity. There is confusion and messiness on “Like Knives,” which a solid rhythmic drive, the real beauty in the mixes comes from expertly sublime together make it into the perfect scowling statement.
    [Show full text]
  • Avicii Den Mest Populära Låtskrivaren 2015
    Ny statistik: Avicii den mest populära låtskrivaren 2015 När branschorganisationen Musikförläggarna sammanfattar vilka låtskrivare som låg bakom de mest spelade och köpta låtarna i Sverige förra året är det låtskrivaren, producenten och artisten Tim ”Avicii” Bergling (Sony/ATV Music Publishing Scandinavia) som toppar listan. Av de 100 mest populära låtarna i Sverige 2015 låg Avicii bakom inte mindre än sex stycken. På andra plats hittar vi låtskrivarna Salem Al Fakir och Vincent Pontare (Universal Music Publishing) med fyra låtar. – Det är såklart det bästa som finns för en musiker att låtarna uppskattas så att de spelas mycket. Det ger både uppmuntran och bekräftelse till att fortsätta och att anstränga sig ännu mer, säger Tim ”Avicii” Bergling. Gemensamt för i stort sett alla låtskrivare på listan är att de skriver sin musik ihop med andra (så kallade ”co-writes”) – något som snarare är en regel än ett undantag i dagens musikskapande, i synnerhet när det gäller musiken på topplistorna. Enligt en undersökning som nyligen presenterades av Music Business Worldwide så var det förra året endast två av trettio av världens största låtar som var skrivna av enskilda personer. I Sverige ser vi ett liknande mönster, förra året skrevs till exempel 93 av de 100 mest populära låtarna i samarbete mellan olika låtskrivare. På frågan om det är viktigt att skriva tillsammans med andra idag svarar Avicii: – Ja. Det roligaste för mig är att jag får skriva med dels andra artister jag ser upp till, men även musiker och låtskrivare från andra genrer som inte alltid vore väntade samarbeten. Det blir extra spännande att se vad man får till.
    [Show full text]
  • „In the Mix“-Playlist Vom 03.03.2018 20:00
    „In The Mix“-Playlist vom 03.03.2018 20:00 - 20:30 Claptone Feat. Ben Duffy In The Night Ivan Jack Gonna Get Down Moloko Sing It Back (Mousse T's Feel Love) I Want It That Way (Anstandslos & Durchgeknallt Backstreet Boys Remix) Saltbread feat. Jakub Ondra Wild Heartbeat (Janosh Extended Remix) Yolanda Be Cool & Massivedrum Hacia La Noche Empire Of The Sun We Are The People (FlicFlac Remix) James Hype More Than Friends (Extended Mix) Patrolla & Adamski Killer (ft. Seal) Rita Ora Your Song Jennifer Lopez Us Bob Sinclar Til the Sun Rise Up (feat. Akon) Julian Perretta Miracle 20:30 - 21:00 Sean Paul Feat. Dua Lipa No Lie Sunrise Avenue I Help You Hate Me Jennifer Lopez Jenny From The Block (Dancehall Remix) Drake Feat. Wizkid & Kyla One Dance Ultra Nate Free (Nikko Culture Remix) Lokee I Want Your Love Maroon 5 Wait (Chromeo Remix) Infinity Ink Infinity Charlie Puth How Long Jax Jones ft. Mike Dunn_ MNEK House Work Technotronic Pump Up The Jam Dennis Ferrer Hey Hey Selena Gomez & Marshmello Wolves SHAGGY FEEL THE RUSH 21:00 - 21:30 Sofia Reyes Feat. Jason Derulo & De La Ghetto 1,2,3 Sean Paul, David Guetta, Becky G Mad Love Daddy Yankee Dura Bruno Mars & Cardi B Finesse (Remix) Beyonce Single Ladies Gorillaz We Got The Power (Claptone Remix) CamelPhat & Elderbrook Cola Todd Terry Keep On Jumpin' (Tee's Freeze Mix) Jax Jones You Don't Know Me (feat. RAYE) Post Malone Feat. 21 Savage Rockstar Tom Tyger Dimini Camila Cabello feat. Young Thug Havana offaiah Trouble (Club Mix) 21:30 – 22:00 Flo Rida Hola (feat.
    [Show full text]
  • A Study of Metaphor in Swedish House Mafia and Axwell Ʌ Ingrosso’S Songs
    A STUDY OF METAPHOR IN SWEDISH HOUSE MAFIA AND AXWELL Ʌ INGROSSO’S SONGS THESIS BY: NURVIAN PERMANA PUTRA REG. NUMBER: A73212105 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES STATE ISLAMIC UNIVERSITY OF SUNAN AMPEL SURABAYA 2019 ABSTRACT Permana, Nurvian. 2019. A Study of Metaphor in Swedish House Mafia and Axwell Ʌ Ingrosso’s Songs. English Department, Faculty of Arts and Humanities, State Islamic University of Sunan Ampel Surabaya. Advisor : Dr. Mohammad Kurjum, M. Ag. Keywords: Conceptual Metaphor Theory, Structural Metaphor, Ontological Metaphor, Orientational Metaphor, Song Lyrics, Swedish House Mafia, Axwell Ʌ Ingrosso This thesis presents the study of Metaphorical Expression used in song’s lyrics of the artist group Swedish House Mafia and Axwell Ʌ Ingrosso ranging from their released year of 2008-2015. It Analyzes the metaphorical expression of words within the lyrics. The study has two research problems. The objectives are to give proper classification of metaphorical expressions and to convey the meanings of those particular expressions. The writer uses descriptive qualitative approach to capture and convey the metaphorical expressions along with their meanings. The data of this research is in a form of transcripted song lyrics. The writer utilizes George Lakoff and Mark Johnson (1980) theory to analyze the data and to signifying the roots of newly proposed metaphor theory. As the result, it finds that the song lyrics were matched with the characteristic of each type of conceptual metaphor: Structural Metaphor, Ontological Metaphor, and Orientational Metaphor. There are many expressions of metaphor dominantly speaks about the journey of life, a form of self satisfaction and expressions of love.
    [Show full text]
  • Dance Charts Monat 12 / Jahr 2018
    Dance Charts Monat 12 / Jahr 2018 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 1 DYNORO & GIGI D'AGOSTINO IN MY MIND SONY 3924 0 1 7 2 41 ROBIN SCHULZ FEAT. ERIKA SIROLA SPEECHLESS WARNER 2978 +39 2 2 3 5 NAXWELL FEAT. PATRICIO AMC WE ARE THE NIGHT SOUNDS UNITED 2903 +2 3 3 4 2 CALVIN HARRIS & SAM SMITH PROMISES SONY 2878 -2 2 5 5 3 EL PROFESOR FEAT. LAURA WHITE CE SOIR? (HUGEL REMIX) SCORPIO / KONTOR 2490 -2 3 4 6 7 ARMIN VAN BUUREN BLAH BLAH BLAH KONTOR 1877 +1 3 8 7 4 ARNOLD PALMER & FABIO VALENZA EVERYBODY BE SOMEBODY KICKSON / PLANET PUNK 1815 -3 4 4 8 48 DRENCHILL FEAT. INDIIANA FREED FROM DESIRE NITRON / SONY 1744 +40 8 2 9 9 DEEJAY A.N.D.Y FEAT. PIT BAILAY ONLY YOU 2K18 MENTAL MADNESS 1642 0 9 3 10 DUNE & LOONA TURN THE TIDE MENTAL MADNESS 1542 0 2 1 11 6 TOSCH FEAT. CHRISTINA SOMEWHERE OVER THE RAINBOW 2K18 SOUNDS UNITED 1484 -5 3 4 12 63 AQUAGEN & FISCHER & FRITZ TARANTELLA DANCE MENTAL MADNESS 1441 +51 12 2 13 59 U96 FEAT. DJ T.H. & NADI SUNRISE DAS BOOT 2018 UNLTD RECORDINGS 1388 +46 13 2 14 15 DJ SNAKE FEAT. SELENA GOMEZ, OZUNA & TAKI TAKI GEFFEN RECORDS 1364 +1 14 3 CARDI B 15 19 FRANK KOHNERT NEED Q-LINE RECORDS 1360 +4 15 3 16 HOUSEFLY BE WITH YOU SOUNDS UNITED 1153 0 14 1 17 DJ COMBO & DJ MARTZ FEAT. TIMI KULLAI BRIGHT SIDE OF LIFE KHB MUSIC 1142 0 15 1 18 76 ALLE FARBEN & ILIRA FADING SONY 1128 +58 18 2 19 18 MIKE CANDYS & JACK HOLIDAY THE RIDDLE ANTHEM REWORK KONTOR 1083 -1 18 3 20 HUGEL FEAT.
    [Show full text]
  • Artistbio 862.Pdf
    BIOGRAPHY OFFICIAL MUSIC VIDEO Unheard of YouTube views, peppering Beatport’s Top 10, building a rep as a remixer to the stars and de- SAINTS & SINNERS livering stamina-soaked sets from the White Island to Governor’s Island...Thomas Gold has fast become clubbing’s G-force of nature. Since storming onto the scene and riding the crest of dance music’s re-taking over of the planet, the prolifically pedigreed German has emerged as a top shelf seizer of arenas, talked about the world over. As a spinner with the most well-thumbed of passports, Gold’s upgrading from studio to stage stimulator, including the use of live drum lines and brass sections, has dominated TAKE ME HOME OFFICIAL MUSIC VIDEO the essentials of must-attend dance parties: the Ultra Music Festival, Electric Daisy Carnival, Coachella, Mysteryland and Tomorrowland. After setting standards with releases on Armada, Toolroom, Spinnin’, and Steve Angello’s Size, Gold’s consistent hitting of dancefloor jackpots had Miami anthem ‘Sing2Me’, released on Axwell’s Axtone imprint, trilling its way to Beatport’s number one spot and becoming a cornerstone of Gold’s Essential Mix. Turning Adele’s ‘Set Fire to the Rain’ into a YouTube record breaker OFFICIAL AUDIO (like his number of Facebook followers, Gold has set counters to crazy), BETTER VERSIONS OF MYSELF it stood as the jewel in a remix crown of popstars and peers. NORTH AMERICA & MEXICO Spin Artist Agency / Paul Cunningham [email protected] OFFICIAL AUDIO REST OF THE WORLD MAGIC Active Talent Agency / Aaron Cook [email protected] MANAGEMENT Chased Management / Marc OgiharA [email protected] MORPHINE OFFICIAL AUDIO PR (NORTH AMERICA, ROW, ETC) GET IN! PR / Kat Bailey [email protected] Armada Music / Justine Servais [email protected] CAN’T STOP THIS FEELING OFFICIAL AUDIO DOWNLOAD PRESS PHOTOS DOWNLOAD LOGO.
    [Show full text]
  • Remix Theory
    ~ SpringerWienNewYork Eduardo Navas .000• 00.00 .000. 00000 .000.••••• •••••• 0000 ••0 •• 00.00 0.0.0 00000 .0.0 • 00.00 00.00 00.00 .00.0••••• •••••• 0000 .000• 00.00 0.0.0 00000 • 000. ••••• .000• 00.00 .000. 00000 • 000• .000• •••••00.00 .000. •••••• 0000 •••••• 000• .000•••••• 0.0.0 00.00 • 000• 00.00 00.00 .000.••••• •••••• 0000 .000• .00.0••••• 00.00 00.00 • 000. ••••• ••••• .000• 00.00 THE AESTHETICS OF SAMPLING SpringerWienNewYork Eduardo Navas, Ph.D. Post-Doctoral Research Fellow Information Science and Media Studies University of Bergen, Norway With financial support of The Department of Information Science and Me- dia Studies at The University of Bergen, Norway. This work is subject to copyright. All rights are reserved, whether the whole or part of the material is con- cerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photocopying machines or similar means, and storage in data banks. Product Liability: The publisher can give no guarantee for all the informa- tion contained in this book. The use of registered names, trademarks, etc. in this publication does not imply, even in the absence of a specific state- ment, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. © 2012 Springer-Verlag/Wien SpringerWienNewYork is part of Springer Science+Business Media springer.at Cover Image: Eduardo Navas Cover Design: Ludmil Trenkov Printing: Strauss GmbH, D-69509 Mörlenbach Printed on acid-free and chlorine-free bleached
    [Show full text]
  • The Politics of Authenticity in Rock and Electronic Dance Music By
    The Politics of Authenticity in Rock and Electronic Dance Music By Luke Pearson A thesis submitted to the Faculty Of Graduate And Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Music and Culture Carleton University Ottawa, Ontario ©2012 Luke Pearson Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91588-2 Our file Notre reference ISBN: 978-0-494-91588-2 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • The Backstreets Liner Notes
    the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm.
    [Show full text]
  • Live Nation Acquires Festival and Concert Promoter Behind Summerburst Festival
    LIVE NATION ACQUIRES FESTIVAL AND CONCERT PROMOTER BEHIND SUMMERBURST FESTIVAL – Live Nation Sweden Acquires a Majority Stake in Stureplansgruppen Live (SPG Live), including Summerburst Festival, Lights Festival and SPG Live’s Concert Business – LOS ANGELES (March 5, 2015) – Live Nation Sweden has acquired a majority stake in Stureplansgruppen Live (SPG Live), a major concert promotor who operates one of the country’s most popular festivals in the Nordic Region. The interest in SPG Live is part of Live Nation Entertainment’s global strategy to expand and develop within the EDM segment (Electronic Dance Music), and this new relationship will serve as the platform for Live Nation’s growth in the Nordic region. SPG Live is behind many successful events, including Summerburst Festival in Stockholm and Gothenburg. During its five very successful years, this festival has consistently grown and is now one of the most popular festivals in the Nordic region. This year, Summerburst Festival has confirmed artists such as Avicii, Axwell Λ Ingrosso and Afrojack. SPG Live will also promote Swedish superstar DJ Alesso’s first arena show ever in Sweden, as he plays at Ericsson Globe on April 25. Vimal Kovac, CEO, Stureplansgruppen: “Stureplansgruppen’s investment in festivals and concerts have been great fun, successful and profitable. In five years, Summerburst Festival has established itself as the leading festival in Sweden, with over 100,000 visitors in 2014, and we already know that this year’s festival will beat all previous records.” Anders Boström, festival general manager, SPG Live: “We are incredibly proud of what we have accomplished with SPG Live, and at the same time very happy and excited about what’s about to come.
    [Show full text]