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Noviembre 2018 Todo Scorsese (2). La cámara salvaje Laurie Anderson. Todo está conectado Roy Andersson. Como la vida misma Muriel Box. Una cineasta a la intemperie (2) Ecos de Bergman (1) noviembre Copia restaurada Noventa minutos (1947) 2018 1 jueves 2 viernes 3 sábado 4 domingo No hay sesiones. 17:30 - Sala 1 • Muriel Box. Una cineasta a la intemperie 17:30 - Sala 1 • Filmoteca Junior / Laurie Anderson. Todo 17:30 - Sala 1 • Todo Scorsese. La cámara salvaje está conectado The Lost People (Muriel Box y Bernard La última tentación de Cristo (The Last Las sesiones anunciadas pueden sufrir cam- Knowles, 1949). Int.: Dennis Price, Mai Zetterling, Rugrats: La película (The Rugrats Movie, Temptation of Christ, Martin Scorsese, 1988). bios debido a la diversidad de la procedencia Richard Attenborough. Reino Unido. 35 mm. Igor Kovalyov y Norton Virgien, 1998). EEUU. Int.: Willem Dafoe, Barbara Hershey, Harvey Kei- de las películas programadas. VOSE* 89’ DCP. VOSE*. 89’ tel. Canadá, EEUU. DCP. VOSE*. 164’ Tras la Segunda Guerra Mundial, diversas personas Primera adaptación cinematográfica de la popular Las copias que se exhiben son las de mejor desplazadas, procedentes de campos de concentra- serie de animación de Nickelodeon, que narra las ción y de trabajos forzados, aguardan a ser devueltas aventuras de un grupo de bebés que se pierden en el calidad disponibles. Las duraciones que figu- bosque. Además de Laurie Anderson, otros grandes ran en el programa son aproximadas. a sus países en un teatro alemán custodiado por soldados británicos. Pero entre los desplazados, des- iconos de la canción prestaron sus voces para la pelí- pués de años de unión contra el fascismo, surgen los cula: Beck, Patti Smith, Iggy Pop… Los títulos originales de las películas y los de enfrentamientos... Segunda proyección día 17. su distribución en España figuran en negrita. 19:30 - Sala 1 • Todo Scorsese. La cámara salvaje 19:30 - Sala 1 • Laurie Anderson. Todo está conectado Cielo sobre Berlín VOSE Versión original subtitulada en ¿Quién llama a mi puerta? (Who’s That (Der Himmel über Ber- Knocking at My Door?, Martin Scorsese, 1967). lin, Wim Wenders, 1987). Int.: Bruno Ganz, Sol- es pañol veig Dommartin, Otto Sander. RFA, Francia. B-R. Int.: Harvey Keitel, Zina Bethune, Anne Collette. «Aunque las decisiones que dan forma a esta excep- VOSE* Versión original subtitulada en EEUU. 35 mm. VOSE*. 90’ VOSE. 128’ español electrónico cionalmente ambiciosa, profundamente conflictiva y, «Una maravillosa evocación de la vida urbana en Esta- «Una exploración de opuestos que lleva su debate en ocasiones, genuinamente transcendental película VOSF/E* Versión original subtitulada en dos Unidos que anunciaba la llegada de un importante hasta su esencia: ¿narrativa o no narrativa? Y, como son a veces contradictorias, aportan una dimensión francés y español electrónico Toro salvaje (Martin Scorsese, 1980) nuevo director». (Roger Ebert) una pluma que cae desde una nube, flota en una y extraordinaria. La lucha de Scorsese con su material VOSI/E* Versión original subtitulada en otra dirección hasta que llega al suelo. Durante todo 20:00 - Sala 2 • Yasuzô Masumura. Retratos al límite resulta tan palpable como la historia que se muestra inglés y español electrónico ese tiempo, volamos con los ángeles, viendo Berlín a en pantalla. (Janet Maslin) Warm Current MRI/E Muda con rótulos en inglés (Danryu, Yasuzô Masumura, través de su mirada monocromática». (Rita Kempley) Segunda proyección en diciembre. 1957). Int.: Jun Negami, Sachiko Hidari, Hitomi Segunda proyección día 24. subtitulada en español electrónico Nozoe. Japón. 35 mm. VOSI/E*. 94’ 20:00 - Sala 2 • Los años del cambio MRS/E* Muda con rótulos en sueco 20:00 - Sala 2 • Yasuzô Masumura. Retratos al límite «El sentimiento en las películas japonesas significa 7 días de enero (Juan Antonio Bardem, subtitulada en español electrónico contención, armonía, resignación, tristeza, derrota y With My Husband’s Consent (Otto ga 1979). Int.: Manuel Ángel Egea, Fernando Sán- MRA/E* Muda con rótulos en alemán huida, no vitalidad dinámica, conflictos, lucha, placer, mita “Onna no kobako” yori, Yasuzô Masumu- chez Polack, Madeleine Robinson. España, Fran- subtitulada en español electrónico victoria y búsqueda… Yo prefiero la emoción sencilla ra, 1964). Int.: Ayako Wakao, Jiro Tamiya, Keizo cia. 35 mm. 124’ Kawasaki. Japón. 35 mm. VOSI/E*. 92’ MRF/E* Muda con rótulos en francés y cruda, pues creo que los japoneses reprimimos Reconstrucción de uno de los hechos más trascen- nuestros deseos tanto que tendemos a perder de vista dentes de nuestra historia reciente: la matanza de los subtitulada en español electrónico 22:00 - Sala 1 • Todo Scorsese. La cámara salvaje VE Versión en español nuestra verdadera mente». (Yasuzô Masumura) abogados laboralistas de Atocha por un grupo fascista. Jo, qué noche 35 mm Proyección en 35 mm (After Hours, Martin Scorsese, 21:30 · Sala 1 • Cinéditos 1985). Int.: Griffin Dunne, Rosanna Arquette, 21:00 - Sala 1 • Muriel Box. Una cineasta a la intemperie 16 mm Proyección en 16 mm Marlina the Murderer in Four Acts Verna Bloom. EEUU. 35 mm. VOSE*. 97’ Street Corner (Muriel Box, 1953) Int.: Anne DCP Proyección en DCP (Mouly Surya, 2017). Int.: Marsha Timothy, Egy «Martin Scorsese transforma una convención en de- Crawford, Peggy Cummins, Rosamund John. BSP Proyección en Betacam SP Fedly, Dea Panendra. Indonesia, Francia, Malasia, clive de la comedia de los 80, la falta de reacción Reino Unido. 35 mm. VOSE*. 94’ BDG Proyección en Betacam Digital Tailandia. DCP. VOSE. 93’ ante situaciones cada vez más absurdas y amena- El trabajo diario y la rutina de las mujeres policía a HDCam Proyección en HDCam «Marlina aún está de luto por su marido, cuyo cadáver zadoras, en una rica y dolorosamente graciosa farsa través de tres historias. La primera tiene como prota- B-R Proyección en Blu-Ray se encuentra embalsamado en el centro del salón. En ese metafísica». (Dave Kehr) gonista a una chica de 18 años detenida por robar en DVD Proyección en DVD momento, un grupo de hombres llaman a su puerta y le Segunda proyección día 11. una tienda; la segunda, a una desertora del ejército en- AD Proyección en archivo digital piden que les haga la cena. […] Marlina es una honesta, vuelta en un caso de bigamia; y la tercera, a un bebé Corpo Celeste (Alice Rohrwacher, 2011) cautivadora y visualmente impresionante película sobre maltratado por su padre y su madrastra. la feminidad y la supervivencia». (Hannah Lynn) Segunda proyección día 14. 6 martes 7 miércoles 8 jueves 9 viernes 10 sábado 11 domingo 17:30 · Sala 1 • Muriel Box. Una cineasta a la intemperie 17:30 - Sala 1 • Yasuzô Masumura. Retratos al límite 17:30 - Sala 1 • Sesión especial No hay sesiones 17:30 - Sala 1 • Filmoteca Junior 17:30 · Sala 1 • Laurie Anderson. Todo está conectado El vagabundo de las islas (The Beachcom- Seisaku’s Wife (Seisaku no tsuma, Yasuzô The Grandmaster (Wong Kar-Wai, 2013). El vuelo del navegante (Flight of the Hidden Inside Mountains (Laurie Ander- ber, Muriel Box, 1954). Int.: Glynis Johns, Robert Masumura, 1965). Int.: Ayako Wakao, Takahiro Ta- Int.: Tony Leung Chiu-Wai, Zhang Zhiyi, Zhang Intruder, Randal Kleiser, 1986). Int.: Joey Cra- son, 2005). Int.: Anonhi, Laurie Anderson, Rita Newton, Donald Sinden. Reino Unido. 35 mm. mura, Nobuo Chiba. Japón. 35 mm. VOSI/E*. 93’ Jin. Hong Kong, China. 35 mm. VOSE. 123’ mer, Paul Reubens, Cliff De Young. EEUU. B-R. Alper. EEUU, Japón. AD. VOSE*. 25’. Heart of VOSE* 82’ VOSE. 90’ a Dog (Laurie Anderson, 2015). EEUU, Francia. «Lo que me interesa es el conflicto que surge en la «La decisión de Wong Kar Wai de hacer una pelí- Cuando una epidemia de cólera amenaza las Islas DCP. VOSE*. 75’. Total programa: 100’ expresión de deseos desnudos que no pueden ser cula sobre Ip (maestro de Wing Chun, profesor de «La historia de un niño y su amigo viajando a través del Bienvenidas, Martha, una misionera europea, y Ted, controlados por el entorno». (Yasuzô Masumura) Bruce Lee y figura reverenciada por meritos propios) espacio para devolver al chico a su casa bien podría Segunda proyección y texto día 29. un borracho a quien su familia paga para tener lejos, E.T. es consistente con su habitual énfasis en los con- entenderse como una copia de Sin embargo, el re- 19:30 · Sala 1 • Todo Scorsese. La cámara salvaje 19:30 - Sala 1 • Muriel Box. Una cineasta a la intemperie se ven obligados a colaborar para impedir que la en- ceptos de exilio y regreso a un pasado geográfico y sultado es una aventura tan alegre y conmovedora que The Happy Family (Muriel Box, 1952). Int.: fermedad se extienda. Jo, qué noche (After Hours, Martin Scorsese, personal». (Vadim Rizov) sería más correcto considerarla una heredera afortunada Stanley Holloway, Kathleen Harrison, Naunton Debido al deteriorado estado de la copia, la única de la influencia de Steven Spielberg». (Caryn James) 1985). Int.: Griffin Dunne, Rosanna Arquette, Presentación del libro Wong Kar-Wai (Cátedra) a Wayne. Reino Unido. 35 mm. VOSE*. 86’ disponible para proyección, esta sesión es de entrada Verna Bloom. EEUU. 35 mm. VOSE*. 97’ cargo de Carlos F. Heredero, autor del libro, y Enri- Segunda proyección día 24. La familia Lord es dueña de una frutería próxima al libre hasta completar aforo. que Urbizu, director de cine. 19:30 - Sala 1 • Todo Scorsese. La cámara salvaje 20:00 · Sala 2 • Muriel Box. Una cineasta a la intemperie auditorio en construcción del Festival de Gran Bretaña. 19:30 - Sala 1 • Yasuzô Masumura. Retratos al límite Lillian Lord se ocupa de la tienda y su marido, Henry, Uno de los nuestros (Goodfellas, Martin Testigo en peligro (Eyewitness, Muriel Box, 20:00 - Sala 2 • Los años del cambio Spider Girl es un conductor de tren a punto de jubilarse.
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