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Repurposing from Outdated to Original in Indy
Plugged In Issue Five • the official school newspaper of Speedway Senior High School • March 2, 2012 From outdated to Trending vintage Repurposing Attention all of you original in Indy antiquing aficionados Outside, it looks like H: Where/when did you first get the inspiration to There’s the sort of place you’d never, start repurposing art/ creating gifts/art pieces? been a ever dream of entering alone. A: Honestly, my inspiration came directly from noticeable It’s a run-down factory with my budget. I am a member of a mail art trading site called trend in a few broken windows and ATCsforAll.com where I swap small 2.5x3.5” artworks called fashion and faded lettering on the side. As Artist Trading Cards (ATCs) with people all over the world. décor lately. you walk up to the door, you After impulsively joining a Christmas gift swap, I needed We haven’t feel as though this may not be to think of things to make on the cheap so I could create exactly been such a good idea. However, impressive but affordable gifts for eight different people. moving h o l l y s c o t t on the inside, Midland When I dragged my family off to Goodwill, we found all kinds forward, --- Arts and Antique Market of things that I could alter, from salt and pepper shakers to forging new Plugged In Co-Editor is a wonderland of lovely Russian nesting dolls to an old industrial thermometer casing trendsetting - and some not-so-lovely - that weighed about 12 pounds. -
Vinyl Records for Sale
VINYL RECORDS FOR SALE Updated: 14.09.2021 SIGNS & SYMBOLS: Artist / title / music / year of first publishing / country of origin / issue / label / country of issue / gradings (record / cover) / remarks / price in Euro To get the price in US Dollars = Price in Euro x 1,15 Music: age - new age avn - avantgarde avj - avantgarde/jazz avr - avantgarde/rock bea - beat bgr - bluegrass blu - blues blr - blues rock brs - brass rock chn - chansons ctr - country rock dis - disco eas - easy listening elm - electronic/meditation music fnk - funky fol - folk flr - folk rock hrd - hard rock hvm - heavy metal jaz - jazz j+r - jazz rock new - contemporary music, new music old - early music ork - orchestral music ost - original soundtrack p+r - poprock pjr - progressive jazz rock pop - pop prg - progressive rock prf - progressive folk rock prh - progressive hard rock psy - psychedelic pnk - punk reg - reggae roc - rock rnr - rock and roll rnb - rhythm and blues sgr - singer / songwriter ska - ska, rockabilly, psychobilly sou - soul slr - soulrock srf - surf music sth - southern rock swi - swing syn - synthesizer rock tec - techno trd - traditional jazz ujr - underground jazzrock und - underground music unf - underground folk unj - underground jazz unr - underground rock var - variety music Issue: or - original, first issue ri - reissue with different cover ro - reissue in original cover YY - release’s year of this reissue P.J. - Polish Jazz series Nr... APB - „Archiv of Polish Beat” series Gradings: (record first /then cover) m (mint - the record looks -
To Get the BFC Tunebook!
Bampton Folk Club Tunebook April 2021 1 2 Contents Contents .................................................................................................................................................. 3 Introduction ............................................................................................................................................ 7 About us and our session. ................................................................................................................... 7 Some format notes. ............................................................................................................................ 7 The Essentials ...................................................................................................................................... 8 More Music ......................................................................................................................................... 8 Inclusions and Corrections .................................................................................................................. 8 Songs ....................................................................................................................................................... 9 All For Me Grog ................................................................................................................................. 10 Banbury Ale ....................................................................................................................................... 14 -
Troubled Voices Martin Dowling a Troubles Archive Essay
Troubled Voices A Troubles Archive Essay Martin Dowling Cover Image: Joseph McWilliams - Twelfth March (1991) From the collection of the Arts Council of Northern Ireland About the Author Martin Dowling is a historian, sociologist, and fiddle player, and lecturer in Irish Traditional Music in the School of Music and Sonic Arts in Queen’s University of Belfast. Martin has performed internationally with his wife, flute player and singer Christine Dowling. He teaches fiddle regularly at Scoil Samhradh Willy Clancy and the South Sligo Summer School, as well as at festivals and workshops in Europe and America. From 1998 until 2004 he was Traditional Arts Officer at the Arts Council of Northern Ireland. He is the author of Tenant Right and Agrarian Society in Ulster, 1600-1870 (Irish Academic Press, 1999), and has held postdoctoral fellowships in Queen’s University of Belfast and University College Dublin. Recent publications include “Fiddling for Outcomes: Traditional Music, Social Capital, and Arts Policy in Northern Ireland,” International Journal of Cultural Policy, vol. 14, no 2 (May, 2008); “’Thought-Tormented Music’: Joyce and the Music of the Irish Revival,” James Joyce Quarterly, vol. 44, no. 1 (2008); and “Rambling in the Field of Modern Identity: Some Speculations on Irish Traditional Music,” Radharc: a Journal of Irish and Irish-American Studies, vols. 5-7 (2004-2006), pp. 109-136. He is currently working on a monograph history of Irish traditional music from the death of harpist-composer Turlough Carolan (1738) to the first performance of Riverdance (1994). Troubled Voices Street singers and pedlars of broadsheets had for two centuries been important figures in Irish political and social life. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Annual Report of the Librarian of Congress
ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I. -
An Obstacle Confusion: the Wonderful World of Barney Mckenna Pdf
FREE AN OBSTACLE CONFUSION: THE WONDERFUL WORLD OF BARNEY MCKENNA PDF Jim McCann | 100 pages | 21 Jan 2016 | Liberties Press Ltd | 9781910742150 | English | Dublin, Ireland An Obstacle Confusion: The Wonderful World of Barney McKenna - Jim McCann - Google книги Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and An Obstacle Confusion: The Wonderful World of Barney McKenna again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Wendy Shea Illustrator. But he was also famous for another reason: he was capable of bringing any conversation to a sudden stop by uttering something so completely unexpected as to reduce everyone present An Obstacle Confusion: The Wonderful World of Barney McKenna bemused silence. These wonderful flights of fancy are must-reads for Dubliners fans, young and old. They stood outside, gazing at the breathtaking, sun-dappled panorama, an occasional medieval castle peeking through the mist-shrouded trees, and basked in the beauty of the idyllic scene. Barney eventually broke the reverential silence. Get A Copy. Kindle Editionpages. More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Obstacle Confusionplease sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. -
The Ulster Scot
A FAMILY PASS TO THE Ulster-Scots Agency (Boord o Ulstér-Scotch) official publication SATURDAY MARCH 11 2017 ST PATRICK’S CENTRE - PAGE 16 Burns Night celebration is a rousing success w SPECIAL BURNS NIGHT COVERAGE: Sixth annual concert at Waterfront Hall crowns a memorable night as community events also shine Pages 7,8 and 9 w ALL SMILES AT BLACKTHORN PIPERS SOCIETY w NEW BROCHURE MARKS THE BIRTH OF ANDREW w 2016 WAS JAM-PACKED WITH SUCCESS FOR MEETING AT THE DISCOVER ULSTER-SCOTS JACKSON, THE SEVENTH PRESIDENT OF AMERICA KIRKNARRA DANCER EMMA SPIERS CENTRE, BELFAST PAGE 3 PAGE 11 PAGE 13 2 www.ulsterscotsagency.com SATURDAY MARCH 11 2017 SATURDAY MARCH 11 2017 Fair faa ye Ulster-Scots Agency hosts reception for 78th Fraser Highlanders Pipe Band Welcome to the March 2017 edition of the Ulster-Scot. It has been a busy few months since the January edition of The Ulster-Scot was published! The Ulster-Scots Agency hosted the annual Burns Night concert with the Ulster Orchestra on See Pages 7, 8 and 9 Saturday January 21 in the Waterfront Hall, Belfast. The concert was a huge success with performances by singer Emily he Ulster-Scots Agency to thank the band (including many the concert. During the evening, Smith, musician Jamie McClennan, pipers from Field Marshal hosted a reception for the of the original performers) who Winston Pinkerton (RSPBANI Montgomery pipe band, the Ulster Scots Agency Juvenile Pipe Band Toronto based 78th Fraser will be taking part in the “30th President) presented souvenir T Anniversary Live ‘back’ in Ireland plaques to two original performers and the Markethill Ulster-Scots dancers. -
Irish President Will Preside Over Famine Events Commemorations Set for May 5 and 6
May 2012 Boston’s hometown VOL. 23 #5 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com Irish president will preside over Famine events Commemorations set for May 5 and 6 By the BiR StaFF Boston’s Irish community is prepar- ing to welcome Michael D. Higgins, the ninth and current President of Ireland, on his arrival in the city on Sat., May 5, for a whirlwind two-day visit that will coincide with Boston’s designation by the Irish government as the official site of the international commemoration of the Irish Famine. Higgins will preside over several famine-related events in Boston, and will deliver a lecture on the “Great Hunger” and its impact on Ireland and Boston at Faneuil Hall on th morning of his arrival. The Boston observance Donal and Rosa O’Connor with Sergio and his twin brother, Tadhg. Sergio has will precede by a week the official Irish been in a hospital every day since he was born in March of 2011. commemoration in Drogheda, Co. Louth, on May 13. Michael Higgins, 71, is a longtime Michael D. Higgins A SESSION FOR SERGIO Galway politician, a former head of the To speak on “The Great Hunger” Labour Party, a poet, a university profes- Irish musicians will gather to play for the sor, an author and a broadcaster. He was elected to the presidency last fall and took benefit of a Dublin boy, age one, who is facing office in November, succeeding two-term ‘Golden Door’ president Mary McAleese. -
Interview Mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt)
Interview mit John Sheahan 2002 (Hans-Jürgen Fink, Hamburger Abendblatt) ? Was für eine Situation war das damals in Irland, als die Dubliners in den 60er- Jahren ihre Karriere starteten? Welche Bedeutung hatte das Singen und Musizieren, und welche Marktlücke haben Sie damals erobert? ! 1962 – das war eine völlig andere Welt, sie hat sich viel langsamer bewegt – heute ist alles so hektisch und verrückt. Die Leute hatten mehr Zeit, Zeit zum Nachdenken. Und die irische Musik, das war die Welt der älteren Generation. Sie war nicht schrecklich populär unter jüngeren Leuten und hat diese Generation erst langsam wieder erobert. Bei mir war das etwas anders, ich habe Tin Whistle gelernt und dann Flöte; ich bin ja wie Barney MacKenna in einer musikalischen Familie aufgewachsen. Die Art der „Dubliners“, mit der traditionellen irischen Musik umzugehen, war neu und erfrischend, sie brachte eine ganz andere Vitalität hinein. Nur ein Beispiel: Die älteren Musiker, das waren meist Dance Bands, sie haben alle gesessen. Wir standen auf der Bühne, wir haben gespielt und gesungen, und wir haben uns bewegt. Die Leute schienen das zu mögen, und so haben wir uns unsere ganz eigene Nische im Markt geschaffen. Wir haben die Leute magisch zur irischen Musik hingezogen, der wir neues Leben eingehaucht hatten. ? Sie sind jetzt vierzig Jahre im Musikgeschäft – das ist einzigartig. Wie würden Sie denn Ihr Erfolgsrezept beschreiben? ! Vermutlich ist es unser Erfolgsrezept, dass wir nie irgendeins gehabt haben. Wir haben ja noch nicht mal Verträge untereinander. Wir spielen einfach, wir haben musikalisch viel anzubieten, jeder bringt seine Soli ein. Und noch etwas ist ganz wichtig: Wir hängen nicht zwischen unseren Tourneen zusammen. -
1354025778Soundpostautum
Volume 10 No. 3 | Autumn 2012 NEWSLETTER • OF • THE • MUI: MUSICIANS’ UNION OF IRELAND IN THIS ISSUE: €200,000 Capital Instrument and Music Day Grants €200,000 Musical IMRO revenue down New MUI RTÉ NSO Section Capital Scheme and Committee MUI RTÉ freelance orchestral rates Music Day Grants Chris Long resigns from RTÉ NSO The Minister for Arts, Heritage and Commenting on the Minister’s announce- European Court of Justice the Gaeltacht, Jimmy Deenihan, TD, ment, Sharon Rollston, Chief Executive favourable sick-leave ruling recently confirmed capital funds of Officer, Music Network, said: ‘Music Net- €200,000 for the Music Capital Scheme work is very pleased to be able to continue Russian teenager wins Dublin and love:live music/national Music Day the Music Capital Scheme in 2012, as one piano competition 2013. Both initiatives are managed by of a range of supports we offer to Irish Music Network. musicians. As well as individual artists, Christy Moore supports former among others the scheme supports youth Vita Cortex workers The Music Capital Scheme provides bands, ensembles, orchestras, community funding for the purchase of musical initiatives and resource organisations Death of Larry Cunningham instruments to both non-professional working in a diverse range of genres performing groups/ensembles and including rock, pop and contemporary as Daniel O’Donnell receives free- professional performing artists; love:live well as classical, traditional Irish, Baroque, dom of Co. Donegal music, Ireland’s National Music Day, jazz and electronic music. The high number celebrates the value of music in of applications to the scheme each year communities throughout the country brings home the level of need that exists in Tommy Makem to be honoured on 21st June each year. -
“Rory Played the Greens, Not the Blues”: Expressions of Irishness on the Rory Gallagher Youtube Channel
This is a repository copy of “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/175392/ Version: Published Version Article: O'Hagan, L. orcid.org/0000-0001-5554-4492 (2021) “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. Irish Studies Review. ISSN 0967-0882 https://doi.org/10.1080/09670882.2021.1946919 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Irish Studies Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/cisr20 “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel Lauren Alex O’Hagan To cite this article: Lauren Alex O’Hagan (2021): “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel, Irish Studies Review, DOI: 10.1080/09670882.2021.1946919 To link to this article: https://doi.org/10.1080/09670882.2021.1946919 © 2021 The Author(s).