CONTENT | LFI 4.2016
04 EDITORIAL LEICA WORLD PHOTO SCENE Young photo journalism at the Lumix Festival in 62 THE APO-VARIO- Hanover. Photo Basel Art ELMARIT-SL Photography Fair Following the standard zoom lens, the new 06 BOOKS 90–280mm lens turns New edition: a four-part the Leica SL into a real portfolio of work by Walker camera system Evans, Lee Friedlander, Garry Winogrand and Ma- 64 HUAWEI P9 nuel Álvarez Bravo Stepping into new terrain: as a result of a collabora 08 M MAGAZINE N0. 4 tion with the Chinese Photo series by manufacturer, Huawei, van Houtryve, Fohlen, Leica is getting a foot in the Zachmann, Gerbehaye, smartphone business Mignot and Shergill 68 MY LENS Bathing pool beauties: Deanna Templeton discovered the fascinating Small and compact: 10 TALKING WITH interplay of human body, water and light, just by chance (page 52) Simone Klein joins the Spanish photographer Magnum Photos as Global Julian Furones speaks Print Sales Director about the Leica CL’s Summicron-C 40mm f/2 14 | Of the Field 76 EXHIBITIONS NEWS The New Blood exhibition Transient, fragile, morbid: Mike Tinney uses withered 70 in London with works flowers to create minimalist yet romantic still lifes. Spotting scope adaptor by six Magnum Photos for the Leica Q and an M lens to build yourself nominees 28 | Magic Mountain 84 READERS’ GALLERY Thousands of pilgrims and shamanistic rituals: Nothing on top: Alejandro Cegarra documented the María Lionza cult headless photo composi- at a mountain in northern Venezuela. tions by LFI readers | 86 MY PICTURE 38 Fly, Birdie, Fly! Fabio Bucciarelli In his Magic Bird series, Jan Gott shows how speaks about his photo of people in Romania are once again finding a love of life, a Syrian refugee family despite the ongoing precarious situation. IMPRINT A tele-zoom for the Leica SL: the Apo-Vario- 52 | Out of the Blue Elmarit-SL Underwater photography of quite a different kind: Deanna Templeton reveals sensitive images – a blend of nude photography and poetry.
72 | The Poetic Realist He did not believe in the documentary power of photography – for him, the medium was a “process of Mike Tinney: Still-life revelation”. A homage to Piergorgio Branzi. from his Of the Field series 80 | Adieu Tristesse A staged narrative: a visit to the cinema influenced Nan-Huang Cheng’s imagery.
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4 /2016 LFI 3