CONTENT | LFI 4.2016

04 EDITORIAL LEICA WORLD PHOTO SCENE Young photo journalism at the Festival in 62 THE APO-VARIO- Hanover. Photo Basel Art -SL Photography Fair Following the standard zoom lens, the new 06 BOOKS 90–280mm lens turns New edition: a four-part the Leica SL into a real ­ portfolio of work by Walker­ system Evans, Lee Friedlander, Garry Winogrand and Ma- 64 HUAWEI P9 nuel Álvarez Bravo Stepping into new terrain: as a result of a collabora­ 08 M MAGAZINE N0. 4 tion with the Chinese Photo series by manufacturer, Huawei, van Houtryve, Fohlen, Leica is getting a foot in the Zachmann, Gerbehaye, smartphone business Mignot and Shergill 68 MY LENS Bathing pool beauties: Deanna Templeton discovered the fascinating Small and compact: 10 TALKING WITH interplay of human body, water and light, just by chance (page 52) Simone Klein joins the Spanish photographer Magnum Photos as Global ­Julian Furones speaks Print Sales Director about the Leica CL’s -C 40mm f/2 14 | Of the Field 76 EXHIBITIONS NEWS The New Blood exhibition Transient, fragile, morbid: Mike Tinney uses withered 70 in London with works ­flowers to create minimalist yet romantic still lifes. Spotting scope adaptor by six Magnum Photos for the and an M lens to build yourself nominees 28 | Magic Mountain 84 READERS’ GALLERY Thousands of pilgrims and shamanistic rituals: Nothing on top: Alejandro Cegarra documented the María Lionza cult headless photo composi- at a mountain in northern Venezuela. tions by LFI readers | 86 MY PICTURE 38 Fly, Birdie, Fly! Fabio Bucciarelli In his Magic Bird series, Jan Gott shows how speaks about his photo of people in Romania are once again finding a love of life, a Syrian refugee family despite the ongoing precarious situation. IMPRINT A tele-zoom for the Leica SL: the Apo-Vario- 52 | Out of the Blue Elmarit-SL Underwater photography of quite a different kind: Deanna Templeton reveals sensitive images – a blend of nude photography and poetry.

72 | The Poetic Realist He did not believe in the documentary power of ­photography – for him, the medium was a “process of Mike Tinney: Still-life ­revelation”. A homage to Piergorgio Branzi. from his Of the Field series 80 | Adieu Tristesse A staged narrative: a visit to the cinema influenced Nan-Huang Cheng’s imagery.

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4 /2016 LFI 3