1Broadcasting
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Good Evening from a Hut Near Chelmsford'
MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | FEBRUARY-MARCH 2020 ‘Good evening from a hut near Chelmsford’ Modest beginnings for British broadcasting Contents Main feature 12 Radio Shack Britains first ‘wireless’ station News he media is changing so fast that 03 BBC plans major cuts few jobs stay the same and unfortunately journalists cannot Corporation to axe 450 jobs always rely on the work they know best 04 Watchdog probes magazine takeover continuing throughout their careers. Major deal under investigation TDiversifying is a way of protecting yourself against a changing landscape and we have two 05 Newsquest withdraws cuts threat features on that subject. Move follows Scottish strike vote Neil Merrick speaks to journalists who made positive starts 06 Broadcasting authority refuses to act after being made redundant or leaving local newspapers by Anger over bans on journalists setting up their own local news websites. And Ruth Addicott finds out what it takes to succeed in media training, a pursuit “which can be a lucrative and useful sideline. Features As news and journalism rapidly reshapes, it’s also interesting 14 Earning from learning to look back at much earlier innovations in the media. Jonathan Media training can be lucrative Sale traces the very early beginnings of radio which began in a small hut near Chelmsford. 16 Growth on the home turf Meanwhile there has been a key victory in the NUJ’s long- Local news sites thriving running campaign on equal pay at the BBC with the ruling by an employment tribunal that Samira Ahmed should receive Regulars pay parity with Jeremy Vine. -
An Introductory History of British Broadcasting
An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge. -
The Political Structure of UK Broadcasting 1949-1999 Broadcasting UK of Structure Political The
David Elstein POLITICAL The Political Structure of UK Broadcasting 1949-1999 STRUCTURE BROADCASTING UK ELSTEIN The Political Structure of UK Broadcasting 1949-1999 Media, Democracy & Political Process Series Edited by Christian Herzog, Volker Grassmuck, Christian Heise and Orkan Torun The Political Structure of UK Broadcasting 1949-1999 David Elstein Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche National bibliografie (German National Biblio graphy); detailed bibliographic information is available online at http://dnb.dnb.de Published in 2015 by meson press, Hybrid Publishing Lab, Centre for Digital Cultures, Leuphana University of Lüneburg www.mesonpress.com Design concept: Torsten Köchlin, Silke Krieg Cover Image: Sebastian Mühleis and Christian Herzog The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom ISBN (Print): 9783957960603 ISBN (PDF): 9783957960610 ISBN (EPUB): 9783957960627 DOI: 10.14619/011 The digital editions of this publication can be downloaded freely at: www.mesonpress.com Funded by the EU major project Innovation Incubator Lüneburg This Publication is licensed under the CCBYSA 4.0 Inter national. To view a copy of this license, visit: http://creativecommons.org/licenses/bysa/4.0/ Contents Foreword by the Series Editors 9 Foreword by the Author 17 [ 1 ] Beveridge 23 [ 2 ] Pilkington 45 [ 3 ] Annan 65 [ 4 ] Hunt 85 [ 5 ] Peacock 107 [ 6 ] After Peacock: The Politics Of Digital 131 [ 7 ] Davies and the Digital Licence Fee 159 [ 8 ] The BBC in the Digital Century 183 Foreword by the Series Editors The inspiration for publishing this book has its origins in the early stages of my PhD research, a comparative study of British and German media and communication policies, at Loughborough University. -
Listener Online Engagement with BBC Radio Programming
Listener online engagement with BBC Radio programming Tristan Ferne, BBC Audio & Music Interactive Tim Wall and Andrew Dubber, Birmingham City University Lyn Thomas and Maria Lambrianidou, London Metropolitan University Matt Hills and Amy Luther, Cardiff University Bethany Klein, University of Leeds This collaborative research project was funded through the AHRC/BBC Knowledge Exchange Programme’s pilot funding call. The aim of the Arts and Humanities Research Council/BBC KEP is to develop a long-term strategic partnership bringing together the arts and humanities research community with BBC staff to enable co- funded knowledge exchange and collaborative research and development. The benefits from the outcomes and outputs of these projects should be of equal significance to both partners. To find out more about the AHRC/BBC KEP please visit the AHRC’s website at: http://www.ahrc.ac.uk/FundingOpportunities/Pages/KnowledgeExchangeProgramme.aspx Table of Contents !"#$%"#&''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' ( )"*+#,-+.*/!0*+$#,1+.2.+.$-3!44)!5,&."!6$--,/$!4",#&-!,-!,*!78+$*-."*!"9!,*&!4#$,:! 9#";!5,&."<-!=.-+"#>!"9!?.-+$*$#!@,#+.1.A,+."*'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' B C0*+$#,1+.2.+><!,*&!#,&." ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''B 6$+D"& ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''E -
The British Film and Television Industries—Decline Or Opportunity?
HOUSE OF LORDS Select Committee on Communications 1st Report of Session 2009–10 The British film and television industries—decline or opportunity? Volume I: Report Ordered to be printed 14 January 2010 and published 24 January 2010 Published by the Authority of the House of Lords London : The Stationery Office Limited £price HL Paper 37–I The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords with the orders of reference “to consider communications”. Current Membership Baroness Bonham-Carter of Yarnbury Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Gordon of Strathblane Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Lord Macdonald of Tradeston Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Lord St John of Bletso Baroness Scott of Needham Market Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/about_lords/about_lords.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries -
The Relationship Between the BBC and the Commercial Radio Sector
The Relationship Between the BBC and the Commercial Radio Sector in promoting DAB (Digital Audio Broadcasting) in the United Kingdom. John P Devlin A thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy November 2015 ABSTRACT The place of Digital Audio Broadcasting (DAB) in the UK provides an interesting area of study. As of 2015, it is a platform which has been in existence for twenty years. During that time its position has been nebulous. It represents only one method of listening to radio output in a digital format but one in which the BBC, and latterly, the commercial radio sector, placed a huge degree of trust. It has however not become the standard mode of radio listening. One can argue that after much proactive effort from within the UK radio industry, its position may be beginning to falter somewhat in the commercial sector while remaining a paramount policy objective for the BBC. The aim of this thesis is to account for the emergence of DAB and its impact on the relationship between the BBC and the commercial radio sector. It examines the separate and joint roles of each in promoting DAB and highlights how this led to a unique period of cooperation between the two. A historical backdrop is necessary in order to establish the previous state of relations, before embarking upon the core of the thesis which argues that both parties adopted significant changes of posture in order to promote DAB. I argue that the implementation of DAB as a new radio technology represents a marked period of institutional change within the UK radio industry.