1Broadcasting

Total Page:16

File Type:pdf, Size:1020Kb

1Broadcasting -4 1 BROADCASTING SOUND AND TELEVISION MARY CROZIER BROADCASTING is now universal and television is established in many countries. Both these means of communication have grown up in this century and are used and accepted everywhere for entertainment, informa- tion and propaganda. Mary Crozier, who is Radio and Television Critic of the Manchester Guardian, first describes the start and growth of broadcasting, showing how, after the early experi- ments in radio, the many national organizations developed their present structure—in Britain, the Common- wealth and the rest of the world. In the second part of her book she discusses the use of broadcasting and television in politics, education, religion, entertainment and culture. What effect does it have on people? Does it make them more awake to ideas or less so? Will it create ever more listeners and watchers, while those who think and 'do' become fewer ? And does it make for peace between nations or exacerbate enmities? Broadcasting is considered by many people as essentially a public instrument, but it is a virtue of Miss Crozier's well-informed and thoughtful book that it suggests the impoiq-ance of the effect of broadcasting on the individual mind. ç. 45ee. • Te Home Unwersity Library was founded in 1911 to place at the disposal of students, wherever they night be, the fruits of sound learning un all the im- portant branches of present-day knowledge. That aim has been preserved throughout the series of more than 200 titles, and since the Oxford imprint first appeared on the volumes in 1941 fuller resources of scholarship have become open to the Editors, who are now able to seek suitable writers on both sides of the Atlantic. Though all H.U.I,. authors are experts ir_ their subjects, they are not selected for their academic distinction alone ; they are also skilled in the art of presenting their material and able to unite learning with lucidity. While each book is complete and independent in itself, the series is carefully plan- mc.d as a whole to cover a wide range under the headings : ENGLISH THE ARTS CLASSICAL ECONOMICS Sz COMMERCE EUROPEAN LITERATURE GOVERNMENT de LAW HISTORY PHILOSOPHY RELIGION SCIENCE New volumes are added at frequent intervals and books already in the series undergo careful revision as need and opportunity arise.. A detailed list will be sent on request. OXFORD UNIVERSITY PRESS Broadcasting (SOUND AND TELEVISION) MARY CROZIER LONDON OXFORD UNIVERSITY PRESS NEW YORK TORONTO 1958 Oxford University Press, Amen House, London E.C.4 GLASGOW NEW YORK TORONTO MELBOURNE WELLINGTON BOMBAY CALCUTTA MADRAS KARACHI KUALA LUMPUR CAPE TOWN IBADAN NAIROBI ACCRA © Oxford University Press 1958 1298312 Printed in Great Britain by Butler Cl Tanner Ltd., Frome and London THE HOME UNIVERSITY LIBRARY OF MODERN KNOWLEDGE 235 BROADCASTING (SOUND AND TELEVISION) EDITORS OF The Home University Library of Modern Knowledge The late GILBERT MURRAY, O.M., D.C.L., F.B.A. SIR GEORGE CLARK, D.LITT., F.B.A. ACKNOWLEDGEMENTS I MUST thank the BBC generally for the help given to me in placing material at my disposal, and Miss Florence Milnes the librarian at Broadcasting House particularly, for her courtesy in allowing me to use the library; also the North Region of the BBC and their librarian, Miss Paton, for the use of the files and library there. Iam grateful also to the British representatives of the Canadian Broadcasting Corporation and of the Australian Broadcasting Commission, to the Official Secretary at New Zealand House, to the Administra- tive Secretary at the Office of the High Commissioner for the Union of South Africa, and to the Colonial Office, for their kindness in supplying me with docu- ments and information; and to the Manchester Guardian for access to its files. I must also thank Mr. B. W. Cave-Browne-Cave, Head of Programmes, and Mr. F. W. Furze Mills, Engineer-in-Charge (Sound) at the BBC North Region, for reading and commenting on Chapter II. Finally, Imust state that while my work as radio and television critic of the Manchester Guardian has afforded me abasis for opinion, all the arguments and opinions in this book are entirely personal and independent. The short quotations from Plato are taken from the translation by H. D. P. Lee of The Republic in the Penguin Classics. CONTENTS I INTRODUCTION I 2 WHAT RADIO DOES I0 3 BROADCASTING IN BRITAIN 29 4 COMMONWEALTH AND COLONIES 49 5 FROM CHINA TO PERU 68 6 TELEVISION ARRIVES 90 7 COMMERCIAL TELEVISION 108 8 ALL ROUND THE CLOCK 127 9 POLITICS IN BROADCASTING 146 I0 EDUCATION AND RELIGION I64 II MACHINE AND POET 184 12 `THE COMMON MAN' 204 BIBLIOGRAPHY 224 INDEX 228 Chapter One INTRODUCTION BROADCASTING is sometimes compared to the dis- covery of printing, which by the making of many books, and so by the spread of ideas and knowledge, brought anew stage in civilization. The growth of broadcasting, which has been entirely adiscovery and development of the twentieth century, has been alike revolution. In some ways it has been more remarkable in its effects, for even books have to be circulated and then read, and sometimes have to be translated and printed again abroad; whereas broadcasting quickly got to the point where most countries were directing speech to the people of other countries in their own languages. At home everybody, in most countries, is played upon by aconstant stream of sounds bringing entertainment and news, events as they happen, music, politics and teach- ing. If we look at most of this as the 'spoken word', the wheel might seem to have come full circle, and we in this century have seen areturn to the days when the bard's voice alone brought stories and poetry to the people. But that is too romantic, and there is only an element of truth in it. Broadcasting has certainly given enormous importance to the spoken word, but in a very different way. Its reach is infinite and its scope also. From the sending of messages, which confirmed the technical possibility of using sound waves for communication, 2 BROADCASTING (SOUND AND TELEVISION) the next step to the sending out of programmes of music and news was immediate. Only the old and the middle-aged can now remember the time when there was no wireless to listen to; no news bulletins, no music, no plays or comedians on the air, and when, if they wanted recreation or amusement, they had to make it for themselves or go and find it outside the home. The unique thing about broadcasting is that it comes to people in their homes and often seems to have a kind of disembodied authority. What has it done to us? For it has certainly changed people's lives more than they perhaps realize. The first and most important effect has been that whatever the spread of education, of newspaper reading and of the cinema, there was never atime when everybody, young or old, could so easily know about the world outside their own small circle. And whatever lip service is paid to universal education, the truth is that many people still only read with difficulty, and still more never read for choice. There are many lonely, sick or blind people, who cannot go out to theatres, cinemas, or meetings; these can hear the best actors and the greatest music; hear statesmen speaking, take part in national events, follow their favourite sport, or hear religious services. At its lightest, broadcasting brings into the home a cheerful accompaniment; the housewife can have music in the background, or programmes for small children. Television, which is now at work in forty countries, has added the new and fascinating world of pictures, which has everywhere been more of aspellbinder than INTRODUCTION 3 sound broadcasting. If the ordinary wireless set is still the bread and butter, television is the cake, and those who have newly come to it are apt to indulge too much before they learn moderation. Is the effect of all this good, on balance? Amusement is good, gaiety is good; it is good to know more about the world we live in, even if the news is often bad. And if the view we take of people in society is that they can live best and most happily in the air of democratic freedom, then broad- casting can and should open windows upon the world. There are some obvious objections to this. One is that the stream of entertainment and information that pours out may blunt and lull the mind into passivity. That is adanger, certainly, but perhaps minds that can be so readily stupefied would not be very active at any time, and there is evidence that broadcasting has sent people in their millions to read, for instance, books which they had never heard of till they were broadcast in popular form. Broadly speaking, the minority of thoroughly educated people do not make great use of wireless; they find what they want in reading, conversa- tion or activity. This is neither surprising, nor dis- creditable to the others. The report of the Broadcasting Committee of 1949, under Lord Beveridge, said 'Broadcasting is one of the most pervasive and therefore one of the most powerful of agents for influencing men's thoughts and actions .. How can mankind ensure that this great power is exercised at all times for good rather than evil?' The answer is that the right use of broadcasting lies with those who organize it and therefore with the political 4 BROADCASTING (SOUND AND TELEVISION) systems which, in greater or less measure, inspire or control these bodies everywhere in the world.
Recommended publications
  • 'Good Evening from a Hut Near Chelmsford'
    MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | FEBRUARY-MARCH 2020 ‘Good evening from a hut near Chelmsford’ Modest beginnings for British broadcasting Contents Main feature 12 Radio Shack Britains first ‘wireless’ station News he media is changing so fast that 03 BBC plans major cuts few jobs stay the same and unfortunately journalists cannot Corporation to axe 450 jobs always rely on the work they know best 04 Watchdog probes magazine takeover continuing throughout their careers. Major deal under investigation TDiversifying is a way of protecting yourself against a changing landscape and we have two 05 Newsquest withdraws cuts threat features on that subject. Move follows Scottish strike vote Neil Merrick speaks to journalists who made positive starts 06 Broadcasting authority refuses to act after being made redundant or leaving local newspapers by Anger over bans on journalists setting up their own local news websites. And Ruth Addicott finds out what it takes to succeed in media training, a pursuit “which can be a lucrative and useful sideline. Features As news and journalism rapidly reshapes, it’s also interesting 14 Earning from learning to look back at much earlier innovations in the media. Jonathan Media training can be lucrative Sale traces the very early beginnings of radio which began in a small hut near Chelmsford. 16 Growth on the home turf Meanwhile there has been a key victory in the NUJ’s long- Local news sites thriving running campaign on equal pay at the BBC with the ruling by an employment tribunal that Samira Ahmed should receive Regulars pay parity with Jeremy Vine.
    [Show full text]
  • An Introductory History of British Broadcasting
    An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge.
    [Show full text]
  • The Political Structure of UK Broadcasting 1949-1999 Broadcasting UK of Structure Political The
    David Elstein POLITICAL The Political Structure of UK Broadcasting 1949-1999 STRUCTURE BROADCASTING UK ELSTEIN The Political Structure of UK Broadcasting 1949-1999 Media, Democracy & Political Process Series Edited by Christian Herzog, Volker Grassmuck, Christian Heise and Orkan Torun The Political Structure of UK Broadcasting 1949-1999 David Elstein Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche National bibliografie (German National Biblio­ graphy); detailed bibliographic information is available online at http://dnb.d­nb.de Published in 2015 by meson press, Hybrid Publishing Lab, Centre for Digital Cultures, Leuphana University of Lüneburg www.meson­press.com Design concept: Torsten Köchlin, Silke Krieg Cover Image: Sebastian Mühleis and Christian Herzog The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom ISBN (Print): 978­3­95796­060­3 ISBN (PDF): 978­3­95796­061­0 ISBN (EPUB): 978­3­95796­062­7 DOI: 10.14619/011 The digital editions of this publication can be downloaded freely at: www.meson­press.com Funded by the EU major project Innovation Incubator Lüneburg This Publication is licensed under the CC­BY­SA 4.0 Inter­ national. To view a copy of this license, visit: http://creativecommons.org/licenses/by­sa/4.0/ Contents Foreword by the Series Editors 9 Foreword by the Author 17 [ 1 ] Beveridge 23 [ 2 ] Pilkington 45 [ 3 ] Annan 65 [ 4 ] Hunt 85 [ 5 ] Peacock 107 [ 6 ] After Peacock: The Politics Of Digital 131 [ 7 ] Davies and the Digital Licence Fee 159 [ 8 ] The BBC in the Digital Century 183 Foreword by the Series Editors The inspiration for publishing this book has its origins in the early stages of my PhD research, a comparative study of British and German media and communication policies, at Loughborough University.
    [Show full text]
  • Listener Online Engagement with BBC Radio Programming
    Listener online engagement with BBC Radio programming Tristan Ferne, BBC Audio & Music Interactive Tim Wall and Andrew Dubber, Birmingham City University Lyn Thomas and Maria Lambrianidou, London Metropolitan University Matt Hills and Amy Luther, Cardiff University Bethany Klein, University of Leeds This collaborative research project was funded through the AHRC/BBC Knowledge Exchange Programme’s pilot funding call. The aim of the Arts and Humanities Research Council/BBC KEP is to develop a long-term strategic partnership bringing together the arts and humanities research community with BBC staff to enable co- funded knowledge exchange and collaborative research and development. The benefits from the outcomes and outputs of these projects should be of equal significance to both partners. To find out more about the AHRC/BBC KEP please visit the AHRC’s website at: http://www.ahrc.ac.uk/FundingOpportunities/Pages/KnowledgeExchangeProgramme.aspx Table of Contents !"#$%"#&''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' ( )"*+#,-+.*/!0*+$#,1+.2.+.$-3!44)!5,&."!6$--,/$!4",#&-!,-!,*!78+$*-."*!"9!,*&!4#$,:! 9#";!5,&."<-!=.-+"#>!"9!?.-+$*$#!@,#+.1.A,+."*'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' B C0*+$#,1+.2.+><!,*&!#,&." ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''B 6$+D"& ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''E
    [Show full text]
  • The British Film and Television Industries—Decline Or Opportunity?
    HOUSE OF LORDS Select Committee on Communications 1st Report of Session 2009–10 The British film and television industries—decline or opportunity? Volume I: Report Ordered to be printed 14 January 2010 and published 24 January 2010 Published by the Authority of the House of Lords London : The Stationery Office Limited £price HL Paper 37–I The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords with the orders of reference “to consider communications”. Current Membership Baroness Bonham-Carter of Yarnbury Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Gordon of Strathblane Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Lord Macdonald of Tradeston Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Lord St John of Bletso Baroness Scott of Needham Market Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/about_lords/about_lords.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries
    [Show full text]
  • The Relationship Between the BBC and the Commercial Radio Sector
    The Relationship Between the BBC and the Commercial Radio Sector in promoting DAB (Digital Audio Broadcasting) in the United Kingdom. John P Devlin A thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy November 2015 ABSTRACT The place of Digital Audio Broadcasting (DAB) in the UK provides an interesting area of study. As of 2015, it is a platform which has been in existence for twenty years. During that time its position has been nebulous. It represents only one method of listening to radio output in a digital format but one in which the BBC, and latterly, the commercial radio sector, placed a huge degree of trust. It has however not become the standard mode of radio listening. One can argue that after much proactive effort from within the UK radio industry, its position may be beginning to falter somewhat in the commercial sector while remaining a paramount policy objective for the BBC. The aim of this thesis is to account for the emergence of DAB and its impact on the relationship between the BBC and the commercial radio sector. It examines the separate and joint roles of each in promoting DAB and highlights how this led to a unique period of cooperation between the two. A historical backdrop is necessary in order to establish the previous state of relations, before embarking upon the core of the thesis which argues that both parties adopted significant changes of posture in order to promote DAB. I argue that the implementation of DAB as a new radio technology represents a marked period of institutional change within the UK radio industry.
    [Show full text]