The Problem of Sin and Crime in Domestic Tragedy Sandra Clark Institute of English Studies, School of Advanced Study, University of London
[email protected] The domestic tragedies I am concerned with – Arden of Faversham, A Warning for Fair Women, Two Lamentable Tragedies, A Woman Killed with Kindness, and A Yorkshire Tragedy – were all written in a short pace of time, between about 1590 and about 1605. They belong to a particular moment in the religious and social culture of early modern England, which can be characterised in several ways. First, this was a time, in the post- Reformation period, when people believed themselves to be living in an alarmingly disorderly and sinful society. Historians concur in observing ‘an unprecedented concern about crime at an institutional level’1 although in fact levels of violent crime and disorder were gradually declining. Popular writers on crime, who did not generally use that term, regularly present themselves as living in times of exceptional wickedness. The author of A World of wonders. A masse of Murthers. A Covie of cosenages (1595) typically remarks on the variety of evil to be observed, such as ‘carnall and most unnaturall murthers, detestable periuries, cankered covetousne, incestuous adulterie, hardnes of hart, peevish extortion, exactious extorion, exactious usury, and divers most horrible and abhominable practices’.2 Another writer singles out one crime for special mention; in The Crying Murther: Contayning the cruell and most horrible Butchery of Mr Trat, Curate of olde Cleave (1624) it is observed that ‘our modern murders, which are the most raging where other sins are most reigning, seems equal, though not for number, yet for the manner unto those of the Mahometan assassins .