Open Source Free Software and Contractual Issues
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Abuse of Dominantposition and Switching Costs
UNIVERSITY OF LONDON REFUSAL TO LICENSE: ABUSE OF DOMINANT POSITION AND SWITCHING COSTS NET LE SUBMITTED TO THE LAW DEPARTMENT OF THE LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LONDON, MAY 2004 U /« 3 L \ * f LONDIU) \ WtfV. / UMI Number: U615726 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615726 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Th e s e s F 353£ . Library British Library of Political and Economic Science IJW 5S 5 II ACKNOWLEDGEMENT Foremost, I wish to express my deep gratitude to my supervisors, Professor William T. Murphy and Mr. Andrew Murray for their continual support throughout this thesis. Their comments have helped to essentially improve the accuracy of my research. Further, I wish to thank Mr. Giorgio Monti for reviewing my drafts, sharing with me books, giving me invaluable feedback and assistance. Others from LSE whom I would like to thank include Doctors Carsten Sorensen and Ole Hanseth (Department of Information System), Professors Max Steuer, Dany Quah and Michele Picione (Department of Economics) for reading my drafts, generously sharing with me their knowledge, improving my understanding and moreover providing me with excellent research inspiration. -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Gentlemen's Argument
Copyright © 2007, Chicago-Kent Journal of Intellectual Property A GENTLEMEN'S AGREEMENT ASSESSING THE GNU GENERAL PUBLIC LICENSE AND ITS ADAPTATION TO LINUx Douglas A. Hass" Introduction "Starting this Thanksgiving, I am going to write a complete Unix-compatible software system called GNU (for GNU's Not Unix), and give it away free to everyone who can use it." With his post to the Usenet 2 newsgroup net.unix-wizards, 3 Richard Stallman launched a sea change in software development. In 1983, he could not have known that his lasting contribution would not be the GNU operating system, but instead the controversial software license that he would develop as its underpinning: the GNU General Public License (GPL).4 Today, the operating system most closely associated with the GPL is Linux, developed originally by Linus Torvalds, a Finnish university student.5 Research group IDC's Quarterly Server Tracker marked Linux server revenue growth at three times Microsoft Windows server growth in the first quarter of 2006, its fifteenth consecutive quarter of double-digit revenue growth. 6 British research firm Netcraft's July 2006 Web Server Survey gives Linux-based 7 Apache Web servers the largest market share among Web servers queried in its monthly survey. With Linux gaining an increasingly larger position in these markets, the validity of the GPL takes on increasing importance as well. The open source community's commercial and non-commercial members are conducting a robust debate on the intellectual property issues surrounding the GPL and Linux, its most * Douglas A. Hass, Director of Business Development, ImageStream; J.D. -
A Brief History of GNOME
A Brief History of GNOME Jonathan Blandford <[email protected]> July 29, 2017 MANCHESTER, UK 2 A Brief History of GNOME 2 Setting the Stage 1984 - 1997 A Brief History of GNOME 3 Setting the stage ● 1984 — X Windows created at MIT ● ● 1985 — GNU Manifesto Early graphics system for ● 1991 — GNU General Public License v2.0 Unix systems ● 1991 — Initial Linux release ● Created by MIT ● 1991 — Era of big projects ● Focused on mechanism, ● 1993 — Distributions appear not policy ● 1995 — Windows 95 released ● Holy Moly! X11 is almost ● 1995 — The GIMP released 35 years old ● 1996 — KDE Announced A Brief History of GNOME 4 twm circa 1995 ● Network Transparency ● Window Managers ● Netscape Navigator ● Toolkits (aw, motif) ● Simple apps ● Virtual Desktops / Workspaces A Brief History of GNOME 5 Setting the stage ● 1984 — X Windows created at MIT ● 1985 — GNU Manifesto ● Founded by Richard Stallman ● ● 1991 — GNU General Public License v2.0 Our fundamental Freedoms: ○ Freedom to run ● 1991 — Initial Linux release ○ Freedom to study ● 1991 — Era of big projects ○ Freedom to redistribute ○ Freedom to modify and ● 1993 — Distributions appear improve ● 1995 — Windows 95 released ● Also, a set of compilers, ● 1995 — The GIMP released userspace tools, editors, etc. ● 1996 — KDE Announced This was an overtly political movement and act A Brief History of GNOME 6 Setting the stage ● 1984 — X Windows created at MIT “The licenses for most software are ● 1985 — GNU Manifesto designed to take away your freedom to ● 1991 — GNU General Public License share and change it. By contrast, the v2.0 GNU General Public License is intended to guarantee your freedom to share and ● 1991 — Initial Linux release change free software--to make sure the ● 1991 — Era of big projects software is free for all its users. -
Free Software As Commons
FREE SOFTWARE AS COMMONS BETWEEN INFORMATIONAL CAPITALISM AND A NEW MODE OF PRODUCTION By Emrah Irzık Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisor: Professor Jakob Rigi CEU eTD Collection Budapest, Hungary 2015 Statement I hereby state that the thesis contains no material accepted for any other degrees in any other institutions. The thesis contains no materials previously written and/or published by another person, except where appropriate acknowledgment is made in the form of bibliographical reference. Emrah Irzık Budapest, November 2015 CEU eTD Collection Abstract Free Software is a particular way of organizing the production and distribution of software that offers a solid alternative to the intellectual property regime by constituting an open commons: non-proprietary, created and held in common by all. Considering that in contemporary capitalism a significant amount of wealth is created through the application of intellectual effort to existing knowledge to produce new, higher compositions of knowledge that can be privately monetized as intellectual property, the challenge that Free Software might present to capitalism is bound to have important transformational potential. This potential needs to be studied both on an empirical level, in its partial and concrete manifestations in actual projects, and investigated more theoretically, to see if Free Software can be characterized as a nascent, new mode of production. This dissertation aims to contribute to the theorization of the relation between Free Software as a commons and the tenets of informational capitalism by means of an analytical study that is supported by an ethnography of a particular instance of Free Software as a project and a community. -
Free As in Freedom (2.0): Richard Stallman and the Free Software Revolution
Free as in Freedom (2.0): Richard Stallman and the Free Software Revolution Sam Williams Second edition revisions by Richard M. Stallman i This is Free as in Freedom 2.0: Richard Stallman and the Free Soft- ware Revolution, a revision of Free as in Freedom: Richard Stallman's Crusade for Free Software. Copyright c 2002, 2010 Sam Williams Copyright c 2010 Richard M. Stallman Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled \GNU Free Documentation License." Published by the Free Software Foundation 51 Franklin St., Fifth Floor Boston, MA 02110-1335 USA ISBN: 9780983159216 The cover photograph of Richard Stallman is by Peter Hinely. The PDP-10 photograph in Chapter 7 is by Rodney Brooks. The photo- graph of St. IGNUcius in Chapter 8 is by Stian Eikeland. Contents Foreword by Richard M. Stallmanv Preface by Sam Williams vii 1 For Want of a Printer1 2 2001: A Hacker's Odyssey 13 3 A Portrait of the Hacker as a Young Man 25 4 Impeach God 37 5 Puddle of Freedom 59 6 The Emacs Commune 77 7 A Stark Moral Choice 89 8 St. Ignucius 109 9 The GNU General Public License 123 10 GNU/Linux 145 iii iv CONTENTS 11 Open Source 159 12 A Brief Journey through Hacker Hell 175 13 Continuing the Fight 181 Epilogue from Sam Williams: Crushing Loneliness 193 Appendix A { Hack, Hackers, and Hacking 209 Appendix B { GNU Free Documentation License 217 Foreword by Richard M. -
Proposal to Add the Copyleft Symbol to Unicode
Proposal to add the Copyleft Symbol to Unicode by David Faulks (dаvіdј_faulks@yahоο.ca) February 23, 2016 ! 1. Introduction The purpose of this proposal is to request that a codepoint be allocated in the UCS for the Copyleft Symbol !, a symbol which is derived from U+00A9 COPYRIGHT SIGN (©), only reversed. It is proposed that the symbol be allocated at U+1F16C in the Enclosed Alphanumeric Supplement Block. If the proposed name COPYLEFT SYMBOL (by far the most common name1) is not acceptable to the UTC, alternative names (such as COPYLEFT SIGN, or REVERSED COPYRIGHT SIGN) are acceptable. Since the symbol is derived from U+00A9 copyright sign, the proposed character properties are based upon that character, but the UTC should feel free to alter the proposed properties if they wish. 1F16C;COPYLEFT SYMBOL;So;0;ON;;;;;N;;;;; As a symbol, the copyleft symbol has no special line-breaking properties, and also has no defined collation, although one may suggest it be sorted just after (or before) ©. The Proposal Summary Form is attached to the end of this proposal, as seems to be the practice nowadays. 2. History Copyleft is a term that first gained popularity with Richard Stallman's GNU Project during the late 1980's, although the term itself can be traced back earlier. The term is currently used in a formal manner, to refer to licensing schemes for copyrighted works that are not ‘All Rights Reserved' but rather grant some sort of copying and modification rights to the user or recipient automatically.2 Since the Copyright Sign (©) already existed long before the term ‘Copyleft’ was invented, it seems natural to come up with a reversed Copyright Sign to denote Copyleft. -
My Lawyer Is an Artist: Free Culture Licenses As Art Manifestos
MY LAWYER IS AN ARTIST: FREE CULTURE LICENSES AS ART MANIFESTOS Aymeric Mansoux Artists have the possibility today to publish their work under licenses that offer the same freedom as free software in terms of appropriation, study and modification. In this paper, I will argue that what is often introduced as a new form of artistic freedom and collaboration, is in fact a networked evolution of constrained art in which artists are turning legal documents into artists' manifestos. Introduction Most discussions around the influence of the free software philosophy on art tend to revolve around the role of the artist in a networked community and her or his relationship with so-called open source prac- tices. Investigating why some artists have been quickly attracted to the philosophy behind the free soft- ware model and started to apply its principles to their creations is key in understanding what a free, or open source, work of art can or cannot do as a critical tool within culture. At the same time, avoiding a top down analysis of this phenomenon, and instead taking a closer look at its root properties, allows us to break apart the popular illusion of a global community of artists using or writing free software. This is the reason why a very important element to consider is the role that plays the license as a conscious artistic choice. Choosing a license is the initial step that an artist interested in an alternative to standard copyright is confronted with and this is why before discussing the potentiality of a free work of art, we must first un- derstand the process that leads to this choice. -
Copy, Rip, Burn : the Politics of Copyleft and Open Source
Copy, Rip, Burn Berry 00 pre i 5/8/08 12:05:39 Berry 00 pre ii 5/8/08 12:05:39 Copy, Rip, Burn The Politics of Copyleft and Open Source DAVID M. BERRY PLUTO PRESS www.plutobooks.com Berry 00 pre iii 5/8/08 12:05:39 First published 2008 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © David M. Berry 2008 The right of David M. Berry to be identifi ed as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2415 9 Hardback ISBN 978 0 7453 2414 2 Paperback Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. The paper may contain up to 70% post consumer waste. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Sidmouth, EX10 9QG, England Typeset from disk by Stanford DTP Services, Northampton Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne Berry 00 pre iv 5/8/08 12:05:41 CONTENTS Acknowledgements ix Preface x 1. The Canary in the Mine 1 2. The Information Society 41 3. -
Management ABSTRACT
Research Paper Volume : 2 | Issue : 7 | July 2013 • ISSN No 2277 - 8179 Management KEYWORDS : Intellectual Property Copyleft for the Copyright Rights, Copyright, Copyleft, Licensing Suvrashis Sarkar Researcher for PhD with Mumbai University at Jamnalal Bajaj Institute of Management Studies ABSTRACT Copyright is a kind of intellectual property right whose importance has increased tremendously in the re- cent years due to rapid technological developments in the field of information and communication technology, printing, publishing, music and entertainment, etc. The object of copyright is to encourage authors, composers, artists, designers to create original works by rewarding them with exclusive rights for a certain time period. However economic exploitation of copyright is done by licensing the exclusive rights to others for monitory consideration. In the rapidly changing technological environment, cop- yright protection has been extended to areas of creative work particularly in the information technology industry relating to comput- er software and databases. Copyleft is emerging as a paradigm opposed to copyright which allows authors to grant the users of their works the right to use, modify, distribute and copy their works. This paper attempts to provide a basic understanding of copyright, followed with the introduction to the concept of copyleft, its history, the various methods and types of copyleft, and the fundamental thought behind it. This paper also attempts to touch upon the criticisms of copyleft, the current state and future outlook for copyleft. Introduction: The word “copyright” is derived from the expression ‘copier of existing business models of software companies, which lead to words’. The word ‘copy’ is presumed to date back to 1485AD anand increase redistribute in copyrighted the software. -
Gnu-Manifesto.Pdf
This is a verbatim copy of www.gnu.org/gnu/manifesto.html, converted into pdf for inclusion in a course reader. The GNU Manifesto by Richard Stallman The GNU Manifesto (which appears below) was written by Richard Stallman at the beginning of the GNU Project, to ask for participation and support. For the first few years, it was updated in minor ways to account for developments, but now it seems best to leave it unchanged as most people have seen it. Since that time, we have learned about certain common misunderstandings that different wording could help avoid. Footnotes added in 1993 help clarify these points. For up-to-date information about the available GNU software, please see the information available on our web server, in particular our list of software. For how to contribute, see http://www.gnu.org/help. What’s GNU? Gnu’s Not Unix! GNU, which stands for Gnu's Not Unix, is the name for the complete Unix-compatible software system which I am writing so that I can give it away free to everyone who can use it.(1) Several other volunteers are helping me. Contributions of time, money, programs and equipment are greatly needed. So far we have an Emacs text editor with Lisp for writing editor commands, a source level debugger, a yacc-compatible parser generator, a linker, and around 35 utilities. A shell (command interpreter) is nearly completed. A new portable optimizing C compiler has compiled itself and may be released this year. An initial kernel exists but many more features are needed to emulate Unix. -
The Story of Linux
The story of Linux From a hacker’s hobby to the king of supercomputing Kaido Kikkas 2019 Kaido Kikkas. This document is dual-licensed under the GNU Free Documentation License (v l.2 or newer) and the Creative Commons Attribution-ShareAlike (BY-SA) 3.0 Estonia or newer license Free and Open Source Software ● Two competing ideas: – The return of the 'Good Old Times' of software – A new phenomenon born with the Internet explosion in early 90s ● In a way, both are right – the truth lies most likely somewhere in between MIT AI Lab ● July 1, 1963 – Project MAC (originally Mathematics and Computation) is launched on a DARPA 2 MUSD grant ● J.C.R. Licklider, M. Minsky, J. McCarthy ● PDP-6 (later, 10), ITS, LISP ● A hacker paradise: culture of sharing and playful cleverness ● 1970 – Marvin Minsky with his disciples found AI Lab ● 1971 – a student named R.M. Stallman seeks internship – gets it along with a job and place to live following in the future ● Emacs: a text editor as the ‘killer app’ of the time Times change ● 1981 – strife in the lab, two groups forming two companies specializing on LISP and related computers (LMI led by Richard Greenblatt, and Symbolics by Russell Noftsker). In the end, most of the lab disbands ● Stallman stays for awhile (and helps LMI), but finally starts to search for a new place. Ideas of a free system ● 1982 – starts to develop a new, fully free operating system (a rewrite of Unix, as ITS is too old already) RMS, the crazy guy ● RMS (as he is still called today) decides to rewrite (a free) Unix from scratch – more or less alone - and on November 27, 1983 sends an announcement to Usenet and various lists ● GNU, stands for Gnu's Not Unix (recursively) ● First utility: Yacc => Bison ● Writes to Andrew S.