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SPECIAL MUSICAL GUESTS in WORSHIP : We Have Been So Fortunate to Have to Renown Recording Artists Contribute to Our Online Worship
BBPC Weekly BUZZ September 06, 2019 December 7, 2018 This Week in Worship WORSHIP will be online ONLY All gatherings at the church have been suspended Click HERE to join us via video streaming or dial in at: (872) 240-3311 & enter Access Code: 417-955-909 Sunday, May 10, 10:00 a.m. Streaming Online @ BBPC.org/LIVE Rev. Linda E Owens Preaching “There’s No Place Like Home“ Scripture: Psalm 31:1-5,15-16, 1 Peter2:2-10, & John 14:1-14 Anthems: Peace written & performed by Jennifer Knapp I Can Only Imagine performed by John Almendinger May the Lord Shine His Mercy Upon You performed by Celebrating our Graduates Francis Quilang Help us in honoring our 2020 graduates. Send us your high school and college graduation photos. In next week’s BUZZ, we will begin to feature our gradu- ates Along with the photos, please include: Graduate Name High School/University Name Degree Obtained (or high school diploma) Future plans upon graduation Please email all correspondence to Karen at [email protected] 1 SPECIAL MUSICAL GUESTS in WORSHIP : We have been so fortunate to have to renown recording artists contribute to our online worship. Both Carrie Newcomer and Jennifer Knapp are no strangers to BBPC. Carrie performed here in concert in 2016 and 2018, and Jennifer in 2011 & 2012. Each has offered personally to allow us access to their music for our worship online. Carrie has offered us access to her online video recordings and Jennifer has recorded three of her songs especially for us here at BBPC. -
Contemplative Practices for Higher Education 2020 Conference Program
Contemplative Practices for Higher Education 2020 Conference Program March 5-7, 2020 Hosted by Virginia Tech At the Hotel Roanoke WELCOME TO THE 2020 CONFERENCE! This conference is the seventh in a series and is targeted to professionals from across the Mid-Atlantic region and beyond who are interested in contemplative practice, particularly those from academic disciplines, higher education leadership, and student affairs. The organizing body behind this conference is the Contemplative Higher Education Alliance for Research, Teaching and Service (C-HEARTS) in the Mid-Atlantic Region. Through this gathering, we explore pathways to sustainably integrate contemplative practices into our lives, whether that is in the classroom, in the research laboratory, in the office, in healthcare, in the arts, or in our lives beyond the professional sphere. Woven throughout the conference will be opportunities for instruction in mind body disciplines as well as times for contemplation. 2020 Conference Organizing Committee • Erin Hopkins, Assistant Professor of Property Management, Virginia Tech • Matthew F. Komelski, Instructor, Department of Human Development and Family Science, Virginia Tech • Douglas K Lindner, Co-Chair, Prof Emeritus, Bradley Dept of Electrical & Computer Engineering, Virginia Tech • Bill Macauley, Professor; Director of Composition & Communications, Disciplines Program, U. of Nevada, Reno • Jamie Reygle, Executive Director, InStill Mindfulness SWVA • Stephanie Sebolt, Assistant Professor, College of Education, Mary Baldwin University • Laurie Seidel, Instructor, Virginia Tech Carilion School of Medicine and Coordinator for Mindfulness Programs, Roanoke City Public Schools • Martha Sullivan, Professor of Practice in Industrial Design, Virginia Tech • Juliet Trail, Co-Chair, Founder and Director, Courageous Compassion Connection • Gini Weisz, Associate Professor, School of Nursing, Waldron College of Health & Human Services, Radford U. -
Betty's Diner
Betty’s Diner A New Musical Three-Page Treatment with Additional Support Materials Music and Lyrics by Carrie Newcomer Book by Carrie Newcomer and Richard K. Thomas Music Direction and Orchestrations by Gary Walters © 2010-2017 Carrie Newcomer, Richard K. Thomas and Gary Walters Betty’s Diner A New Musical Three-Page Treatment Table of Contents THREE PAGE TREATMENT .................................................................................................................. 1 MUSICAL NUMBERS ............................................................................................................................... 4 ARTISTS’ BIOS ......................................................................................................................................... 5 CHARACTER DESCRIPTIONS .............................................................................................................. 6 All contents © 2010-2017, Carrie Newcomer, Richard K. Thomas, Gary Walters Betty’s Diner A New Musical Music and Lyrics © 2005 – 2017 Carrie Newcomer; Book © 2009 – 2017 Carrie Newcomer and Richard K. Thomas Music Direction and Orchestrations © 2013 – 2017 Gary Walters Betty’s Diner, has been a family business for three generations. The diner has become something of an institution in a small college town in Southern Indiana near Indianapolis. The regulars and refugees of Betty’s Diner are a humorous and somewhat gritty collection of regular customers that create the fabric of a deep community. At the top of the play, the diner has fallen on hard times. A new expressway has opened on the edge of town. Betty’s Diner, as are many local and family businesses, is struggling to find its place and even chances of survival in a world that seems to be moving faster everyday. Miranda, the owner, works most of the shifts herself, barely able to make ends meet. In the wee hours of the first day of spring, a mysterious stranger, Gabriel, appears. He’s handsome, albeit a little worn around the edges (1. -
16263 Wff2011annualreportcover Finpths.Indd
TABLE OF CONTENTS 2010 CHAIR’S MESSAGE 2 2010 EXECUTIVE DIRECTOR’S MESSAGE 3 2010-11 SNAPSHOT 4 2010-11 BOARD OF DIRECTORS 5 I. WINNIPEG FOLK FESTIVAL ORGANIZATIONAL PROFILE 6 II. FESTIVAL HISTORY AND ACTIVITIES 8 III. TEN-YEAR FINANCIAL HISTORY 10 IV. 2010-11 FINANCIAL OVERVIEW 11 V. 2010 WINNIPEG FOLK FESTIVAL 12 HISTORY OF PAID ATTENDANCE 21 2010 WINNIPEG FOLK FESTIVAL RECOGNITION AWARDS 22 VI. YEAR-ROUND ACTIVITIES 23 VII. WINNIPEG FOLK FESTIVAL MUSIC STORE 27 VIII. RESOURCE DEVELOPMENT 28 WINNIPEG FOLK FESTIVAL 2010 SPONSORS 30 IX. STRATEGIC INITIATIVES 32 WINNIPEG FOLK FESTIVAL 2010-11 STAFF 34 PAST PERFORMERS 1974-2010 35 APPENDIX 49 RESPONSIBILITY FOR FINANCIAL STATEMENTS 52 2010 Chair’s Message 10 Our festival started as a simple one-time event in 1974, and 37 years later, it still remains as the centre of our universe, constantly evolving, changing and growing over the years to meet our changing audiences, while staying true to the values that best represent our festival. Much to our surprise (and pleasure), we seem to be garnering all kinds of national and international recognition in the form of Top 10 lists and musical and tourism awards for simply doing the things that we love to do. Our success rests in not being comfortable with what we did yesterday, but what we might be today and tomorrow. The 2010 event was spectacular again in the ways we have always expected: Five days of beautiful weather; a wonderful harmony between our audience, 2,500 volunteers, and artists; a wonderful musical experience and the ongoing joys of discovery offered up yet again by Chris Frayer, our Artistic Director guru; another record-breaking crowd that pushed us almost to site capacity; and another really successful year financially.