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Seeing God in Jazz

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DIVIDUKE UNIVERSITY FALL 2011 NITY ALSO INSIDE: Faithful Novelty SEEING GOD IN JAZZ Why Artists and Pastors Need Each Other THE POWER OF THE CHRISTIAN MEMOIR Here at Duke Divinity School, as a member of the New Creation Arts Group, I am learning what it means to develop an incarnational imagination that envisions transformation and redemption. Thank you, annual fund donors, for believing in and investing in Duke Divinity School, the body of Christ, and me. Juli Kalbaugh D’13 The art shown here is a detail from her work, “Mercy,” an acrylic on canvas. 100% of every gift to Divinity Annual Fund goes directly to student financial aid Duke Divinity School attracts committed, talented students every year who want to be formed for ministry through scholarship and service. Contributors to the Annual Fund are part of making that happen. Without financial aid, students like Juli couldn’t contribute to the vibrant life of the school. And they wouldn’t receive the preparation for a lifetime of serving Christ and the world. Every dollar of every gift to Divinity Annual Fund goes to need-based financial aid for Divinity students. Join us to support the next generation of Christian leaders who will enrich the world and the church! For more information about being part of God’s work through Divinity Annual Fund, call 919-660-3456. To give online, see www.divinity.duke.edu/about/how-give FEATURES DIVINITY 4 FALL 2011 FAITHFUL NOVELTY VOLUME 11, NUMBER 1 Why artists and pastors need each other to enrich the life of PUBLISHER the church Richard B. Hays By Jeremy Begbie Dean and George Washington Ivey Professor of New Testament EDITOR 10 DEPARTMENTS Heather Moffitt TELLING LIVES: Associate Director of Communications THE POWER OF THE 3 The Dean’s Perspective CHRISTIAN MEMOIR Produced by the Office of Communications, Events and News: Duke Divinity School Reading and writing Christian 21 Audrey Ward, Executive Director Theology & the Arts memoirs helps us encounter at Duke Divinity School Proofreading by Derek Keefe our own life of faith By Richard Lischer Book Reviews Design by Regina Barnhill-Bordo 24 www.bdesign-studio.com New Books from Copyright © 2011 Duke Divinity School 26 13 Duke Divinity Faculty All rights reserved. SEEING GOD IN JAZZ DIVINITY magazine publishes a Fall and The music of jazz and the art 28 Gifts Spring issue each year. The magazine it inspires points to the represents the engagement of Duke Divinity 29 Faculty & Staff Notes School with important topics and invites incarnation of God friends, supporters, alumni, and others in By Willie James Jennings our community to participate in the story 32 Class Notes of what is happening here. 36 Faculty Reflections We’d like to hear from you! 16 For comments or feedback on BAPTISM, SPEECH, CRAFT DIVINITY magazine, please write: 37 Meditation A young minister finds her Editor, DIVINITY magazine work of preaching shaped Duke Divinity School by her experience with craft Box 90970 By Bonnie Scott Durham, NC 27708-0970 Or e-mail: [email protected] Please include a daytime phone number and 18 e-mail address. Letters to the editor may be THE CHURCH MUSICIAN AS edited for clarity or length. (OVERLOOKED) THEOLOGIAN How the musicians of the church contribute theologically to worship By Mark Gorman ON THE COVER The cover image is Gospel of John Frontispiece and Incipit from The Saint John’s Bible. For more information on this image and the illuminated manuscript, see Events and News on page 21. WWW.DIVINITY.DUKE.EDU/MAGAZINE FALL 2011 | 1 CONTRIBUTORS TO THIS ISSUE JEREMY BEGBIE MARK GORMAN PAUL GRIFFITHS RICHARD LISCHER WILLIE JENNINGS is the Thomas A. Langford completed his M.Div. degree is the Warren Professor of is trained in systematic is associate professor of Research Professor of Theology from Duke Divinity School in Catholic Theology at Duke theology and is an ordained theology and black church at Duke Divinity School. He 2011 and is beginning the Divinity School. His primary minister in the Evangelical studies at Duke Divinity School. studied philosophy and music Th.D. in systematic theology intellectual interests include Lutheran Church in America. He teaches in the areas of at Edinburgh University and there this fall. His research post-1950 Catholic philosophi- As the associate dean for systematic theology and black theology at Aberdeen and interests focus on the person cal theology; the philosophical faculty development and the church and cultural studies. Cambridge. A professionally and work of the Holy Spirit, and political questions arising James T. and Alice Mead He is also an ordained Baptist trained musician, he has especially in the context from religious diversity; fourth- Cleland Professor of Preaching minister who maintains an performed extensively as of doctrine and worship. and fifth-century African at Duke Divinity School, active preaching and teaching a pianist, oboist, and conduc- A certified candidate for Christian thought (especially he teaches in the areas of schedule in the church. His tor. He is an ordained minister ordination in the Baltimore- Augustine); and Gupta-period homiletics and ministry. His particular interests include of the Church of England Washington Conference of Indian Buddhist thought. particular interest is exploring liberation theologies and the and served as an assistant the United Methodist Church, how proclamation and preach- formation of cultural identities. pastor in London. His particular he currently serves as direc- ing are integrated theological research interests are in the tor of music for New Hope activities. Among his other interplay between music and Presbyterian Church in publications is his theological theology, and he directs the Chapel Hill, N.C. memoir, Open Secrets. Duke Initiatives in Theology and the Arts. LESTER RUTH BONNIE SCOTT LAUREN WINNER LUBA ZAKHAROV is research professor of graduated with her M.Div. is an assistant professor has an M.T.S. from Duke Christian worship at Duke degree from Duke Divinity of Christian spirituality at Divinity School. Until recently Divinity School. His areas School in 2011. While a stu- Duke Divinity School. Her she was the reference and of expertise include the dent she won the David H.C. books include Girl Meets serials librarian and an active history of Christian worship Read Preacher/Scholar Award, God, Mudhouse Sabbath, member of the New Creation (particularly early Methodism), a national award recognizing Real Sex, and A Cheerful Arts Group. She has worked creativity with the sacraments, excellence among graduating and Comfortable Faith. She at the Grunewald Guild, and contemporary worship. seminarians, and the Jameson writes and lectures widely on an art-faith community in Jones Preaching Award from Christian practice, the history Leavenworth, Wash., and Duke Divinity School. Her of Christianity in America, and served as library director at artwork was also recognized Jewish-Christian relations. St. Meinrad Archabbey and and awarded in the Student School of Theology. In addition Juried Arts Exhibit. She is to her other graduate degrees, now serving as a minister in a she has earned an M.F.A. in church in the Baltimore area creative writing. Her biblio- as she pursues ordination in graphic research areas include the United Methodist Church. theology and the arts, Eastern Christian spirituality, and sectarian Russian Christianity. 2 | DIVINITY THE DEAN’S PERSPECTIVE The Arts at Duke Divinity School BY RICHARD B. HAYS WHY HAS Duke Divinity School decided to focus its Finally, because we are made in the image of God the Convocation & Pastors’ School this year on arts in the Creator, we are destined to be creators of images and stories. life of the church? Indeed, even more fundamentally, why It’s in our flesh and bones. God is the great artist who con- should those who are engaged in the church’s ministry care ceived and constructed the intricate cosmos, the sculptor who about the arts? I propose four reasons why the arts matter shaped the human form out of the mud of the earth. God is for the church and why we support this endeavor at Duke the poet who imagined Israel’s improbable epic drama and Divinity School. then inspired psalmists and prophets to sing the story and to First, whether we recognize it or not, reimagine it for later generations living the arts surround us: we are immersed in If we are made in the image new chapters in the drama of exile and images, music, and stories. If theological return. If we are made in the image of education focuses only on ideas and fails of such an inventive God, such an inventive God, it follows that we to reflect critically on the artistic media it follows that we will be will be makers of shapes, symbols, songs, that shape our imaginations, we will and stories. be tone-deaf to the creative ways and makers of shapes, symbols, For all these reasons, during my term means the gospel may use to challenge as dean I have sought to focus attention songs, and stories. and transform us. As philosophical theo- on our new program, Duke Initiatives logian Nicholas Wolterstorff has observed, the arts can pro- in Theology and the Arts, under the direction of Professor vide “data” for theology. If we want to teach students about Jeremy Begbie. We now have several students in our Th.D. sacramental sensibility, we can assign a dogmatic essay, but program whose work engages the intersection of arts and it may be equally effective to have them look at van Gogh’s theology. Additionally, during the past year we have spon- paintings and read poems by Gerard Manley Hopkins. sored numerous public events to celebrate and investigate Second, acts of corporate worship embody some artistic the arts in the life of the church.
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