DOCSLIB.ORG

Presents Annamacharya Aradhana 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

NORTH EAST OHIO ASSOCIATION (NEOTA) Presents Annamacharya Aradhana 2018 Sunday, September 30th, 2018 2:00pm - 7:00pm Revere High School, 3420 Everett Road, Richfield OH - 44286 Web: www.neota.org Mail: [email protected] 1 NEOTA Annamacharya Aradhana Vision Annamacharya Aradhana endeavors to pass India’s rich cultural heritage to our next generation, encourage us to love more consciously and with abundance, and excel in personal growth and social engagement. Tallapaka Annamacharya (1408—1503) Annamacharya composed close to 36,000 sankeertanas (songs) out of which only 12,000 are available today. Based on the Vishishtadvaita school of thought, his songs are classified into Aadhyaatma (spiritual) and Sringaara (romantic) genres. Many of his compositions are in Telugu. Annamayya is widely regarded as the Padakavita pitaamaha (grand old man of song writing) of the Telugu language who strongly influenced the structure of Carnatic music compositions that we hear today. Annamacharya considered his compositions as floral offerings to the Lord of the seven hills, Venkateswara. Every year in the month of September/October, NEOTA conducts the Annamacharya Aradhana, to celebrate the life and works of Saint Annamacharya of Tallapaka, as a humble tribute to the supreme devotion of the poetic genius that continues to captivate us to this day! 2 Sri Srivishnu Pasumarthy & Sri Sreekrishna Pasumarthy Pasumarthy Brothers, SriVishnu and SreeKrishna, are a Carnatic music vocalist duo. They started their music education under Bandi Syamala and Nethi Sitha Mahalakshmi, Prema Ramamurthy and Sri.Thiruvarur Girish. They are presently under the guidance of The Malladi Brothers. They have performed in various sabhas across Canada, US and India including All India Radio(AIR) Pasumarthy Brothers owe their knowledge and spiritual discipline to their parents Smt. JhansiRani and Sri Pasumarthy Lakshmi Narayana Sharma. In the past 12 years, Pasumarthy Brothers have gained special interest in Annamacharya's compositions and imbibed Sri.Nedunuri Krishnamurthy's Bani. They consider teaching as a service to god and will continue to strive and spread the knowledge to enthusiasts. Smt. Kalyani Veturi & Smt. Sudha Totapally Kalyani Veturi, Sudha Totapally Founder & Artistic Director Founder & Artistic Director Sree Mayuri Dance Academy- Nataratnam Dance Academy- Center For Indian Center For Indian Dances. Dances. 3 Smt. Shruti Aring Shruti is a multi-talented musician. She is a dedicated vocalist and violinist. She began her initial vocal training from her mother, Smt. Shanti Raghavan and continued her advanced training with Shri Vaigal Gnanaskandan, who was a direct disciple of the legendary Semmangudi Srinivasa Iyer. Within six months of her training she had learned the art of doing kalpana swarams, alapanam and neraval for more than 60 ragas. The title of Sangeetha Bhaskara was conferred on her for her extraordinary achievement in such a short time by the Gnanaskandan Trust. She has also studied under Shri Ravi Kiran, child prodigy and gottu vadyam maestro. Her violin training was done under Shri She has done a number of fund raising concerts for Narasimha Murthy, disciple of violin legend MS various organizations including Siva Vishnu Temple in Gopalakrishna. She has been multiple times first Parma, Tamil Nadu Foundation etc. and has also prize winner in the Cleveland Thyagaraja conducted music arangetrams and several music Aradhana in both violin and vocal. She has workshops. She has designed several thematic musical given concerts across USA and India. She is the presentations for students of Ragapriya. co-founder and Director of Ragapriya School of music and teaches both vocal and violin in the Cleveland area. 4 Sri Lalit Subramanian Lalit Subramanian is a well sought after performer and educator of Indian Classical Music in the US. Lalit is from Pune and is a currently a disciple of Carnatic vocalists Shri Tiruvarur Girish and Shri Neyveli Santhanagopalan. Lalit is also a trained Hindustani vocalist and has been under the tutelage of Pandit Shekhar Kumbhojkar, a disciple of Pandit Jitendra Abhishekhi of Pune. He also did a short stint of Ghazal training under Ustad Anwar Qureshi. Lalit is also a percussionist and has studied Tabla with Pandit Anand Godse of Pune and mridangam under Shri Vijay Shriram, disciple of Shri R. Ramesh and grandnephew of maestro Guru Karaikudi R. Mani. His understanding of vocal music has a deep influence on his style of playing and is preferred by vocalists and instrumentalists alike for his sensitive support on percussion. Lalit holds a Sangeet Visharad degree with gold medal in Carnatic vocal music, and was a Yuva Wani artist (junior) with All India Radio, Pune for Hindustani vocal music. He also also lent his voice to a Marathi film. While Lalit is well known as a solo performer, he participates in interdisciplinary collaborations with other genres as well. He has worked extensively on projects with well known dance companies in the US and has performed at various prestigious venues in the US such as the Kennedy Center for performing arts (Washington, D.C.), American Dance Festival (Durham, NC), Krannert Center for performing arts (Urbana, IL), Walt Disney Concert Hall (Los Angeles, CA), Lied Center (Lawrence, KA), Cleveland Thyagaraja Aradhana, among others, and has received many positive reviews by mainstream American music and dance critics. Lalit was selected as a IndianRaga senior fellow in 2015. He manages the US operations of a trust founded by his Guru Tiruvarur Girish, called ‘The Brinda Repertory’, which organizes events like concerts and workshops aimed at preserving the unique pathantarams and repertoire of Brindamma. He teaches music and percussion to several students. Lalit is a Biomedical Engineer and works for a medical device firm in the Cleveland area. 5 Smt. Suvarna Pappu Suvarna Pappu is well known as one of the younger exponents of Kuchipudi. A versatile performer and teacher, who has perfected the nuances of Kuchipudi, her mastery of traditional style and contemporary usages reflects the cumulative richness of her learning experiences and presentations. Along with her extensive involvement in the field of dance she continues her professional status as an IT professional and hopes to play a significant role in the propagation of Kuchipudi across different cultures and nationalities. Smt. Manjula Kalluri Manjula Kalluri learnt to play the Veena from Srimathi Rajyalakshmi Sethuraman of Chennai and Srimathi Durga Krishnan of Boston. She also learnt vocal Carnatic music from Vairamangalam Sri Lakshminarayanan 6 Dr. Sudhakar Rao Dr. Sudhakar Rao, MD is our guest speaker who will deliver a short inspirational speech on the topic, "How Saint Annamacharya's devotion can be a great inspiration for children and adults in achieving their goals." Dr. Sudhakar Rao is an eloquent speaker and a good writer. His writings and speeches reflect his desire for world peace and a classless peaceful society. He has been honored with many awards like “Ambassador of American Poetry" and recognized by many organizations such as the American Heart Association. Hindu Temple Society of North East Ohio, Youngstown is awarding the title of 'Acharya' to Dr. Sudhakar Rao. Smt. Shanti Raghavan Smt. Shanti Raghavan is a well known teacher in the Cleveland area. She has been teaching Carnatic music. She is an exponent of the Karaikudi style of Veena. She is also the co-founder and director of Ragapriya School of Music. She has been the cultural chairperson at the Sree Venkateswara Temple, Richfield. 7 NEOTA Executive Board Sincerely thanks all the music teachers, following Donors, Annapoornalu & Volunteers for supporting this event! Donors Annapoornalu Sree Venkatesawara Temple Smt. Bala Kasibhatla Smt. Barathi Vedula & Sri Ravindranath Tagore Koduru Smt. Bharathi Vedula Smt. Geeta & Sri Sita Rama Reddy Tondapu Smt. Hamsa Tadepally Sri. Kannan Venkataraman Smt. Madhavi & Sri Venkatesh Polaconda Smt. Indira Gogisetty Smt. Pushpa & Sri Naveen Mandepudi Smt. Kalyani Penumudy Smt. Sita & Sri Ashok Ramadugu Smt. Kavitha Tamma Smt. Swathi & Sri RamaRao Appana Smt. Krishna Priya Buddhavarapu Smt. Lata Ayyagari Some Anonymous Donor(s) Smt. Madhavi Katta Smt. Madhavi Polakonda Smt. Malathi Jala Smt. Pallavi Raghupathy Smt. Purnima Malla Smt. Poornima Peruri Smt. Ramya Smt. Sravanthi Khammampati Smt. Srilakshmi Muvva Smt. Sudha Bhimavarapu Smt. Swathi Appana Smt. Valli Duvvuri Smt. Veena Reddyvari North East Ohio Telugu Association Web: www.neota.org eMail: [email protected] A 501© Tax-Exempt Organization Committed to promoting our heritage through the Annamacharya Aradhana 8 .
Recommended publications
  • The Music Academy, Madras 115-E, Mowbray’S Road

    The Music Academy, Madras 115-E, Mowbray’S Road

    Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type­ written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages.
  • Annamacharya Aaradhana

    Annamacharya Aaradhana

    2018 అన#$%ర' ఆ)ధన Annamāchārya Ārādhana 2:00pm - 7:00pm on September 30th, 2018 Revere High School, 3420 Everett Road, Richfield OH 44286 Vision Annamacharya Aradhana endeavors to pass India’s rich cultural heritage to our next generation, encourage us to love more consciously and with abundance and excel in personal growth and social engagement. Saint Tallapaka Annamacharya (1408 - 1503) Annamayya is widely regarded as the Padakavita pitaamaha (grand old man of song writing) of the Telugu language who strongly influenced the structure of Carnatic music compositions that we hear today. Annamacharya considered his compositions as floral offerings to the Lord of the seven hills, Sree Venkateswara. Annamacharya composed close to 36,000 sankeertanas (songs) out of which only 12,000 are available today. Based on the Vishishtadvaita school of thought, his songs are classified into Aadhyaatma (spiritual) and Sringaara (romantic) genres. Many of his compositions are in Telugu language. Every year in the month of September/October, NEOTA conducts the Annamacharya Aradhana, to celebrate the life and works of Saint Annamacharya of Tallapaka, as a humble tribute to the supreme devotion of the poetic genius that continues to captivate us to this day! !1 of !5 Annamacharya Sankeerthanalu by Cleveland Annamacharya Group " (taught by Gurus Sri Srivishnu Pasumarthy & " Sri Sreekrishna Pasumarthy)" Bhakti Koladhi Vaade Rāgam: malayamarutham Tālam: Adi Anthayuneeve Rāgam: Anandabhairav Tālam: Adi Iddarigunambulive Rāgam: Kapi Tālam: Adi Kantimineedide Rāgam:
  • Okapari Kokapari Ragam: Kharaharapriya (22Th Melakartha

    Okapari Kokapari Ragam: Kharaharapriya (22Th Melakartha

    Okapari Kokapari Ragam: Kharaharapriya (22th Melakartha) ARO: S R2 G2 M1 P D2 N2 S || AVA: S N2 D2 P M1 P G2 R2 S || Talam: Adi Composer: Annamacharya Version: Ram Kaushik (Orig: Nedanuri Krishnamurthy) Lyrics Courtesy: Rani (www.karnatik.com) Link: http://www.karnatik.com/c1567.shtml Pallavi : okapari kokapari oiyaaramai mokamuna kaLalella molicinaTluNDE (oka) CaraNam 1 jagadEkapati mEna jallina kaTpoora dooLi jigigoni naDuvanga cindagaanu mogi candramugi uramuna nilipEgaana pogaru vennela deega pOsinaTliNDE (oka) caraNam 2 meRaya shree venkaTEsu mEna singaaramugaanu sarasaina sommulu dhariyimcagaa meruputoTi alamElu mangayu daanu merupu mEghamukooDi merasinaTluNDE (oka) Meaning : In this song, Annamaacaarya praises the beauty and charm of Lord VenkaTEshwara. When the Lord walks gracefully, the camphor on his body sprinkles and as the goddess sits on his lap it seems as if he is covered by moonlight. The glittering ornaments worn by the Lord join the charisma of the goddess and seem like a lightning joins hands with the glitter and charisma. Meaning (word-word): Adapted from Tenneti Rao’s Blog: http://tenneti-rao.sulekha.com/blog/post/2010/09/meaning-of-okapari-kokapari-song-annamayya-kirtana.htm Time and again (“okapari- kokapari”), when the Lord is gracefully (“oyyaaramai”) walking, it seems that in his face (“mogamuna”), many beautiful rays (“kaLalenni”) have sprouted (“molaci”) and existed thus (“natlunde”). okapari = once; kokapari = a different time; oyyaaramai = with grace, gracefully; mogamuna = on the face; kaLalenni = many a ray, many beauties (cf. moon has sixteen distinct phases of beauty, sixteen degrees of beauty); molaci = as if sprouted; natlunde = exist thus; When the Lord of the world (“jagadEka -pati ”) walks gracefully, the camphor dust (“karpuura-dhuLi”) on his body (“mEna ”) sprinkles (“callina ”) and spreads sparkling light (“jigigona ”) on all four directions (“naluvanka”).
  • AITS :: TIRUPATI Created 3000 Jobs and 45% Newsletter of Them Are Women

    AITS :: TIRUPATI Created 3000 Jobs and 45% Newsletter of Them Are Women

    Volume 3, Issue - II Quarterly April 2016 to August 2016. p5 Volume 3, Issue - II Quarterly April 2016 to August 2016. p6 S p e a k i n g o n t h i s o c c a s i o n , P r i n c i p a l , Mr. Vishal Khanna, Volume 3, Issue - II Quarterly April 2016 to August 2016. p1 Dr. C. Nadamuni Reddy stated that it is very important for Senior Assistant Director, Civil Engineering Students to learn structural designs of F e d e r a t i o n o f I n d i a n offshore constructions since this gives a very good career Chambers of Commerce & opportunities. Industry (FICCI), New Delhi, told that 448 innovators AITS :: TIRUPATI created 3000 jobs and 45% Newsletter of them are women. He gave instances of students who had innovative ideas, submitted their ideas and been funded with rupees from 10 lakhs to 10 crores. The Students and Hod of H&S Dept. Listening Principal's speech MBA, Hod and faculty members with MBA students Government of India and Andhra Pradesh, initiative of HELPING HANDS Make in India will be a success only if we think beyond and The Department of Management Studies has take a step by show casing it in India Innovative Program, organised “Helping Hands” Programme on 26th August which will help Government to know about us and our 2016 to help the poor and needy and to inculcate research. philanthropic attitude in students. Faculty members & S r i .
  • Annamacharya Keerthana Lyrics Telugu Pdf

    Annamacharya Keerthana Lyrics Telugu Pdf

    Annamacharya keerthana lyrics telugu pdf Continue No comment: Post a comment. Go Haak Soubanya 16. Posted by Annamacharya Keerthanalu at 08:20. What is visible and invisible at the same time is drama. Enta Maayala Wadu 11. You may have to sign up... Annamacharya Keerthana Lyrics in Telugu If this is your first visit, be sure to check out the frequently asked questions by clicking on the link above. Answers. Annamacharya Keerthana Condalalo Nelakonna Lyrics Keerthana : Condalalo Nelakonna Ragam : Hindolam Talam : Aadi pallawi kondalalo nelakonna koneti raadu vadu kondalamta varamulu guppedu vadu.... Charanam1: kummara dasudaina kuruvaratinambi yimmanna varamulella yichhina vadu dommulu sesina yatti tonda man chakkura varti rammanna chotiki vachhi nammina vadu.. ... Aaraginchi Kurchunna - Annamaya Sankeerthana Lyrics Annamacharya Sankeerthanalu: Aaraginchi Kurchunna - Annamayya Sankeerthana Lyrics Annamacharya Sankeerthanalu Posted by Annamacharya Keerthanalu at 07:40. Annamaya Kirtana as Krzyrabdi Kinakaku Value: Niraadjanam Daughters of the King of the Ocean Milk; Nirajanam Sri Mahalakshmi, the divine wife of Lord Vishnu; Neerajanam to the one who was born on the Golden Lotus! Here is a site that has a lot of Annamacharya songs with the word ... I don't even know how I ended up here, but I thought this post was... All the lyrics presented on this site are only for training and promotional purposes. Answer. Labels: Letter (V) - Keerthanas. Cannada Lyrics Tamil ... Lakshman Communications: 12307 Joined: 10 Feb 2010 13:22 x 10. A place to go if you want to ask someone to identify Raga, Tala, composer, etc. or ask for s'hitya (lyrics) or notation or translations. Answer Delete. Cell : 09393021360 Price : ..
  • Annamacharya Institute of Technology and Sciences::Rajampet (Autonomous)

    Annamacharya Institute of Technology and Sciences::Rajampet (Autonomous)

    ANNAMACHARYA INSTITUTE OF TECHNOLOGY AND SCIENCES::RAJAMPET (AUTONOMOUS) www.aitsrajampet.ac.in DEPARTMENT OF ELECTRONICS AND COMMUNICATION ENGINEERING ACADEMIC REGULATIONS (R17) AND COURSE STRUCTURE AND SYLLABI For the students admitted to B. Tech., Regular Four Year Degree Programme in CBCS from the Academic Year 2017-18 and B. Tech., Lateral Entry Scheme from the Academic Year 2018-19 B. Tech., ELECTRONICS AND COMMUNICATION ENGINEERING VISION AND MISSION OF THE INSTITUTION Vision We impart futuristic technical education and instill high patterns of discipline through our dedicated staff who set global standards, making our students technologically superior and ethically strong, who in turn shall improve the quality of life of the human race. Mission Our mission is to educate students from the local and rural areas and from other states so that they become enlightened individuals, improving the living standards of their families, industry and society. We provide individual attention, world class quality of Technical education and take care of character building. VISION AND MISSION OF THE DEPARTMENT Vision To offer educational experiences that makes the students globally competent, socially responsible and bring in answers to ever-ebbing problems in the field of Electronics & Communication Engineering. Mission To offer high quality premier education in the field of Electronics & Communication Engineering and to prepare students for professional career and higher studies. To promote excellence in technical research, collaborative activities and positive contributions to society. PROGRAM EDUCATIONALOBJECTIVES: The B.Tech. Electronics & Communication Engineering graduates will be able to: 1. Work efficiently as Communication Engineers, including supportive and leadership roles on Multidisciplinary teams 2. Communicate effectively, recognize and incorporate societal needs and constraints in their professional endeavors, and practice their profession with high regard to legal and ethical responsibilities, 3.
  • SV Temple Annamayya Jayanthi Celebrations Venue: SV Temple, 7615 Metro Boulevard, Edina, MN 55439

    SV Temple Annamayya Jayanthi Celebrations Venue: SV Temple, 7615 Metro Boulevard, Edina, MN 55439

    SV Temple Annamayya Jayanthi Celebrations Venue: SV Temple, 7615 Metro Boulevard, Edina, MN 55439 Contact: Santosh Nandagiri – (248)719- 2875 / [email protected] Program on: Date: Saturday May 17th 2014. Time: 5 PM – 8 PM (SV Temple Auditorium) Sri Tallapaka Annamacharya (May 9, 1408 – February 23, 1503) was the official songmaster of the Tirumala Venkateswara Temple, and a composer who composed around 36000 keertana songs, many of which were in praise of Lord Sri Venkateswara, the presiding deity of the temple. Sri Annamacharya is remembered for his saintly life, and is honoured as a great Bhakta/devotee of Bhagwaan Govinda by devotees and saintly singers. He is widely regarded as the Pada-kavita Pitaamaha (grand old man of song-writing) of the Telugu language. Pls. register by accessing the link below: https://docs.google.com/forms/d/1h9lKtbpqQr7DBXO- 0akalKQa_Uv48slltSADGdnXHRw/viewform After registration, pls. use the link below for payment: http://svtemplemn.org/svtemplemn/donation-forms/ Below are the rules: Minimum age of the participant – 5 years and above Entries for Solo and/or Group performances are accepted. Group should consist of 3 - 8(max) participants. Registration for this event is $15 for solo and $10 per person in group and event is open to public audience. Songs should be on Lord Sri Venkateswara/ Vishnu or his forms. Preferably from Annmayya keerthanas. No movie songs please. Shruthi box can be used for singing. Participants should get their own shruthi box. No Karaoke is allowed. Each participant/Group will be given 5-6min Last date for sending entries/registration is May 10th, 2014 Each participant would be given trophies.
  • Carnatic Music Primer

    Carnatic Music Primer

    A KARNATIC MUSIC PRIMER P. Sriram PUBLISHED BY The Carnatic Music Association of North America, Inc. ABOUT THE AUTHOR Dr. Parthasarathy Sriram, is an aerospace engineer, with a bachelor’s degree from IIT, Madras (1982) and a Ph.D. from Georgia Institute of Technology where is currently a research engineer in the Dept. of Aerospace Engineering. The preface written by Dr. Sriram speaks of why he wrote this monograph. At present Dr. Sriram is looking after the affairs of the provisionally recognized South Eastern chapter of the Carnatic Music Association of North America in Atlanta, Georgia. CMANA is very privileged to publish this scientific approach to Carnatic Music written by a young student of music. © copyright by CMANA, 375 Ridgewood Ave, Paramus, New Jersey 1990 Price: $3.00 Table of Contents Preface...........................................................................................................................i Introduction .................................................................................................................1 Swaras and Swarasthanas..........................................................................................5 Ragas.............................................................................................................................10 The Melakarta Scheme ...............................................................................................12 Janya Ragas .................................................................................................................23
  • Vol.74-76 2003-2005.Pdf

    Vol.74-76 2003-2005.Pdf

    ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr.
  • CARNATIC MUSIC (VOCAL) (Code No

    CARNATIC MUSIC (VOCAL) (Code No

    CARNATIC MUSIC (VOCAL) (code no. 031) Class IX (2020-21) Theory Marks: 30 Time: 2 Hours No. of periods I. Brief history of Carnatic Music with special reference to Saint 10 Purandara dasa, Annamacharya, Bhadrachala Ramadasa, Saint Tyagaraja, Muthuswamy Dikshitar, Syama Sastry and Swati Tirunal. II. Definition of the following terms: 12 Sangeetam, Nada, raga, laya, Tala, Dhatu, Mathu, Sruti, Alankara, Arohana, Avarohana, Graha (Sama, Atita, Anagata), Svara – Prakruti & Vikriti Svaras, Poorvanga & Uttaranga, Sthayi, vadi, Samvadi, Anuvadi & Vivadi Svara – Amsa, Nyasa and Jeeva. III. Brief raga lakshanas of Mohanam, Hamsadhvani, Malahari, 12 Sankarabharanam, Mayamalavagoula, Bilahari, khamas, Kharaharapriya, Kalyani, Abhogi & Hindolam. IV. Brief knowledge about the musical forms. 8 Geetam, Svarajati, Svara Exercises, Alankaras, Varnam, Jatisvaram, Kirtana & Kriti. V. Description of following Talas: 8 Adi – Single & Double Kalai, Roopakam, Chapu – Tisra, Misra & Khanda and Sooladi Sapta Talas. VI. Notation of Gitams in Roopaka and Triputa Tala 10 Total Periods 60 CARNATIC MUSIC (VOCAL) Format of written examination for class IX Theory Marks: 30 Time: 2 Hours 1 Section I Six MCQ based on all the above mentioned topic 6 Marks 2 Section II Notation of Gitams in above mentioned Tala 6 Marks Writing of minimum Two Raga-lakshana from prescribed list in 6 Marks the syllabus. 3 Section III 6 marks Biography Musical Forms 4 Section IV 6 marks Description of talas, illustrating with examples Short notes of minimum 05 technical terms from the topic II. Definition of any two from the following terms (Sangeetam, Nada, Raga,Sruti, Alankara, Svara) Total Marks 30 marks Note: - Examiners should set atleast seven questions in total and the students should answer five questions from them, including two Essays, two short answer and short notes questions based on technical terms will be compulsory.
  • Concerts in Chennai

    Concerts in Chennai

    Concerts in Chennai Given below is a list of carnatic music concerts in Chennai. I will keep updating the list as frequently as possible. The list is as per information received from different sources. Some of the programs might change without my getting to know about the same, in which case, I will not be able to update this page with the changes. I have put a ? wherever I am not sure of the timings (mostly these concerts should be in the evening). A list of sabhas with address and phone no is given at the bottom of this page. {Source: Artist websites, newspapers (The Hindu), schedules released by sabhas, word of mouth etc} You can use Ctrl+F in your Internet Explorer/Mozilla Firefox window to search for a particular artist/ sabha Please refer to this link for directions to the venues (thanks to Bharath for the excellent work with the map) Please refer to this link for a list of concerts that happened in the past in Chennai. =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= CHENNAI (DECEMBER) MUSIC SEASON 2011-12 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= DECEMBER 2011 2nd December 2011 (Friday) 10:00 AM – Rajini Hariharan (Vocal), Tiruvallur Parthasarathy (Violin), Hanumanthapuram J. Bhuvarahan (Mrudangam) @ Narada Gana Sabha Mini Hall, TTK Road, Alwarpet (Kartik Fine Arts) **Free** 10:30 AM – B. Suchitra (Harikatha) @ BharatiyaVidya Bhavan Main Hall, East Mada Street, Mylapore (Bharatiya Vidya Bhavan) **Free** 12:15 PM – Aswath Narayanan (Vocal), B. Sudha (Violin), Nellai V. Sreekrishnan (Mrudangam) @ Narada Gana Sabha Mini Hall, TTK Road, Alwarpet (Kartik Fine Arts) **Free** 2:00 PM – J.B. Keerthana (Vocal), J.B. Sruthi Sagar (Flute), Sudha R.S.
  • Muthuswami Dikshitar Saint Tyagaraja Shyama Sastry

    Muthuswami Dikshitar Saint Tyagaraja Shyama Sastry

    Trinity Music Festival Music Festival Muthuswami Dikshitar Saint Tyagaraja Shyama Sastry Co-Sponsored by Music Department George Mason University, Fairfax, VA Saturday March 6, 2010 Harris Theatre, George Mason University Fairfax Campus 4400, University Drive, FairFairfax,fax, VA 22030 PPRROOGGRRAAMM Saturday, March 06, 2010 08:00 Bhajans by Balavikas of Fairfax 08:30 Procession in honor of Trinity, Varadarajan Atur as Tyagaraja . 08:45 Welcome Speech – Suguna Akkapeddi 09:00 Panchratna Keerthanalu - Maragatham Ramaswami - Vocal Jaishree Sankaran, Malathi Rao, Rohini Ravada , Lavanya Ramakrishnan, Saikumar Natrajan, Vijaya Gollamudi, Gowri Kannan, Pramila Parthasarathy, Vyshalini Parthasarathy, Kanchana Kilakancherry, Sunitha Sriram, Bhuvana Raman, Sahaana Mukundan, Sahana Narayanan, Kalyani Parthasarathy, Deepika Darivemula, Mahathi Gollamudi, Dharanish Gollamudi, Janani Hari, Ranjani Parthasarathy, Supraja Chittari, Kalyani Pillai, Keerthana Vishwanath, Sahitya Vishwanath, Shreya Raman, Asha Krishnakumar, Priya Raju, Priyanka Raju, Sivapriya Venkatesan, Keerthana Srinivasan, Samyuktha Srinivasan, Vyjayanthi Rajamarthandam, Shivashankari Rajamarthandam. Vijay Ganesh, P. K. Swaminathan, Rajana Swaminthan - Mridangam Jayanth Balasubramanian , Ajay Ravichandran - Mridangam Vivek Chellappa - Mridangam, Ranjani Atur , Anjana Swaminathan - Violin Subhash Vinjamuri, Kamalkiran Vinjamuri - Violin Pantulu Raghuram, Swaminathan Natrajan - Violin 10:45 Raghavendra Batni - Veena Rajeswari Basavaraju , Kanchanmala Akamanchi, Sandhya Gorur , Vivek