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Academic Catalog 2000-2001
TEACHERSCOLLEGE COLUMBIA UNIVERSITY 2000–2001 Contents 1 Teachers College. Defining the Work of Educators 4 An Introduction to Teachers College 36 Academic Calendar 39 Research and Service Activities 51 The Milbank Memorial Library 53 Computing and Information Services 55 Instruction and Research Support Services 56 Teacher Education Programs and Internships 59 Research Fellowships 59 Student Life and Student Services 62 Faculty 82 Special Term Faculty 92 Trustees and Officers 94 Programs of Study 275 Degree Requirements 278 Registration, Expenses and General Regulation plus Touchtone Services 284 Residence Halls Information 287 Admissions Application Information 290 Student Aid Information 293 Application for Admission 295 Letter of Reference 297 Residence Hall Application 299 Student Aid Application 301 Index Correspondence Directory Notice of Nondiscriminatory Policy How to Get to Teachers College Map TEACHERSCOLLEGE D EFINING THE W ORK OF E DUCATORS Soon after being named president of Teachers College, I received a letter from a well-known educator suggesting the College change its name. The author reasoned that Teachers College is the largest and most comprehensive graduate and professional school of education in the United States. Teachers College focuses on education in the broadest sense of the word—in and out of the classroom and across a lifespan. A third of our students are in teacher preparation programs. Arthur E. Levine, President, Teachers College, The rest are planning on careers in administra- Columbia University tion, policy, research, and teaching in fields rang- ing across education, health, and psychology. The proposal certainly had merit, but it was at the same time impossible. The most valuable possession we have at Teachers College is our name. -
Vut 20140303 – Big Bands
JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Concerts of a Lifetime
Concerts seit 1941 of a Lifetime. 2. – 9. August 2020 Stiftung Stavros Willi Muntwyler- S. Niarchos Stiftung Medienpartner Aussergewöhnlicher Festival-Sommer LIEBE FREUNDINNEN UND CARI AMICHE E AMICI FREUNDE DER MUSIK DELLA MUSICA Die Geschichte des Engadin Festivals geht zurück ins La storia del Festival dell’Engadina ci porta indietro fino Jahr 1940, in die Zeit des Zweiten Weltkriegs. Auch al 1940, all’epoca della seconda guerra mondiale. Erano in der Schweiz waren die Zeiten schwierig, und die tempi difficili anche in Svizzera e l’industria del turismo Tourismus-Industrie lag brach. In dieser Situation ristagnava. In questa situazione l’allora parroco di Sil- initiierte der damalige Pfarrer von Silvaplana, Ernst vaplana, Ernst Schulthess, avviò una serie di concerti Schulthess, eine Reihe von Kammermusik-Konzer- cameristici in Engadina. Nel luglio 1941 furono inaugu- ten im Engadin. Im Juli 1941 wurden die ersten «Enga- rate nella Bergkirche della Val Fex le prime «Settimane diner Konzertwochen» in der Bergkirche im Val Fex concertistiche dell’Engadina», che divennero rapida- eröffnet. Schnell wurden sie zu einem Anziehungs- mente una vera calamita per chiunque nel mondo mu- punkt für alle, die in der Musikwelt Rang und Namen sicale avesse nome e prestigio. Il progetto era corag- hatten. Das Projekt war mutig – und erfolgreich, bis gioso – e fu coronato dal successo, fino a oggi. heute. Noi scriviamo ora l’anno 2020, e anche noi dobbiamo Wir schreiben nun das Jahr 2020, und auch wir muss- prendere decisioni coraggiose. Non era mai successo, ten mutige Entscheidungen treffen. Noch nie wurde in negli ultimi 80 anni, che la vita culturale patisse limit- den letzten 80 Jahren das Kulturleben so einschnei- azioni drastiche come quelle imposte dal Coronavirus. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Solist:Innen Der Für Musik Ouverture 2021 18. September Hochschule
Programm Wolfgang Amadé Mozart Julie Dufossez, Klarinette, Valeria Curti, Fagott, ( ) nahm ihren ersten Klarinettenunterricht ist seit der Saison 2018 /19 stellvertretende 1756 –1791 bei Lionnel Froidefond in Clermont-Ferrand, Solo-Fagottistin im Musikkollegium Winter- Collegium Musicum Basel Konzert für Violine und Orchester danach wechselte sie an die Ecole Normale thur und Studentin in der Klasse von Sergio Jan Schultsz, Leitung Nr. 3 G-Dur KV 216 (1775) de Musique in Paris um ihr Studium bei Guy Azzolini an der Hochschule für Musik FHNW. Dangain fortzusetzen. Ihren ersten öffent- Ihre Studien absolvierte sie zunächst bei Allegro lichen Auftritt hatte sie 2010 mit ihrer Schwes- Matthias Racz an der Zürcher Hochschule der Max Bruch (1838 –1920 ) Adagio ter, der Flötistin Chloé Dufossez, als sie Künste und an der Universität Mozarteum Doppelkonzert für Klarinette, Viola Rondeau: Allegro Teil der «Génération Jeunes Interprètes» von Salzburg bei Marco Postinghel. Valeria Curti ( ) Gaëlle Le Gallic bei France Musique wurde. möchte das Fagott nicht nur als Orchesterins- und Orchester e-Moll op. 88 1911 Timothy Crawford, Violine Richard Vieille, Florent Héau, Philippe Ferro, trument, sondern auch als solistisch-gesang- Andante con moto (Klasse Rainer Schmidt) Paul Meyer und Eric Le Sage waren später liches Melodieinstrument etablieren und kon- Allegro moderato ihre Lehrer am Conservatoire à Rayonnement zertiert deshalb regelmässig auch als Solis- ( ) Régional de Paris. Seit 2015 studiert Julie tin. Mit grossem Engagement widmet sie Allegro molto Maurice Ravel 1875 –1937 bei François Benda an der Hochschule für sich der Archivrecherche nach vergessener Julie Dufossez, Klarinette Konzert für Klavier und Orchester Musik FHNW in Basel, wo sie ihren Master Per- Schweizer Musik für Fagott. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs. -
Projekte 1976-Folgende
Werkverzeichnis Regio-Chor Binningen / Basel Datum Komponist Titel/Werk Orchester Solisten Leitung Aufführungsort 2018 Oktober 2018 April 2017 Beethoven Oktober 2017 AlexandreGretchaninov April 2016 JosephHaydn DieSchöpfung L'arpaFestanteMünchen VerenaKrause,Sopran Bohdan Shved Martinskirche Oktober MartinaKupprat,Alt Basel Andreas Winkler, Tenor Martin Snell, Bass 2016 JohnRutter MagnificatfürMezzosopran, Orchesterarsleonis Christina Daletska, Mezzosopran Bohdan Shved Martinskirche Mai gemischtenChorundOrchester Basel RalphVaughanWilliams TheLarkAscendingFantasiaon SimoneZgraggen,Violine a theme by Thomas Tallis 2015 JohannSebastianBach "AusderTiefenrufeich,Herr L'arpaFestanteMünchen VerenaKrause,Sopran BohdanShved Martinskirche November zudir"KantateBWV131 DavidMunderloh,Tenor Basel GabrielFauré Requiemop.48 AndrewAshwin,Bariton 1 / 13 Werkverzeichnis Regio-Chor Binningen / Basel Datum Komponist Titel/Werk Orchester Solisten Leitung Aufführungsort 2015 JohannesBrahms "BrahmsinWortundTon" RomantischesOrchester YvonneNaef,Alt BohdanShved Martinskirche April Schicksalslied,op.54 adhoc,Basel IrmgardScheitler,Sprecherin Basel Alt-Rhapsodie, op. 53 Gesang der Parzen, op. 89 Nänie, op. 82 2014 JohannSebastianBach Weihnachtsoratorium L'arpaFestanteMünchen MirjamFeuersinger,Sopran BohdanShved Martinskirche November Kantaten1,3,4und6 RuthSandhoff,Alt Basel für Soli, Chor und Orchester Daniel Johannsen, Tenor Manuel Walser, Bass 2014 Steve Doborogosz Mass AkademischesOrchester SvetlanaShilova,Sopran BohdanShved Stadtcasino Basel März Basel,aob -
Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394)
JAMU 20150422-2 –Dizzy Gillespie-Lalo Schifrin suites (ukázky) Dizzy Gillespie and His Orchestra: A PORTRAIT OF DUKE ELLINGTON (Verve V6-8386) A1 In A Mellow Tone 3:44 A2 Things Ain't What They Used To Be 4:50 A3 Serenade To Sweden 4:23 A4 Chelsea Bridge 2:34 A5 Upper Manhatten Medical Group 3:05 A6 Do Nothin' Till You Hear From Me 2:38 B1 Caravan 5:18 B2 Sophisticated Lady 3:19 B3 Johnny Come Lately 3:35 B4 Perdido 4:47 B5 Come Sunday 2:56 Trumpet – Dizzy Gillespie Trombone – Bennie Green French Horn – Joe Singer, Ray Alonge, Richard Berg Tuba – Jay McAllister Flute – Robert DiDomenica Woodwind – Ernest Bright, John Murtaugh, Paul Richie, Stan Webb Vibraphone – George Devens Piano, Celeste – Hank Jones Bass – George Duvivier Drums – Charlie Persip Arranged By – Clare Fisher Recorded on 27-28 April, 1960 in NYC. Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394) A1 Prelude 5:52 A2 Blues 11:16 A3 Panamericana 4:39 B1 Africana 7:31 B2 Toccata 12:01 Trumpet – Clark Terry, Dizzy Gillespie, Ernie Royal, Joe Wilder, John Frosk Trombone – Britt Woodman, Frank Rehak, Paul Faulise, Urbie Green Horns – Al Richman, Gunther Schuller, James Buffington, Julius Watkins, Morris Secon, William Lister Tuba – Don Butterfield Saxophone – Leo Wright Piano, Written-By, Arranged By – Lalo Schifrin Bass – Art Davis Drums – Chuck Lampkin Bongos – Jack Del Rio Congas – Candido Timbales, Timpani – Willie Rodriguez Recorded November 14-15, 1960 in New York Dizzy Gillespie and the Big Band: CARNEGIE HALL CONCERT (Verve V6-8423) A1 Manteca 6:22 A2 This Is -
Konzertverzeichnis
Konzertverzeichnis Datum Komponist Werk Orchester, weitere Solisten Dirigent Mitwirkende 2011 Oktober Arthur Honegger Le Roi David Mitglieder des Sinfonie- Isolde Siebert, Sopran Bohdan Shved orchesters Basel SOB Lisa Wedekind, Mezzosopran und Zuzüger Thierry de Marcley, Tenor Eörs Kisfaludy, Sprecher 2011 Mai J. Haydn Die Jahreszeiten Südwestdeutsche Phil- Siri K. Thornhill, Sopran Bohdan Shved harmonie Konstanz David R. Munderloh, Tenor Michael Leibundgut, Bass Sebastian Wienand, Cembalo 2010 Oktober W. A. Mozart Klavierkonzert Nr. 20 in Collegium Musicum Bernhard Berchtold, Hammer- Bohdan Shved d-moll klavier Verena Krause, Sopran Requiem KV 622 Leila Pfister, Alt Bernhard Berchtold, Tenor Martin Snell, Bass 2010 Mai Sergej Rachmaninov Vespern op. 37 a capella Iryna Ilnytska, Mezzosopran Bohdan Shved Luis Conte, Tenor 2009 Oktober A. Dvorak Stabat Mater Südwestdeutsche Phil- Marina Zyatkova, Sopran Jan Schultsz harmonie Konstanz Ulrike Schneider, Alt Juhan Tralla, Tenor Grzegorz Różycki,, Bass 2009 April J. Haydn Harmoniemesse Capriccio Basel Heidi Wölnerhanssen, Sopran Thüring Bräm Sinfonie Dr. 101 "Die Leila Pfister, Alt Uhr" Hans Jürg Rickenbacher, Tenor I Scena di Berenice Emanuel Heitz, Tenor II Markus Niedermeyr, Bariton 2008 Oktober J. Haydn Heiligmesse Capriccio Basel Thüring Bräm Sinfonia concertante 2008 April Thüring Bräm Übergänge (UA) Yang Jing, Pipa Thüring Bräm Aldona Nawrocka Agnus Die (UA) Viviane Chassot, Akkor- Felix Yanov-Yanovsky Beati Pacifici UA) deon J. S. Bach Sinfonia Nr. 4 BWV 790 Julie Palloc, Harfe Sinfonia