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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Shaun Le Mouton
STUDIOCANAL PRÉSENTE UNE PRODUCTION AARDMAN Un film réalisé par Richard Starzak et Mark Burton DISTRIBUTION PRESSE Durée : 1h25 Michèle ABITBOL-LASRY Sophie FRACCHIA Séverine LAJARRIGE 1, place du Spectacle SORTIE LE 1ER AVRIL 2015 184, boulevard Haussmann 92130 Issy-les-Moulineaux 75008 Paris Tél. : 01 71 35 11 19 Tél. : 01 45 62 45 62 [email protected] [email protected] / [email protected] Photos et dossier de presse sont disponibles sur www.studiocanal.fr Shaun est un petit mouton futé qui travaille, avec son troupeau, Comment survivre en ville quand on est un mouton ? Comment éviter pour un fermier myope à la ferme Mossy Bottom, sous l’autorité de d’être reconnu et donc échapper aux griffes acérées de Trumper le Bitzer, chien de berger dirigiste mais bienveillant et inefficace. La terrifiant responsable de la fourrière ? vie est belle, globalement, mais un matin, en se réveillant, Shaun Cette plongée urbaine sera pour le troupeau une course à 100 à se dit que sa vie n’est que contraintes. Il décide de prendre un l’heure, pleine d’aventures incroyables où Shaun va croiser la route jour de congé, avec pour cela un plan qui consiste à endormir le d’une petite chienne orpheline Slip, qui rêve d’avoir des parents fermier. Mais son stratagème fonctionne un peu trop bien et il perd et lui fera réaliser qu’il serait finalement bien plus heureux avec sa rapidement le contrôle de la situation. Une chose en entraînant une famille de moutons, à la ferme… autre, tout le troupeau se retrouve pour la première fois bien loin de la ferme et plus précisément : dans la grande ville. -
Creative Nation: Advancing Britain’S Creative Industries
creative nation: advancing Britain’s creative industries The Smith Institute The Smith Institute is an independent think tank that has been set up to look at issues which flow from the changing relationship between social values and economic imperatives. If you would like to know more about the Smith Institute please write to: creative nation creative Edited by Cathy Koester The Director The Smith Institute 3rd Floor 52 Grosvenor Gardens London SW1W 0AW Telephone +44 (0)20 7823 4240 Fax +44 (0)20 7823 4823 Email [email protected] Website www.smith-institute.org.uk Designed and produced by Owen & Owen 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 1 THE SMITH INSTITUTE creative nation: advancing Britain’s creative industries Edited by Cathy Koester Published by the Smith Institute ISBN 1 905370 12 1 © The Smith Institute 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 2 THE SMITH INSTITUTE Contents Preface By Wilf Stevenson, Director, Smith Institute 3 Foreword Rt Hon Tessa Jowell MP, Secretary of State for Culture, Media and Sport 4 Biographies of contributors 5 Introduction Dr Michael Harris 16 Part I: Understanding creative individuals Why do you do what you do? 22 The freelancing nature of the creative industries 26 Creative expression is the driver of enterprising activity 28 Translating creative enterprise into commercial success 30 Part II: Understanding creative enterprises The EMI story by Eric Nicoli CBE 36 The assets of the creative industries 39 Risky business? Innovation and risk in the UK’s creative industries -
Julie Vernon Mosaics 20 Edwald Road Edwalton Nottingham NG12 4AQ Mob: 07789 456885 Email: [email protected]
Julie Vernon Mosaics 20 Edwald Road Edwalton Nottingham NG12 4AQ Mob: 07789 456885 Email: [email protected] www.julievernonmosaics.com Artist Statement I am a Nottingham based artist producing contemporary mosaics. I established my practice in 2010 and work with a mixture of materials from vitreous glass and ceramic through to natural marble and slate, often incorporating individual pieces of vintage porcelain or found materials. I am largely inspired by the natural environment and like to work in a freehand and organic way guided by the materials from which I am working. Materials are skilfully cut and shaped by hand, which in turn makes each design unique and a one off. I work on a variety of public and private commissions, schools and community arts projects and run a programme of workshops from my Edwalton studio. Clients include schools, councils, community groups, businesses and a variety of private customers. Professional member of the British Association for Modern Mosaic. My previous career was in marketing and product development so I have strong inter-personal skills and experience in managing projects, working to timescales and budgets. Awards 2015 Silver Award winner – specialist media Craft and Design selected awards 2011 Finalist Craft and Design Selected Awards – mixed media 2011 Selected as a member of Design Factory 2011 Selected to showcase work at Blenheim Palace emerging designers 2010 Selected for Nottinghamshire Creative 2010 - a creative business initiative organised by Nottinghamshire County Council Larger Commissions Jan- April 2019 Public art for Groby Leicestershire commissioned by Anstey Parish Council Sept 2018 ‘Vandoeuvre les Nancy’ Twinning mosaic stone commissioned by Gedling Borough Council May/June 2018 Hoodwinked2018 Public art sculpture created for Nottingham ‘Royal Robin Redbreast’ Feb – April 2018 Feature floor mosaic for newly constructed fire station Newark, Nottinghamshire Jan – April 2018 Public art for Anstey, Leicestershire. -
Trail Info and Navigation Ease
F A R D R A R I S N L D D AL G 31 B E O D T Barbican E R H O S T E S N S 45 NEED SOME HELP GETTING D U G O R R H R A D E T T AROUND THE BIG CITY? R Y A E T H I C Liverpool Travel information can be found in all AY S C W T Street Y Station major train and tube stations in London UR ORN SB HOLB 44 M O O Liverpool L RN F LONDON WALL B LBO A Street HO R LO R N DON ST H C I D N W E A OR G H L E XF I G L 43 W O H A T T E D N N N A A C E G O C W R G G H E N G E A S R S A T H ST E A T P D R O S M OR R OXF Y ST S O I T S N T O H Oxford D L S G 30 A I K M T A Circus S O B L C I R OE N N B N R T D G E St. Paul’s LD USEFUL INFORMATION S O S O GH E R 25 U S V U W O S R A R O A 24 LB Y CH R R Y FLEET E A Y L ST 23 AP M D A S N I T W R N D EA U 18 E R E E G A B S 1 W T 28 29 Download our app from your app store R S . -
MOBILISING a CITY for LEARNING Lessons from the 80By18 Project
Written by Paul Strauss & Keri Facer, Graduate School of Education, University of Bristol www.bristol80by18.org.uk MOBILISING A CITY FOR LEARNING Lessons from the 80by18 Project This document is designed to be read with Adobe Acrobat 2 For me 80by18 is showing you that there's so much more to do in the city than you thought was possible. lt can make you feel a bit differently on life actually, seeing that there's so much to do and that you've got to set yourself goals cos you might not be able to do them all in the future (80by18 Young Researcher) Contact information 3 Contact information Keri Facer Graduate School of Education University of Bristol 35 Berkeley Square Bristol BS8 1JA Email - [email protected] Twitter - @80by18 Acknowledgements 4 Acknowledgements Large numbers of people gave their time, their expertise and their goodwill to create the 80by18 resource. Over 200 came to face-to-face events, hundreds of others suggested ideas and offered support and encouragement. We are hugely grateful to all who contributed. Thanks in particular to the children and teachers of all the schools who participated. We need to give particular thanks however to two groups of people: First, our First Partners who gave us the courage to get this going and who are such important allies in advocating for young people’s rights to fully participate in the city: Steve Sayers (Windmill Hill City Farm), Hannah Higginson (Watershed), Roger Opie (Ablaze), Nicholas Garrick (Lighting Up Learning), Tim Leaman (ASDAN), Philippa Bayley (Cabot Institute, Bristol Uni), Sam Thomson (UWE), Reethah Desai (Mshed), Shawn Sobers (UWE), Chris Luffingham (Independent), Hugh Thomas (MyFutureMyChoice), Alison Crowther (facilitator) as well as to Sandra Stancliffe (English Heritage) and Matt Little (RIO) who have been active supporters throughout. -
2007 Annual Report
2007 Annual Report As a celebration of the creative spirit that drives everything we do at DreamWorks Animation, we held an artwork contest in 2007 in which we invited all employees to submit a design to be featured in the Annual Report. Every submission celebrated the unique and fulfilling process of working on an animated film at the Company. Rhion Magee, Consumer Products, created the winning submission. Dear Fellow Shareholders, I am pleased to report that 2007 was our most successful year since we took DreamWorks Animation public in 2004, thanks in large part to the blockbuster success of Shrek the Third and the Shrek franchise as a whole. In addition to boasting the best domestic opening in the history of animated film, Shrek the Third became the second highest grossing film of 2007 in the U.S. and the fourth best performing animated movie of all time. Even in a challenging home video market, Shrek the Third has risen above the competition and performed well. In 2007, we advanced our mission to successfully expand the Shrek brand with Shrek the Halls, our first made-for-television special. Over 21 million people throughout the U.S. watched the program this past holiday season on ABC. Additionally, Shrek made his first appearance at the annual Macy’s Thanksgiving Day Parade as the official 2007 Ambassador for the event. In December, we will take our brand expansion one step further by bringing Shrek the Musical to the Broadway Theatre in New York City. We are very excited about this tremendous opportunity to further extend one of the most successful franchises in Hollywood history. -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
BEE Newsletter 2
BEE STUDY NEWS July 2018, Issue 2 Newsletter for the Best Emollient for Eczema 129 Participants Web: www.bristol.ac.uk/bee-study/ are now enrolled! Email: [email protected] Twitter: @bee_study HELLO GP PRACTICES SUMMER Bristol • Shirehampton Group Medical Practice Welcome to your BEE study newsletter where we keep • Mendip Vale Medical Practice all participants updated with news, information and • Pioneer Medical Group progress of the study • Montpelier Health Centre • Clevedon Medical Centre • Horfield Health Centre Recruitment Update • Kingswood Health Centre • Cadbury Heath Health 60 Centre 50 • Hanham Health • Close Farm Surgery 40 Southampton 30 • Westlands Medical Centre 20 • Liphook & Liss surgeries • Wareham Surgery 10 • Swanage Medical Centre • Wellbridge Practice 0 • The Bosmere Medical January February March April May June July Practice • Adam Practice Bristol Southampton Nottingham/Lincoln • Park and St. Francis Surgery Questionnaires • Denmark Road Medical Centre Thank you to all everyone for continuing to complete the questionnaires. • Barton-Webb Peploe Partnership To be able to answer our research question, we need you to continue to Nottingham complete as many questions as you can, so please keep filling in these in. • Elmswood Surgery • Leen View Surgery • The Family Medical Your answers will help us to understand how well these moisturisers work Practice and which ones are preferred. • Riverlyn Medical Centre • Parkside Medical Practice If you run into any problems along the way, don’t hesitate to contact your • Rise Park Surgery • Fairfields Practice co-ordinator or the research team – we are here to help! [Please remember • Derby Road Medical some members of our team cannot know which moisturiser you are using. -
Canopius Supports Baa-Rilliant Shaun in the City Trail
PRESS RELEASE 27 March 2015 CANOPIUS SUPPORTS BAA-RILLIANT SHAUN IN THE CITY TRAIL Canopius Group Limited (“Canopius”), the global specialty (re)insurance platform of Sompo Holdings, is delighted to announce its’ “sponsorsheep” of the Shaun in the City charitable arts trail, featuring the Aardman Animations character, Shaun the Sheep, as he heads to the City of London (http://shauninthecity.org.uk). The trail features 50 individually-designed Shaun the Sheep sculptures which will be placed in iconic locations across London this spring, and will be followed by a second trail of 70 more sculptures in Bristol in the summer. Canopius is pleased to be sponsoring a kimono- attired Shaun complete with traditional Japanese sandals, in acknowledgement of the company’s Japanese parentage. This sculpture will be situated outside the Lloyd’s building. The trail is in aid of Wallace & Gromit’s Children’s Charity. This worthwhile cause is a national charity raising funds to support and improve the lives of children in hospitals and hospices throughout the UK, and is one of the charities selected by Canopius for support during 2015. Sally Coryn, Head of Corporate Development and Chair of the Canopius Charity Committee, commented; ”Canopius is proud to be involved with this charity, which does great work supporting regional and local children’s hospitals and hospices. We also loved the fun element of this campaign and we hope everyone enjoys visiting “our Shaun” as well as the other sculptures on the trail.” – Ends – For further information please contact: Sally Coryn, Head of Corporate Development, Canopius Group +44 20 7337 3650 Caroline Klein, Communications Manager, Canopius Group +44 20 7337 2815 David Haggie / Richard Adams, Haggie Partners +44 20 7562 4444 About Canopius Group Limited (“Canopius”) 1. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Wallace and Gromit: Anoraknophobia Pdf, Epub, Ebook
WALLACE AND GROMIT: ANORAKNOPHOBIA PDF, EPUB, EBOOK Tristan Davies | none | 01 Sep 2000 | Hodder & Stoughton General Division | 9781840323016 | English | London, United Kingdom Wallace and Gromit: Anoraknophobia PDF Book The name derives from the Dutch phrase "aard man" meaning Nature Man, when joined together, "aardman" becomes "Earthman" more commonly translated to: "goblin"[citation needed]. A series of 5-minute films showcasing Wallace's latest wacky inventions. Nice tight copy, no names or marks inside. Published by Boxtree More information about this seller Contact this seller 4. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Gromit becomes increasingly suspicious of Preston, who is the sheep rustler, along with Gwendolene. Log in or register to write something here or to contact authors. This listing has ended. Retrieved on 2 November So begins the first compelling story. Home Groups Talk More Zeitgeist. Park also developed the clay modelled shorts featuring the adventures of Wallace and Gromit , a comical pair of friends: Wallace being a naive English inventor with a love of cheese, and Gromit his best friend, the intelligent but silent dog. A good rule of thumb is that series have a conventional name and are intentional creations , on the part of the author or publisher. Avoid series that cross authors, unless the authors were or became aware of the series identification eg. Wallace is the human of the pair and mostly the leader. Joy Bechtold added it Mar 15, Universal Conquest Wiki. Comic book art illustrator. This wiki All wikis.