DOCSLIB.ORG

Stereo-Review-1997-06.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stereo-Review-1997-06.Pdf £2.20 UK 4 2 $4.50 CANADA more er, pea $3.50 US and Mirage z)47 1997 JUNE ver, *t*******AWHOUVat lioia-s Vl Am ITI"1111"11"111"IIIIIII"111"111 III"VI """ I-7 iii 960000IIHO9it ZE.4.0+71tI AVW 66 CI ZIAA ilW OIAVO S hVNVHOWEI LEi0* 00II 1100WX0 SOOOM AAd 311IASIn01 AN 6955-ZZZ047 Revisited Turntables BACK! GET Connections Sound Multimedia PERIPHERALS Listening Better To Guide Practical A FANTASY & FACT ACOUSTICS: ROOM PROS THE FROM RECOMMENDATIO -WORLD REAL ew MAGAZINERevStereo WORLD'S THE ,016.11.111.1 "r r4intp -asommummor- on NEVER-ENDINGPIONEER's BATTLE DFS ALARM"'AGAINST MAKESMARAUDING Nil. CAR CAR STEREOS THIEVES. THE AND FIRST SINCE LINE IT'S OF BUILT DEFENSEINTO IN TPIE TNE 1-1,\DUNITEARSPLITTINGutiv_cro(lEPTRoAACDTITiCioANLALTONE INSIDEYOURI.yUP AIIERm.F tmE cAR,TRRouGR HORNS, IT PLAYSAND LIGHTS JUDGE, TOE EitSTING OR AIRY AN ANDEXTERNAL AUDIO EXECUTIONER SYSTEM. SIREN FOR BY BLASTING THE COMPLETE AN CALL-OuT-THE-CAVALRY-SOMEONE'STusTYOU DETACRCAN IT.ALSOT S THE Hoot( FACEAND -114-IAY-CAR YOU'VE SO' CRY -t-Nt FOR ALARM. HELP. 311ST PUT IT BACK OR TURN 1HE KEY 01997 PIONEER ELECTR011iCS MA) INC., LONG BE RCN, CA.voi VI. ptoneerelectronic R. corn WITHTO DE A Aki PIONEER®wHy julsVAE lUsTIT'SAVAILABLEIIAPI-E DFSPROTECTALARM?N YOURA You WIDE CARARE VARIETY STEREOA -KING, OF AMENAFTER MODELSYOU ALL. IN CAN OUR PROTECT CAR STEREO YOUR LINE.hoRoLE CAR From Hollywood to Main Street, it's being heralded as the beginning of a home entertainment revolution. It's called DVD Video.With a digital picture that's better than laser disc, and state-of-the-art digital audio, DVD is destinedto change your home into a, well, you get the picture. Now movies meet the digital age. And PhilipsMagnavox is there to help make the introductions. Legmc(.61k4x4jsboiw PHILIPSMAGNAVOX Boston Acoustics "...bya wide and clearly Home Theater Options Micro Reference audible margin, the Micro9Ot Big theater sound from small, sculpted satellites. Compact Reference is the best small -satellite Incredible sound from compact speakers. home theater speaker system Lynnfield VR" Audiophile sound with the full I have impact of Dolby Digital. ever reviewed." Boston Acoustics THX -David Ranada, Stereo Review, February 1997 Dubbing -studio -quality sound. The experts at Stereo Review listen to literally hundreds of home theater speakers each year. So it stands to reason that the Micro9Ot must be pretty special to warrant such praise. The reason for this enthusiasm? Good old-fashioned engineering know-how. Take the Micro90 satellites, for example. They feature a die-cast aluminum housing of incredible strength and rigidity. So the drivers' energy is projected as pure, clean acoustic output instead of being wasted as cabinet vibration. The result: a satellite that can fit in the palm of your hand, and still fill a room with astonishing sound. Its anodized aluminum tweeter with AMD hardles lots of power, yet reproduces highs with virtually zero distortion. And its swivel -mount pedestals make for simple shelf or wall mounting. The Micro90 powered subwoofer, with its clean 75 -watt amp and 8 -inch DCDTM bass unit, produces ample amounts of deep, tight, powerful bass. Add the tonally matched Micro90 center channel and either direct or diffuse -field surrounds and you've got a system that beats all other satellite home theaters "by a wide and clearly audible margin." You can test -listen the Micro9Ot at your local Boston dealer. But rest assured, you won't be the first to listen with a critical ear. This Micro90t home theater system includes: Two Micro90 satellites, sonically matched center channel, oowered subwoofer, and a BostonAcoustics 300 Jubilee Drive, Peabody, MA 01960 (508) 538-5000. www.bostonacoustics.com/boston pair of VRS Micro diffuse -field surrounds Dolby is a registered trademark of Dolby Laboratories, Inc. THX is a registered trademark of Lucasfilm Ltd. (available separately). Lynnfield VR and DCD are trademarks of Boston Acoustics, Inc. Stereo Review INCORPORATING HIGH TIOETITY June 1997 Covet. $3.400 home-Oh:am-lead) system -; and two other "Dealer's Choice" setups. 20 POure rai*.-wa Screen image from Raiders of the Lost Peripherals Ark (Paramount Home Video). New technology shows PC audio a little respect Photograph by Dan Wagner BY JAMES K. WILLCOX 34 LETTERS 8 Equipment Test Reports Sansui RZ-8150AV A/V receiver, page 34 NEW PRODUCTS 11 Mirage Omnipolar OM -6 speaker, page 38 A Page 11 Cinepro 3k6 six -channel home -theater TIME DELAY 18 power amplifier, page 40 TDL Electronics NFM 1 speaker, page 44 AUDIO Q&A 26 46 SIGNALS 30User's Reports \I IT VT- 12 home -theater speaker system, TECHNICAL TALK 32 page 46 J VC F3000 shelf system, page 48 POPULAR MUSIC 76 51 CLASSICAL MUSIC 86Dealer's Choice A/V specialists map out music and home -theater THE HIGH END 100 systems for three budgets BY REBECCA DAY 60 STEREO REVIEW ONLINI Listening -Room Acoustics Facts and fantasies about the final link in Join us at our site on America Online and link up with thousands the audio chain of other people who are interested BY FLOYD E. TOOLE in the same good stuff you read about in STEREO REVIEW. Browse 63 our message boards and put in Get Back! your 24 worth ... or ask for You can still get a turntable opinions about equipment or a that'll do justice to your LP's special CD. Search our archives BY DANIEL KUMIN and find a test report from last year. Page 63 Somebody swiped the March V Page 38 issue before you could get 67 to it? You can find lots of the Rhythmic ROMinations information you missed Jazz and ragtime on CD-ROM on STEREO REVIEW ONLINE. BY CHRIS ALBERTSON All you need is a computer, a modem, and America Online 70 software. To sign up, call Professor Holman's Home Theater America Online at 1-800-603-8181 for a free startup kit. Our Quiz keyword is How much do you know about multichannel sound! STEREO REVIEW. BY TOMLINSON HOLMAN See you in cyberspace! 73 Best Recordings of the Month Stereo Review. Stereo, Hi Fi, High Jill Sobule'sHappy Town,Chopin'sNocturnes, Fidelity, and Backbeat are registered trademarks of Hachette Mark Eitzel's "West," and Ruth Ann Swenson's song Filipacchi Magazines. Inc. recitali carry your heart PRINTED IN THE U.S.A. Stereo Review Vice President, Editor in Chief LOUISE BOUNDAS Why is Executive Editor BOB ANKOSKO Art Director America Online #1? ANDREW THOMPSON Technical Editor DAVID RANADA Director, Hirsch -Houck Laboratories Easy. JULIAN HIRSCH Managing Editor A A A A A DAVID STEIN Popular Music Editor Classical Music Editor KEN RICHARDSON ROBERT RIPPS As the choice of nearly half of all online households, Assistant Editor Assistant Art Director AOL is more popular than ever.* JAE SEGARRA THERESA MORENO Why? Well, quite simply, it's the easiest to use. Database Coordinator SANTIAGO PIZZINI Editor at Large "Yeah, but what am I gonna do on it?" The same stuff WILLIAM LIVINGSTONE you do off it. Like talk with friends. Shop. Play games. Socialize. Contributors: Robert Ackert, Chris Albertson, Pursue interests. Only now a whole lot easier. Francis Davis, Rebecca Day, Richard Freed. Will Friedwald, Phyl Garland. Ron Givens, Corey Greenberg, David Hall. Bryan Harrell (Tokyo). Jamie James, Internet and more. AOL has George Jellinek, Daniel Kumin, Ian Masters, Brett Milano. Alanna Nash. Tom Nousaine. Henry Pleasants chat rooms. E-mail. News. Stocks. (London), Ken Pohlmann, Parke Puterbaugh, Sports. Kid channels. Charles Rodrigues, Eric Salzman. Craig Stark It's all here. AMERICA Vice President, Group Publisher 1 CATALANO For information or to enroll, Consumer Electronics Group Advertising call 1-800-385-4411. VP/AsNoctaie Publisher Scott Constantine *While we expand our dial -up network, availability may be limited, Regional VP/Ad Director, East Coast: especially during peak times. Charles L. P. Watson, (212) 767-6038 01997 America Online, Inc Regional Account Manager, East Coast: Christine B. Forhez, (212) 767-6025 Midwest Ad Manager: Jerry Stoeckigt, (312) 923-4804 Regional VP/Ad Director, West Coast: Robert Meth, (213) 954-4831 Western Ad Manager: Paula Mayeri, (213) 954-4830 National Record Label Sales Representatives: The Mitchell Advertising Group (MAG Inc.) Mitch Herskowitz, (212) 490-1715 Steve Gross, (212) 490-1895 Assistant to the Publisher: Aline J. Pulley Promotion Coordinator: Adele Ferraioli-Kalter Operations Mgr./Ad Coordinator: Linda Neuweiler Sales Assistant: Yvonne Telesford Classified Advertising: (800) 445-6066 Production Manager: Vicki L. Feinmel Production Assistant: Denise Conlon Production Director: Patti Burns Business Manager: Jonathan J. Bigham General Manager: Greg Roperti Subscription information: 303-604-1464 '1 Stereo Review is published tttChet by Hachette Filipacchi Magazines, Inc. Chairman: Daniel Filipacchi It may be small. But the BoseAcoustic Wave music system is definitely an President and CEO: David J. Pecker overachiever. The unit features a compact disc player, an AM/FM radio, a handy Executive VP & Editorial Director: Jean-Louis Ginibre remote control, and our patented acoustic waveguide speaker technology. Senior Vice President. COO: John Fennell President, Hachette Filipacchi New Media: James P. Docherty And it produces a rich, natural sound quality comparable to audio systems costing Senior VP. Director of Corporate Sales: Nicholas Matarazzo thousands of dollars. We know that's hard to believe. So we're ready to prove it. Senior VP. CFO. & Treasurer: John T. O'Connor Senior VP, Manufacturing & Distribution: Anthony R. Romano Call or write now for our complimentary guide to this award -winning system. Senior VP. General Counsel: Catherine Flickinger Because, like the system itself, it's available directly from Bose. VP. Circulation: David W. Leckey VP. Research & Marketing Services: Susan Smollens Call today. 1-800-898-BOSE, ext.
Load more

Recommended publications
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • Media – History
    Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder.
    [Show full text]
  • John Barry Aaron Copland Mark Snow, John Ottman & Harry Gregson
    Volume 10, Number 3 Original Music Soundtracks for Movies and Television HOLY CATS! pg. 24 The Circle Is Complete John Williams wraps up the saga that started it all John Barry Psyched out in the 1970s Aaron Copland Betrayed by Hollywood? Mark Snow, John Ottman & Harry Gregson-Williams Discuss their latest projects Are80% You1.5 BWR P Da Nerd? Take FSM’s fi rst soundtrack quiz! �� � ����� ����� � $7.95 U.S. • $8.95 Canada ������������������������������������������� May/June 2005 ����������������������������������������� contents �������������� �������� ������� ��������� ������������� ����������� ������� �������������� ��������������� ���������� ���������� �������� ��������� ����������������� ��������� ����������������� ���������������������� ������������������������������ �������������������������������������������������������������������������������������������������� ���������� ��������������������������������������������������������������������������������������������������������������� ������������������������������������������������������������������������������������� ��������������������������� �������������������������� ��������������������������������������������������������������������������������������������������������� ���������������� ������������������������������������������������������ ����������������������������������������������������������������������� FILM SCORE MAGAZINE 3 MAY/JUNE 2005 contents May/June 2005 DEPARTMENTS COVER STORY 4 Editorial 31 The Circle Is Complete Much Ado About Summer. Nearly 30 years after
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Musikalische Diversifikation im Film “Some Like It Hot”. Die Relation zwischen Backgroundkenntnissen und der Applikation von Filmmusik Verfasserin Nicole Walther angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2008 Studienkennzahl lt. Studienblatt: A 316 317 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: ao.Univ.Prof. Dr. Margareta Saary Diese Arbeit widme ich meinen Eltern, Desi und Benny, die immer für mich da sind Inhaltsverzeichnis 1 Vorwort ........................................................................................................... 9 2 Einleitung ...................................................................................................... 11 3 Rahmendaten zum Film “Some Like It Hot“ ................................................ 13 3.1 Darlegung der Mitwirkenden ................................................................. 13 3.2 Backgroundinformationen zum Film “Some Like It Hot“ ..................... 20 3.2.1 Filmdaten und diverse Aspekte des Drehprozesses ........................ 20 3.2.2 Literarische, musikalische und filmische Vorlagen ........................ 26 3.3 Der Konspekt von “Some Like It Hot“ und die Veranschaulichung der Charaktere ......................................................................................................... 30 3.4 Biographien ...........................................................................................
    [Show full text]
  • Words Without Music the Ira Gershwin Newsletter No
    Words Without Music The Ira Gershwin Newsletter No. 10, Fall 2016 THAT’S THE TICKET! THE GERSHWINS AND POLITICAL SATIRE Inside: Take on Washington The Ira Gershwin Newsletter, Fall 2016 1 George S. Kaufman & Morrie Ryskind Words Without Music Dear readers, Ira Gershwin’s name is, quite rightly, inextricably tied to the The Ira Gershwin Newsletter wealth of timeless songs he wrote with his brother George. But Ira’s No.10, Fall 2016 • ISSN 1938-4556 career encompassed many successes with composers who didn’t share his last name. Some of those songs, and the shows and films in which they were featured, are among his most famous and popular, while others remain ripe for rediscovery. Three years before George and Ira collaborated on Lady, Be Good! Ira—under the pseudonym Arthur Francis, which he derived from the Contents first names of his younger brother and sister—wrote his first success- Letter from Michael Strunsky 2 ful Broadway show, Two Little Girls in Blue, with composers Vincent Feature Story: Stars and Swipes 3 Youmans and Paul Lannin. (Its run in 1921 bested George’s 1920 National Recording Registry 9 edition of the George White Scandals by one performance.) Gershwin Prize to Willie Nelson 11 Even during the years George and Ira struck Broadway gold or Update: Gershwin Critical Edition 12 critical success with Strike Up the Band, Girl Crazy, Of Thee I Sing, Porgy Update: Gershwin Website 13 and Bess, and more, Ira continued to work with other writers. Two In the News / On the Horizon 14 lavish revues—Life Begins at 8:40 (1934), written with composer Harold An American in Paris tour dates Back cover Arlen and lyricist Yip Harburg, and Ziegfeld Follies of 1936, written with composer Vernon Duke—had successful runs and featured memora- Words Without Music Staff ble songs like “Fun to Be Fooled” and the classic “I Can’t Get Started.” EDITOR MANAGING EDITOR Struggling with grief and the myriad of business details that Abigail Kimball Michael Owen followed George’s death in 1937, Ira found it hard to begin to write again.
    [Show full text]
  • Le Succès De La Comédie Musicale
    Claire Lingenheim Lavelle première | spécialité histoire des arts thème 5 : La valeur écono- Académie de Strasbourg mique de l’art le marché, l’économie, leurs lieux et leurs acteurs _La comédie musicale hollywoodienne l’industrie du bonheur Le cinéma hollywoodien à son apogée dans les années 50 : l’exemple de la comédie musicale Chantons sous la pluie _ STRATÉGIES ET INDUSTRIE DU DIVERTISSEMENT Comment le sytstème hollywoodien se transforme-t-il dans les années 50 ? Quelles sont alors les stratégies mises en œuvre par l’industrie culturelle du cinéma pour séduire le public ? _ CINÉMA DANS LE CINÉMA Comment la mise en abyme dans Chantons sous la pluie célèbre-t-elle le genre de la comédie musicale ? _ INNOVATIONS TECHNOLOGIQUES En quoi la comédie musicale est-elle une vitrine idéale pour les expérimentations en terme de techniques et de langage filmique ? FICHE TECHNIQUE Titre original : Singin’ in the Rain Pays/Année : USA, 1952 Production : Arthur Freed (Metro-Goldwyn-Mayer) Producteur associé : Roger Edens Réalisation : Gene Kelly et Stanley Donen Scénario : Betty Comden et Adolf Green, d’après la chanson Singing’ in the Rain Photo : Harold Rosson Son : Douglas Shearer Direction artistique : Cedric Gibbons et Randall Duell Décors : Edwin B. Willis, Jacque Mapes Conseillers pour les couleurs : Henri Jaffa, James Gooch Effets spéciaux : Warren Newcombe, Irving G. Ries Montage :Adrienne Fazan Costumes : Walter Plunkett Maquillage : William Tuttle Coiffures : Sydney Guilaroff 1. Affiche américaine Paroles de Arthur Freed Musique de Nacio Herb Brown Orchestration Conrad Salinger, Wally Heglin, Skip Martin Arrangements vocaux : Jeff Alexander Direction musicale : Lennie Hayton Interprétation : Don Lockwood : Gene Kelly Kathy Selden : Debbie Reynolds Cosmo Brown : Donald O’Connor Lina Lamont : Jean Hagen R.F.
    [Show full text]
  • An Analytical-Psychology Approach to Music in Film
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by WestminsterResearch MUSIC AS IMAGE: AN ANALYTICAL-PSYCHOLOGY APPROACH TO MUSIC IN FILM BENJAMIN NAGARI A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy December 2013 I hereby declare that this thesis is my own work and has not been submitted for any other award. It is presented in accordance with academic rules and ethical conduct. As required by these rules and conduct, all materials that are not original to this thesis have been fully and properly cited and referenced. The content of the paper submission is identical to the content of the electronic submission. ACKNOWLEDGEMENTS Had I wanted to thank every single individual involved in this way or another in the evolvement of this thesis I would have to contemplate a second volume. Hence I would better humbly and respectfully try to condense the list of those individuals, allowing the spirit of gratefulness to reach each of them while mentioning central individuals. Sowing the seeds of this thesis started in walking together along a corridor in Goldsmith University with Prof. Roderick Main, then a lecturer at the Centre for Psychoanalytic Studies (Jungian and Post-Jungian Studies) at the University of Essex in Colchester. In that conversation I asked him whether he believed that Music was an Image. After a short pause he said he thought it was. I am very grateful to Prof. Main, due to whose positive comment this thesis started and developed.
    [Show full text]
  • Convenient PDF Form
    FSM Box 04 The Miklos´ Rozsa´ Treasury Supplemental Liner Notes Contents Mikl´osR´ozsaat M-G-M: A Chronology 1 Madame Bovary 6 The Red Danube 16 The Miniver Story 18 The Asphalt Jungle 20 East Side, West Side 21 The Light Touch 22 Quo Vadis (music & effects) 25 Quo Vadis (archival music) 33 The Story of Three Loves 40 Young Bess 45 All the Brothers Were Valiant 51 Knights of the Round Table 56 Crest of the Wave 57 Beau Brummell 60 Something of Value 63 Crisis 66 Tip on a Dead Jockey 68 Library Re-recordings 71 King of Kings 72 El Cid 77 Ivanhoe 82 Lust for Life 83 The V.I.P.s 84 Great Movie Themes Composed by Mikl´osR´ozsa 89 The Power 91 Liner notes ©2009 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Madame Bovary, The Red Danube, East Side, West Side ©1949 Turner Entertainment Co., A Warner Bros. Entertain- ment Company. All rights reserved. The Miniver Story, The Asphalt Jungle, Crisis ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. Quo Vadis ©1951 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. The Light Touch, Desperate Search, Ivanhoe ©1952 Turner Enter- tainment Co., A Warner Bros. Entertainment Company. All rights reserved. The Story of Three Loves, Young Bess, All the Brothers Were Valiant, Knights of the Round Table, Rogue’s March, Code Two ©1953 Turner Entertainment Co., A Warner Bros.
    [Show full text]
  • From Concert to Film: the Transformation of George Gershwin's Music in the Film "An American in Paris"
    From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" Item Type text; Electronic Thesis Authors Padilla, Rachel Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 10:56:08 Link to Item http://hdl.handle.net/10150/297397 FROM CONCERT TO FILM: THE TRANSFORMATION OF GEORGE GERSHWIN'S MUSIC IN THE FILM "AN AMERICAN IN PARIS" by Rachel Padilla _____________________ A Thesis Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of Master of Music In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author.
    [Show full text]
  • Guild-Light-Catalogue-A5.Pdf
    INDEX PAGE CD-No. Title Page GLCD 5101 Light Music An introduction 5 GLCD 5102 The 1940s 5 GLCD 5103 The 1950s 6 GLCD 5104 Great British Light Orchestras 6 GLCD 5105 Great American Light Orchestras 7 GLCD 5106 The 1930s 7 GLCD 5107 Charles Williams & The Queen’s Hall Light Orchestra 7 GLCD 5108 British Cinema & Theatre Orchestras 7 GLCD 5109 Light Music from the Silver Screen 9 GLCD 5110 Mantovani - By Special Request 9 GLCD 5111 The 1950s, Vol. 2 - Midnight Matinee 10 GLCD 5112 Reflections of Tranquility 10 GLCD 5113 Mantovani - By Special Request, Vol. 2 11 GLCD 5114 Travellin’ Light - Great American Light Orchestra, Vol. 2 11 GLCD 5115 Highdays & Holidays 12 GLCD 5116 The 1930s, Vol. 2 - In Town Tonight 12 GLCD 5117 Bandstand in the Park 13 GLCD 5118 Buried Treasures 13 GLCD 5119 The 1950s, Vol. 3 - Say It With Music 14 GLCD 5120 The Hall Of Fame, Vol. 1 14 GLCD 5121 Joyousness, The Music of Haydn Wood 15 GLCD 5122 British Cinema & Theatre Orchestras, Vol. 2 15 GLCD 5123 Great Light Orchestras Salute Richard Rodgers 16 GLCD 5124 The Hall Of Fame, Vol. 2 16 GLCD 5125 Childhood Memories 17 GLCD 5126 Soloists Supreme 17 GLCD 5127 Great Light Orchestras Salute Cole Porter 18 GLCD 5128 Light Music While You Work 18 GLCD 5129 Beyond the Blue Horizon 19 GLCD 5130 The 1950s, Vol. 4 - Cornflakes 19 GLCD 5131 Light Music on the Move 20 GLCD 5132 Continental Flavour 20 GLCD 5133 Amor Amor: Music for Romance 21 GLCD 5134 Four Decades of Light Music, Vol.
    [Show full text]
  • {PDF} Show Boat Ebook Free Download
    SHOW BOAT PDF, EPUB, EBOOK Oscar Hammerstein | 56 pages | 01 Jul 1995 | Hal Leonard Corporation | 9780793545537 | English | Milwaukee, United States Show Boat PDF Book Though praise has been heaped on Show Boat through the years, one aspect of the show has been singled out for criticism: the book. Rubber Face Marilyn Knowlden Yolonda R wrote a review Jan Arthur Freed. Search all monologues from plays. Conrad Salinger Original Music. Based on the novel "Show Boat" by Edna Ferber. Its source, Edna Ferber's novel, was not "a deathless work of art 'potboiler' might be closer to the mark ". Review by Will Remmers. She soon falls madly in love with roguish gambler Gaylord Ravenal Howard Keel , and the two leave the Cotton Blossom on a honeymoon -- only to enter into a tumultuous marriage. I say surprisingly because I usually despise musicals or anything of their ilk; I'm not usually a fan but if I were to praise a film for nearly persuading me to enjoy a film of its genre, it'd be James Whale's Show Boat. His Show Boat was the most ambitious project that he had undertaken to date. There were enough good things in Show Boat to merit the "care and genuine affection" and "devotion, talent and enthusiasm" with which McGlinn and his colleagues had gone about their work, [6]. While not perfect, close to a hundred years later you can tell that those involved with the film were coming from a place of mostly good intentions. About this Piece. Edwin B. Great value compared to rest of Boardwalk.
    [Show full text]