DOCSLIB.ORG

{PDF} Show Boat Ebook Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{PDF} Show Boat Ebook Free Download SHOW BOAT PDF, EPUB, EBOOK Oscar Hammerstein | 56 pages | 01 Jul 1995 | Hal Leonard Corporation | 9780793545537 | English | Milwaukee, United States Show Boat PDF Book Though praise has been heaped on Show Boat through the years, one aspect of the show has been singled out for criticism: the book. Rubber Face Marilyn Knowlden Yolonda R wrote a review Jan Arthur Freed. Search all monologues from plays. Conrad Salinger Original Music. Based on the novel "Show Boat" by Edna Ferber. Its source, Edna Ferber's novel, was not "a deathless work of art 'potboiler' might be closer to the mark ". Review by Will Remmers. She soon falls madly in love with roguish gambler Gaylord Ravenal Howard Keel , and the two leave the Cotton Blossom on a honeymoon -- only to enter into a tumultuous marriage. I say surprisingly because I usually despise musicals or anything of their ilk; I'm not usually a fan but if I were to praise a film for nearly persuading me to enjoy a film of its genre, it'd be James Whale's Show Boat. His Show Boat was the most ambitious project that he had undertaken to date. There were enough good things in Show Boat to merit the "care and genuine affection" and "devotion, talent and enthusiasm" with which McGlinn and his colleagues had gone about their work, [6]. While not perfect, close to a hundred years later you can tell that those involved with the film were coming from a place of mostly good intentions. About this Piece. Edwin B. Great value compared to rest of Boardwalk. The Walking Dead: Season Kern supplied "endlessly lavish musical innovation", and was one of the few composers to have successfully infused operetta with a contemporary American idiom. Gaylord Revenal: It's just temporary. Theater scholar Geoffrey Block, author of Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim , noted the work's "unprecedented integration of music and drama, its three-dimensional characters, and its bold and serious subject matter. Please click the link below to receive your verification email. George Sidney Director. Spanning from the s to the s, Show Boat is an American epic that tells the story of three generations of performers travelling from the Mississippi River to Chicago, and ultimately, Broadway. The performing score that John McGlinn constructed for his album is a conflation of Jerome Kern's Washington and New York versions, and more comprehensive than either. The very first word uttered in the musical is "Niggers". Read more. Pulitzer Prize-winning writer Edna Ferber, author of the novel Show Boat , didn't like the idea of a musical adaptation of her book. Oscar Hammerstein II's text was spoiled by a ramshackle plot and a good deal of sentimentality. Sign up today to unlock amazing theatre resources and opportunities. See other items More John D. The item you've selected was not added to your cart. Explore wrote a review Feb Watching the excellent Criterion Blu-ray presentation of James Whale's groundbreaking filming of Edna Ferber's equally groundbreaking novel turned musical, Show Boat, it made me ponder how ripe this is for a new production that could address the issues that Whale was unable to. Jerome Kern. Edna Ferber. Howard Keel. Kern and Hammerstein's show wouldn't be just another musical; it would be a drama with music. The Pantry and Waterfront saloon scenes are recorded in their abbreviated versions, but the three numbers deleted before the show's Broadway premiere are reinstated, and the three new numbers composed for New York are included too. Clear your history. Showboat hotel. What changes have been made? Show Boat Writer She soon falls madly in love with roguish gambler Gaylord Ravenal Howard Keel , and the two leave the Cotton Blossom on a honeymoon -- only to enter into a tumultuous marriage. George Sidney. Elsie Bartlett Elly. The crew did all they could to maintain a safe environment for everyone. The less-than-exemplary relationship and marriage between main characters Magnolia and Ravenal was an innovative topic for the Broadway musical stage see synopsis below. Tess "aunt Jemima" Gardella. Gower Champion Frank Schultz. Ships to:. The performing score that John McGlinn constructed for his album is a conflation of Jerome Kern's Washington and New York versions, and more comprehensive than either. Ava Gardner Julie LaVerne. Arch Heath Addl Director. Emanuel Levy. The closing number, "Ol' Man River," lets us know that the mighty Mississippi just keeps rolling along. Andy Hawks. I would definitely recommend it and will do it again when I return. Magnum P. Gaylord Revenal: It's just temporary. Buzzfeed once published a list of all the movies referenced in Gilmore Girls, which was great, but also not entirely…. Magnolia and Gaylord are the names of the main lovers in this film Carl Laemmle Jr. Skip to main content. Oof, that was Rotten. Show Boat Reviews Parents Guide. Back to home page. From a cinematic and musical standpoint, this is really a stunning work. Admittedly the performances aren't always the best from everyone, but they're…. Edit Did You Know? The Expanse. Pete Charles Middleton Jerome Kern. Edna Ferber Writer. Magnolia Allan Jones This guide reflects the Harold Prince version of Show Boat. Jim Coleman Stagehand. Alternate Versions. See all condition definitions - opens in a new window or tab. Irene Dunne's Riverboat girl takes to the stage, falls in love and eventually becomes a grand old dame of the theatre. I don't remember watching this. They have a daughter, but from there, things become more complicated. Carl Laemmle Jr. Well, after what has potentially been years of hearing about this film from my parents, I've finally seen it, and honestly, I'm just not head over heels for this thing. Show Boat. Prior to this, the creators managed to hold previews, which were from November to December, to gain producers. Date of experience: August Synopsis Spanning from the s to the s, Show Boat is an American epic that tells the story of three generations of performers travelling from the Mississippi River to Chicago, and ultimately, Broadway. William Warfield Joe. Ideal for. Agnes Moorehead Parthy Hawks. Explore wrote a review Feb Criterion Challenge Entry 50 - Watch a Criterion film with a spine number of or higher. Jun 20, RT Archives. Film Details. All Rights Reserved. Show Boat Read Online Kim as a Child. Kim at Sixteen. Certified Fresh Pick. McGlinn's London Sinfonietta did not have a rhythm section that could play either jazz or blues satisfactorily. We know of no musical in recent years… which has so uniformly high grade a score. View More. Worst Superhero Movies. More trailers. View All Photos For the safety of all guests and employees masks are required for all individuals over the age of three. John Lee Mahin Writer. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. The all-purpose M-G-M chorus substitutes for the black chorus, and they do so offscreen. Log In. Leif Erickson. You must be a registered user to use the IMDb rating plugin. Philip Martin. Parthy Hawks Leif Erickson Moreover, Warner Brothers and the Kern estate spent five years wrangling over who owned the copyright of the hundreds of pages of Kern's manuscripts that had been disinterred in Secaucus. Cinemark Coming Soon. https://cdn.starwebserver.se/shops/oliwerhenrikssonny/files/a-guide-to-computer-user-support-for-help-desk-and-support-specialists-6th-edition- 288.pdf https://cdn.starwebserver.se/shops/mimmilundqvistmm/files/successful-women-think-differently-9-habits-to-make-you-happier-healthier-and- more-resi.pdf https://cdn.starwebserver.se/shops/aaronhermanssoniv/files/boy-tales-of-childhood-782.pdf https://files8.webydo.com/9582929/UploadedFiles/673FC721-137D-4C7E-2F07-8EF25DEF476A.pdf https://files8.webydo.com/9583589/UploadedFiles/DE86E5BD-475E-BBC3-68BF-9863D96347B4.pdf.
Load more

Recommended publications
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • The Golden Age Exposed: the Reality Behind This Romantic Era
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.
    [Show full text]
  • YCH Monograph TOTAL 140527 Ts
    UCLA UCLA Electronic Theses and Dissertations Title Transformation of The Musical: The Hybridization of Tradition and Contemporary Permalink https://escholarship.org/uc/item/1hr7f5x4 Author Hu, Yuchun Chloé Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Transformation of The Musical: The Hybridization of Tradition and Contemporary A dissertation submitted in partial satisfaction of the requirement for the degree Doctor of Philosophy in Music by Yu-Chun Hu 2014 Copyright by Yu-Chun Hu 2014 ABSTRACT OF THE DISSERTATION Transformation of The Musical: The Hybridization of Tradition and Contemporary by Yu-Chun Hu Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair Music and vision are undoubtedly connected to each other despite opera and film. In opera, music is the primary element, supported by the set and costumes. The set and costumes provide a visual interpretation of the music. In film, music and sound play a supporting role. Music and sound create an ambiance in films that aid in telling the story. I consider the musical to be an equal and reciprocal balance of music and vision. More importantly, a successful musical is defined by its plot, music, and visual elements, and how well they are integrated. Observing the transformation of the musical and analyzing many different genres of concert music, I realize that each new concept of transformation always blends traditional and contemporary elements, no matter how advanced the concept is or was at the time. Through my analysis of three musicals, I shed more light on where this ii transformation may be heading and what tradition may be replaced by a new concept, and vice versa.
    [Show full text]
  • Show Boat Little Theatre on the Square
    Eastern Illinois University The Keep 1967 Shows Programs 1967 Summer 7-24-1967 Show Boat Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1967_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Show Boat" (1967). 1967 Shows Programs. 8. http://thekeep.eiu.edu/little_theatre_1967_programs/8 This Book is brought to you for free and open access by the 1967 at The Keep. It has been accepted for inclusion in 1967 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Equity Stur lZlusic and Drama Theatre" Eleventh Season a May - October 1967 Sullivan, Illinois 6uy S. Little, Jr. Presents BRUCE YARNELL in "HOVJ BOAT" July 25 - August 6, 1967 6y S. littleI Jr. PRESBNTS BRUCE YARNELL "SHOI BOAT' Music by JEROME KERN Book and Lyrics by OSCAR HAMMERSTEIN 2nd Based on the novel "Show BoaP by EDNA FERBER wlth MARCIA KIN6 Jetill Little, Art KQSUI~John KelsoI Stwe S-:. EDWARD PIERSON and BUTTERFLY MaQUEEW Directed by ROBERT BAKER ::.:;:' Choreography by GEORGE BUNT Musical Direction by DONALD W. CHA@ Assistant Murical Direction by ROIBRT MCWCapW . .* Scenery ~esi~nedby KENNETH E. LlQ%f@. Production Stag. Manamr Assistant Stage Mmapr RICHARD GHWON BILL TSOKOS =MEN- Wk ENTIRE PRODUCTION UNDER THE SUPERVISION OT 5 :. --, . ' I CAST , , -: Captain Andy.. ..........................., ....................... ART -1 Ellie .........................................................
    [Show full text]
  • Edna Ferber Last
    EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS A Thesis Submitted to the Faculty of The School of Continuing Studies And the Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Anne Efman Abramson, B.A. Georgetown University Washington, D.C. April 30, 2010 EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS Anne E. Abramson, B.A. Mentor: Michael Collins, Ph. D. ABSTRACT Edna Ferber (1885‐1963) was a Pulitzer Prize‐winning author and one of the most popular writers of her time. Today, however, she is rarely read in schools or colleges, although her plays are still produced, and the films based on her novels, plays and short stories continue to be appreciated by classic film lovers. This thesis demonstrates how Edna Ferber created female characters in the early years of the twentieth century who struggled against the constraints of society’s traditional female roles, who were the first in their nontraditional professions, and who achieved their own version of the American Dream. Edna Ferber also revisited American history with stories that highlighted women’s contributions to America. This thesis first introduces Edna Ferber, her background and her early years drawing from Ferber’s two autobiographies, A Peculiar Treasure, 1939, and ii A Kind of Magic, 1963. Second, it discusses the New Woman at the turn of the century; the American Dream, historically and in relation to Ferber’s female characters; and Edna Ferber as a middlebrow modern writer whose literary output had powerful cultural agency.
    [Show full text]
  • Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
    1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work.
    [Show full text]
  • The 1958 Summer of Musicals
    I); Welcome to the 1958 Summer of Musicals . Welcome to Broadway in the country. Last season was the first time Guy S. Little, Jr., presented his SUMMER OF MUSI- CALS in Sullivan. That season was the culmination of many years of planning and dreaming. When very young he spent three seasons in summer stock at Keene, New Hampshire, and at Gateway Musical Playhouse at Ocean City, New Jersey. There he learned theatre business from the ground up . from making negligees for the leading lady to building scenery and stages. He was so enthralled with the theatre that he majored in drama at the University of Miami. While there he played numerous roles at the Ring Theatre and appeared in six operas with the Miami Opera Guild in support to Metropolitan opera stars. At Miami he met his wife, Jerili, who was a voice and drama major also. There he also had experience in directing, designing and publicity work. After receiving his B.A. he did graduate work at The American Theatre Wing and at Columbia University in New York City to further prepare himself to be a theatre producer. For the past ten years he familiarized himself with all Broadway productions of the past and present. He col- lected props and costumes for the day when he would operate a summer theatre. All during these years of preparation his dream was to bring the theatre to the Midwest, to the country. Why should New England be the only place where one could see the best of Broadway in summer stock? Would not the Mid- west, would not his home town support a SUMMER OF MU- SICALS? And so SUMMER OF MUSICALS opened July 3, 1957, with ERIGADOON featuring a New York cast.
    [Show full text]
  • Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war.
    [Show full text]
  • Hugh Panaro Is Perhaps Best Known for Having Played the Coveted Role
    Hugh Panaro is perhaps best known for having played the coveted role of the Phantom in Broadway's The Phantom of the Opera over 2,000 times, including the 25th Anniversary production. In fact, Hugh is one of the few actors to be cast by Harold Prince as both The Phantom and Raoul in the show's Broadway production. Hugh made his Broadway debut in the original production of Les Misérables as Marius, the role he originated in the First National Company. He also created the roles of Buddy in the original Side Show (Sony cast recording); Julian Craster in Jule Styne's last musical, The Red Shoes; and the title role in the American premiere of Cameron Mackintosh's Martin Guerre. Hugh was nominated for an Outer Critics Circle Award for his performance in the title role of Elton John's Lestat, based on Anne Rice's Vampire Chronicles. He made his West End debut in the original London company of Harold Prince's Show Boat as Gaylord Ravenal, the role he previously played in the Broadway and Toronto productions. At the prestigious 5th Avenue Theater in Seattle, Hugh played George Seurat in Sam Buntrock's Tony Award-winning production of Sunday in the Park with George, and Robert in Stephen Sondheim's Company. Hugh's performance as Jean Valjean in the Walnut Street Theater's production of Les Misérables earned him the prestigious Barrymore Award, for which he was again nominated after a turn as Fagin in Oliver! In 2012, Hugh was honored with the Edwin Forrest Award for his long-term contribution to the theater.
    [Show full text]
  • THE SINGER's MUSICAL THEATRE ANTHOLOGY DUETS VOLUMES Bk
    THE SINGER'S MUSICAL THEATRE ANTHOLOGY DUETS VOLUMES Bk. Only CDs Only Bk./CDs D1 = Volume 1 00361075 00740239 00000487 D2 = Volume 2 00740331 00740240 00000492 D3 = Volume 3 00001155 00001161 00001166 SONG SHOW VOLUME Agony Into the Woods D3 All For the Best Godspell D3 All I Ask Of You The Phantom of the Opera D2 All the Wasted Time Parade D3 Almost a Love Song Victor/Victoria D2 An Old Fashioned Wedding Annie Get Your Gun D2 The Apple Doesn't Fall Very Far The Rink D3 Anything You Can Do Annie Get Your Gun D2 As Long as You're Mine Wicked D3 Barcelona Company D2 Bess, You Is My Woman Porgy and Bess D1 Bosom Buddies Mame D2 A Boy Like That / I Have a Love West Side Story D3 Can You Feel the Love Tonight The Lion King D3 Class Chicago D2 Come to Jesus Myths and Hymns D3 Crazier Than You The Addams Family D3 Do You Love Me? Fiddler on the Roof D3 Elaborate Lives Aida D2 Every Day a Little Death A Little Night Music D3 For Good Wicked D3 The Grass Is Always Greener Woman of the Year D3 Guys and Dolls Guys and Dolls D2 I Have Dreamed The King and I D1 I Loves You, Porgy Porgy and Bess D1 I Remember It Well Gigi D2 I Remember That Saturday Night D2 (I Wonder Why?) You're Just in Love Call Me Madam D2 I'd Give It All for You Songs for a New World D2 I'll Know Guys and Dolls D2 I'm All Alone Monty Python's Spamalot D3 In Whatever Time We Have Children of Eden D3 Invocation and Instructions to the AudienceThe Frogs D3 It Couldn't Please Me More Cabaret D2 It Never Was You Knickerbocker Holiday D1 It Takes Two Into the Woods D3 Kiss Me Sweeney
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]