Fashionable Ladies, Dada Dandies Author(s): Brigid Doherty Reviewed work(s): Source: Art Journal, Vol. 54, No. 1, Clothing as Subject (Spring, 1995), pp. 46-50 Published by: College Art Association Stable URL: http://www.jstor.org/stable/777506 . Accessed: 26/03/2012 07:53 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal. http://www.jstor.org FashionableLadies, Dada Dandies Brigid Doherty n Berlin, as in Paris, London,and New York,skirts got shorterin the 1920s, exposing legs swathed in shiny, synthetic silk stockings. "Legs have emergedafter cen- turies of shrouding,and adult womanat last frankly admits herself to be a biped ... her ankles, calves, and knees (all the more dazzling in their suddenly revealed beauty after their long sojourn in the dark) [are] her chief erotic gebennddanah vonihr ene Reie ser scner Hemden Zwnen Sie e niraotenn beiorienften Firren arlbetten bezogenzu lassen, wenn 46 weapons,"Iwrote the psychoanalystJ. C. Flugel in his 1930 if-iren study, ThePsychology of Clothes.After the First WorldWar, Flugel argues, men's fashion did not keep pace with the modernizationof women'swear.