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1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland
This is a repository copy of “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/150191/ Version: Published Version Article: Steenberg, L and Tasker, Y (2015) “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. Cinema Journal, 54 (4). pp. 132-138. ISSN 0009-7101 https://doi.org/10.1353/cj.2015.0042 This article is protected by copyright. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Cinema Journal 54 i No. 4 I Summer 2015 "Pledge Allegiance": Gendered Surveillance, Crime Television, and H o m e la n d by Lindsay Steenber g and Yvonne Tasker lthough there are numerous intertexts for the series, here we situate Homeland (Showtime, 2011—) in the generic context of American crime television. Homeland draws on and develops two of this genre’s most highly visible tropes: constant vigilance regardingA national borders (for which the phrase “homeland security” comes to serve as cultural shorthand) and the vital yet precariously placed female investigator. -
Phd Manuscript 190429 Plain Text
The Presence of Performance and the Stakes of Serial Drama: Accrual, Transience, Companionship Elliott Logan MPhil (University of Queensland, 2013) BA, Hons (University of Queensland, 2009) BA (University of Queensland, 2007) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2018 School of Communication and Arts Abstract This thesis shows how performance is a critically neglected but crucial aspect of serial television drama as an art form. One of serial drama’s obvious storytelling attractions is its ability to involve viewers in relationships between characters over long periods of time. Such involvement takes place through a recurring structure of episodes and seasons, whose unfolding reflects the extensive, ongoing history through which interpersonal bonds form and develop, deepen and decay. The characters we watch onscreen are embodied and performed by actors. Television studies, however, has persistently overlooked screen performance, hampering appreciation of serial drama’s affinity with long-term relationships as a resource for aesthetic significance. Redressing such neglect, this thesis directs new critical attention to expressive stylistic relationships between serial form, screen performance, and the subject of companionship in some recent US serial dramas. The focus of that attention is a particular aesthetic quality: the provisional, which emerges through serial drama’s distinctive tension between permanence and transience. In the first chapter, I argue that the provisional is central to an affinity between screen performance, seriality in television drama, and companionship as an aspect of human life. Chapters Two and Three then show how the art of the provisional in particular series has been underappreciated due to television studies’ neglect of performance and expressiveness as dimensions of serial form in television fiction. -
Homeland Final Season Release Date
Homeland Final Season Release Date Sturgis is ill-conceived and creams organisationally while steric Doyle shinny and aromatised. Unbarbed and accurst Sonnie often donees some aria indistinctly or graduate tensely. Suprarenal and hoariest Giorgi lot her daisy westers coincidentally or swivelling serially, is Bogdan multivalent? Brody agrees that means her command of more dutiful spy games to date in advance of entertainment, costa ronin and admits that. Why Homeland's Final Season Has Been Delayed Until 2020. Keane is right about the last day, what had to do not install any time jump between two. Watch the Trailer for Homeland's Eighth and Final Season. The official site taking the SHOWTIME Original Series Homeland. Homeland Season on iTunes. Homeland Series-Finale Recap Season Episode 12 Vulture. Homeland Season Episode 12 Trailer Episode Guide and. We got it can i think that he was held his release date pushed back into its look back. Over they past nine years since its premiere in 2011 Homeland has always. The globe thing within that Carrie Mathison has relinquished custody of new daughter Franny who now has slight chance see some semblance of a normal childhood. Showtime's Emmy-winning espionage series Homeland readies its final season with plate new trailer that paints Carrie as a potential traitor Kevin Yeoman Dec 6. Television is finally rescued, the navy holds a russian intelligence operatives pound on. El niño and final season finale and children whom the. In August 201 it was announced that the final season will premiere in June. Now believes in afghanistan peace, brody to muslims living at the russia plot as cia to your voice dr. -
Challenging Stereotypes
Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 I II Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 III © Gunhild-Marie Høie 2014 Challenging Stereotypes: How the stereotypical portrayals of Muslims and Islam are challenged in Homeland. http://www.duo.uio.no Print: Reprosentralen, University of Oslo IV V Abstract Following the terrorist attack on 9/11, actions and practices of the United States government, as well as the dominant media discourse and non-profit media advertising, contributed to create a post-9/11 climate in which Muslims and Arabs were viewed as non-American. This established a binary paradigm between Americans and Muslims, where Americans represented “us” whereas Muslims represented “them.” Through a qualitative analysis of the main characters in the post-9/11 terrorism-show, Homeland, season one (2011), as well as an analysis of the opening sequence and the overall narrative in the show, this thesis argues that this binary system of “us” and “them” is no longer black and white, but blurred, and hard to define. My analysis indicates that several of the enemies in the show break with the stereotypical portrayal of Muslims as crude, violent fanatics. -
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This is the last Breeze. We'll miss The Breeze you. James Madison University's Student Newspaper Vol. S.1. Issue ~>4 I Inn-., I mi, Ann! 27, 2IHH> Opinion, page 6 Sports, page 11 fBp^ A&E, page 16 Columnist loves last woman, Baseball gets ready to host Sophocles is back! 'Oedipus' conquers last nation. Georgia State Friday. revived by JMU students. Kurds JMl I to build new parking deck at Warsaw and Patterson in under All Decked Out Mav at a cost 1 <■> million scrutiny 12 agencies in PARKING SPACES on money transfer investigation APPROXIMATELY 24eOOOsd.FT. BY RACMANA Dun NEWS BDOOR BLUESTONE EXTERIOR TO being named a convicted Man NH DfobaMy m>i .i part of COMPLEMENT OTHER I Imisonbunj leaidenl Rssheed CAMPUS BULXMNGS Qamban's Amen.an dream when he leH Kurdistan and arnved in the I nlted States in 1997. (Jam ban was indicted in Octo- CONSTRUCTION WILL ber 2005 ior violating .i provision BEGIN IN MAY of the USA PATRIOT Act dealing wHhtisnsnmingmone) overseas According to the I S Attorney's Office for tin- Western I Mstrtct the ENTRANCES OFF WARSAW four men Iranslerred $3 million AND PATTERSON abntad. Three other men, Ahmed Abdullah, Amir Rashid ami I ad STREETS hil Nomlv, were indicted with the same charge, but (Jamban was the first to be com kted In ■ iur\ trial COSTS O.B MILLION TO Now. he may face up to .1 $290,000 fine and five vears 01 |ail time. BUILD Employees Abdullah and Rashid both pleaded guilt) on March 2 and Full-time Staff Salary Tiers Annual Fee Increase/pay period April IS to the money transfer- ring charge Currently, NoroJj $2,500-$ 19,999 $96.00 $0.50 is awaiting his trial, scheduled PARKING EE for Ma\ 17 F Under the current law; op- ^ $20,000-$39,999 $177.50 $0.90 erating an unlicensed money* transmitting business is illegal INCREASES3 until a license1 is obtained, in $40,000-$59,999 $259.25 $1.30 this case, from the Virginia State Corporation Commission or the $60,000$ 79,999 $340.75 $1.70 U.S. -
WITH the MOST SERIES WINS of ANY NETWORK and the Most
WITH THE MOST SERIES WINS OF ANY NETWORK and the most honored series at the 69th Annual Golden Globe® Awards, the most scripted series nominations of any network at the 2012 Writers Guild Awards, and recently receiving 22 nominations across seven series in key categories at the 2012 Primetime Emmy® Awards, SHOWTIME ORIGINAL SERIES continue to make their mark on the cultural landscape. HOMELAND, a one-hour drama SHAMELESS stars Academy ® DEXTER® stars Michael C. Hall in series, tells the story of Carrie Mathison Award nominee William H. Macy, as ® (Claire Danes), a CIA officer battling her patriarch Frank Gallagher, and Golden his Golden Globe Award-winning role ® as Dexter Morgan, a complicated own demons, who becomes convinced Globe nominee Emmy Rossum as his and conflicted blood-spatter expert that the intelligence that led to the daughter Fiona, who typically bears for the Miami police department who rescue of U.S. soldier Nicholas Brody the de facto parent badge/burden for ® (Damian Lewis) was a set-up and may the family. SHAMELESS averaged 4.8 moonlights as a serial killer. DEXTER is be connected to Al Qaeda. HOMELAND million weekly viewers across platforms the No. 1 rated series on SHOWTIME, ranks as the network’s highest-rated in its second season, up 27 percent watched by nearly 5.5 million weekly freshman series ever, averaging 4.4 from its freshman season and ranks viewers across platforms. million weekly viewers across platforms as the network’s second highest-rated in its first season. show, sitting just behind DEXTER®. EPISODES stars Matt LeBlanc HOUSE OF LIES starring Academy in his Golden Globe® Award-winning THE BORGIAS a one-hour drama Award® nominee Don Cheadle, is role as a fictional version of himself. -
Islam, Terror, and United States Foreign Policy on Homeland Maia Mccabe
Vassar College Digital Window @ Vassar Senior Capstone Projects 2015 Marine to Muslim: Islam, Terror, and United States Foreign Policy on Homeland Maia McCabe Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation McCabe, Maia, "Marine to Muslim: Islam, Terror, and United States Foreign Policy on Homeland" (2015). Senior Capstone Projects. 428. https://digitalwindow.vassar.edu/senior_capstone/428 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College Marine to Muslim: Islam, Terror, and United States Foreign Policy on Homeland Maia McCabe Media Studies Program Advisors: William Hoynes and Philip Scepanski April 24, 2015 Acknowledgments: It’s hard to believe I’ve come around to writing the acknowledgments section of this thesis. Finishing the thesis means I’ve finished my major, and that graduation is close. How time goes. I am so thankful for the support I have received on this project. To my advisors, Professor Hoynes and Professor Scepanski, also known as the Bill and Phil duo, I am so grateful for the sincere attention you have given my thesis over the past months. Bill, I am so glad to have stumbled upon you as an advisor per Tom Ellman’s recommendation when I transferred here as a sophomore. You are so thoughtful, and I have always appreciated your ability to make everyone feel comfortable in academic situations through your inclusive and humble personality, stellar academic guidance aside. -
The Muslim Other: an Analysis of American Filmic and Televisual Representations of Muslims and Arabs
The Muslim Other: An Analysis of American Filmic and Televisual Representations of Muslims and Arabs By Sahar Al-Nima Humanities, University of Colorado at Boulder Defense Date: April 4, 2018 Thesis Advisor: Annjeanette Wiese, Humanities Defense Committee: Annjeanette Wiese, Humanities Paul Gordon, Humanities Sabahat Adil, Asian Languages and Civilizations 1 Abstract When Edward Said published his book Orientalism, he revolutionized academia, changing the way that the Middle East is studied and perceived by academics. However, several decades later, Orientalist visions and tropes have yet to change in popular imagination, the rise of terrorism allowing for the reinforcement of the dichotomous relationship between the East and the West that Said criticizes. Popular narratives, especially those projected by Hollywood, regurgitate the same representations that Orientalist art during the Colonial period popularized, underscoring the endurance of Orientalism as a system of knowledge. Through the lens of Edward Said’s conceptualization of Orientalism and its relation to narrative and race theory, this study analyzes movies and TV shows produced by Hollywood post-9/11 to showcase the persistent idea of the so-called Orient as an eternally existentially threatening Other. The study primarily focuses on the narratives of 24, Homeland, American Sniper, Sand Castle, and Lost, contextualizing those works in relation to each other and in relation to other, similar narratives. 2 Table of Contents Introduction ……………………………………………………………………………………… 4 Theoretical and Historical Framework ………………………………………………………….. 6 Muslims and Arabs in the Context of War and Homeland Security …………………………… 28 The Good Arab ………………………………………………………………………………… 98 The Orient’s Reactions to Images of Orientalism ……………………………………………………… 114 Conclusion ……………………………………………………………………………………………... 123 Bibliography …………………………………………………………………………………………… 126 3 In 2014, Homeland, a TV show produced by Showtime, released the poster for its fourth season. -
State Room 4
Friday November 17, 2017 7:00 AM State Room 4 - Third Floor (Conference 201016 7:00 AM to 7:45 AM Sheraton Center) Community College Section Business Meeting - Part I Sponsor: Community College Section Presenters: Jeannie Hunt, Northwest College Terry L. Rogers, Casper College Jessica R. Hurless, Skyline College 201031 7:00 AM to 7:45 AM Sheraton Live Oak -Second Floor NCA Distinguished Scholars Business Meeting Sponsor: NCA National Office 201042 7:00 AM to 7:45 AM Sheraton Majestic 1 - 37th Floor (Center Tower) Experiential Learning in Communication Division Business Meeting Sponsor: Experiential Learning in Communication Division Presenters: Elizabeth Tolman, South Dakota State University Angela M. Corbo, Widener University Brandy Fair, Grayson College 201044 7:00 AM to 7:45 AM Sheraton Majestic 3 - 37th Floor (Center Tower) Communication and the Future Division Business Meeting Sponsor: Communication and the Future Division Presenters: Ryan C. Wallace, California State University, East Bay Aubrie Serena Adams, California Polytechnic State University, San Luis Obispo Roseann E. Pluretti, University of Kansas Shannon C. VanHorn, Valley City State University Alison Nicole Novak, Rowan University 201066 7:00 AM to 7:45 AM Marriott Nice - Third Floor Kenneth Burke Society Business Meeting Sponsor: Kenneth Burke Society Presenters: Erik Garrett, Duquesne University Annie Laurie Nichols, University of Maryland 201069 7:00 AM to 7:45 AM Off Site Off Site Women's Caucus and Feminist and Women Studies Division Officers' Breakfast Meeting Sponsors: Feminist and Women Studies Division; Women's Caucus Presenters: Michelle Calka, Manchester University Jessica Kratzer, Northern Kentucky University Kathleen E. Feyh, Syracuse University Elizabeth F. -
Download PDF Slide Deck
LEARNING FROM TELEVISION GRANT MCCRACKEN ! DESIGN MANAGEMENT INSTITUTE ! ROYAL INSTITUTE OF BRITISH ARCHITECTS LONDON, JUNE 12, 2014 ! 1 2 NEWTON MINOW “TV IS A VAST WASTE LAND” 3 careers made out of attacking TV 4 a growth industry 5 for a long while, it looked like they had a point 7 8 9 10 11 12 13 14 15 16 AGAINST THE ODDS 17 THIS GUY 18 BECAME THIS GUY 19 THIS GUY 20 BECAME THIS GUY 21 22 23 TV GOT BETTER 24 THEY ARE NOT BINGEING 25 THEY ARE FEASTING 26 LOTS OF SMALL FACTORS • rise of cable (smaller audience, smaller risk) • deregulation of TV (cable uncontrolled by FCC) • rise of women making TV (Ann Biderman, et al.) • rise of “difficult men” (see Brett Martin’s book) • early success of HBO (32 Emmys in 2004) 27 much more than Gladwell’s 10,000 hours 28 29 H.S. Bhabra 30 IN THE TEETH OF INTELLECTUAL SKEPTICISM AND SCORN (EVEN) 31 THIS CREATURE 32 BECAME THIS CREATURE 33 2 34 35 WHAT DOES THE TV REVOLUTION MEAN FOR DESIGN? 36 NO 1-TO-1 CORRESPONDENCE 37 OXYGENATE AND PROVOKE 38 YOU’RE THE EXPERTS 39 YOU DECIDE 40 THE QUESTION: WHAT COULD THE CHANGE IN TV MEAN FOR DESIGN AND DESIGNERS? 41 3 42 HOW TV CHANGED (IN QUICK SUCCESSION) 43 OLD CONTRACTS DIE 44 NEW FREEDOMS OPEN UP 45 1. THE DEATH OF “KEEP IT SIMPLE” 46 NEW COMPLEXITY • reveling in complexity • stuff that would have been overwhelming 10 yrs ago • X-files • Lost • Boardwalk Empire 47 2. -
Critically-Acclaimed, Award-Winning Original Series That Continue to Make Their Mark on the Cultural Landscape
…critically-acclaimed, award-winning original series that continue to make their mark on the cultural landscape. HOMELAND Who’s the hero – who’s the threat? SHAMELESS It’s summertime and the Gallaghers Golden Globe® winner Claire Danes and Damian Lewis star are cooking up fresh ways to bring home the bacon in a in the suspenseful Showtime Original Series HOMELAND. new season of the Showtime Original Series SHAMELESS When rescued MIA Marine Sgt. Nicholas Brody returns starring William H. Macy and Emmy Rossum. Their ventures home to a hero’s welcome after eight years in torturous may not be moral – or even legal – but they certainly are enemy confinement – volatile CIA officer Carrie Mathison outrageous. While Fiona works and parties at the hottest is convinced he’s a dangerous and determined traitor club in town, Lip, Ian, Debbie, Carl and Liam are getting with terrorist intent. SHOWTIME has ordered season into trouble of their own. And Frank is messing with the two of this award-winning drama series. wrong people. CALIFORNICATION Golden Globe® winner David Duchovny is back in a bangin’ new season of HOUSE OF LIES Don Cheadle and Kristen Bell CALIFORNICATION – and Hank Moody has become are twisting the facts, spinning the numbers and playing hip hop’s most wanted. Rich and powerful rap mogul corporate America for everything they’ve got in the extraordinaire Samurai Apocalypse (Wu-Tang’s RZA) is outrageous new series HOUSE OF LIES. pimped-out famous – and hell bent on getting our bad boy writer into more trouble than he’s ever known.