CHEVALIER IS Edinburk; $2500

Total Page:16

File Type:pdf, Size:1020Kb

CHEVALIER IS Edinburk; $2500 ■11 1 it1 ii' TflPrSBriill' '"" ^ _ and 111 Valley B Theaters Texts Company, lot 11, block 209. I ICED TEA 1 CHEVALIER IS Edinburk; $2500. The first ice tea of spring tastes i Cameron Courts R. M. Walmsley et ux to The the best. Do not wait until It is »- Texas Company, lot 19. block 209, boiling weather to think of it. With a hot luncheon or supper dish it is SITS FILED IN DSTRICT COURT Edinburg; $5250. ARCADIA STAR south 20 acres, lot 6, block 4. Cap- delicious. Serve with a bit of mint. 9488—Jessie K. Liddell vs. N. S. isallo dist ; $6515. Hazel Hartman to Byrnes Upham Liddell, contempt of ccudt. Investment Co.. Inc., lot 3, sec. 289, GRENOBLE. Prance UP}— Paper 9489— Polk Popular Commedienne In Hornaday vs. Rio Hidalgo County Tex. Mex.; $2500. making is growing as an industry Grande Valley Gas company, dam- the raw’ mat* rial from N. P. Norton trustee, to O. A. Harry J. Lawson to Patricia Law- here, coming Gum ages. the pine forest in the Landes re- Chewing Factory 9490— H. Fogleberg. lots 2 and 4, block 30. son. all real estate owned George Schmidt vs. Earl by Harry gion and from alfa grass imported Hammonds addn. to lot la Late Role R. Clements et ux, debt and attach- McAllen; J. Lawson; $10. from Algeria and Tunis. ment. 4 and south 1-2 lot 3, block 43, 9491— W. W Reynolds vs. Alfred North McAllen; $2800. Can ycu Maurice Chev- E. Reid, lmagin* ; specific performance. Harmon Poyser et ux to Earn- 9492— Citrus Groves alier a successful business man Valley com- hardt Development Co., Inc., lot 2 pany vs. Alfred E. Reid, specific working hi* head off in a chewing block 3. Palm Heights addn. to Mc- performance. Allen; $10. Now gum factory? And all because he’s Showing Harmon Poyser et ux. to Earn- in love with a beautiful and wealthy COUNTY COURT hardt Development Co. Inc., lot Zane romance of Amwican girl and want* to Hon. Oscar C. Grey’s prove Dancy. Judge 5. block 14, Ewing addn. to Mc- to her that he can make enough the wide open spaces 1858—In re estate Maria Garcia Allen; $1550. money to marry her and give her where men Martinez, deceosed. J C. Engelman, Jr., to W. J. fight oil those things she has been used Moore. 1015 acres E. af W. 25 acres for love to all her life? Well, that is exact- REAL ESTATE TRAN5FFERS lot 1. block 97, Mo. ex.; $10. ly what Chevalier does in his latest 'Furnished by Valley Abstract Co.) J. C. Engelman, Jr., to H. G. and gayest musical comedy. “The Cameron County Arnald 29 W 1-2 of E 1-2 lot 13. Big Pond” booked for showing at A. J. Pollard to R. F. Allen, tot >r% Block 84, Mo., ex.; $7581. the Harlingen Arcadia Theater to- 9 block 18. townsite Rio Hondo. $10. Francis E Lounsberry. to E. S ,<Ct day. Mondav and Tuesday. John C and Mary Myrick to aylor S. 12913 acres, lot 455. John You can blame it all on Claud- 1 Mayme F. Mitchell, town lot 10, H. Shary subd..; $10. ette Colbert. Chevalier’s charming block 2. La addn. Quinta Harlingen. J. M. Nichols et ux to Eugene L. leading lady She meets him in the $10. Farrell, lots 3 and 4, block 45, Mc- Venice of gondolas, moonlight and B F Dittmar company to Man- Allen; $3000. enchanting love songs She is can- Investment agers Co. lots 1. 2, 3. W H. Stevens to George Parks. ttvated bv his charm and romantic — 4. 5, 6, block 70. ♦ Harlingen; $10. E 16 45 acres, lot 13, sec. 243, Tex spirit Sh» falls in love with him J. E 1 and Kate Warner to S. G. Regis Toomey. Mary Brian. Richard Arlen. Harrv Green. Fred Kohler, in Zane Grey's western thriller Mex.: $1000. and he. of course, fal’s in love with Webb, east 10.8 acres of west 20 "The at J. C. Cawiezel to W. H. Stevens. her. But Claudette's father, the Light of Western Stars." now showing the Capitol theater. acres farm block 17. D-S sub. sur E 16 1-2 acres, lot 13. sec. _ 243. Tex famous "chewing gum does M king” 26; *7020. Mex : $io. *NW not want a romantic Maurice in La*ter a great portrayal in this Zane Grey- and Anna J. Carter to J. C. Engelman. Jr., to Clarence ** the family. He storms, protests, Delos R. Ames outdoor action-romance. and Emily A Ames El Porltt et ux. 8 acres of W. 15 3 threatens and does everything in lot 22 Palm View addn. San Be- vr acres, lot 7, sec. 259, Tex. Mex ; the world to make Claudette change Mary Brian is the heroine of this nito; $1250 $2000. ~ her mind But he doesn't succeed thrilling story and she is here every R. Sibson to Uwe P Christian- Wllmer P. Morgan et ux to Mar- And so he hits on a plan He of- bit sen et al. 10 acres as sweet as she was in "The being South 10 shall W. Morgan, part lot 3. block fers Maurice a position in his chew- acres of North 20 fc Virginian." or in "Burning Up." in acres of block 7. 16, Llano Grande Grant; $1.00. lane ing gum bark in the Greys factory El sub. states, which she was seen with Arlen re- Toronjal La Feria grant; Delta Orchards CoC. to Wm. G and plans to work the debonair | $10. cently. The story is and I Maple. S 10 acres, lot 8, b!ac k91. Chevalier so hard th»t he wdl exciting onlv and I Robert L. Faulk to J. L. Faulk, be to fast-moving, replete with spec- Mo. Tex ; $4650 glad to take the next boa* south 1-? block 31. Media tacular scenes, such as a gigantic Luna Charles W. Hodge et ux to Le« LIGHT OF back THE to the continent Chevalier sub E S. *10. wild horse which would be gt.; Tolleson. S 7 acres of W 26 acres accept* *agrelv and with Cliudette. stahpede hard to match for realism and Valley Citrus Groves company to lot 125. porcinn 69 and 70; $10. her father and mother sails for Mm H and Hannah G Gollan E E. McKenzie America. startling beauty. et ux to The "The of the Western Stars" At the Light ~ STARS rut WESTERN factory Chevalier is —■ in novel form was one of the best "~i work: work that wou’d dis- sellers of the year. Paramount has courage the huskv men But Chev- captured the true of the mov- alier mistakes this drudgerv for spirit Starring ing story. Arlen. a young cattle American ambition and "pen” and foreman, in a moment of II ^ II sticks tn his new lob with unbound- despera- tion. vows to the first white Arlen ed marry’ Richard enthusiasm However, in his woman he meets That woman effort to prove to Claudette’s fath- hap- it© - pens to be Mary Brian, who resents er that he is a corking good bus- Brian Green his insult, In a succession of ad- Harry iness man. he forgets to rermin Mary venturous everts. Arlen to the ardent lover. Claudette is dis- manages ! offset his initial appointed, and yor con't blame her poor impression and wins the girl CL Qammmmt Qictwre for Chevalier even falls asleep at There are several excellent hu- one of her parties. But if you know morous roles in the your Chevalier voull know th3t he story, portray- Added Attractions: ed by Harry Green, whose dialect >;:|g doesn't allow his romantic and so- Pathe Talking Comeds H [ comedy is funnier than ever in this Jj Jj cial errors to continue for too long Paramount Art rtrange setting, and bv William Le- Parasound News Maire, the garrulous sentinel of J| Arlen Thrill* In Only the Brave” Fr-d Kohler ... furnishes the thrills as the badman New Action Romance whn comes between Arlen and his Maurice Chevalier and Claudette Colbert in "The Big Pond." Cheva- musical at the Ar- Richard Arlen is seep as a swag- girl. liers latest and gayest comedy, showing Harlingen gering. bragging and wholly lovable cadia theatre and at the Rivoli theatre in San Benito, today. Mon- lover in his featured role in "The day and Tuesday. ’’ Maurice Chevalier Light of the Western Stars which opens a t the Camtol theai&r uxiev. ! Now “Americanized” chewing gum factory. He starts | SOFIA (*»<—Two movie house: l • anTre-frar run with a part ! [ In The Big Pond.” his newest at the bottom and gams prestige in closely resembling his immitablj here recently exhibited the firs starring film. Maurice Chevalier be- the business through his novel ideas ! role in “The Virginian.” Arlen gives “talkies" shown ir. the 1 comes thoroughly Americanized.” about advertising. He writes sue- I Bulgaria! I were made VftMST30*G His earlier films showed the for- cessful sengs which exploit the: capital. Complaints be ■ mer favorite of the Follies Bergere company's produce Eefore long he cause they were given in English ; «<& 4 is a in the and an in the characterizations of a music power industry I and German and French films art ace the his hall sineer and of an ambassador in regard of sweetheart, now being booked extraordinaire in a Claudette Colbert, the mvthicay king- played by t fUtfmann dom. But "The of "he Lies" fame. at the lady Lady 1 Big Pond." ■A Rivilo.
Recommended publications
  • TCM CFF 2012 Talent 1 and Passes on Sale Announcement Nov 2
    For Release: November 2, 2011 TCM Classic Film Festival to Open with Gala Screening of Cabaret Passes Go on Sale Nov. 9 for Four-Day Festival, Coming to Hollywood April 12-15, 2012 Turner Classic Movies (TCM) will open the 2012 edition of the TCM Classic Film Festival with the world premiere of a new 40th anniversary restoration of Bob Fosse’s Cabaret (1972). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Cabaret to kick off the four-day, star-studded event, which will take pace Thursday, April 12 – Sunday, April 15, 2012, in Hollywood. Passes are set to go on sale Wednesday, Nov. 9, at 10 a.m. (ET) through the official festival website: http://www.tcm.com/festival. One of the most acclaimed films of its era, Cabaret stars Oscar®-winner Liza Minnelli as an American singer looking for love and success in pre-World War II Berlin. Michael York and Academy Award® winner Joel Grey co-star in the film, which earned Fosse an Oscar for Best Director and serves as a perfect showcase for his unique choreography and imaginative visual style. Cabaret will kick off an extensive roster of screenings for the 2012 TCM Classic Film Festival. As part of TCM’s ongoing commitment to supporting film preservation, the festival will showcase several new restorations, including three Best Picture Oscar winners, one of the greatest movie musicals of all time and a nearly forgotten gem ready to be rediscovered: Wings (1927) – 85th Anniversary Restoration Charles “Buddy” Rogers, Richard Arlen and Clara Bow star in William A.
    [Show full text]
  • Theatre and Drv Fu at Torrance Theatre in Old House on Arlington NEWS TWO $»»Ry, REDONDO BEACH, S«Pt
    JTORRANCE, CALIF. [TORRANCE HERALD THURSDAY, SEPT. 19, * "Four Feathers" A Miracle A-*J>» it* ' ' ' m rtn, Is Taking Place FISHING SNAP . Torrance Theatre and Drv Fu at Torrance Theatre in Old House on Arlington NEWS 1604 POST AVENUE TWO $»»ry, REDONDO BEACH, S«pt. 19 '* FRIDAY arid SATURDAY, SEPT. 20-21 The coming w*e* M *"* sound and njuslc, that vjlll live for­ A miracle Is being enacted ofi the R)£ht now the magic work of Theatre ever It IB one of those outstand­ old home of Mr Heavy rock base, bonlto, and mack­ HOUSE brings without doubVtnrle .torn!'Mrs. Jatnts transfdrmmK 'tho'old house into a erel are the > MONTE BLUE in ing stories that is never forgot­ M. Fltzhugh at 2Q28 Arlington ftVfr three varieties of fish of the most ontBtMifllnp talking modern hpmo Is going on and these caught In and lot ten. nue, Torrance. At least, It stems the largest numbers by 60x126 ahd singing- picture* 9f the year- six firms are inviting, the public anglers at Redondo Beach during By popular request, the Torrance like a miracle the way al* leading to watch the Work as It progresses. 9 RQOM3 "CONQUEST" pictures which have enj9y«d elabo­ Theatre 'brings "The the past week. Capt. W. L. Mon- rate Desert Son?" Toh-ance extractors arc tran»* In order to fully appreciate the premieres In th« best'theatres on a return engagement Friday an,d Btad of the barges Emlgh and La- DOUBLE GARAGE A Warner Bros. Talking Picture of the East fprmlng this pld house, into an up- wonderful effects that will be ac­ as W»|l as the Los Saturday, September 27 and 28.
    [Show full text]
  • World War Ii and Us Cinema
    ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances.
    [Show full text]
  • The Museum of Modern Art Department of Film
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • TSAP 2016 Screening Schedule
    To Save and Project: The 14th MoMA International Festival of Film Preservation Screening Schedule November 2–23, 2016 The Roy and Niuta Titus Theaters Cock of the Air. 1932. USA. Directed by Tom Buckingham. Screenplay by Charles Lederer, Robert E. Sherwood. With Chester Morris, Billie Dove, Matt Moore. Co-presented with the Academy of Motion Picture Arts & Sciences, this New York premiere kicks off To Save and Project. Producer Howard Hughes combined two of his principal interests—one of them was airplanes—for this amazingly raunchy comedy set in Europe during World War I, with Chester Morris as an American pilot with an international reputation as a womanizer and Billie Dove as a French actress determined to teach him a lesson. Hughes tried but failed to sneak the film past the Hays censorship office and was forced to cut nearly two reels of footage; this restoration from the Academy Film Archive includes much of the censored imagery and uses newly recorded dialogue to fill in lines removed from the surviving soundtrack. The unheralded director Tom Buckingham demonstrates a surprisingly assured hand with extreme long takes, a technique he may have learned as a writer on Tay Garnett’s Her Man. DCP. 80 min. Wednesday, November 2, 4:30 (introduced by Michael Pogorzelski, Director, and Heather Linville, Film Preservationist, Academy Film Archive) Sunday, November 6, 4:00 p.m. The Front Page. 1931. USA. Directed by Lewis Milestone. Screenplay by Ben Hecht, Charles MacArthur, based on their play. With Pat O’Brien, Adolphe Menjou, Mary Brian. Co-presented with the Academy of Motion Picture Arts & Sciences, this New York premiere kicks off To Save and Project.
    [Show full text]
  • 1930 Full PDF Version
    1930 article titles and notes Vol. I, No. 52, January 3, 1930 "New Public Officials to Take Office. Borough, County and Township Administrations to Change at Reorganization Meetings Monday" (1 & 6 - BB, BS, and DC) - After detailing the new elected positions and discussing the "political plums," county appointments for prison warden and U.S. marshal, the article mentioned how married women in the Recorder's office and other courthouse offices were losing their jobs. "There has been considerable criticism of too many married women holding clerkship positions in the courthouse. It has been pointed out that some of these women have husbands who are in business or have good positions." "Church of Christ Scientist Opening New Building Sunday" (1 - RS) - on Park Avenue "below Harvard avenue" "Children's Aid Provides Gifts. Thanks Swarthmoreans for Meeting Needs of Children Described in Paper. Many Toys Received" (1 & 6 - CW, DC, and TS) - inset of letter to the editor from Miss Margaret Bube, County Secretary of the Pennsylvania Children's Aid Society of Delaware County, expressing gratitude for helping 83 children, followed by a list of the gifts for 11 of The Swarthmorean's 15 'special cases'. "Health Society Grateful for Gifts of Swarthmore People" (1 & 5 - CW, DC, PH, and TS) - thanks for baskets and donations that benefited "[o]ver fifty-four families" "Merchants Praised for Decorations. Holiday Appearance of Business District and Christmas Party Great Success. Urge Annual Affair" (1 & 5 - BB and SE) - This praise for the Christmas party included a letter from D. Durnall, who thanked Swarthmore's merchants 'for their successful handling of a very enthusiastic crowd of children'.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • Beggars of Life (1928)
    Thursday 13 March | 19:30 Beggars of Life Dir. William A. Wellman | US | 1928 | 1h 21m Accompanied live by The Dodge Brothers (Mike Hammond, Alex Hammond, Aly Hirji and Mark Kermode) and Neil Brand These screening notes contain spoilers. According to the account given by Louise Brooks, the atmosphere on the set of Beggars of Life was clouded with resentment, hostility and aggression. Brooks, the radiant star of this rail-riding caper, was unhappy in Hollywood and increasingly of a mind to leave town and wriggle out of her Paramount contract. Never one to play the schmoozing game, Brooks didn’t just have to be persuaded to take the role on – she had to be tracked across country, with studio operatives finally discovering her in Washington DC, where she was visiting her paramour George Marshall, the notoriously racist owner of the Redskins. Director William Wellman was put out by her reluctance, and as Brooks recalled: “A coldness was set up between us which neither of us could dispel.” Brooksie was in turn miffed both by the requirement that she take a screen test for the film, and by writer Benjamin Glazer’s remarks about her “too high” forehead. She was only further dismayed to discover that her co-star would be Richard Arlen. They had worked together before, on the comedy Rolled Stockings (1927), and the experience had not brought them close. Arlen was a handsome actor, and a chum of Wellman’s (they had worked on the first-world-war blockbuster Wings), but not the most expressive of leading men.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Iv.. Mary Brian
    THE SUNDAY STAR. WASHINGTON, D. C„ FEBRUARY 28. 1926-PART 3. 3 g APliotoobv^ VI \ i I * ¦ m 3 mt J r4°U Sk ,; - f V^NMV nH j " *, \ \ -; i y 7 4 Ms*, i *si*"f '¦:'¦< *?# ; pKjiw|| i ' ? * ' ' >- » >/ \> ks\ . v /• 'ffi'i * "V \ \ ; *H- 'ijy iv.. Mary Brian ||p 7 \ Palace/ y S'hipieywla <•& V#: ¦'\\^ ti .Mason" Lji% Cewtral MARY PHILBIIf - Rialto Colleen" Tivoli Filmograms #i Aocm, THE Government, in a rommunlca- for Ufa of Germany. It is one of the MKIWPW \ tion from President Coolidge to pictures to he released here as a result Metropolilavo S m the House of Representatives, officially of the recent commercial alliance of ||ly. rates the motion picture industry as Paramount and Metro-Gcldwyn with "the fourth largest in the, country, in Ufa. ' ' ' capital This is r terms of invested.” John F. Carlson, landscape painter News and Comment said to be the first authentic and offi Woodstock, Y., say- i cial statement rating the industry. of N. is quoted as * * ing. "I believe pictures to be the most Fred Niblo’s next will be a huge convenient, comforting, entertaining, By W. H. Landvoigt. v* spectacle dealing with ancient Bagdad, educating thing on earth. American w if reports be genius, enterprise and capital have from the Pacific Coast with fa- ¦ gone into this worthy cause.” has been having an “educational week,” ® true. chil- educators from all corners of the land to tell us how . AX****... English Judge mous A S \| -W^rS: Hal Roach, in imitation of The famous Ben Lindsay of dren should be taught what is to make them the future men and royalty, recently fell from a horse and the Juvenile Court of Denver, Colo., broke his collarbone.
    [Show full text]
  • Torrance Herald
    Gangway! Here Cornea .lane film written especially for Jane, In response to natioivwide re­ and which opens tonight at the HUMOR GETS GOING IN HIGH GEAR quests of screen fans who have Torrance Theatre. ' wanted to see "Ginger" Jane Jane breaks windows, hurls! Withers run wild again on the tomatoes, kicks shins, and in screen, Twentieth Century - Fox general creates general havoc I ELECTROLUX cast her in "Popper," a hilarious with her mischievous antics, Now Offers You OR. R. A. NO! A Great Saving of PHONE TORRANCE 132 Thursday, Friday, Saturday, Oct.. 22-23-24 "STAGE STRUCK" with DICK POWELL, JOAN BLONOELL On All Floor and Demonstrators "PEPPER" The chorus beauties of "Stage Struck," the First Na with JANE WITHERS tional comedy romance with music seen at the Torrance Theatre tonight, Friday and Saturday, just couldn't keep Write down all the words that mean funny, capricious away from Dick Powell, the.singing star. In the film he ACT NOW BEFORE IT IS lldelicfously daffy and ebullierftly loony. Add them all to- plays the 'part of a dance director staging a Broadway pro TOO LATE! Sunday, Monday, Tuesday, Oct. 25-26-27 flgether and you have a description of Universal's "My Man duction, which is only part of the secret. ' Harburg and Arlen, Who. didf1 -^ :—————— J. FENIMORE COOPER'S Godfrey," which opens Sunday at the Plaza Theatre .Only a few models left to (Hawthorne. This outstanding contribution to the new the snappy song numbers for selves. In pictures you writ go at. .this big 'reduction. "LAST OF THE MOHICANS** Nmovie season is humor gone on "Stage Struck," the First Na­ nothing Jtmt hit songs you Everyone is a brand new with RANDOLPH SCOTT, BINNIE BARNES ua spree, with the gear shift in bright on fair 'women and fuzzy tional production, which comes model 1936 ELECTROLUX "Stage Struck" : and high.
    [Show full text]