MILT HINTON NEA Jazz Master (1993)
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Part 2 of Selected Discography
Part 2 of Selected Discography Milt Hinton Solos Compiled by Ed Berger (1949-2017) - Librarian, journalist, music producer, photographer, historian, and former Associate Director, Institute of Jazz Studies, Rutgers University. This is a chronological list of representative solos by Hinton as a sideman in a variety of settings throughout his career. Although not definitive, Milt was such a consistent soloist that one could cite many other equally accomplished performances. In some cases, particularly from the 1930s when bass solos were relatively rare, the recordings listed contain prominent bass accompaniment. November 4, 1930, Chicago Tiny Parham “Squeeze Me” (first Hinton recording, on tuba) 78: Recorded for Victor, unissued CD: Timeless CBC1022 (Tiny Parham, 1928–1930) January–March 1933, Hollywood Eddie South “Throw a Little Salt on the Bluebird’s Tail” (vocal) “Goofus” CD: Jazz Oracle BDW8054 (Eddie South and His International Orchestra: The Cheloni Broadcast Transcriptions) May 3, 1933, Chicago Eddie South “Old Man Harlem” (vocal) 78: Victor 24324 CD: Classics 707 (Eddie South, 1923–1937) June 12, 1933, Chicago Eddie South “My, Oh My” (slap bass) 78: Victor 24343 CD: Classics 707 (Eddie South, 1923-1937) March 3, 1937 Cab Calloway “Congo” 78: Variety 593 CD: Classics 554 (Cab Calloway, 1934–1937) January 26, 1938 Cab Calloway “I Like Music” (brief solo, slap bass) 78: Vocalion 3995 CD: Classics 568 (Cab Calloway, 1937–1938) August 30, 1939 Cab Calloway “Pluckin’ the Bass” (solo feature —slap bass) 78: Vocalion 5406 CD: Classics -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DELFEAYO MARSALIS NEA Jazz Master (2011) Interviewee: Delfeayo Marsalis (July 28, 1965 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 13, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 38 pp. Brown: Ferdinand Delfeayo Marsalis. Good to see you again. Marsalis: You too, brother. Brown: It’s been, when? – since you were working with Max and the So What brass quintet. So that was about 2000, 2001? Marsalis: That was. Brown: So that was the last time we spent some time together. Marsalis: Had a couple of chalupas since then. Brown: I knew you had to get that in there. First of all, we reconnected just the other night over – Tuesday night over at the Jazz Masters Award at Lincoln Center. So, what did you think? Did you have a good time? Marsalis: I did, to be around the true legends and masters of jazz. It was inspiring and humbling, and they’re cool too. Brown: What do you think about receiving the award? For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Marsalis: I still feel I might be on the young side for that, but I think that my life has been, so far, dedicated to jazz and furthering the cause of jazz, and it’s something that I hope to keep doing to my last days. Brown: We’ll go ahead and start the formal interview. -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Table of Contents
TABLE OF CONTENTS System Requirements . 3 Installation . 3. Introduction . 5 Signing In . 6 HOYLE® PLAYER SERVICES Making a Face . 8 Starting a Game . 11 Placing a Bet . .11 Bankrolls, Credit Cards, Loans . 12 HOYLE® ROYAL SUITE . 13. HOYLE® PLAYER REWARDS . 14. Trophy Case . 15 Customizing HOYLE® CASINO GAMES Environment . 15. Themes . 16. Playing Cards . 17. Playing Games in Full Screen . 17 Setting Game Rules and Options . 17 Changing Player Setting . 18 Talking Face Creator . 19 HOYLE® Computer Players . 19. Tournament Play . 22. Short cut Keys . 23 Viewing Bet Results and Statistics . 23 Game Help . 24 Quitting the Games . 25 Blackjack . 25. Blackjack Variations . 36. Video Blackjack . 42 1 HOYLE® Card Games 2009 Bridge . 44. SYSTEM REQUIREMENTS Canasta . 50. Windows® XP (Home & Pro) SP3/Vista SP1¹, Catch The Ten . 57 Pentium® IV 2 .4 GHz processor or faster, Crazy Eights . 58. 512 MB (1 GB RAM for Vista), Cribbage . 60. 1024x768 16 bit color display, Euchre . 63 64MB VRAM (Intel GMA chipsets supported), 3 GB Hard Disk Space, Gin Rummy . 66. DVD-ROM drive, Hearts . 69. 33 .6 Kbps modem or faster and internet service provider Knockout Whist . 70 account required for internet access . Broadband internet service Memory Match . 71. recommended .² Minnesota Whist . 73. Macintosh® Old Maid . 74. OS X 10 .4 .10-10 .5 .4 Pinochle . 75. Intel Core Solo processor or better, Pitch . 81 1 .5 GHz or higher processor, Poker . 84. 512 MB RAM, 64MB VRAM (Intel GMA chipsets supported), Video Poker . 86 3 GB hard drive space, President . 96 DVD-ROM drive, Rummy 500 . 97. 33 .6 Kbps modem or faster and internet service provider Skat . -
Download a PDF Preview
Alfred Music P.O. Box 100 0 3 Van Nuys, CA 91410-0003 alfred.com Copyright © MCMXCVII, MMV by Alfred Music All rights reserved No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-57623-609-9 (Book & CD) ISBN-13: 978-1-57623-609-3 (Book & CD) About the Author John began playing drums at age eight, after receiving a snare drum as a gift. With the support, encouragement and patience of his parents, John and Mary Ann, he played in the school band and began drum lessons with a good local teacher, Tom Sicola. While under Tom's guidance, he gained control of the snare drum through work on the rudiments and reading. Eventually, he acquired a complete drumset and the lessons expanded to include "beats of the day,'' coordination and reading studies for the drumset. At age twelve, John began playing in rock bands and heard his first jazz recordings, the soundtrack to The Gene Krupa Story and Max Roach's Conversation. Two years later, he played his first "profes- sional" gig, which he obtained through an audition played over the telephone. John began studying with Joe Morello in 1971, :ifter meeting him at a drum symposium. John went on to attend the University of North Texas, where he was introduced to a larger world of music and percussion. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod. -
BLACK LONDON Life Before Emancipation
BLACK LONDON Life before Emancipation ^^^^k iff'/J9^l BHv^MMiai>'^ii,k'' 5-- d^fli BP* ^B Br mL ^^ " ^B H N^ ^1 J '' j^' • 1 • GRETCHEN HOLBROOK GERZINA BLACK LONDON Other books by the author Carrington: A Life BLACK LONDON Life before Emancipation Gretchen Gerzina dartmouth college library Hanover Dartmouth College Library https://www.dartmouth.edu/~library/digital/publishing/ © 1995 Gretchen Holbrook Gerzina All rights reserved First published in the United States in 1995 by Rutgers University Press, New Brunswick, New Jersey First published in Great Britain in 1995 by John Murray (Publishers) Ltd. The Library of Congress cataloged the paperback edition as: Gerzina, Gretchen. Black London: life before emancipation / Gretchen Holbrook Gerzina p. cm. Includes bibliographical references and index ISBN 0-8135-2259-5 (alk. paper) 1. Blacks—England—London—History—18th century. 2. Africans— England—London—History—18th century. 3. London (England)— History—18th century. I. title. DA676.9.B55G47 1995 305.896´0421´09033—dc20 95-33060 CIP To Pat Kaufman and John Stathatos Contents Illustrations ix Acknowledgements xi 1. Paupers and Princes: Repainting the Picture of Eighteenth-Century England 1 2. High Life below Stairs 29 3. What about Women? 68 4. Sharp and Mansfield: Slavery in the Courts 90 5. The Black Poor 133 6. The End of English Slavery 165 Notes 205 Bibliography 227 Index Illustrations (between pages 116 and 111) 1. 'Heyday! is this my daughter Anne'. S.H. Grimm, del. Pub lished 14 June 1771 in Drolleries, p. 6. Courtesy of the Print Collection, Lewis Walpole Library, Yale University. 2.