Small Faces Here Come the Nice Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Small Faces Here Come the Nice Mp3, Flac, Wma Small Faces Here Come The Nice mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Pop Album: Here Come The Nice Country: UK Released: 2014 Style: Mod, Beat, Rhythm & Blues, Psychedelic Rock MP3 version RAR size: 1247 mb FLAC version RAR size: 1956 mb WMA version RAR size: 1796 mb Rating: 4.7 Votes: 636 Other Formats: AHX WAV MMF DXD AIFF MP4 MOD Tracklist Hide Credits Small Faces Singles - Worldwide As Bs & EPs 1-1 Here Come The Nice 2:55 1-2 Talk To You 2:05 1-3 (Tell Me) Have You Ever Seen Me 2:15 1-4 Something I Want To Tell You 2:07 1-5 Get Yourself Together 2:16 1-6 Become Like You 1:56 1-7 Green Circles 2:32 1-8 Eddie's Dreaming (B-side Edit) 2:41 1-9 Itchycoo Park 2:44 1-10 I'm Only Dreaming 2:22 1-11 Tin Soldier 3:19 1-12 I Feel Much Better 3:55 1-13 Lazy Sunday 3:02 1-14 Rollin' Over (Part II Of Happiness Stan) 2:12 1-15 Mad John (Single Version) 2:07 1-16 The Journey (Single Version) 2:51 1-17 The Universal 2:42 1-18 Donkey Rides, A Penny, A Glass 2:47 1-19 Afterglow Of Your Love (single Version) 3:22 1-20 Wham Bam Thank You Mam 3:18 Small Faces In The Studio - Olympic, IBC & Trident Sessions - Part 1 2-1 Shades Of Green 0:38 2-2 Green Circles (Take 1) 1:04 2-3 Green Circles (Take 1 Alt Mix 1) 2:45 2-4 Anything (Tracking Session) 3:46 2-5 Anything (Backing Track) 3:06 2-6 Show Me The Way (Stripped Down Mix) 2:09 2-7 Wit Art Yer (Tracking Session) 2:50 2-8 Wit Art Yer (Backing Track) 2:27 2-9 I Can't Make It (Alt Mix) 2:26 2-10 Doolally (Tracking Session) 4:06 2-11 What's It Called? (Overdub Session) 0:36 2-12 Call It Something Nice (Take 9) 2:04 2-13 Wide Eyed Girl (Take 2) 1:43 2-14 Wide Eyed Girl On The Wall (Alt Mix) 3:28 2-15 Donkey Rides, A Penny A Glass (Stripped Down Mix) 3:21 2-16 Red Balloon With A Blue Surprise (Take 5) 0:46 2-17 Red Balloon (Alt Mix) 4:29 2-18 Saieide Mamoon (Tracking Session) 9:36 Small Faces In The Studio - Olympic, IBC & Trident Sessions - Part 2 3-1 Wham Bam Thank You Mam (Alt Mix) 3:22 3-2 I Can't Make It (Stripped Down Mix) 2:33 3-3 This Feeling Of Spring (Take 1) 1:43 3-4 All Our Yesterdays (Backing Track) 2:09 3-5 Talk To You (Alt Mix) 2:22 3-6 Mind The Doors Please 5:01 3-7 Things Are Going To Get Better (Stripped Down Mix) 2:43 3-8 Mad John (Tracking Session) 3:58 3-9 A Collibosher (Take 4) 3:31 3-10 Lazy Sunday Afternoon (Early Mix) 3:00 3-11 Jack (Backing Track) 3:35 3-12 Fred (Backing Track) 3:06 3-13 Red Balloon (Stripped Down Mix) 1:33 3-14 Kolomodelomo (Take 1) 2:45 3-15 Donkey Rides, A Penny A Glass (Alt Mix) 3:34 3-16 Jenny's Song (Take 2) 4:04 Alternate Small Faces - Out-Takes & In-Concert 4-1 Itchycoo Park (Take 1 Stereo Mix) 2:50 4-2 Here Come The Nice (Take 1 Stereo Mix) 3:01 4-3 I'm Only Dreaming (Take 1 Stereo Mix) 2:23 4-4 Don't Burst My Bubble 2:24 4-5 I Feel Much Better 3:56 4-6 Green Circles (Take 1 Italian Version) 2:44 4-7 Yesterday, Today And Tomorrow (Alt Mix) 1:50 4-8 Piccanniny (Alt Mix) 3:02 4-9 Get Yourself Together (Alt Mix) 2:18 4-10 Eddie's Dreaming (Take 2 Alt Mix) 2:44 4-11 Tell Me) Have You Ever Seen Me (Take 2 Alt Mix) 2:08 4-12 Up The Wooden Hills To Bedfordshire (US Alt Mix) 2:00 4-13 Afterglow Of Your Love (Alt Single Version) 3:36 (If You Think You're) Groovy (The Lot - P.P. Arnold & Small Faces) 4-14 2:55 Performer – P.P. Arnold, Small Faces 4-15 Me You And Us Too 3:32 4-16 The Universal (Take 1 Stereo Mix) 2:39 4-17 Rollin' Over (Live) 2:29 4-18 If I Were A Carpenter (Live) 2:29 4-19 Every Little Bit Hurts (Live) 6:12 4-20 All Or Nothing (Live) 4:05 4-21 Tin Soldier (Live) 3:19 Notes "The Ultimate Small Faces Immediate Records Collection" Disc 1: Original Immediate single versions. Taken from original mono master tapes. Discs 2 & 3: All tracks previously unreleased versions. Taken from original studio multitrack and session master tapes. Disc 4: All tracks rare versions, except 4-6, 4-7, 4-9 to 4-13, previously unreleased versions. Taken from original studio and session master tapes. Live tracks recorded at Newcastle City Hall 18 November 1968. Taken from Pye Studios master tape, pitch and speed corrected. All tracks mono except 2-4 to 2-6, 2-8, 2-9, 2-12 to 3-3, 3-5, 3-7 to 3-9, 3-11 to 4-3, 4-5, 4-7 to 4-11, 4-16 to 4-21. Barcode and Other Identifiers Rights Society: MCPS Label Code: LC 8477 Other versions Category Artist Title (Format) Label Category Country Year Here Come The Nice CHARLY 170 Small (4xCD, Comp + 7", EP, Charly Records, CHARLY 170 UK 2014 BX Faces Mono, RE + 7", EP, Immediate BX Mono, RE +) Related Music albums to Here Come The Nice by Small Faces 1. Small Faces - Small Faces' Greatest Hits 2. Small Faces - Wham Bam! 3. The Small Faces - Lazy Sunday / Tin Soldier 4. The Small Faces - 16 Greatest Hits 5. Small Faces - The Universal 6. Small Faces - 7. The Small Faces - Greatest Hits 8. Small Faces - Immediate Album Collection 9. Small Faces - Itchycoo Park / Here Comes The Nice 10. Small Faces - Greatest Hits - The Immediate Years 1967-1969.
Recommended publications
  • Immediate Records Vault Tapes 119
    Disc 2 Various 201. Lindyloo - Warm Sounds (incomplete first mix; cuts off at end) 202. Lindyloo - Warm Sounds (complete mix) Immediate Records 203. Someone - Warm Sounds 204. Title Unknown - Marianne Faithful (backing track) 205. Here & Now - Lorell (Duncan Browne & Davy Morgan) Vault Tapes (complete version) 206. Handbags and Gladrags - Chris Farlowe (alternate vocal) 207. Little Miss Understood - Rod Stewart (alternate mix) 208. Green Circles - Small Faces (U.S.A. mix from tape) 209. Scientists - Andrew Loog Oldham Orchestra Small Faces 210. A Whiter Shade of Pale - Andrew Loog Oldham Orchestra (Mix 1) PP Arnold 211. A Whiter Shade of Pale - Andrew Loog Oldham Orchestra (Mix 2) Eric Clapton 212. Early Bird - John Williams Jimmy Page The Animals 213. Another Winter, Another Spring - John Williams The Hill (false start and take) Bill Nichols 214. The Coldest Night of the Year- Twice as Much Duncan Browne (backing track; Mix 1) Warm Sounds 215. The Coldest Night of the Year - Twice as Much Chris Farlowe (backing track; Mix 2) Rod Stewart Andrew Loog Oldham John Williams Twice as Much and more MP3 Version Various Immediate Records Vault Tapes Records Vault Immediate Various Disc 1 101. Green Circles - Small Faces (sung in Italian) 102. (If You Think You’re) Groovy - P.P. Arnold (backing track) 103. Miles Road - Eric Clapton/Jimmy Page (true stereo mix) 104. Connection - The Animals (backing track) 105. Sylvie - The Hill (Mix 2) 106. Sylvie - The Hill (Take 3) 107. Fourth Annual Convention - The Hill (stereo mix) 108. Sylvie - The Hill (Take 1 - excerpt) 109. Sylvie - The Hill (Take 7) 110.
    [Show full text]
  • Miserere: an Autumn Tale © 2011 by Teresa Frohock This Edition of Miserere: an Autumn Tale © 2011 by Night Shade Books
    MISERERE AN AUTUMN TALE MISERERE AN AUTUMN TALE † TERESA FROHOCK NIGHT SHADE BOOKS SAN FRANCISCO Miserere: An Autumn Tale © 2011 by Teresa Frohock This edition of Miserere: An Autumn Tale © 2011 by Night Shade Books Cover art by Michael C. Hayes Cover design by Rebecca Silvers Interior layout and design by Amy Popovich Edited by Jeremy Lassen All rights reserved First Edition Printed in Canada ISBN: 978-1-59780-289-5 E-ISBN: 978-1-59780-322-9 Night Shade Books Please visit us on the web at http://www.nightshadebooks.com Dedicated to my husband and best friend Dick Frohock PART I Haunted by ill angels only… —Edgar Allan Poe “Dream-Land” chapter one woerld in the sabbatical year 5873 ight shadows deepened when Lucian extinguished the candle Nbeside his bed. The cry from beyond his chamber ended too soon for him to determine its source. He sat on the edge of his mattress and listened for the noise to repeat itself. The hearth fire crackled. The blaze saturated the room with heat, but Catarina forbade open windows. His twin sister was always cold. Sweat crawled through his hair. He dared not move; he had no desire to draw attention to himself. The seconds ticked into minutes, but Lucian remained still. Listening. Sounds drifted upward from the room beneath his chamber. A man laughed too loudly with a thin note of hysteria edging his mirth. The sound gave Lucian goose bumps. Something—perhaps a vase or a mirror—shattered. Another peal of laughter clipped the air before indistinct voices murmured in approval.
    [Show full text]
  • Centring Mark Walsh Ebook V2
    C why mindfulness alone isn’t enough Mark Walsh Centring Why mindfulness alone isn’t enough. The definitive guide to managing stress with the body, for trainers, coaches and facilitators. by Mark Walsh and other members of the Embodied Facilitator Course community. “We are the first system we must learn to manage” - Stuart Heller “If you want to help someone, get yourself together” - Wendy Palmer First Published 2017 Copyright © Mark Walsh 2017 All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher or a licence from the Copyright Licensing Agency Limited. Details of such licences (for reprographic reproduction) may be obtained from the Copyright Licensing Agency Ltd of 90 Tottenham Court Road, London, W1P 0LP. A catalogue record of this book is available from the British Library !1 of 115! Acknowledgements 3 Introduction 5 Physiology 17 Ways to Centre 35 The Principles of Centring 59 The centred facilitator 85 Real-world Case Studies 93 Appendices & Resources 99 !2 of 115! Acknowledgements This book is strongly influenced by various embodiment teachers, particularly Paul Linden of Columbus, USA. I have also tried to credit other individual teachers where I have mentioned their techniques explicitly. Also, in twenty years of studying this content, with similar techniques being invented independently, and with many teachers cross-fertilising, it’s sometimes not clear in my own mind where things came from, so I’d like to apologise if I missed you out! Ultimately, embodiment is universal and I’ve never been a fan of trying to trademark being human, but dif- ferent teachers have worked out different pieces of the puzzle and have their own signature moves, and I would like to bow in their direction.
    [Show full text]
  • The Ben Gray Lumpkin Collection of Colorado Folklore
    Gene A. Culwell The Ben Gray Lumpkin Collection of Colorado Folklore Professor Ben Gray Lumpkin, who retired from the University of Colorado in June of 1969, spent more than twenty years of his academic career amassing a large collection of folksongs in the state of Colorado. At my request, Profes- sor Lumpkin provided the following information concerning his life and career: Son of John Moorman and Harriet Gray Lumpkin, I was born De- cember 25, 1901, in Marshall County, Mississippi, on a farm about seven miles north of Holly Springs. Grandpa was a Methodist cir- cuit rider, but had to farm to eke out a living because his hill-coun- try churches were too poor to support his family. Because we lived too far from the Hudsonville school for me to walk, I began schooling under my mother until I was old enough to ride a gentle mare and take care of her at school—at the age of 8. When my father bought a farm in Lowndes County, Mississippi, my brother Joe and sister Martha and I went to Penn Station and Crawford elementary schools. Having finished what was called the ninth grade, I went to live with my Aunt Olena Ford, and fin- ished Tupelo High School in 1921, then BA, University of Missis- sippi, 1925. I worked as the secretary and clerk in the Mississippi State Department of Archives and History (September 1925 to March 1929) and in the Mississippi Division office of Southern Bell Telephone Company (March 1929 to August 1930). I taught English and other subjects in Vina, Alabama, High School (August 1930 through January 1932).
    [Show full text]
  • 17 Students for ‘17 for More See Pages 4-9 Switch to Paper Straws by ASHA JOHNSTON Straw Again on Their Website, Thelast- Plasticstraw.Org
    PAGE 10 NEWS PAGE 14 MUSIC PAGE 15 REVIEW CLIMATE ZEALOUSY CHANGE BRINGS NEW SUSHI ON THE AFFECTS SOUND TO MONTEREY BAY EDUCATION AND MONTEREY COMMUNITY the Carmel Sandpiper A CARMEL HIGH SCHOOL STUDENT PUBLICATION VOLUME XXXVII OCTOBER 2017 www.thesandpiper.org MUSIC SCENE Alumni make their mark on the music world BY ALEX POLETTI With cello in hand, Rushad Eggleston dances across the stage of the school he once called home. Be- hind him is the Carmel High School orchestra, a group of musicians who could very well follow in his foot- steps to join the many Carmel alumni working in the music industry. From the pep band to the pit orchestra, the pres- ence of the music department can be felt throughout all of Carmel High School. After leaving an impression on campus during their tenure at the high school, many alumni continue to pursue careers in the music. Perhaps no alum is more well-known than Egg- leston, who was nominated for a Grammy in 2002 as part of the group Fiddlers 4. After this work, the ‘97 CHS grad released two albums with the progressive bluegrass band Crooked Still. The artist went solo in 2007 and has since produced three more albums span- ning a variety of genres including punk rock and chil- dren’s music. Eggleston made another splash recently: his video entitled “I Love Tofu,” has garnered over 1 million views on Facebook. In this video, the jazz musician plays on his cello and attached kazoo while using a fork taped to his bow to eat the titular soy product.
    [Show full text]
  • 1970-04-04 Article About the Poppy Campus Tour Pages 1-33 and 35
    APRIL 4, 1970 $1.00 SEVENTY-SIXTH YEAR The International Music -Record -Tape Newsweekly COIN MACHINE oar PAGES 39 TO 42 Tight Playlist Is '69 Is Seen as Pop Theater New Myth, Poll Charges Top Disk Sales Medium for Acts By CLAUDE HALL By MIKE GROSS NEW YORK-The record in- a Top 40 station of today has 57 Year in Britain NEW YORK - "Pop -Thea- which appeared in the tennis dustry has long claimed that sin- records on its playlist that it ter" is emerging as a new en- scene in Antonioni's film "Blow gles sales were severely hurt by plays. By RICHARD ROBSON tertainment concept for live Up," will be titles "U-Pop the advent of the tight playlist. WTRY in the tri -city area of presentations by rock musicians. Pantomime." The show in- But a Billboard survey of more Albany, Troy, and Schenectady, LONDON - Although fig- It's a format in which the mu- cludes mime, projections and than 100 key Top 40 radio sta- N.Y., publishes a playlist for dis- ures for December have yet to sic is complemented by a thea- original music written by mem- tions coast -to -coast has just re- tribution to the record stores in be published, it looks as though trical production which encom- bers of the Incredible String vealed that the tight playlist is the area of 30 records, plus three 1969 was a record sales year passes pantomime or plot or Band. The music will be re- a myth. One hundred and fifteen records that are picked to be for the British record industry.
    [Show full text]
  • Analyzing Genre in Post-Millennial Popular Music
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Analyzing Genre in Post-Millennial Popular Music Thomas Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2884 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ANALYZING GENRE IN POST-MILLENNIAL POPULAR MUSIC by THOMAS JOHNSON A dissertation submitted to the Graduate Faculty in Music in partial Fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 THOMAS JOHNSON All rights reserved ii Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson This manuscript has been read and accepted for the Graduate Faculty in music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ____________________________________ Date Eliot Bates Chair of Examining Committee ___________________ ____________________________________ Date Norman Carey Executive Officer Supervisory Committee: Mark Spicer, advisor Chadwick Jenkins, first reader Eliot Bates Eric Drott THE CITY UNIVERSITY OF NEW YORK iii Abstract Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson Advisor: Mark Spicer This dissertation approaches the broad concept of musical classification by asking a simple if ill-defined question: “what is genre in post-millennial popular music?” Alternatively covert or conspicuous, the issue of genre infects music, writings, and discussions of many stripes, and has become especially relevant with the rise of ubiquitous access to a huge range of musics since the fin du millénaire.
    [Show full text]
  • Adventists Believe That Education Has the Goal of Preparing Students Sfor the Present and the Future Life As Outlined by Ellen G
    • EVENTH-DAY Adventists believe that education has the goal of preparing students Sfor the present and the future life as outlined by Ellen G. White in Education, Page 13. Secular education focuses only on the life in this world. Thus we cannot rely on that system to fulfill our goals. The only hope of a future life is in Jesus Christ. So if the future life is important to us, then our education must place Jesus in a central position. Students are at the time in life when they are most ready to absorb thoughts and develop positive feelings about Jesus. These thoughts and feelings are the basis of religion. In the absence of such content, other ideas and feelings will be absorbed that will produce a different kind of religion. Everyone has some kind of religion, that is, some basic ideas and feelings that are the determining force in decision-making and lifestyle. And if there is a different kind of religion, then there also is a different kind of person. For students to attend classes in a school where the name of Jesus cannot be heard, except in oath, is to lose the most religion-absorbing hours of life. Contrast that situation with a school day that opens with prayer and devotional thoughts, continues with Bible classes, and Christian teachers infusing the other classes and the whole day with Christian principles. It is not only the future life that is affected by the Gospel of Jesus. The direction of Why education for the present life is also changed by making Jesus central.
    [Show full text]
  • Key West’S Artisan Market
    INSIDE WEEK OF NOVEMBER 23-29, 2017 www.FloridaWeekly.com Vol. 2, No. 34 • FREE KEYWEST Bartender of the week Dean Warden: From bar to baritone. A6 Dinners, events eat offer excitement me and edge to traditionally boring celebration BY LAURA RICHARDSON Florida Weekly Correspondent DON’T CARE WHAT ANY Noël-crooning chanteuse has Top picks to say about the winter sea- Check out our calendar and top son — to me, picks to do this week including Thanks- the annual Turkey Turnabout and giving is more. A8-9 Ithe real most wonder- ful time of the year. When else are you allowed — nay, encour- aged — to gorge yourself on a week’s INSIDE: worth of food, walk A list of spots around with your pants unbuttoned (or, my sartorial to make turkey preference, the stretchiest pants day more fun Local music you own), and yell at the televi- on the island. Kelly Norman: The woman behind sion while impossibly burly dudes throw the music. A16 SEE THANKSGIVING, A10 A10 ERIC RADDATZ PHOTO ILLUSTRATION / FLORIDA WEEKLY PHOTO ILLUSTRATION ERIC RADDATZ Key West’s Artisan Market BY LAURA RICHARDSON do a cartwheel or two). Florida Weekly Correspondent Yes, we know it’s Sunday. We know it’s early. We know you went out last night, Every three weeks, early on Sunday probably imbibed a little more than you morning, magic happens in the parking lot intended to and ended up at Bobby’s Mon- of the Restaurant Store at 1111 Eaton St. As key Bar at 2 a.m. singing sappy love songs soon as the sun rises, tents appear out of and making new best friends you’ll never nowhere and the Artisan Market springs to remember.
    [Show full text]
  • Podcasting Second Edition
    Podcast Solutions The Complete Guide to Audio and Video Podcasting Second Edition Michael W. Geoghegan and Dan Klass Podcast Solutions: The Complete Guide to Audio and Video Podcasting, Second Edition Copyright © 2007 by Michael W. Geoghegan and Dan Klass All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner and the publisher. ISBN-13 (pbk): 978-1-59059-905-1 ISBN-10 (pbk): 1-59059-905-5 Printed and bound in the United States of America 9 8 7 6 5 4 3 2 1 Trademarked names may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, we use the names only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. Distributed to the book trade worldwide by Springer-Verlag New York, Inc., 233 Spring Street, 6th Floor, New York, NY 10013. Phone 1-800-SPRINGER, fax 201-348-4505, e-mail [email protected], or visit www.springeronline.com. For information on translations, please contact Apress directly at 2855 Telegraph Avenue, Suite 600, Berkeley, CA 94705. Phone 510-549-5930, fax 510-549-5939, e-mail [email protected], or visit www.apress.com. The information in this book is distributed on an “as is” basis, without warranty. Although every precaution has been taken in the preparation of this work, neither the author(s) nor Apress shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the information contained in this work.
    [Show full text]
  • Faith' in a Good Song (Ed)...Oldies Are Goodies
    NEWSPAPER $L25 ART Sen. McClellan Committee Questionnaire To Labels... NY Times Sets Music Publishing Co.; Murray Deutch President ...Restoring `Faith' In A Good Song (Ed). ...Oldies Are Goodies On The Charts ... Kip Cohen Heads A&R At A&M...BeII/Mickie Most Ties Ind 4 Acts BILLY PRESTON: LIVING IN H;GH 'CIRCLES' www.americanradiohistory.com "Just Don't Want to Be Lone1y.''45867 And neither did twenty of the hottest R&B and Top -40 stations in the country. It started-like many another R&B crossover hit-in Detroit. Ronnie Dyson's "Just Don't Want to Be Lonely" went Top -5 at WCHB and WJLB.Then CKLW and WCAR picked it up for Top -40 play and the explosion began. And it's still going on. Seventeen more major stations are in on it solidly, in Philadelphia, Baltimore, Washington, Los Angeles, Pittsburgh, Cleveland, Jacksonville, Milwaukee, Little Rock, Dayton, Louisville, Jackson, Indianapolis, Richmond, and Annapolis. And the list grows daily. 'Just Don't Want to Be Lonely," from Ronnie Dyson to all his friends. Togetherness On Columbia Records www.americanradiohistory.com 1/!'1 THE INTERNATIONAL MUSIC -RECORD WEEKLY %iivii Vol. XXXV - Number 9/August 18, 1973 Publication Office/119 West 57th Street, New York, New York 10019/Telephone: Judson 6-2640/Cable Address Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial CHRISTIE BARTER Restoring 'Faith' West Coast Manager Editorial New York KENNY KERNER ARTY GOODMAN In A Good Song DON DROSSELL Hollywood RON BARON BARRY McGOFFIN Research For many music publishers today, their association with a writer MIKE MARTUCCI Research Manager who is also a performer is not merely an added dividend in the BOBBY SIEGEL area of exposure of material, it is, indeed, a matter of survival.
    [Show full text]
  • Audio Content Processing for Automatic Music Genre Classification
    Audio content processing for automatic music genre classification: descriptors, databases, and classifiers. Enric Guaus i Termens A dissertation submitted to the Department of Information and Communication Technologies at the Universitat Pompeu Fabra for the program in Computer Science and Digital Communications in partial fulfilment of the requirements for the degree of — Doctor per la Universitat Pompeu Fabra Doctoral dissertation direction: Doctor Xavier Serra Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Barcelona, 2009 This research was performed at the Music Technology Group of the Univer- sitat Pompeu Fabra in Barcelona, Spain. This research was partially funded by the HARMOS eContent project EDC-11189 and by the SIMAC project IST-FP6-507142. A mon pare... Acknowledgements I would like to thank all the people of the Music Technology Group and specially Xavier Serra, Perfecto Herrera, Emilia Gómez, Jordi Bonada, Cyril Laurier, Joan Serrà, Alfonso Pérez, Esteban Maestre, Merlijn Blaauw. I would also thank the former members Sebastian Streich, Bee Suan Ong, Jaume Masip, Vadim Tarasov, José Pedro and Eloi Batlle. It is also important to recognize the unconditional support from the people at the ESMUC, specially Enric Giné, Ferran Conangla, Josep Maria Comajun- cosas, Emilia Gómez (again), Perfecto Herrera (again) and Roser Galí. I would like to mention here the people who introduced me in the research at the Universitat Ramon Llull: Josep Martí and Robert Barti. In addition, i would like to thank all my friends and specially those who I meet every thursday, those who I meet with thousand of childs running under our legs and also that who makes brings me part of the responsability of Aitana.
    [Show full text]