Immediate Records Vault Tapes 119

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Disc 2 Various 201. Lindyloo - Warm Sounds (incomplete first mix; cuts off at end) 202. Lindyloo - Warm Sounds (complete mix) Immediate Records 203. Someone - Warm Sounds 204. Title Unknown - Marianne Faithful (backing track) 205. Here & Now - Lorell (Duncan Browne & Davy Morgan) Vault Tapes (complete version) 206. Handbags and Gladrags - Chris Farlowe (alternate vocal) 207. Little Miss Understood - Rod Stewart (alternate mix) 208. Green Circles - Small Faces (U.S.A. mix from tape) 209. Scientists - Andrew Loog Oldham Orchestra Small Faces 210. A Whiter Shade of Pale - Andrew Loog Oldham Orchestra (Mix 1) PP Arnold 211. A Whiter Shade of Pale - Andrew Loog Oldham Orchestra (Mix 2) Eric Clapton 212. Early Bird - John Williams Jimmy Page The Animals 213. Another Winter, Another Spring - John Williams The Hill (false start and take) Bill Nichols 214. The Coldest Night of the Year- Twice as Much Duncan Browne (backing track; Mix 1) Warm Sounds 215. The Coldest Night of the Year - Twice as Much Chris Farlowe (backing track; Mix 2) Rod Stewart Andrew Loog Oldham John Williams Twice as Much and more MP3 Version Various Immediate Records Vault Tapes Records Vault Immediate Various Disc 1 101. Green Circles - Small Faces (sung in Italian) 102. (If You Think You’re) Groovy - P.P. Arnold (backing track) 103. Miles Road - Eric Clapton/Jimmy Page (true stereo mix) 104. Connection - The Animals (backing track) 105. Sylvie - The Hill (Mix 2) 106. Sylvie - The Hill (Take 3) 107. Fourth Annual Convention - The Hill (stereo mix) 108. Sylvie - The Hill (Take 1 - excerpt) 109. Sylvie - The Hill (Take 7) 110. Halfway - Artist Unknown 111. I Want to Be Friendly With You - Billy Nichols 112. Would You Believe - Billy Nichols (alternate vocals) 113. It Brings Me Down - Billy Nichols (mono mix) 114. On The Bombsite - Duncan Browne (demo) 115. Give Me, Take You - Duncan Browne (demo) 116. I Was, You Weren’t - Duncan Browne (demo) Various Immediate Records Vault Tapes Records Vault Immediate Various 117. The Cherry Blossom Fool - Duncan Browne (demo) 118. Ninepence of Walking - Duncan Browne (demo) 119. The Death of Neil - Duncan Browne (demo) Naughty Dog Trade Freely. Not For Sale. Naughty Dog.

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Immediate Records
Immediate Records In mid-1965, Andrew Loog Oldham was best known as the Rolling Stones’ producer, but his ideas always extended beyond production. In July, he and Tony Calder came up with a brilliant idea to cut the bureaucracy out of the music business. That idea resulted in the creation of a new label, Immediate, which he announced to the world in the August 6th issues of the British trade magazines. New Musical Express had reported that the Rolling Stones might be leaving the London label in the United States. When Billboard reported that for American audiences in the August 21st issue, they added a bit of information about Immediate. Although Immediate did fairly well promoting domestic product and importing singles from small American labels, by the middle of 1966 they had still failed to make it into the American market. However, in June Allen Klein helped to negotiate an agreement with MGM where the American label would release at least two Immediate singles. This was not a satisfactory arrangement for either company and, prior to the release of the label’s first album in the USA, Immediate was in a distribution deal with CBS (Columbia Records). The CBS-distributed singles have the prefix ZS7-, where the 7 indicates a seven-inch record. Their LPs have the prefix of Z12 and, oddly, employ even numbers only. Where they existed, reel-to-reel tapes used the ZQ- prefix, four-track cartridges used the Z14- prefix, and eight-tracks used the Z18- prefix. Immediate Long-Playing Albums Small Faces There Are But Four Small Faces Label 68 Immediate Z12-52002 Pink label.
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Some Back Ground Info
Some back ground info (source: The internet). Dennis Bryon and Blue Weaver first met in the mid sixties in a group called Brother John & The Witnesses. In 1966 Blue Weaver and Dennis Bryon joined a group from Cardif called Amen Corner. This septet, complete with saxes, was led by Andy Fairweather-Low, who at that time was only 16 years old. The group got a recording contract with Deram Records in 1966 and had many big hits during the next four years. These included "Gin House Blues," "Bend Me, Shape Me," and "High In The Sky" for Deram, after signing with Immediate Records they had further hits such as "(If Paradise Is) Half As Nice". During the four years of their existance they recorded three albums. After the end of Amen Corner, Andy Fairweather-Low founded a new, more progressive group, which he simply called Fairweather. The musicians of the new group were the same musicians that made up Amen Corner except for the horn section, which was missing. The first single release "Natural Sinner" was a big hit. After only one year the group broke up in 1971. After the failure of "Life In A Tin Can" the Bee Gees started to restructure the group and their sound. At first they found a new drummer. Dennis Bryon had previously played with Amen Corner and now joined the group. The next step for the Bee Gees was to find a new sound. Together with Atlantic producer Arif Mardin they worked on a modern form of rhythm'n'blues music. At first they added more rock'n'roll to their music.
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Copyrighted Material
INDEX NOTE: Page numbers in italics refer to photos. Abba, 380, 382 Almost Famous, 231, 265, AC/DC, 262 267, 367 “Achille’s Last Stand,” 324, 389 Alterman, Loraine, 77 Adams, Justin, 468, 473 Altham, Keith, 114, 430 “Adriatic Seaview,” 54 Amina, 465 Aizer, Sam, 257, 290, 329–330, Andaz West Hollywood. See Hyatt 438 House (Continental Hyatt, Albert Hall, 151–152 Los Angeles) Albini, Steve, 468–469, 469 Anderson Theatre (New York album covers City), 83 Houses of the Holy, 192 Anger, Kenneth, 308–309 Powell and,COPYRIGHTED 88 Animals, MATERIAL 70–71 Presence, 325, 326 Applejacks, 34 In Through the Out Door, 383 Arden, Don, 21, 26, 68–69, untitled (fourth album), 184 70–71, 254 “All Day and All of the Night,” 25 A&R Studios, 137, 138 “All My Love,” 381, 382 Atlantic Records All Your Own (television Atco, 105, 107 show), 10 Cartoone, 73 517 bindex.indd 517 9/12/2012 5:24:56 PM 518 INDEX Atlantic Records (continued) Barsalona, June, 76–77 Ertegun and, 8 (See also Basile, Phil, 79 Ertegun, Ahmet) Bates, David, 449, 455–458, 463, 40th Anniversary, 443 463–470 fourth album and, 184–185 Bath festival, 161–162 Grimes, 18 “Battle of Evermore, The,” Ivil, 176, 204 180, 182 Led Zeppelin II and, 85–86, BBC, 432–434 143–146 Beat Instrumental, 30 Led Zeppelin signed with, Beatles, 33–34, 36, 80 105–109 “Be Bop a-Lula,” 67 Plant’s solo career and, Beck, Jeff, 61 451–452 characterization of, 62, 63–64, Shaken ’n’ Stirred, 429 97 In Through the Out Door, 383 Grant and, 85 Weiss and, 423 Jeff Beck Group, 64, 75, “Whole Lotta Love” and, 143 86, 100 Automatic
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Audio Content Processing for Automatic Music Genre Classification
Audio content processing for automatic music genre classification: descriptors, databases, and classifiers. Enric Guaus i Termens A dissertation submitted to the Department of Information and Communication Technologies at the Universitat Pompeu Fabra for the program in Computer Science and Digital Communications in partial fulfilment of the requirements for the degree of — Doctor per la Universitat Pompeu Fabra Doctoral dissertation direction: Doctor Xavier Serra Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona Barcelona, 2009 This research was performed at the Music Technology Group of the Univer- sitat Pompeu Fabra in Barcelona, Spain. This research was partially funded by the HARMOS eContent project EDC-11189 and by the SIMAC project IST-FP6-507142. A mon pare... Acknowledgements I would like to thank all the people of the Music Technology Group and specially Xavier Serra, Perfecto Herrera, Emilia Gómez, Jordi Bonada, Cyril Laurier, Joan Serrà, Alfonso Pérez, Esteban Maestre, Merlijn Blaauw. I would also thank the former members Sebastian Streich, Bee Suan Ong, Jaume Masip, Vadim Tarasov, José Pedro and Eloi Batlle. It is also important to recognize the unconditional support from the people at the ESMUC, specially Enric Giné, Ferran Conangla, Josep Maria Comajun- cosas, Emilia Gómez (again), Perfecto Herrera (again) and Roser Galí. I would like to mention here the people who introduced me in the research at the Universitat Ramon Llull: Josep Martí and Robert Barti. In addition, i would like to thank all my friends and specially those who I meet every thursday, those who I meet with thousand of childs running under our legs and also that who makes brings me part of the responsability of Aitana.
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