Universidade Federal Do Ceará Instituto De Cultura E Arte Curso De Design-Moda

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Universidade Federal Do Ceará Instituto De Cultura E Arte Curso De Design-Moda UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DE DESIGN-MODA LARISSA XIMENES COSTA GAME OF THRONES E O EMPODERAMENTO FEMININO ATRAVÉS DO FIGURINO FORTALEZA 2018 LARISSA XIMENES COSTA GAME OF THRONES E O EMPODERAMENTO FEMININO ATRAVÉS DO FIGURINO Monografia para o trabalho de conclusão de curso, em Design-Moda do Instituto de Cultura e Arte da Universidade Federal do Ceará, como requisito para a obtenção do título de Bacharel em Design –Moda. Orientadora: Prof ª. Drª Francisca Raimunda Nogueira Mendes FORTALEZA Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) C873g Costa, Larissa Ximenes. Game Of Thrones e o empoderamento feminino através do figurino / Larissa Ximenes Costa. – 2018. 124 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2018. Orientação: Profa. Dra. Francisca Raimunda Nogueira Mendes. 1. Empoderamento. 2. Figurino. 3. Game Of Thrones. I. Título. CDD 391 LARISSA XIMENES COSTA GAME OF THRONES E O EMPODERAMENTO FEMININO ATRAVÉS DO FIGURINO Monografia para o trabalho de conclusão de curso, em Design-Moda do Instituto de Cultura e Arte da Universidade Federal do Ceará, como requisito para a obtenção do título de Bacharel em Design –Moda. Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Drª Francisca Raimunda Nogueira Mendes (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Ma. Marta Sorélia Felix de Castro Universidade Federal do Ceará (UFC) _________________________________________ Prof. Ma. Walkiria de Souza Guedes Universidade Federal do Ceará (UFC) A todas as mulheres independentes e de força que me ajudaram me tornar a mulher que eu sou hoje. AGRADECIMENTOS A Deus, por me conceder forças e me amparar em todos os momentos da minha À minha mãe, por ser meu maior exemplo de mulher, de amor incondicional e fortaleza. E por ter me ensinado que eu posso chegar a qualquer lugar que desejar, à Geni Célia Ximenes. Ao meu pai, por ser maior incentivador dos meus sonhos e por acreditar no meu potencial. E por me ensinar a sempre agradecer e sorrir até nos momentos difíceis, à João Luis. À minha irmã-amiga, por ser o meu maior presente de Deus e por sempre mostrar o lado bom das coisas, à Lorrane Hernate Ximenes. Á minha melhor amiga, por sempre estar ao meu lado, me escutar e embarcar em todas as minhas aventuras, à Josiane de Morais. À minha professora, orientadora e amiga, pelo tempo e pelas valiosas colaborações. Por me ensinar sobre a vida e acreditar em mim, á Francisca Mendes. Aos meus amigos por compartilharem as minhas angústias e sorrisos, pelo apoio, por fazer os meus dias melhores e por me ajudarem a realizar os meus sonhos. A monitoria, por enriquecer o meu crescimento pessoal e profissional, ser e por me colocar pessoas incríveis no meu caminho. Às professoras Marta Sorélia e Walkiria Guedes, pela disponibilidade e contribuição para o enriquecimento do trabalho. “"No dia que for possível à mulher amar-se em sua força e não em sua fraqueza; não para fugir de si mesma, mas para se encontrar; não para se renunciar, mas para se afirmar, nesse dia então o amor tornar-se-á para ela, como para o homem, fonte de vida e não perigo mortal."(BEAUVOIR,1983) RESUMO O presente trabalho tem por finalidade compreender de que forma os figurinos usados pelas personagens femininas da série televisiva Game Of Thrones refletem o papel indentitário das mesmas. Para tanto o estudo aborda o figurino como elemento essencial na construção da personagem. É explorado o papel social da mulher ao longo dos anos nas sociedades ocidentais e como a roupa se insere nesse processo. Além disso, é investigado relação entre figurino e empoderamento feminino, analisando, especificamente a produção de TV Game Of Thrones. Como metodologia foram usados pesquisa bibliográfica e documental, examinando sete temporada, totalizando sessenta e sete episódios. Dessa forma foi possível concluir que as vestimentas usadas pelas personagens da série Game Of Thrones, carregam, através de simbolismos, cores, texturas, o empoderamento delas ao longo da série e que os figurinos evoluem conforme essas mulheres ganham novos papeis identitários. Palavras-chave: Empoderamento. Figurino. Game Of Thrones. ABSTRACT This study intends to understand which way the used costumes for the feminine characters of the television series Game Of Thrones reflect they identity object. For this purpose, the research approches costumes as an essential elemento in the characters construction. The woman’s social paper is explored through the years in the ocidential society and as the clothes intefere in that process. Futhermore, it is investiged the relation between the costumes and the feminine empowerment, analyzing, specifically the television production Game Of Thrones. The methododology was based on bibliographic and documental research, examining seven seasons, totaling sixty seven episodes. Based on that, it is possible to end that the garments used by the characters in Game Of Thrones series, carry, through symbolism, colors, textures, they empowerment along the series and that the costumes they develop according those women win new identity paper. Keywords: Empowerment. Costumes. Game Of Thrones. LISTA DE FIGURAS Figura 1 – Daenery usa vestido de “inspeção” e vestido de casamento ................................... 37 Figura 2 - Daenerys em sua primeira aparição na série ............................................................ 38 Figura 3 – Daenrys usa roupas no estilo Dothraki.................................................................... 39 Figura 4 – Daenrys usa vestido de Qarth .................................................................................. 41 Figura 5 - Daenerys usando peças com estilos de Qarth e Dothraki ........................................ 42 Figura 6 - Daenerys de vestido azul em Asport ........................................................................ 43 Figura 7 – Daenerys usa vestido Vionnet e peça de couro ....................................................... 45 Figura 8 – Daenerys em Mereen............................................................................................... 46 Figura 9 – Daenerys com vestido de recorte e vestido transpassado........................................ 47 Figura 10 – Daenerys usa vestidos semelhantes ....................................................................... 49 Figura 11 - Daenerys usa vestido branco nos duelos. ............................................................... 50 Figura 12 – Daenerys com figurino Dothraki ........................................................................... 51 Figura 13 – Deanerys em vestidos pretos ................................................................................. 52 Figura 14 – Daenerys com referências ao irmão ...................................................................... 53 Figura 15 - Daenerys com corrente de dragão ......................................................................... 54 Figura 16 – Daenerys durante a sétima temporada................................................................... 55 Figura 17 – Cersei em vestido vermelho .................................................................................. 56 Figura 18 - Cersei usando vestidos quimono............................................................................ 57 Figura 19 - Cersei com casaco dourado.................................................................................... 58 Figura 20 – Cersei usa vestido azul .......................................................................................... 59 Figura 21 - Cersei durante o torneio ......................................................................................... 59 Figura 22 - Cersei usando mangas opalandas ........................................................................... 60 Figura 23 - Cersei usando o corset de metal durante a guerra. ................................................. 61 Figura 24 - Vestido quimono com bordado em relevo ............................................................. 62 Figura 25 - Cersei em nova silhueta ......................................................................................... 63 Figura 26 - Cersei no casamento de Tyron ............................................................................... 64 Figura 27 - Cersei usando roupas de luto ................................................................................. 65 Figura 28 – Cersei durante o julgamento de Tyron .................................................................. 65 Figura 29 – Cersei durante o funeral de Twyn ......................................................................... 66 Figura 30- Cersei usando cintos de metal ................................................................................. 67 Figura 31 - Cersei na caminhada da penitência ........................................................................ 68 Figura 32 - Cersei com vestidos quimonos e cabelos curtos .................................................... 69 Figura 33 - Cersei no final da sexta temporada ........................................................................ 69 Figura 34 - Cersei em vestido preto de couro ..........................................................................
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