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Joelle Khoury Pianist/Composer (Classical Music and Jazz). +961 3812959; [email protected]; [email protected]
Joelle Khoury Pianist/Composer (classical music and jazz). +961 3812959; [email protected]; [email protected] https://en.wikipedia.org/wiki/Joelle_Khoury Studies: Musicology and Economics, BA, George Mason University, Va., USA. Masters in philosophy, Université St. Joseph, Beirut. Thesis titled “Etre et Musique” (Being and Music). PHD in philosophy, Lebanese University. Thesis titled: “Théâtralité et désir de mort créateur chez Gilles Deleuze” (Theatricality and creative death desire in Gilles Deleuze’s writings). Piano diploma, Lebanese National Higher Conservatory of Music. Teaching: Lebanese National Higher Conservatory of Music: piano and composition (for 21 years, ongoing). Coordinator of contemporary music projects (concerts, workshops…etc.) American University of Beirut: 1- Survey of Western Music; 2- Listening to jazz; 3- Philosophy and Music (CVSP 295X) LAU: Survey of Western Music, 2 semesters. Saint Joseph University, Université pour tous: 1 semester, music appreciation. Articles, Conferences & Worshops “Time Goes One Way” (against classification of art). Heinrich Boll Foundation Lebanon www.boell-meo.org “About women composers in the Arab world” (Freemuse conference) 2005 http://freedimensional.org/about/index.html “My Body Myself and I”, conference in the company of Arab cultural journalists, (about a crisis of subjectivity throughout the history of music) Zawaya: 2006. “Bach/Leibniz/Kandinsky: the Unique and the Multiple” conference, Lebanese National Conservatory, December 2007. Of Arab Composers Today, commissioned by AFAC, the Arab Fund for Culture meeting 2011. History a Divine Poem: article commissioned by the Lucerne University, relating Bach to Leibniz, for the inauguration of their new department: Music and Theology. Published October 2015 (Grunewald). https://www.amazon.de/Theologie-Noten-Prof- Wolfgang-M%C3%BCller/dp/3786730350 The Dionysian and the Apollonian in Carmen of Bizet, inspired by Nietzsche. -
Joelle Khoury, Ph.D. Pianist-Composer Lebanese/American Languages Spoken and Written
Joelle Khoury, Ph.D. Pianist-Composer https://en.wikipedia.org/wiki/Joelle_Khoury Lebanese/American Languages spoken and written: French, English and Arabic Studies: Musicology and Economics, BA, George Mason University, Va., USA. Masters in philosophy Université St. Joseph, Beirut. Thesis titled “Etre et Musique” (Being and Music). PHD in Philosophy, Lebanese University, thesis titled: Théâtralité et Désir de Mort Créateur chez Gilles Deleuze (Thetricality and creative death desire in Gille Deleuze’s philosophy) Piano diploma, Lebanese National Higher Conservatory of Music. Teaching: Lebanese National Higher Conservatory of Music: piano and composition (22 years) American University of Beirut: 1- Survey of Western Music; 2- Listening to jazz; 3- Philosophy and Music (7 years) Lebanese American University: Survey of Western Music (1 year) Articles, Conferences & Worshops Time Goes One Way (against classification of art) www.boell-meo.org About women composers in the Arab world (Freemuse conference) 2005 http://freedimensional.org/about/index.html My Body Myself and I conference in company of the Arab cultural journalists, (about a crisis of subjectivity through the history of the music) Zawaya: 2006. Bach/Leibniz/Kandinsky: the Unique and the Multiple, conference, Lebanese National Conservatory, December 2007. Of Arab Composers Today, written for AFAC, the Arab Fund for Culture meeting 2011. History a Divine Poem: article commissioned by the Lucerne University, relating Bach to Leibniz. for the inauguration of their new department: Music and Theology. Published October 2015 (Grunewald). https://www.amazon.de/Theologie-Noten-Prof-Wolfgang- M%C3%BCller/dp/3786730350 The Dionysian and the Apollonian in Bizet’s Carmen, conference given at the Lebanese University Doctoral School of Philosophy. -
Annual Report 2011
Annual Report 2011 Municipal Public Libraries of Beirut Operation, Visitors, Activities, Events ASSABIL, January 2012 Annual Report 2011 Municipal Public Libraries of Beirut Operation, Visitors, Activities, Events © January 2012 ASSABIL, Friends of Public Libraries Association Mohammad el-Hout Str., Naoura Bldg. Ras el-Nabeh, Beirut, LEBANON Tel: 00961 1 664 647 Fax: 00961 1 652 998 www.assabil.com [email protected] Annual Report 2011 Contents INTRODUCTION ............................................................................................................................................... 3 THE BEIRUT MUNICIPAL PUBLIC LIBRARIES IN NUMBERS ................................................................................. 4 . Opening Hours and Days in 2011 ......................................................................................... 4 . Library Collections ................................................................................................................ 5 . Book Borrowing .................................................................................................................... 7 . Library Equipment and Services ........................................................................................... 8 . Visitors ................................................................................................................................. 9 . Subscribers ......................................................................................................................... 10 LIBRARY -
1 Contemporary Arab Music Week at Esterházy Schloss, Eisenstadt
Contemporary Arab Music Week at Esterházy Schloss, Eisenstadt, Austria With the Kremerata Baltica Chamber Orchestra April 30th – May 4th 2012 One can’t imagine worlds more apart, but isn’t it wonderful to build bridges? The world of classic music experiences certain decay in the West. The symptoms of this disease can be seen in an attempt to ‘intellectualize’ the meaning and often content of what is called ‘contemporary’. ‘Baltic’ can be seen in two dimensions – its linguistic roots to be found in Sanskrit, mixes with its traditions in European (especially vocal) music. Arab music with its mystic (to us) orientation evokes another world. It is challenging and rewarding to build bridges between ‘strangers’. But I truly think that trying to understand each other is the most satisfactory experience. If we would simply listen to each other, the world would be much more peaceful. Combining tunes of the North and East inspires a dialogue, which is designed to enrich all of us. That is why I strongly feel this is a project which will allow for all of us – participants and listeners- to come closer to each other in understanding and sharing emotions. Some little contribution at times of worldwide turmoil. Some little step towards peace and harmony, to which music can be seen as a common denominator. Gidon Kremer Maestro Violinist, Founder of Kremerata Baltica February 2012 *** Music is a universal language that overcomes barriers. The Arabic musical legacy is steeped in the values of spontaneity and refinement - timeless features of quality artistic expression. Yet contemporary Arabic music is relatively unknown and is often seen through the prism of orientalism, which denies its presence as a legitimate representative cultural expression in its own right. -
Mozart Concertos (M/J 2008)
Cover2021.qxd 3/28/2021 3:19 PM Page 1 American Record Guide independent critics reviewing classical recordings US $7.99 May/June 2021 Index to Overviews OVERVIEW . .FORMAT OVERVIEW . .FORMAT American Composers (J/A 1995) . .Book ONLY Mahler (J/A 2012) . .Book / PDF American Symphonies (J/A 2007) . .Book / PDF Mendelssohn (N/D 2008) . .Book / PDF American Music (N/D 2007) . .Book / PDF Mozart Concertos (M/J 2008) . .Book / PDF Bach (N/D 1997) . .Book / PDF Mozart Operas (J/F 2002) . .Book ONLY Bach Keyboard (J/A 2005) . .PDF ONLY Mozart Symphonies (N/D 2001) . .Book ONLY Ballet (N/D 2012) . .PDF ONLY Music since 1975 (S/O 2001) . .Book ONLY Bartok (M/A 2001) . .Book ONLY Nielsen (M/J 2004) . .Book ONLY Beethoven Piano Sonatas (M/J 2002) . .Book ONLY Operetta, Part 1 (S/O 2017) . .Book / PDF Beethoven Quartets (N/D 2006) . .Book / PDF Operetta, Part 2 (N/D 2017) . .Book / PDF Beethoven (J/A 2003) . .Book ONLY Overtures, Part 1 (J/F 2011) . .Book / PDF Berlioz (M/J 2007) . .Book / PDF Overtures, Part 2 (M/A 2011) . .Book / PDF Brahms (S/O 2006) . .Book / PDF Overtures, Part 3 (M/J 2011) . .Book / PDF Brass (S/O 2005) . .Book / PDF Piano Trios (M/J 2009) . .Book / PDF British Orchestral (J/F 2010) . .Book / PDF Program Music (S/O 1999) . .Book ONLY Britten (M/A 2012) . .Book / PDF Prokofieff (J/A 2004) . .Book ONLY Bruckner (M/J 2006) . .Book / PDF Rachmaninoff (M/J 2019) . .Book / PDF Cello (M/A 2009) . .Book / PDF Respighi (J/A 2010) . .Book / PDF Cello Concertos (N/D 1998) . -
Women in the Performing Arts
The Institute for Women’s Studies in the Arab World 01 Lebanese American University Contents the pioneer issue 122 - 123 | summer / fall 2008 03 Editorial mona knio 07 File Women in the Performing Arts 08 laura chakravarty box North Africa’s Performing Women: Notes from the Field 17 sahar assaf Stage Directors in the Rehearsal Room: Degendered Bodies in a Degendered Workplace 24 jean said makdissi Faten Hamama and Hind Rustom: Stars from Different Heavens 32 fakhri haghani The “New Woman” of the Interwar Period: Performance, Identity, and Performative Act of Everyday Life in Egypt and Iran 42 hind soufi assaf Umm Kulthum: A Legend or a Story of Will! 48 hanan kassab-hassan Tomorrow You Will See How Beautiful Our Home Is 53 ahmad oueini Sunset Boulevard By Way of Wadi Shahrour: A Psychological Profile of Our National Norma Desmond 59 lina abyad Alone With Them All 64 amy amahl khoury Kamilya Jubran’s Solo Journey: Lemon by Lemon and Cigarette by Cigarette 67 zeina meskawi Performing the Body: Haifa Wehbi in the Becoming 71 leila debs Hakawati Freestyle 78 lina issa Finding ‘a now’ to Inhabit: Between the Performative in Life and Professional Practice 02 al-raida Issue 122 - 123 | Summer / Fall 2008 Contents 84 marya kazoun Performance and I 88 dalila mahdawi Fear and Laughing in the Occupied Territories: Comedienne Maysoon Zayid Transforms Lives 90 Roundtable 90 Women in the Performing Arts 97 joelle khoury Time Goes One Way - Against the Classification of Arts 101 afaf shawwa Mai Ghoussoub: A Passion for Expression 104 noura al-sakkaf -
Joëlle KHOURY Composer-Pianist
Joëlle KHOURY Composer-Pianist Born in Beirut, Lebanon Contact: Home phone: +961 1 448483 Cell phone: +961 3 812959 E-mail: Joëlle [email protected] Website: www.Joellek.com Fonder of IN-VERSION, The Joëlle Khoury Quintet, a jazz ensemble dedicated to performing original music. Founder of the project: Meet the Composer Teaching: Lebanese National Higher Conservatory of Music: Piano and Composition (since 1997) AUB: 3 courses: 1- Survey of Western Music; 2- Listening to Jazz; 3- Philosophy and Music (new course). USJ (Université pour tous) Music Appreciation (1 semester) Studies: Musicology and Economics studies, BA, George Mason University, Va., USA. Masters in philosophy Université St. Joseph, Beirut. Thesis titled “being and music”. Piano diploma, Lebanese National Higher Conservatory of Music. Lebanese University “Ecole Doctorale”, preparing a thesis in philosophy titled: Théâtralité et Désir de Mort Créateur chez Gilles Deleuze. 4 CDs: 1,2 Tumbling Up and Is It So!, 2 jazz albums, In-Version, the Joelle Khoury Quintet. Joelle Khoury: piano and composition 3- Music and Poetry: 11 chamber orchestra and voice pieces, based on German romantic poetry (Goethe, Heine Novalis, Rilke). Sponsored by the Lebanese National Conservatory and the Goethe Institut Beirut. Joelle Khoury: piano and composition, Harout Fazlian: conductor 4- Dream She Is, an 55mn opera monodrama in Arabic. Chamber orchestra and electronics. Joelle Khoury: piano and composition, Fadia Tomb El Hage: voice, Harout Fazlian: conductor. Extra-muros residencies: 2 months scholarship –EGIDE, France: piano residency at Boulogne Billancourt conservatory (2002) 1month residency in Paris, Dijon and Lyon, “programme courant culture”, French Ministry of Culture, to prepare for course: Music of the 20th century (2004) 6 weeks residency, Milkwood Artist Residency, in collaboration with Freemuse International, Freedimensional, and Milkwood residencies, Czech republic, Nov. -
MASĀRĀT — Fadia Tomb El-Hage Sings Lebanese Authors And
MASĀ RĀT Fadia Tomb El-Hage sings Lebanese Authors and Composers with FRAGMENTS ensemble 1 CD 1 1. Toufic Succar (1922 – 2017) ‛Atšān (1994) 03:41 for contralto, violin and piano text: Anonymous 2. Mansour Rahbani (1925 – 2009) Aturā yaḏkurūnahū (2004) 02:57 for contralto, flute, violin, viola, cello, piano and percussions text by Béchara El-Khoury 3. Ghadi Rahbani (*1960) B‛albak (2015) 06:40 for contralto and piano text by Ghadi Rahbani commissioned by Baalbek International Festival 4. Mona A. Ahdab (*1966) À la fin de cela (2016) 05:07 for contralto, violin, viola, cello and piano text by Salah Stétié commissioned by Quart de ton and Fadia Tomb El-Hage 5. Iyad Kanaan (*1971) Salātu Mirā (2014) 07:30 for contralto and string quartet text by Saïd Akl 6. Marcel Khalifé (*1950) Al-qitār (2000) 03:01 for contralto and ud improvisation text by Mahmoud Darwish 2 7. Violaine Prince (*1958) Pater (2016) 04:34 for contralto, flute, cello, piano and accordion improvisation text by Jad Hatem commissioned by Quart de ton and Fadia Tomb El-Hage 8. Charbel Rouhana (*1965) Wafāʾal-ʿaşāfīr (2004/2020) 05:54 for contralto, ud, qanun, violin, viola, cello, accordion and percussions text by Ounsi El-Hage 9. Samir Tomb (*1955) Aṭfāl (2018) 06:25 for contralto, flute, violin, viola, cello, piano and sampler text by Georges Khodr commissioned by Quart de ton and Fadia Tomb El-Hage 10. Samir Tomb Lḥaʾīʾā (2014) 05:35 for contralto, flute, 2 violins, viola, cello, contrabass, piano and percussions text by Jean Abi-Ghanem 11.