James Bradshaw

Total Page:16

File Type:pdf, Size:1020Kb

James Bradshaw www.cam.co.uk Email [email protected] Address James 55-59 Shaftesbury Avenue London Bradshaw W1D 6LD Telephone +44 (0) 20 7292 0600 Film Title Role Director Production THE CAR Yasha GJ Echternkamp - CONVENIENCE Clive Keri Collins Urban Way Productions UNDEFEATED Mr Ward Tudor Payne Body and Soul Cedric (Best Actor New RECOMPENSE Stephen Laughton NFTS York Indpt. Film Awards) BRIDESHEAD REVISITED Mr Samgrass Julian Jarrold Miramax MINOTAUR Ziko Jonathan English Carousel Picture Company IRISH JAM Malachy McNulty John Eyres Lucky 7 Productions Television Title Role Director Production ENDEAVOUR (Series 1 - 5) Dr Max De Bryn Various Mammoth Screen for ITV CLOSE TO THE ENEMY Mr Emmanuel Stephen Poliakoff BBC HOLLYOAKS Detective Sergeant Thorpe Various Channel 4 LUCAN Charlie Benson Adrian Shergold ITV DOCTORS Geoff Smith BBC - Ed Bazalgette, Tom ENDEAVOUR SERIES 1 Dr. Max De Bryn (Regular) Mammoth Screen Vaughan, Craig Viveiros EASTENDERS Matthew Grindlay John Howlett BBC CORONATION STREET Simon Shaw David Kester Granada ITV DOCTORS James James Sean Gleeson BBC PRIMEVAL IV Duncan Mark Everest Impossible Pictures GARROW'S LAW Edgar Cole Peter Lydon BBC Scotland/Shed Media CASUALTY Alan Smith Diana Patrick BBC DOCTORS Ray Dillon John Maidens BBC Television PRIMEVAL Duncan Cilla Ware Impossible Pictures THE LINE OF BEAUTY Polly Tomkins Saul Dibb BBC DOCTORS Kevin Ian Barber BBC HEARTBEAT Don Judith Dine Yorkshire Television AFTERNOON PLAY Eric John Greening BBC MILE HIGH Gary Neil Adams Hewland International THE GRIMLEYS 3 Gordon Grimley Andy Margetson Grandad Television IN A LAND OF PLENTY Simon Freeman Hettie MacDonald Talkback Productions LONGITUDE Researcher Charles Sturridhe Grandad Films OLIVER TWIST Noah Claypole Renny Rye Diplomat Films Crispin Reece/Jed THE GRIMLEYS 2 Gordon Granada Television Mercurio Martin Dennis/Jed THE GRIMLEYS Gordon Grimley Granada Television Mercurio Theatre Title Role Director Production HEATHER GARDNER George Desmond Mike Bradwell Birmingajm Rep BREAKFAST AT TIFFANY'S Rusty Trawler Sean Mathias Theatre Royal Haymarket Watermill Theatre and PLUNDER Oswald Veal Heather Davies Greenwich Theatre THE HOBBIT Bilbo Baggins Roy Marsden Vanessa Ford Productions Birmingham Repertory THE WIND IN THE WILLOWS Mr Mole Rupert Goold Theatre VOILENT OUTING Rich Nancy Hirst Soho Theatre HOUSE AND GARDEN Jake Mace Alan Ayckbourn Royal National Theatre TERRACOTTA Ian Marianne Elliot Hamstead Theatre Radio Title Role Director Production WHAT HETTY DID Ted Ellen Dryden First writers Radio THE ROTTER'S CLUB Ben Trotter Lucie Armitage BBC Radio 4 Drama SUMMER OF LOVE Colin Peter Leslie-Wild BBC Radio Drama Short Film Title Role Director Production KEBAB LAND Danny Pudding Marten Persil NFTS Skills Accents & Dialects American-standard, Birmingham, Black Country, Cockney, Irish-Northern, Liverpool, London, Manchester, Midlands- East*, RP, Welsh-Standard, Yorkshire Languages English* Music & Dance Ballet, Cabaret Singing*, Jazz Dancing, Jive, Tenor Sports Skiing*, Swimming* Characteristics Height Hair Eyes Training 5'6" Dark brown Blue Birmingham School of Acting CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.
Recommended publications
  • The 101 Most-Cited Papers from the British Medical Journal Highlight The
    EUGENE GARFIELD INSTITUTEFORSCIENTIFICINFORMATION- 3501MARKETST,PHILADELPHIA,PA19104 The 101 Most-Cited Papers from the British Medical Jownd Highlight the Important Role of Epidemiology in Medicine Number 7 February 16, 1987 The British Medical Journal began pub- Medical Journal, but of these only 20 per- lishing in 1840 as the organ of the Provin- cent are eventually published.s (p. 243) The cial Medical Association (PMA), a group current editor, Stephen Leek, who authored of physiciartspracticing in the provinces out- a 1985 book on peer review in medicine,4 side England’s major cities. They had follows extensive refereeing practices (a re- banded together in 1832 to share their indi- cent review of which appears in a 1986 ar- vidual medical experiences with one another ticle in Schokwly Publishing.s) He alw sub- in much the same fashion as the metropoli- scribes to the rule promulgated by Franz tan physicians who had earlier formed their Ingelfinger, former edkor of the New En- own society and journal. The PMA”s first gland Journal of Medicine. The essence of periodical was called 7he Provincial Medi- the Ingelfinger rule is that articles submit- cal arrd Surgical Journal; in 1853 it merged ted to a journal cannot have been previous- with the Lmdon Journal of Medicine to be- ly published in, or be simultaneously sub- come the Association Medical Journal. Four mitted to, other joumals.b The British Med- years later the PMA acknowledged its grow- ical Journal is also a founding member of ing memkaship throughout Great Britain by the frstemational Committee of Medical renaming the society the British Medical Journal Editors-the Vancouver Group— Association.
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Before-The-Act-Programme.Pdf
    Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an­ contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make­ C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa­ cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu­ The money raised by Before The Act will go into ality by local authorities.
    [Show full text]
  • Sean Jackson Photo: Sally Mais
    1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Sean Jackson Photo: Sally Mais Appearance: White Greater London, England, United Location: Kingdom Other: Equity Cardiff, Wales, United Kingdom Eye Colour: Blue Height: 5'9" (175cm) Hair Colour: Dark Brown Weight: 10st. 8lb. (67kg) Voice Quality: Clear Playing Age: 51 - 60 years Voice Character: Direct Television Television, The Businessman, The Innocents, TI Productions, Jamie Donoughue Television, Gualberto, Da Vinci's Demons (Season 2), DVDS2 Ltd, Charles Sturridge/Peter Hoar Television, Cameron Roper, Silent Witness, BBC, Richard Clark Television, Matt, The Fear, World Productions & Channel 4, Michael Samuels Television, Gualberto, Da Vinci's Demons (Season 1), Tonto Films, Jamie Payne Television, Duty Constable, Waking the Dead, BBC, Richard Standeven Television, Special Branch Officer, No Bananas, BBC Television, Robert Tronson Television, Police Sergeant James, Soldier Soldier VI, Central Television, Graham Moore Television, Reg, Eastenders, BBC Television, Jo Johnson Stage 2019, Stage, Fabien Muller/Theo Marber, Mephisto (A Rhapsody), Gate Theatre London, Kirsty Housley 2019, Stage, Bob Brodie, Eden, Hampstead Theatre, Matthew Xia 2018, Stage, Peter Walsh/Evans/Miss Pam/Sir William Bradshaw, Mrs Dalloway, Arcola & Forward Arena, Thomas Bailey Stage, Lennox, Macbeth, Theatre Severn, Loveday Ingram Stage, Piggy, The Hook, Royal & Derngate Northampton/Liverpool Everyman, James Dacre Stage, Gerard of Ridefort/Napoleon, Holy Warriors, Shakespeare's
    [Show full text]
  • James Riordan RESUME
    James Riordan TELEVISION Person Of Interest Guest Star CBS Limitless Co-Star CBS Public Morals Co-Star TNT Law & Order: SVU Co-Star NBC Boardwalk Empire Guest Star HBO The Blacklist Co-Star NBC Damages Recurring DirecTV Untitled Emmerich/Kloser Pilot Guest Star ABC All My Children Recurring ABC Gossip Girl Guest Star CW As The World Turns Recurring (3 years) CBS Law & Order (2 episodes) Guest Star NBC Law & Order: CI Guest Star NBC Loving Contract ABC FILM Choose Supporting IFC Midnight/Rob Ligato The Hoax Supporting Miramax/Lasse Hallstrom BROADWAY Present Laughter Henry, Morris – u/s St. James/M. von Stuelpnagel Jerusalem Frank Whitworth Music Box/Ian Rickson The Elephant Man (w/ Billy Crudup) Lord John/Will The Royale/Sean Mathias Dance Of Death (w/ Helen Mirren & Ian McKellen) Kurt - standby Broadhurst/Sean Mathias Noises Off! Lloyd/Freddie - standby Brooks Atkinson/Jeremy Sams OFF-BROADWAY (selected) Donogoo Lamendin (lead) Mint Theater Lovers Andy (lead) TACT/Beckett Theatre Our Leading Lady John Wilkes Booth MTC/Lynne Meadow, dir. The Countess John Ruskin (lead) Lambs Theater Christie In Love Constable Tom Circle In The Square REGIONAL THEATER (selected) His Girl Friday McCue Barrington Stage Company Present Laughter Morris Two River Theater The Seagull Trigorin The Cleveland Playhouse The Suicide Semyon Wilma Theater Humana Festival 2 Seasons Actors Theater of Louisville Real Dreams B.T. The Cleveland Playhouse Bovver Boys Gene The Cleveland Playhouse On The Waterfront Specs The Cleveland Playhouse TRAINING/SKILLS MFA Temple University; Dialects: British, Australian, Southern, Irish, Learns dialects quickly .
    [Show full text]
  • Dermot Crowley
    Dermot Crowley Agents Lindy King Associate Agent Joel Keating [email protected] 0203 214 0871 Assistant Tessa Schiller [email protected] Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Television Production Character Director Company PENNYWORTH (Series 2) Archbishop Potter Danny Cannon Warner Horizon / Epix LIAR (Series 2) Henry Neilson Chris Sweeney ITV HUNTED George Ballard Various Cinemax LUTHER (Series 1 - 5) Martin Schenk Various BBC HARD SUN Father Dennis BBC Chapman THE COLLECTION Edgar Stoddard Dearbhla Walsh | Pinewood Films Dan Zeff No.14 Ltd BORGIA King Ferdinand Film United D'Argon United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company FATHER FIGURE Pat Various BBC 1 RAW Dan Kelly Charlie McCarthy Octagon Films Extensive credits include: MARGARET Airey Neave James Kent BBC NEW TRICKS Derek Bennett Julian Simpson Wall to Wall / BBC KINGDOM Mr. Matthews Edward Hall Sprout FOYLE'S WAR Henry Townsend Tristram Powell Greenlit HG WELLS: WAR WITH THE George Bernard Shaw James Kent Wall to Wall WORLD MIDSOMER MURDERS Peter Hatchard Renny Rye Bentley Productions BLEAK HOUSE Mr. Vholes Justin Chadwick BBC SPOOKS Eric Newland Justin Chadwick BBC TRIAL AND RETRIBUTION Dr. Taylor Asling Walsh La Plante Productions HELEN WEST Philip Carlton Justin Chadwick Arrowhead MURDER ROOMS Elkins Tim Fywell BBC A TOUCH OF FROST Bennet Roger
    [Show full text]
  • Hommage2020 Broschuere.Pdf
    20191227_LogobalkenA5HF_148x17_RZ.indd 1 27.12.19 16:26 70. Internationale Filmfestspiele Berlin EInE KlassE Für sIch hommagE an hElEn mIrrEn Victoria tritt als die elegante, coole und standfeste Krisenmanagerin, die Harry mit etwas blasierte Blondine an der Seite des einer Ohrfeige zur Besinnung bringt und bulligen Londoner Gangsters Harry auf, ihm sagt, was zu tun ist, als er die Nerven der versucht, sich mithilfe der amerika­ verliert; dann, nachdem er sich beruhigt nischen Mafia ein legales Leben aufzu­ hat, bietet sie ihm die starke Schulter zum bauen. Auf den ersten Blick folgt The Long Anlehnen. Good Friday (1980) damit der klassischen Rollenverteilung, die der Gangsterfilm seit Ein perfektes Beispiel für ein auf den Kopf seiner Erfindung vorgesehen hat – wäre gestelltes Klischee und die Art, wie Helen da nicht Helen Mirren, die den Namen ih­ Mirren neuen Frauen fi gu ren im Kino den rer Figur ernst nimmt. Denn Victoria ist Weg geebnet hat. Denn die Figur war ur­ alles andere als dekoratives Beiwerk: zu­ sprünglich von Regisseur John Macken­ nächst erweist sie sich als smarte und zie ganz eindimen sional angelegt – ein 1 Anhängsel. Sie sei am Set eine ziemliche wird Superintendent, aber nie ist sie wirk­ Nervensäge gewesen, sagte Helen Mirren lich so hart, wie sie sich gibt. Der Weg ist später, und musste sich und ihrer Figur steinig, sie wird angefeindet, ihr Privat­ einen zentralen Platz in der Geschichte leben leidet unter der Arbeit. Tennison erst erkämpfen. Die Rolle prägte Helen wurde zu dem Vorbild für weibliche Fern­ Mirrens weitere Arbeit: „Jetzt hört man sehdetek tive der Gegenwart, und sie hält auf mich.
    [Show full text]
  • Mike Robertson
    ROAR House, 46 Charlo2e Street, London W1T 2GS 0207 4275681 [email protected] www.colekitchenn.com twi8er.com/ColeKitchenn facebook.com/ColeKitchenn MIKE ROBERTSON LIGHTING DESIGNER 2007 Olivier Award Winner, 2010 Whatsonstage Award nominee DEAR WORLD Charing Cross Theatre Dir: Gillian Lynne VOLCANO (World Premiere) Vaudeville Theatre West End/Tour Dir: Roy Marsden DRY ROT UK Tour Dir: Ron Aldridge FRAGILE/THE FATHER Belgrade Theatre, Coventry Dir: Joe Harmston MURDER ON THE NILE Theatre Royal Windsor/Tour Dir: Joe Harmston FUNNY PECULIAR UK Tour Dir: Bob Tomson THIRD FLOOR Trafalgar Studios for Sally Humphreys Dir: Russell Labey ABOUT BILL Landor Theatre Dir: Charlotte Westenra COMPANY Southwark Playhouse Dir: Joe Fredericks BY JEEVES Landor Theatre Dir: Nick Bagnall OEDIPUS Nottingham/Edinburgh Festival 2011 Dir: Giles Croft VERDICT UK Tour/Bill Kenwright Ltd Diir: Joe Harmston LARK RISE TO CANDLEFORD No.1 National Tour for Bill Kenwright Dir: Joe Harmston CAROLINE O'CONNOR: THE SHOWGIRL WITHIN, LYNDA CARTER: AT LAST all at Garrick Theatre, West-End FRANCES RUFFELLE: BENEATH THE DRESS, JASON ROBERT BROWN CONCERT for Speckulation Entertainment BIBLICAL TALES New End Theatre Dir: Steven Berkoff BILLY LIAR West Yorkshire Playhouse Dir: Nick Bagnall WOLFBOY Trafalgar Studios Dir: Russell Labey EDUCATING RITA Watermill Theatre, Newbury Dir: Jamie Glover ON THE WATERFRONT Theatre Royal, Haymarket/World Tour Dir: Steven Berkoff Nottingham Playhouse/Edinburgh *2010 Whatsonstage Award nomination: Best Lighting Design WOLFBOY George Square
    [Show full text]
  • Natalie Klamar
    Natalie Klamar Theatre Title Role Director Producer Nora: A Doll's House Nora 2/ Christine 1 Elizabeth Freestone The Young Vic Wilderness Anne Anna Ledwich Hampstead Keith? Roxy Oscar Pearce Arcola Richard II Carlisle/Blunt/Torturer 3 Joe Hill-Gibbins Almeida Prom Kween Lexi Rebecca Humphries Õine Flanagan Productions Othello Desdemona Ellen McDougall The Globe Cleansed The Woman Katie Mitchell National Theatre Future Conditional Suzy Matthew Warchus Old Vic I Want My Hat Back Snake/Ensemble Wils Wilson National Theatre This May Hurt A bit Various Max Stafford Clark Out of Joint The Cherry Orchard Vanya Katie Mitchell Young Vic King John Blanche Maria Aberg RSC Hamlet Courtier/Student/Player David Farr RSC As You like It Phoebe (understudy Celia) Maria Aberg RSC All's Well That Ends Well Diana Nancy Meckler RSC Richard III Company Roxanna Silbert RSC A Soldier In Every Sense Zilamiauh/Citali Roxanna Silbert RSC Town Mary Esther Richardson Royal & Derngate The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Breakfast At Tiffany's Maddy Munson (Understudy Holly)Sean Mathias Theatre Royal Haymarket The Changeling Beatrice-Joanna James Kerr LAMDA Antigone Antigone Mark Bell LAMDA The Country Wife Margery Pinchwife Rodney Cottier LAMDA Uncle Vanya Sonya Colin Crook LAMDA Breaking Barriers In Burnley Wendy Max Stafford Clark LAMDA Blue Remembered Hills Audrey Stephen Jameson LAMDA Pericles Marina Rodney Cottier LAMDA Television Title Role Director Producer War of the Worlds (Series 2) Tamar Ben A. Williams Epix Salisbury Tracy Holloway Saul Dibb BBC 2/ Dancing Ledge Patrick Melrose Becky Edward Berger Little Island Productions Vera Meryl John Hayes ITV Grantchester Ann Rebecca Gatward ITV Holby City Kelly Jennie Darnell BBC Midsomer Murders Esme Simon Langton Bentley Productions Misfits Daisy Owen Harris Clerkenwell Films Doctors Becky Cameron Daniel Wilson BBC The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.
    [Show full text]
  • PAUL GRUNERT Representation: Alexandra Mclean-Williams
    PAUL GRUNERT Representation: Alexandra McLean-Williams Playing Age: 50-60 Height: 5’10” Eyes: Blue Location: West Sussex/Surrey/Milton Keynes FILM WALL STREET 2 – Barber 20th Century Fox Oliver Stone DEATH DEFYING ACTS – Hotel Manager BBC Films Gillian Armstrong TELEVISION MADAME MANHATTAN – Mr. Watkins MVD TV Michael Doane SPOOKS – Nicholas Faures BBC Brendan Maher MIDSOMER MURDERS – Bentley Productions Sarah Hellings Freddie Greenaway THERE’S A VIKING IN MY BED – BBC Television Various Mr. Bradshaw GOODNIGHT SWEETHEART – Alamo Various Sid Potter C.I.T.V GOGGLES FAMILY – Dad London Weekend Television John Morgan FAITH IN THE FUTURE – Garage Boss London Weekend Television Sylvie Boden ALL NIGHT LONG – Wally/Taxi Driver BBC Television Harold Snoad SECOND THOUGHTS – TV Director London Weekend Television Sylvie Boden THE BILL – Reg Thames Television Derek Lister BAD PENNY – Multiple Roles BBC Television Martin Hughes STAGE SINGLE SPIES – Restorer/Shop Assistant Chichester & UK Tour Rachel Kavanaugh CYRANO DE BERGERAC – Ragueneau Chichester Festival Theatre Sir Trevor Nunn ALADDIN – Emperor of China The Old Vic Sean Mathias HIS GIRL FRIDAY – Kruger Royal National Theatre Jack O’Brian Continued Unit F22B, Parkhall Business Centre, 40 Martell Road, London SE21 8EN T +44 (0) 203 567 1090 E [email protected] www.mclean-williams.com Registered in England Number: 7432186 Registered Office: C/O William Sturgess & Co, Burwood House, 14 - 16 Caxton Street, London SW1H 0QY PAUL GRUNERT continued LOVE’S LABOUR’S LOST – Sir Nathaniel Royal National
    [Show full text]
  • The District Messenger
    THE DISTRICT MESSENGER THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON ROGER JOHNSON, 210 RAINSFORD ROAD, CHELMSFORD CM1 2PD no. 101 6th September 1990 ThanksThanks toto allall whowho entered entered our our little little CentenaryCentenary CompetitionsCompetitions - andand thanks especiallyespecially toto thosethose who sowho generously so generously donated donated prizes. prizes . MilesMiles TubbTubb provided what II consider to bebe thethe best captionbest caption (see left).( see Toleft) him . Togoes him the goes bumper the bumper "Dr Watson"Dr Watson Special" Special issue" issue of THEof THE MUSGRAVE MUSGRAVE PAPERS,PAPERS , courtesycourtesy o off thethe Northern Musgraves. Musgraves. This Thiscopy copyis signed is signed by Jeremy by Jeremy Paul, Paul,Bert BertCoules Coules & as & asmany many other other contributors contributors as Ias could I could get get hold hold of of. PeterPeter J.J. CrupeCrupe camecame closeclose with "I CAN TELL YOU DIDN'T USE YOUR DEODORANT "I CAN TELL YOU DIDN 'T USE YOUR DEODORANT AGAIN AGAIN THIS MORNING!" THIS MORNING !" - but Miles got there first. - but Miles got there first . Other captions that made me smile were: Other captions that made me smile were : "ARE YOU SURE THIS IS A CURE FOR TENNIS " " ELBOW?"ARE YOU SURE THIS IS A CURE FOR TENNIS ELBOW? " "AA STILLSTILL CONVALESCENTCONVALESCENT DR WATSON DR WATSON FINDS THE FINDS THESTRENGTH STRENGTH TO REMONSTRATE TO REMONSTRATE WITH HIS NEW WITH FLATMATE HIS NEWSHERLOCK FLATMATE HOLMES UPON SHERLOCK LEARNING HOLMES THE TRUE UPON FATE OF LEARNINGHIS BULL PUP. THE" TRUE FATE OF HIS BULL PUP" "THIS"THIS ISIS HOW I IFINALLY FINALLY DEFEATED DEFEATED MORIARTY, MORI- ARTY,WATSON: WATSON: WITH ONE WITHOF MRS ONE HUDSON OF' SMRS ROCK HUDSON'S CAKES !” ROCK CAKES!"; IT WAS THEN THAT FARQUARSON REALISED "YOU 'RE SUPPOSED TO HIT ME ON THE LEFT SIDE OF "YOU'RE SUPPOSED TO HIT ME ON THE LEFT - THE HEAD, YOU FOOL !" HIS UNDER ARM DEODORANT WAS NO LONGER SIDE OF THE HEAD, YOU FOOL!"; WORKING.
    [Show full text]