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From Blockbuster to Big Brother: How an Increase in Mobile Phone Apps Has Led to a Decrease in Privacy Under the Video Privacy Protection Act
Florida Law Review Volume 71 Issue 4 Article 4 From Blockbuster to Big Brother: How an Increase in Mobile Phone Apps Has Led to a Decrease in Privacy Under the Video Privacy Protection Act Carlee Rizzolo Follow this and additional works at: https://scholarship.law.ufl.edu/flr Part of the Privacy Law Commons Recommended Citation Carlee Rizzolo, From Blockbuster to Big Brother: How an Increase in Mobile Phone Apps Has Led to a Decrease in Privacy Under the Video Privacy Protection Act, 71 Fla. L. Rev. 1069 (). Available at: https://scholarship.law.ufl.edu/flr/vol71/iss4/4 This Note is brought to you for free and open access by UF Law Scholarship Repository. It has been accepted for inclusion in Florida Law Review by an authorized editor of UF Law Scholarship Repository. For more information, please contact [email protected]. Rizzolo: From Blockbuster to Big Brother: How an Increase in Mobile Phone FROM BLOCKBUSTER TO BIG BROTHER: HOW AN INCREASE IN MOBILE PHONE APPS HAS LED TO A DECREASE IN PRIVACY UNDER THE VIDEO PRIVACY PROTECTION ACT Carlee Rizzolo* Abstract Congress enacted the Video Privacy Protection Act (VPPA or the Act) in 1988 to protect consumers by prohibiting video tape service providers from knowingly disclosing their personally identifiable information to any person, without first obtaining consent. The VPPA defines “consumer” as any renter, purchaser, or subscriber. However, the Act does not define the term “subscriber.” Over the past thirty years, there has been a rapid increase in the use of downloadable apps that allow individuals to watch videos and other online content for free on their mobile phones. -
Home Video Philology: Methodological Reflections
Special – peer-reviewed Cinergie – Il cinema e le altre arti. N.13 (2018) https://doi.org/10.6092/issn.2280-9481/7878 ISSN 2280-9481 Home Video Philology: Methodological Reflections Valerio Sbravatti Submitted: March 1, 2018 – Revised version: May 25, 2018 Accepted: June 15, 2018 – Published: July 12, 2018 Abstract Digital home video is an extremely useful means of watching and analyzing films. However, scholars often neglect the fact that official home video or streaming releases of a film can have differences from theoriginal version of the film itself. Such variances typically are lack of film grain (resulting from digital noise reduction), differences in color grading, and soundtrack remixing. This can depend on the fact that the technicians who work on home video releases are unprepared, or are instructed to adjust the look and the sound of the film to the current taste, or because the filmmakers changed their mind and requested some modifications. Atany rate, film scholars must be aware of such possible inconsistencies, otherwise their study could be fallacious. In this article I discuss upon philological problems of home video releases mainly from a practical point of view. Keywords: Blu-ray Disc; DVD; film fandom; film philology; film restoration. Valerio Sbravatti: Sapienza Università di Roma (It) https://orcid.org/0000-0002-0817-6129 [email protected] Valerio Sbravatti (1988) has a PhD in Music and performing arts at Sapienza University of Rome, where he is honorary fellow in film studies. His main research interests are film sound and film music, on which he published somearticlesand a book (Allegro non troppo. -
New Releases to Rent
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Ipod Tv Show Streaming
Ipod tv show streaming For iPhone, iPad, or iPod touch, make sure that you update to iOS 10 or If streaming is available for a movie or TV show you buy or rent, the. Watch the latest episodes of your favorite NBC TV shows any time, anywhere on the NBC App! Catch up on your favorite hit TV series on your. You can purchase your favorite TV shows by the episode, or buy a Season You can download or stream the episode immediately after you complete your purchase. TV shows from your iPhone, iPad, iPod touch, Mac, PC, or Apple TV. If you are looking to watch tv shows online on your iPod touch, there are only two apps for that on the app store which are called "joost" and. I don't really watch that show but I know it's on Netflix. Just sign up for Netflix and the first 30 days are free. Or just bum off someone's Netflix. Daily Tip: How to access your purchased TV shows on iPhone, iPad, Here's how to re-download or stream your existing iTunes TV show. Learn how to download and stream TV shows and movies to your iPhone or iPad. Jason Rich showcases a. Here are the 19 best free movie streaming apps for iPad. With any Flixter is an free movie app for TV shows and movies streaming. Flixter is. Come Visit the New Site at PLEASE DIGG IT Here is a more complete list of TV show streaming websites for the iPhone/iPod. I didn't have to log in to watch movies and TV shows, but the option is there if you Crackle has free apps for: iPhone, iPad, iPod touch, Android, BlackBerry. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
1 WELCOME to the NEW WORLD of DISTRIBUTION by Peter Broderick
WELCOME TO THE NEW WORLD OF DISTRIBUTION By Peter Broderick (First appeared in indieWIRE, September 16 & 17, 2008) Welcome to the New World of Distribution. Many filmmakers are emigrating from the Old World, where they have little chance of succeeding. They are attracted by unprecedented opportunities and the freedom to shape their own destiny. Life in the New World requires them to work harder, be more tenacious, and take more risks. There are daunting challenges and no guarantees of success. But this hasn’t stopped more and more intrepid filmmakers from exploring uncharted territory and staking claims. Before the discovery of the New World, the Old World of Distribution reigned supreme. It is a hierarchical realm where filmmakers must petition the powers that be to grant them distribution. Independents who are able to make overall deals are required to give distributors total control of the marketing and distribution of their films. The terms of these deals have gotten worse and few filmmakers end up satisfied. All is not well for companies and filmmakers in what I call the Old World of Distribution. At Film Independent’s Film Financing Conference, Mark Gill vividly described “the ways the independent film business is in trouble” in his widely read and discussed keynote. Mark listed the companies and divisions that have been shut down or are teetering on the brink of bankruptcy, noted that five others are in “serious financial peril,” and said that ten independent film financiers may soon “exit the business.” Mark made a persuasive case that “the sky really is falling… because the accumulation of bad news is kind of awe-inspiring.” While he doesn’t 1 expect that the sky will “hit the ground everywhere,” he warned “it will feel like we just survived a medieval plague. -
Distribution Forward Distribution Forward: a Guide to Strategic Self-Initiated Digital and DVD Documentary Film Distribution
Distribution Forward Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. THIS PUBLICATION WAS MADE POSSIBLE THROUGH THE SUPPORT OF: 1 Contents Introduction 3 Elizabeth Radshaw, Hot Docs Forum and Market Director The Marketplace 4 Elizabeth Radshaw, Hot Docs Forum and Market Director The Rights 6 Greg Rubidge, Syndicado The Players 7 Greg Rubidge, Syndicado The Deals 8 Greg Rubidge, Syndicado The Strategy 9 • Greg Rubdige, Syndicado 9 • Jon Reiss, JonReiss.com 12 • Melanie Miller, Gravitas Ventures 19 • Robin Smith, KinoSmith 14 • Andrew Mer, Snag Films 18 The Example 21 Felice Gorica, Gorica Productions The Wisdom 23 Janet Brown, Cinetic The Resources 24 2 Introduction Distribution Forward: a guide to strategic self-initiated digital and DVD documentary film distribution. Distribution Forward illustrates the current climate of digital and DVD distribution of documentary films through examples, case studies and direct market intelligence from players in the field. This guide will provide tools, information and support to help filmmakers determine their own strategies for their films’ market trajectory. Additionally, Distribution Forward intends to dispel the myths Twitter length conversation bubbles @DistributionFwd tiny bits of and better inform filmmakers about the realities of the market distribution wisdom. place, helping them to achieve positive results and meet their financial, professional and artistic goals. The dialogue around digital documentary distribution has run the gamut of DIY, DIWO, hybrid, and self-distribution, which can confuse filmmakers and muddle their expectations. This guide intends to shed some light on the current climate. It is by no means exhaustive and there are a many avenues worthy of exploration. -
An In-Home Video Study and Questionnaire Survey of Food Preparation, Kitchen Sanitation, and Hand Washing Practices
AdvAncEmEnt of tHE SCIENCE An In-Home Video Study and Questionnaire Survey of Food Preparation, Kitchen Sanitation, and Hand Washing Practices Elizabeth Scott, PhD Nancie Herbold, RD, EdD million for premature deaths, $30 million for medical care, and $5 million in lost pro- Foodborne illnesses pose a problem to all individuals Abstract ductivity (Frenzen, Drake, Angulo, & the but are especially signifi cant for infants, the elderly, and individuals with Emerging Infections Program FOODNET compromised immune systems. Personal hygiene is recognized as the num- Working Group, 2005). ber-one way people can lower their risk. The majority of meals in the U.S. A new interest has arisen in household are eaten at home. Little is known, however, about the actual application of practices as a result of the understanding that a link exists between contaminated personal hygiene and sanitation behaviors in the home. inanimate surfaces and disease transmis- The study discussed in this article assessed knowledge of hygiene prac- sion and acquisition within settings such tices compared to observed behaviors and determined whether knowledge as the home (Cozad & Jones, 2003). Do- equated to practice. It was a descriptive study involving a convenience sam- mestic sanitation practices, especially those ple of 30 households. Subjects were recruited from the Boston area and a employing wet sponges, cloths, and mops, have been found to further disseminate bac- researcher and/or a research assistant traveled to the homes of study par- teria to other inanimate surfaces and direct- ticipants to videotape a standard food preparation procedure preceded by ly to the hands, leading to cross-contami- fl oor mopping. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Case Analysis.1
Management of Technology & Entrepreneurship (MTE) Technology Venturing & Entrepreneurship Sony Betamax Case Analysis GROUP 2 Patrick Hammer, Oliver Stampfli, Marcel Sutter, Thomas Thalmann, Donato Verardi [firstname.lastname]@epfl.ch Professor: Christopher L. Tucci Assistant: Farah Abdallah January 14, 2007 TSE - Sony Betamax - Case Analysis Group 2 Table of Content Summary of case report.................................................................... 2 Related topics and class sessions.................................................... 2 Format war (primary subject)............................................................................. 2 Customer needs............................................................................................... 2 Attacker’s advantage........................................................................................ 3 List of discussion questions.............................................................. 3 Brief answers..................................................................................... 3 Detailed answers............................................................................... 4 Recommendations.......................................................................... 10 Lessons learned.............................................................................. 10 Exhibits ............................................................................................11 Seven Key assets by Shapiro & Varian [6] [7] ................................................. -
Redbox New Release Dates
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Brand Effect and Price Discrimination in the Video Rental Industry
INDIAN INSTITUTE OF MANAGEMENT AHMEDABAD INDIA Brand Effect and Price Discrimination in the Video Rental Industry Viswanath Pingali W.P. No. 2012-07-04 July 2012 The main objective of the working paper series of the IIMA is to help faculty members, research staff and doctoral students to speedily share their research findings with professional colleagues and test their research findings at the pre-publication stage. IIMA is committed to maintain academic freedom. The opinion(s), view(s) and conclusion(s) expressed in the working paper are those of the authors and not that of IIMA. INDIAN INSTITUTE OF MANAGEMENT AHMEDABAD-380 015 INDIA IIMA INDIA Research and Publications Brand Effect and Price Discrimination in the Video Rental Industry Viswanath Pingali * Assistant Professor, Indian Institute of Management Ahmedabad Email: [email protected] Abstract What is the effect of competition on prices in a market where the product is offered at different quality levels? Would the increase in competition reduce the price of high quality good more than the low quality good? These are the questions examined in this paper in the context of the video rental industry. Videos can be classified into DVD and VHS. Firms can also be categorized as branded stores that belong to a major chain and unbranded stores that do not belong to any major national chain. As competition increases prices of both DVD and VHS should decrease, but in theory it is not clear which one will decrease more. Moreover branded and unbranded stores may respond differently to the change in competition. My empirical results indicate that as competition increases, (a) for branded stores, the price of the high quality good (DVD) falls more than that of the low quality good (VHS), (b) for unbranded stores, we observe the opposite effect.