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The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season -
2017 DGA Episodic Director Diversity Report (By STUDIO)
2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
Transcript for Professor Gernsbacher's Lecture Video: “Why Do We Binge-Watch?”
Transcript for Professor Gernsbacher’s Lecture Video: “Why Do We Binge-Watch?” Ever had that experience of binge-watching a TV series, and you become so absorbed that you forget to eat lunch or you miss your subway stop? Or you keep clicking for the next episode and when you look up, the house has gotten dark around you, and you realize you’ve been watching for hours? Oh, wait just a minute. I read that wrong. Here’s the correct quote: CLICK - Ever had that experience READING A NOVEL when you become so absorbed that you forget to eat lunch or you miss your subway stop? CLICK - Or you’re TURNING THE PAGES so fast, when you look up, the house has gotten dark around you, and you realize you’ve been squinting to see the words. CLICK - We call this “getting lost in a book,” and we could all name a novel that has caused us to CLICK - Get lost in a book. In a Two Thousand and Fourteen article on the website, Thought Catalog, Francesca Saunders urges us to QUOTE “Curl up in your bed, on the floor, the backseat of a car, the plastic bench of a train. Open up a book and … Fall so deeply into this imagined world, [that you] forget where you are. You stop hearing anything that isn’t on the page in front of you.” UNQUOTE CLICK - What does getting lost in a book feel like? Saunders relates that QUOTE Getting lost in a book is like getting hit by a truck, like waking up at 10 pm from a nap. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
For Immediate Release 22Nd Annual Nantucket Film
FOR IMMEDIATE RELEASE ND 22 ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES THE BIG SICK AS OPENING NIGHT FILM AN INCONVENIENT SEQUEL: TRUTH TO POWER TO CLOSE FESTIVAL WHITNEY: CAN I BE ME SCREENS AS CENTERPIECE DISNEY•PIXAR’S CARS 3 PRESENTED AS OPENING FAMILY FILM SPOTLIGHT FILMS INCLUDE COUP D’ETAT, DOG YEARS, FUN MOM DINNER, PATTI CAKE$, TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON New York, NY (April 25, 2017) – The Nantucket Film Festival proudly announced today the opening night selection for its 2017 festival, Lionsgate/Amazon Studios’ THE BIG SICK, directed by Michael Showalter and written by Emily V. Gordon and Kumail Nanjiani. Based on the screenwriters’ real-life courtship, the romantic comedy follows the relationship between comedian Kumail (Nanjiani) and grad student Emily (Zoe Kazan) as they struggle with cultural differences and the unexpected impact of a mysterious illness. The film also stars Holly Hunter and Ray Romano. Paramount Pictures & Participant Media’s AN INCONVENIENT SEQUEL: TRUTH TO POWER, directed by Bonni Cohen and Jon Shenk will close the festival. As a follow-up to the Oscar®-winning AN INCONVENIENT TRUTH, the film charts Vice President Al Gore's continuing mission to solve our climate crisis before it's too late. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. Nick Broomfield (2017 NFF Honoree) and Rudi Dolezal’s WHITNEY: CAN I BE ME will screen as the festival’s centerpiece film. The documentary offers a candid look at the life, career, and untimely death of Whitney Houston. -
An Interview with Andrew Davies
EnterText 1.2 PETER SMITH “The Script is Looking Good”: an interview with Andrew Davies PS Before coming to talk to you, I asked my colleagues what they would most like to ask you, and more than one wanted to know how tight a brief a writer tends to be given when adapting for TV or cinema. AD Right – well, usually when I start something, it’s – first of all, it’s either going to be a one-off or it’s going to be an episode. If it’s for television and it’s going to be in episodes, usually I’m given, or we work out by mutual agreement, the number of episodes that would be best to do this kind of thing in – and when I say “we”, usually I’m working with the producer or it’s someone higher up like an executive producer. Smith: Interview with Andrew Davies 157 EnterText 1.2 For instance, I do a lot of work with the woman who’s Head of Drama at the BBC. This is one of the good things about having been around for a long time; I knew her when she was a script editor. She was a very good script editor, and I suppose what I’m working round to is there’s not usually a lot of disagreement about it. If she says “I think it would make three” or “I think it would make four” or whatever it is, I usually think she’s right. Occasionally, you find that there’s a difference, but generally people will go with what I say these days. -
House of Cards Season 1 Torrent
House of cards season 1 torrent Continue House of Cards season 1, House of Cards season 1 episode 1, House of Cards season 1 episode 3, House of Cards season 1 episode 5, House of Cards season 1 episode 7, House of Cards season 1 episode 8, House of Cards season 1 episodes, House of Cards season 5, House of Cards season 3, House of Cards season 1, House of Cards season, House of Cards season 5 wikis, House of Cards season 5, House of Cards season 3, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards, House of Cards via heavy.com Alexandra Daddario (@alexannadaddario) Instagram Video via grammio.com Bradley James joins Kate Beckinsale in Underworld -
Mplc Studio Liste 2020
MPLC STUDIO LISTE 2020 STUDIOS – PRODUZENTEN – FERNSEHSTATIONEN MPLC STUDIO LISTE 2020 STUDIOS – PRODUCTEURS – STATIONS DE TÉLÉVISION MPLC LISTA STUDIO 2020 CASE CINEMATOGRAFICHE – PRODUTTORI – STAZIONI TELEVISIVE MOTION PICTURE LICENSING COMPANY: DER WELTWEIT GRÖSSTE LIZENZGEBER IN DER FILM- & TV-BRANCHE. MPLC Switzerland GmbH Münchhaldenstrasse 10, Postfach CH-8034 Zürich MPLC ist der weltweit grösste Lizenzgeber für öffentliche Vorführrechte im non-theatrical Bereich und in über 30 Länder tätig. Ihre Vorteile + Einfache und unkomplizierte Lizenzierung + Event, Title by Title und Umbrella Lizenzen möglich + Deckung sämtlicher Majors (Walt Disney, Universal, Warner Bros., Sony, FOX, Paramount und Miramax) + Benutzung aller legal erworbenen Medienträger erlaubt + Von Dokumentar- und Independent-, über Animationsfilmen bis hin zu Blockbustern ist alles gedeckt + Für sämtliche Vorführungen ausserhalb des Kinos Index MAJOR STUDIOS EDUCATION AND SPECIAL INTEREST TV STATIONS SWISS DISTRIBUTORS MPLC TBT RIGHTS FOR NON THEATRICAL USE (OPEN AIR SHOW WITH FEE – FOR DVD/BLURAY ONLY) WARNER BROS. FOX DISNEY UNIVERSAL PARAMOUNT PRAESENS FILM FILM & VIDEO PRODUCTION GEHRIG FILM GLOOR FILM HÄSELBARTH FILM SCHWEIZ KOTOR FILM LANG FILM PS FILM SCHWEIZER FERNSEHEN (SRF) MIRAMAX SCM HÄNSSLER FIRST HAND FILMS STUDIO 100 MEDIA VEGA FILM COCCINELLE FILM PLACEMENT ELITE FILM AG (ASCOT ELITE) CONSTANTIN FILM CINEWORX Label Apollo Media Apollo Media Distribution Gmbh # Apollo Media Nova Gmbh 101 Films Apollo ProMedia 12 Yard Productions Apollo ProMovie 360Production -
Audiobooks Biography Nonfiction
Audiobooks 1st case / James Patterson and Chris Tebbetts.","AUD CD MYS PATTERSON" "White fragility : why it's so hard for white people to talk about racism / Robin DiAngelo.","AUD CD 305.8 DIA" "The guest list : a novel / Lucy Foley, author of The hunting party.","AUD CD FIC FOLEY" Biography "Beyond valor : a World War II story of extraordinary heroism, sacrificial love, and a race against time / Jon Erwin and William Doyle.","B ERWIN" "Chasing the light : writing, directing, and surviving Platoon, Midnight Express, Scarface, Salvador, and the movie game / Oliver Stone.","B STONE" "Disloyal : a memoir : the true story of the former personal attorney to the President of the United States / Michael Cohen.","B COHEN" Horse crazy : the story of a woman and a world in love with an animal / Sarah Maslin Nir.","B NIR" "Melania and me : the rise and fall of my friendship with the First Lady / Stephanie Winston Wolkoff.","B TRUMP" "Off the record : my dream job at the White House, how I lost it, and what I learned / Madeline Westerhout.","B WESTERHOUT" "A knock at midnight : a story of hope, justice, and freedom / Brittany K. Barnett.","B BARNETT" "The meaning of Mariah Carey / Mariah Carey with Michaela Angela Davis.","B CAREY" "Solutions and other problems / Allie Brosh.","B BROSH" "Doc : the life of Roy Halladay / Todd Zolecki.","B HALLADAY" Nonfiction "Caste : the origins of our discontents / Isabel Wilkerson.","305.512 WIL" "Children of Ash and Elm : a history of the Vikings / Neil Price.","948.022 PRI" "Chiquis keto : the 21-day starter kit for taco, tortilla, and tequila lovers / Chiquis Rivera with Sarah Koudouzian.","641.597 RIV" "Clean : the new science of skin / James Hamblin.","613 HAM" "Do it afraid : embracing courage in the face of fear / Joyce Meyer.","248.8 MEY" "The end of gender : debunking the myths about sex and identity in our society / Dr. -
STEVE YEDLIN, ASC Director of Photography Yedlin.Net PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS UNT
STEVE YEDLIN, ASC Director of Photography yedlin.net PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS UNT. BENOIT BLANC SEQUEL Rian Johnson T-STREET / NETFLIX Ram Bergman, Tom Karnowski KNIVES OUT Rian Johnson T-STREET / MRC / LIONSGATE Ram Bergman STAR WARS: THE LAST JEDI Rian Johnson LUCASFILM / DISNEY Ram Bergman, Kathleen Kennedy SAN ANDREAS Brad Peyton NEW LINE CINEMA / WARNER BROS. Rob Cowan, Beau Flynn DANNY COLLINS Dan Fogelman INIMITABLE PICTURES Monica Levinson, Denise Di Novi Jessie Nelson CARRIE Kimberly Peirce MGM / Miles Dale, Kevin Misher GIRL MOST LIKELY Robert Pulcini LIONSGATE / Pam Hirsch, Alix Official Selection – Toronto Film Festival Shari Springer Berman Madigan Steve Golin, Celine Rattray, Trudie Styler LOOPER Rian Johnson ENDGAME ENTERTAINMENT Official Selection – Toronto Film Festival Ram Bergman FATHER OF INVENTION Trent Cooper TRIGGER STREET Danny Stillman, Beau Rogers Jonathan Krane THE OTHER WOMAN Don Roos IFC FILMS Marc Platt, Carol Cuddy THE WITNESS: FROM THE Adam Pertofsky HBO BALCONY OF RM. 306 R. Stephan Mohammed Nomination, Best Documentary Short – Margaret Hyde Academy Award TENURE Mike Million Jared Goldman, Tai Duncan Paul Schiff AMERICAN VIOLET Tim Disney Mark Donadio, Bill Haney BROTHERS BLOOM Rian Johnson Ram Bergman, James Stern Wendy Japhet LOVELY BY SURPRISE Kirt Gunn RADICAL MEDIA Winner, New American Special Jury Prize – Michael Hilliard Seattle Film Festival ALTERED Eduardo Sánchez UNIVERSAL / ROGUE / Gregg Hale UNKNOWN Simon Brand WEINSTEIN / Rick Lashbrook THE DEAD ONE Brian Cox Susan Rodgers, Larry Rattner CONVERSATIONS WITH Hans Canosa FABRICATION FILMS OTHER WOMEN Ram Bergman BRICK Rian Johnson FOCUS FEATURES Winner, Special Grand Jury Prize – Ram Bergman, Mark Mathis Sundance Film Festival Nomination, John Cassavetes Award – Ind.