Your Guide to the Classic Literature Collection
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Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS. -
The World Beautiful in Books TO
THE WORLD BEAUTIFUL IN BOOKS BY LILIAN WHITING Author of " The World Beautiful," in three volumes, First, Second, " " and Third Series ; After Her Death," From Dreamland Sent," " Kate Field, a Record," " Study of Elizabeth Barrett Browning," etc. If the crowns of the world were laid at my feet in exchange for my love of reading, 1 would spurn them all. — F^nblon BOSTON LITTLE, BROWN, AND COMPANY ^901 PL Copyright, 1901, By Little, Brown, and Company. All rights reserved. I\17^ I S ^ November, 1901 UNIVERSITY PRESS JOHN WILSON AND SON • CAMBRIDGE, U. S. A. Lilian SMIjttins'fii glMoriiB The World Beautiful. First Series The World Beautiful. Second Series The World Beautiful. Third Series After her Death. The Story of a Summer From Dreamland Sent, and Other Poems A Studv of Elizabeth Barrett Browning The Spiritual Significance Kate Field: a Record The World Beautiful in Books TO One whose eye may fall upon these pages; whose presence in tlie world of thought and achievement enriches life ; whose genius and greatness of spirit inspire my every day with renewed energy and faith, — this quest for " The World Beautiful" in literature is inscribed by LILIAN WHITING. " The consecration and the poeVs dream" CONTENTS. BOOK I. p,,. As Food for Life 13 BOOK II. Opening Golden Doors 79 BOOK III. The Rose of Morning 137 BOOK IV. The Chariot of the Soul 227 BOOK V. The Witness of the Dawn 289 INDEX 395 ; TO THE READER. " Great the Master And sweet the Magic Moving to melody- Floated the Gleam." |0 the writer whose work has been en- riched by selection and quotation from " the best that is known and thought in* the world," it is a special pleasure to return the grateful acknowledgments due to the publishers of the choice literature over whose Elysian fields he has ranged. -
Inscriptive Masculinity in Balzac's Comédie Humaine
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Languages and Literatures, Department Modern Languages and Literatures of 4-20-2009 Inscriptive Masculinity in Balzac’s Comédie Humaine Alana K. Eldrige University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangdiss Part of the Modern Languages Commons Eldrige, Alana K., "Inscriptive Masculinity in Balzac’s Comédie Humaine" (2009). Theses, Dissertations, Student Research: Modern Languages and Literatures. 6. https://digitalcommons.unl.edu/modlangdiss/6 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE by Alana K. Eldrige A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor in Philosophy Major: Modern Languages and Literature (French) Under the Supervision of Professor Marshall C. Olds Lincoln, Nebraska May, 2009 INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE Alana K. Eldrige, Ph.D. University of Nebraska, 2009. Adviser: Marshall C. Olds This reading of La Comédie humaine traces the narrative paradigm of the young hero within Balzac’s literary universe. A dynamic literary signifier in nineteenth-century literature, the young hero epitomizes the problematic existence encountered by the individual in post-revolutionary France. At the same time, he serves as a mouth-piece for an entire youthful generation burdened by historical memory. -
Little Wars James H
12 FOOTNOTES TO HISTORY Little Wars James H. Hillestad, Member No. 6, pays tribute to the prolific writer H.G. Wells and notes his fondness for W. Britains ne hundred years ago, TOP H(erbert) G(ordon) Wells H.G. Wells playing published the classic Little Little Wars Wars. Wells is best known for his scientific fantasies The Time Ma- ABOVE chine (1895) and The War of the Little Wars by H.G. Worlds (1898). Wells In January 1913, war was loom- ing in Europe and Little Wars RIGHT was both an expression of Wells’ The battlefield in passion for toy soldiers and his Little Wars fears about the coming slaughter. Those fears manifested themselves in Little Wars. In his own words, with toy soldiers. Inspiration for non with a match stick. He then “You have only to play at Little Little Wars came from a friend methodically aimed the cannon, Wars three or four times to realize who was visiting for lunch. The released the spring in the breech, just what a blundering thing Great friend was drawn to five W.Britain and hit one of the soldiers. As War must be.” toy soldiers aligned on a table top, Wells put it, “He fired a shot that In Little Wars and its companion along with a cannon. He drew still echoes round the world.” Floor Games (1911), Wells de- a chair to the table, sat down, The game that developed was veloped a set of rules for playing and proceeded to load the can- based on the spring breech- FOOTNOTES TO HISTORY 13 An Apocryphal Tale -- True or False? loader 4.7 inch naval gun made by W.Britain in 1902. -
Table of Contents
Table of Contents ACKNOWLEDGEMENTS vii PREFACE xiii SYNOPSIS xvii GLOSSARY xix A WORD ABOUT SYNTAX IN THIS VOLUME xxiii ABBREVIATIONS xxv BIBLIOGRAPHIA BAUMIANA 1 BOOKS OF NON-FICTION AND FANTASY 3 The Book of the Hamburgs 3 Mother Goose in Prose 5 By the Candelabra’s Glare 13 Father Goose: His Book 19 The Songs of Father Goose 27 The Army Alphabet 31 The Navy Alphabet 33 A New Wonderland 35 The Art of Decorating Dry Goods Windows and Interiors 38 American Fairy Tales 45 Dot and Tot of Merryland 48 The Master Key 54 The Life and Adventures of Santa Claus 59 The Enchanted Island of Yew 67 The Magical Monarch of Mo 73 The Woggle-Bug Book 82 Queen Zixi of Ix 85 John Dough and the Cherub 90 Father Goose’s Year Book 96 Baum’s American Fairy Tales 98 L. Frank Baum’s Juvenile Speaker 101 The Daring Twins 103 The Sea Fairies 107 Phoebe Daring 113 Sky Island 116 Baum’s Own Book for Children 121 The Snuggle Tales and The Oz-Man Tales 124 Little Bun Rabbit 125 Once Upon a Time 128 The Yellow Hen 131 The Magic Cloak 134 Jack Pumpkinhead 137 The Gingerbread Man 139 x BIBLIOGRAPHIA PSEUDONYMIANA 141 PSEUDONYMOUS BOOKS OF FICTION AND FANTASY 143 SCHUYLER STAUNTON 147 The Fate of a Crown 147 Daughters of Destiny 154 LAURA BANCROFT 158 The Twinkle Tales Series 158 Mr. Woodchuck 158 Bandit Jim Crow 162 Prairie-Dog Town 165 Prince Mud-Turtle 169 Sugar-Loaf Mountain 173 Twinkle’s Enchantment 176 The Twinkle Tales – Continued 179 Policeman Bluejay 179 Babes in Birdland 181 Twinkle and Chubbins 185 SUZANNE METCALF 188 Annabel 188 EDITH VAN DYNE 193 The Aunt Jane’s Nieces Series 193 Binding and Dust Jacket Formats 193 Aunt Jane’s Nieces 200 Aunt Jane’s Nieces Abroad 209 Aunt Jane’s Nieces at Millville 217 Aunt Jane’s Nieces at Work 224 Aunt Jane’s Nieces in Society 230 Aunt Jane’s Nieces and Uncle John 236 Aunt Jane’s Nieces on Vacation 241 Aunt Jane’s Nieces on the Ranch 246 Aunt Jane’s Nieces Out West 250 Aunt Jane’s Nieces in the Red Cross 254 The Flying Girl Series 258 The Flying Girl 258 The Flying Girl and Her Chum 262 The Bluebird Books, a.k.a. -
The History of Sexuality, Volume 2: the Use of Pleasure
The Use of Pleasure Volume 2 of The History of Sexuality Michel Foucault Translated from the French by Robert Hurley Vintage Books . A Division of Random House, Inc. New York The Use of Pleasure Books by Michel Foucault Madness and Civilization: A History oflnsanity in the Age of Reason The Order of Things: An Archaeology of the Human Sciences The Archaeology of Knowledge (and The Discourse on Language) The Birth of the Clinic: An Archaeology of Medical Perception I, Pierre Riviere, having slaughtered my mother, my sister, and my brother. ... A Case of Parricide in the Nineteenth Century Discipline and Punish: The Birth of the Prison The History of Sexuality, Volumes I, 2, and 3 Herculine Barbin, Being the Recently Discovered Memoirs of a Nineteenth Century French Hermaphrodite Power/Knowledge: Selected Interviews and Other Writings, 1972-1977 VINTAGE BOOKS EDlTlON, MARCH 1990 Translation copyright © 1985 by Random House, Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in France as L' Usage des piaisirs by Editions Gallimard. Copyright © 1984 by Editions Gallimard. First American edition published by Pantheon Books, a division of Random House, Inc., in October 1985. Library of Congress Cataloging-in-Publication Data Foucault, Michel. The history of sexuality. Translation of Histoire de la sexualite. Includes bibliographical references and indexes. Contents: v. I. An introduction-v. 2. The use of pleasure. I. Sex customs-History-Collected works. -
Reading Response Questions
READING RESPONSE QUESTIONS You are expected to answer all the questions for each play or novel. For the “Personal Reactions” question, you do not have to answer all the sub-questions given; you may share your thoughts and reactions instead. Always include proof for your opinions and arguments by defending your position with quotes form the work; of course, reference with page numbers (78). This does not apply to “Personal Reactions.” Since journal writing is informal, you may use first person, but avoid second person; of course, I do expect your best writing with good paragraph formation and clarity. A Doll’s House by Henrik IBsen: Due June 29 (Saturday) 1. Personal Reactions: Do you think that society today conditions young women to accept a doll-like existence? Consider fashion, media influence, gender expectations . Predict what life will be like for Nora or Torvald in ten years. 2. Notice the pet names that Torvald calls Nora. Give examples and analyze why he calls her these names. 3. Torvald gets a pretty bad rap most of the time because Ibsen created Torvald to represent a typical Victorian male. Given Torvald, what would you consider the top three characteristics of a Victorian male? How does Ibsen use irony (mostly seen through Torvald’s hypocrisy) to portray his criticism of the traditional Victorian male gender role? 4. Nora is under the illusion that her husband is a knight in shining armor willing to perform the “greatest miracle” (93, 112) if need be. When he doesn’t, her world falls apart. What did Nora expect Torvald to do once he learned of her secret? That Torvald failed to be Nora’s hero propels Nora into fully realizing her doll-like existence. -
Wilkie Collins, a Biography
CHAPT ER TEN cc No Name " The next twelve months or so were among the happiest of Wilkie Collins' life. At the age of 36 he was no longer, as many had regarded him, just one of ' Mr. Dickens' young men,' but a celebrity in his own right. He had learned to enjoy success without losing his balance. His domestic life was happy and seemed relatively stable, if unconventional. He had no monetary cares and for a brief period his health was better than for some time past. He lived, as he liked to do, a full social life, and invitations to public functions, musi- cal evenings and private dinner parties showered upon him. In the winter of I860 we find him staying for the first time with those literary lion-hunters, the Monckton Milnes, at Fryston, in Yorkshire. He also came into touch with George Eliot and G. H. Lewes, and frequently attended their musical ' Saturday afternoons ' at their house near Regent's Park. The musical evening—or afternoon—was an established feature of social life in the London of the Sixties, and Wilkie was known to be a keen music-lover. His understanding of the subject was not particularly profound and we have Dickens' word, for what it is worth, that he was virtually tone-deaf, but at least it is to his credit that his favourite composer was Mozart. If music appears in one of his novels, it is almost sure to be Mozart. Laura Fairlie and Walter Hartwright play Mozart piano-duets; Uncle Joseph's— musical box plays—rather too often, one must confess ' Batti, batti,' the air from Don Giovanni; the blind Lucilla in Poor Miss 135 : 136 WILKIE COLLINS Finch plays a Mozart sonata on the piano. -
Oscar Wilde's Aesthetics in the Making: the Reviews of the Grosvenor
Oscar Wilde’s Aesthetics in the Making: The Reviews of the Grosvenor Gallery exhibitions of 1877 and 1879 Anne-Florence Gillard-Estrada To cite this version: Anne-Florence Gillard-Estrada. Oscar Wilde’s Aesthetics in the Making: The Reviews of the Grosvenor Gallery exhibitions of 1877 and 1879. Etudes Anglaises, Klincksieck, 2016, 69, pp.36-48. hal-02092904 HAL Id: hal-02092904 https://hal-normandie-univ.archives-ouvertes.fr/hal-02092904 Submitted on 8 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Anne-Florence GILLARD-ESTRADA Oscar Wilde’s Aesthetics in the Making: The Reviews of the Grosvenor Gallery exhibitions of 1877 and 1879) This paper explores the first two texts Wilde published in 1877 and 1879 in Irish periodicals, which are reviews of the first and third exhibitions of the Grosvenor Gallery in 1877 and 1879. Wilde commented on the developments that had been affecting British painting for the past fifteen years or so. He addressed the works of artists who were then associated with the “classic” school of painting as well as with “Aestheticism”—which often overlapped. Moreover, he engaged in a dialogue with the reviewers and art critics who were favourable to such art. -
Seasonal Tales, Far-Flung Settings. the Unfamiliar
PHILIP V. ALLINGHAM LAKEHEAD UNIVERSITY, THUNDER BAY, ONTARIO, CANADA Seasonal Tales, Far-flung Settings The Unfamiliar Landscapes of The Christmas Books and Stories (1843–1867) Fig. 1. Marcus Stone, “Bibliomania of the Golden Dustman,” Our Mutual Friend, p. 406 he common reader of the latter part of the nineteenth T century would likely have associated the fictional pro- ductions of Charles Dickens with cityscapes (institutional Milli mála 7/2015 27 PHILIP V. ALLINGHAM edifices, streets, and bridges), particularly with London from the end of the Napoleonic Wars to his death in 1870 – to that reader a quintessentially Dickensian scene would be a London scene such as Marcus Stone’s “The Bibliomania of the Golden Dustman” for Book 3, Chapter 5, of Our Mutual Friend (April 1865). However, beginning with The Christmas Books (1843–48), and continuing with their successors col- lectively known as The Christmas Stories, Dickens often in- corporated and occasionally exploited backdrops that were neither specifically urban nor, indeed, English, to lend these seasonal offerings the allure of the unfamiliar and even, as in his principal collaborations with Wilkie Collins, The Perils of Certain English Prisoners (Household Words, 1857) and No Thoroughfare (All the Year Round, 1867), the exotic. The common reader on either side of the Atlantic would probably not have had a common experience of the Christmas Stories, as these appeared complete, with contri- butions by other writers such as Wilkie Collins and Eliza- beth Gaskell, in Household Words and All the Year Round in Britain, but in America first appeared in a separate volume in the Ticknor and Fields Diamond edition (1867) and sub- sequently in an 1876 volume of The Household Edition, il- lustrated by E. -
The Invisible Man by H. G. Wells
The Invisible Man by H. G. Wells Bibliographic Record Author Wells, H. G. (Herbert George), 1866-1946 Title The Invisible Man Language English LoC Class PR: Language and Literatures: English literature Subject Science fiction Subject Psychological fiction Subject Scientists -- Fiction Subject Mentally ill -- Fiction EText-No. 5230 Release Date 2004-03-01 Copyright Not copyrighted in the United States. If you live elsewhere check the laws of Status your country before downloading this ebook. Base Directory /files/5230/ The Invisible Man A Grotesque Romance By H. G. Wells CONTENTS I The strange Man's Arrival II Mr. Teddy Henfrey's first Impressions III The thousand and one Bottles IV Mr. Cuss interviews the Stranger V The Burglary at the Vicarage VI The Furniture that went mad VII The Unveiling of the Stranger VIII In Transit IX Mr. Thomas Marvel X Mr. Marvel's Visit to Iping XI In the "Coach and Horses" XII The invisible Man loses his Temper XIII Mr. Marvel discusses his Resignation XIV At Port Stowe XV The Man who was running XVI In the "Jolly Cricketers" XVII Dr. Kemp's Visitor XVIII The invisible Man sleeps XIX Certain first Principles XX At the House in Great Portland Street XXI In Oxford Street XXII In the Emporium XXIII In Drury Lane XXIV The Plan that failed XXV The Hunting of the invisible Man XXVI The Wicksteed Murder XXVII The Siege of Kemp's House XXVIII The Hunter hunted The Epilogue CHAPTER I THE STRANGE MAN'S ARRIVAL The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. -
Contextualizing Value: Market Stories in Mid-Victorian Periodicals By
Contextualizing Value: Market Stories in Mid-Victorian Periodicals By Emily Catherine Simmons A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright Emily Catherine Simmons 2011 Abstract Contextualizing Value: Market Stories in Mid-Victorian Periodicals Emily Catherine Simmons Doctor of Philosophy Graduate Department of English, University of Toronto Copyright 2011 This dissertation examines the modes, means, and merit of the literary production of short stories in the London periodical market between 1850 and 1870. Shorter forms were often derided by contemporary critics, dismissed on the assumption that quantity equals quality, yet popular, successful, and respectable novelists, namely Charles Dickens, Anthony Trollope, Elizabeth Gaskell and Margaret Oliphant, were writing, printing, and distributing them. This study navigates a nexus of discourses about culture, literature, and writing to explore, delineate, and ascertain the implications of the contextual position of certain short stories. In particular, it identifies and characterizes a previously unexamined genre, here called the Market Story, in order to argue for the contingency and de-centring of processes and pronouncements of valuation. Market stories are defined by their relationship to a publishing industry that was actively creating a space for, demanding, and disseminating texts based on their potential to generate sales figures, draw attention to a particular organ,