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Technical Summary WZPX-TV Battle Creek, Michigan Channel 21 400
Technical Summary WZPX-TV Battle Creek, Michigan Channel 21 400 kW 278.2 (HAAT) ION Media Battle Creek License, Inc. (“ION”) licensee of television station WZPX-TV, Facility ID 67077, Battle Creek, Michigan (the “Station”) submits this Construction Permit Modification application to allow it to relocate its transmitter from the currently authorized site (FCC LMS File No. 0000034925) to a site that will accommodate post-repack operations. This application is necessary because ION does not have access to its current tower for post-repack operations. Following the Commission’s assignment of post-repack facilities to WZPX-TV, ION was unable to reach accommodation with the tower landlord that would permit the station to continue operating from its current site. This forced ION to identify a new site for the station’s post-repack operations. Before selecting the proposed tower location, ION performed an analysis of available tower sites in the Grand Rapids market. In the immediate vicinity of the current tower site, ION’s market analysis found no acceptable alternatives that would provide equivalent interference-free coverage as compared to the Station’s pre-auction or authorized post-auction facilities. ION has, however, identified an acceptable tower to the west of the current site, one that provides strong coverage at allowable interference levels. The new tower is located approximately 35 kilometers to the west of the current site. Accordingly, the Station’s proposed noise limited service contour (“NLSC”) will shift to the west, creating areas of service gain and loss. Figure 1 shows the loss area and the number of stations predicted to serve the loss areas using the Commission’s standard prediction methodology. -
Transit Feasibility Study 2012
POKAGON BAND OF POTAWATOMI INDIANS Transit Feasibility Study Improving Mobility for Tribal Citizens DRAFT – AUGUST 13, 2012 2012 Southwest Michigan Planning Commission 185 E Main Street Benton Harbor Michigan Table of Contents 1 INTRODUCTION ............................................................................................................... 1 2 STUDY AREA .................................................................................................................... 2 3 COMMUNITY & DEMOGRAPHIC CHARACTERISTICS ....................................................... 5 Tribal Population ......................................................................................................................... 6 Elders ........................................................................................................................................... 9 Poverty ...................................................................................................................................... 10 People with Disabilities ............................................................................................................. 11 Youth ......................................................................................................................................... 12 Households with One Vehicle or Less ....................................................................................... 12 Trip Generators ........................................................................................................................ -
Oral History Interview with Roy Emerson Stryker, 1963-1965
Oral history interview with Roy Emerson Stryker, 1963-1965 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Roy Stryker on October 17, 1963. The interview took place in Montrose, Colorado, and was conducted by Richard Doud for the Archives of American Art, Smithsonian Institution. Interview Side 1 RICHARD DOUD: Mr. Stryker, we were discussing Tugwell and the organization of the FSA Photography Project. Would you care to go into a little detail on what Tugwell had in mind with this thing? ROY STRYKER: First, I think I'll have to raise a certain question about your emphasis on the word "Photography Project." During the course of the morning I gave you a copy of my job description. It might be interesting to refer back to it before we get through. RICHARD DOUD: Very well. ROY STRYKER: I was Chief of the Historical Section, in the Division of Information. My job was to collect documents and materials that might have some bearing, later, on the history of the Farm Security Administration. I don't want to say that photography wasn't conceived and thought of by Mr. Tugwell, because my backround -- as we'll have reason to talk about later -- and my work at Columbia was very heavily involved in the visual. -
Updated 4/24/2020
Promoter Technical Package Updated 4/24/2020 Morris Performing Arts Center 211 N. Michigan Street South Bend, IN 46601 (574) 235-9198 www.MorrisCenter.org Table of Contents Morris PAC Staff and General Information……………………………………………………. 1 Booking Policies………………………………………………………………………………….. 2 Licensing Application…………………………………………………………………………….. 5 Standard House Expenses……………………………………………………………………… 9 Seating Breakdown by Area……………………………………………………………………..11 Marketing and Advertising………………………………………………………………………..12 Box Office Information…………………………………………………………………………….17 Map of Downtown South Bend……………………………………………………………………18 General Technical Information……………………………………………………………………19 Stage Specifications………………………………………………………………………………. 20 Line Schedule……………………………………………………………………………………… 22 Theater Floor Plans……………………………………………………………………………….. 24 Morris Performing Arts Center 211 N. Michigan Street South Bend, IN 46601 (574) 235-9198 www.MorrisCenter.org Morris Performing Arts Center Promoter/Technical Package Page 1 of 25 Morris PAC Staff and General Information Executive Director of Venues Jeff Jarnecke (574) 235-5796 Director of Booking & Events Jane Moore (574) 235-5901 Operations Manager Mary Ellen Smith (574) 235-9160 Director of Financial Services Marika Anderson (574) 245-6134 Director of Box Office Services & Venue Mgr Michelle DeBeck (574) 245-6135 Box Office Ticketing Line (574) 235-9190 Director of Facility Operations Jim Monroe (574) 245-6074 Production Manager Kyle Miller (574) 245-6136 Facilities Operations FAX (574) 235-9729 Administrative -
Gray to Acquire Quincy Media, Inc. for $925 Million
GRAY TO ACQUIRE QUINCY MEDIA, INC. FOR $925 MILLION February 1, 2021 ATLANTA, Feb. 01, 2021 (GLOBE NEWSWIRE) -- Gray Television, Inc. (“Gray” or “ we”) (NYSE: GTN) announced today that it has entered into an agreement to acquire Quincy Media, Inc. (“Quincy” or “ QMI”) for $925 million in cash. Upon closing the transaction, Gray will own television stations serving 102 television markets that collectively reach 25.4 percent of US television households, including the number-one ranked television station in 77 markets and the first and/or second highest ranked television station in 93 markets according to Comscore’s average all-day ratings for calendar year 2020. “We are honored and humbled to be selected by Quincy’s shareholders to acquire their terrific company,” said Hilton H. Howell, Jr., Gray’s Executive Chairman and CEO. “We are very excited to welcome their dedicated journalists, account executives, and technologists to the Gray family. With the addition of these professionals and their stations, Gray will become a stronger company with an even larger platform of high quality television stations to better serve the public interest first.” “Many of our shareholders, board members and employees are descendants of two families who have been in the company for 95 years and in the media business for over 100 years. The focus has always been on serving our communities with the best in news, public service and community involvement. It is a legacy of which we are very proud,” said Ralph M. Oakley, President/CEO of QMI. “While this is the end of a long and successful chapter, it also represents a wonderful new chapter for the communities we serve and our employees with the acquisition of the stations by Gray. -
2016 Senior Award Summary
2016 Senior Award Summary First Name Last Name Award Nathan Adams Academic Honors Nathan Adams High Honors Nathan Adams Perfect Attendance Watson Afa'ese Academic Honors Amanda Ahmed Academic Honors Amanda Ahmed High Honors Amanda Ahmed National Honor Society Amanda Ahmed Salutatorian Amanda Ahmed Student Council Jason Alexander Academic Honors Jason Alexander High Honors Skyler Allberry Academic Honors Skyler Allberry High Honors Alexander Almaguer Outstanding Visual Artist Award Hanna Amsler Academic Honors Hanna Amsler Butler University Bulldog Achievement Award Katelinn Andersen Lentine Academic Honors Kara Anderson Academic Honors Kara Anderson Kingsman Tutor Daniel Andrews Academic Honors Daniel Andrews Penn Band Booster Scholarship Mitchell Ankney Academic Honors Mitchell Ankney High Honors Mitchell Ankney Kingsman Tutor Leonard Antonelli Academic Honors Leonard Antonelli High Honors Faihaan Arif Academic Honors Faihaan Arif Freshman Mentors Faihaan Arif High Honors Faihaan Arif National Honor Society Faihaan Arif National Merit 2016 Commended Scholar Faihaan Arif Purdue University Presidential Scholarship First Name Last Name Award Deniz Arikan Academic Honors Erin Arikan Academic Honors Camille Arnett Academic Honors Camille Arnett Butler Liberal Arts Science Scholarship Camille Arnett Butler University Academic Scholarship Camille Arnett Butler University Ensemble Participation Camille Arnett French Award Camille Arnett High Honors Camille Arnett Spectrum Award Kanika Arora Academic Honors Kanika Arora Freshman Mentors Kanika Arora High Honors Kanika Arora National Honor Society Kanika Arora Student Council Edward Atkinson, IV Academic Honors Edward Atkinson, IV High Honors Edward Atkinson, IV National Merit 2016 Finalist Edward Atkinson, IV Overall STEM Award Edward Atkinson, IV Principal's Academic Excellence Award Edward Atkinson, IV Robotics Edward Atkinson, IV Technology Content Area Award Edward Atkinson, IV University of Notre Dame Club of St. -
Contents 12 | Geography of the Region 13 | Transportation Network Chapter 2: Regional Overview Michiana on the Move
Contents 12 | Geography of the Region 13 | Transportation Network Chapter 2: Regional Overview Michiana on the Move Figure 2-2: Region Location 2 Geography of the Region The MACOG region is located in North Central Indiana and consists The region is centrally located to several major cities in the Mid- of Elkhart, Kosciusko, Marshall and St. Joseph Counties. Two of the west. South Bend (the largest city in the region) is located 95 miles four counties (St. Joseph and Elkhart Counties) border the Michigan or two and a half (2 1/2) hours of drive time east of downtown Chi- state line. There are 35 cities and towns in the Michiana Area. Fig- cago, 155 miles or three (3) hours north of downtown Indianapo- ure 2-1 shows the population estimates for the largest communities lis, and 215 miles or three and a half (3 1/2) hours southwest of in each of the four counties. Detroit. Additionally, the region is approximately 35 miles or 45 minutes south east from Lake Michigan. Figure 2-1: 2013 Estimated Population Ranking of Cities and Towns 12 Chapter 2: Regional Overview 2040 Transportation Plan The MACOG region is home to several fascinating water resources. region, more than half being located within Kosciusko County. Many The region is unique in that its water resources drain into three ma- of these lakes are hot spots for recreation, such as Lake Wawasee, jor water body networks: the Great Lakes, the Mississippi River, and the largest lake wholly contained in Indiana. Below the surface, the only sole source aquifer in Indiana is located within Elkhart, Kos- St. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-2-200720-01 | PUBLISH DATE: 07/20/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000107750 Renewal of FM WAWI 81646 Main 89.7 LAWRENCEBURG, AMERICAN FAMILY 07/16/2020 Granted License TN ASSOCIATION 0000107387 Renewal of FX W250BD 141367 97.9 LOUISVILLE, KY EDUCATIONAL 07/16/2020 Granted License MEDIA FOUNDATION 0000109653 Renewal of FX W270BK 138380 101.9 NASHVILLE, TN WYCQ, INC. 07/16/2020 Granted License 0000107099 Renewal of FM WFWR 90120 Main 91.5 ATTICA, IN FOUNTAIN WARREN 07/16/2020 Granted License COMMUNITY RADIO CORP 0000110354 Renewal of FM WBSH 3648 Main 91.1 HAGERSTOWN, IN BALL STATE 07/16/2020 Granted License UNIVERSITY 0000110769 Renewal of FX W218CR 141101 91.5 CENTRAL CITY, KY WAY MEDIA, INC. 07/16/2020 Granted License 0000109620 Renewal of FL WJJD-LP 123669 101.3 KOKOMO, IN KOKOMO SEVENTH- 07/16/2020 Granted License DAY ADVENTIST BROADCASTING COMPANY 0000107683 Renewal of FM WQSG 89248 Main 90.7 LAFAYETTE, IN AMERICAN FAMILY 07/16/2020 Granted License ASSOCIATION Page 1 of 169 REPORT NO. PN-2-200720-01 | PUBLISH DATE: 07/20/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000108212 Renewal of AM WNQM 73349 Main 1300.0 NASHVILLE, TN WNQM. -
List of Radio Stations in Indiana
Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Search Wikipedia List of radio stations in Indiana From Wikipedia, the free encyclopedia Main page The following is a list of FCC-licensed radio stations in the U.S. state of Indiana, which can be Contents sorted by their call signs, frequencies, cities of license, licensees, and programming formats. Featured content Current events Call Frequency City of license [1][2] Licensee [1][2] Format[citation needed] Random article sign Donate to Wikipedia Midwest Wikipedia store WABX 107.5 FM Evansville Classic rock Communications, Inc. Interaction WAJI 95.1 FM Fort Wayne Sarkes Tarzian, Inc. Adult contemporary Help WAKE 1500 AM Valparaiso Marion R. Williams Oldies About Wikipedia Community portal WAMB 1130 AM Brazil DLC Media, Inc. Adult standards Recent changes WAMW 1580 AM Washington DLC Media, Inc. Adult standards/MOR Contact page WAMW- 107.9 FM Washington DLC Media, Inc. Classic hits Tools FM What links here Pathfinder Related changes WAOR 102.7 FM Ligonier Communications Hot AC Upload file Special pages Corporation open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Permanent link Old Northwest WAOV 1450 AM Vincennes News/Talk Page information Broadcasting, Inc. Wikidata item WARA- Educational Media Contemporary Cite this page 88.3 FM New Washington FM Foundation Christian (Air1) Print/export Dream Weaver Soft adult Create a book WARU 1600 AM Peru Marketing, LLC contemporary Download as PDF Printable version WARU- -
Posing, Candor, and the Realisms of Photographic Portraiture, 1839-1945
Posing, Candor, and the Realisms of Photographic Portraiture, 1839-1945 Jennifer Elizabeth Anne Rudd Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 i © 2014 Jennifer Elizabeth Anne Rudd All rights reserved ii Abstract Posing, Candor, and the Realisms of Photographic Portraiture, 1839-1945 Jennifer Elizabeth Anne Rudd This study offers a history of the concept of realism in portrait photography through the examination of a set of categories that have colored photographic practices since the origins of the medium in 1839: the posed and the candid. The first section of this study deals with the practices of posing in early photography, with chapters on the daguerreotype, the carte de visite, and the amateur snapshot photograph. Considering technological advances in conjunction with prevailing cultural mores and aesthetic practices, this section traces the changing cultural meaning of the portrait photograph, the obsolescence of the pose, and the emergence of an “unposed” aesthetic in photography. The second section of this study examines three key photographers and their strategies of photographic representation, all of which involved candid photography: it looks at Erich Salomon’s pioneering photojournalism, Humphrey Spender’s politicized sociological photography, and Walker Evans’ complex maneuvering of the documentary form. Here, the emphasis is on the ways in which the trope of the candid informed these three distinct spheres of photography in the early 20th century, and the ways in which the photographic aesthetic of candor cohered with—or contested—political and cultural developments of the interwar period in Germany, Britain, and the United States. -
Alumni NL FA06.Indd
autumn 2006 The Ohio State University cover story: The Years Will Roll... Where are They Now? President Dean OSU Alumni Association Roger Saneholtz (OD‘74) Melvin Shipp (OD, MPH, DrPH) Director of Alumni Societies Craig Little Treasurer Editor Terry L. Huston (OD‘73, MBA, PhD) Jeff rey Myers (OD‘84) Th e Alumni Newsletter is pub- Secretary Contributing Editor & Faculty Liaison lished by Th e Ohio State Univer- Karla Rethman (OD‘99) Robert D. Newcomb (OD‘71, MPH) sity Optometry Alumni & Friends. Board Members Contributing Editors James Bieber (OD‘68) Barbara Fink (OD, MS‘85, PhD‘87) Phone: (614) 292-2100 Christine Beiling-Sheerer (OD‘87) Sally Haltom, Director of Student Aff airs Ryan Subler (OD’06) Art Director Fax: (614) 247-8242 Optometry Representative, Alumni Kerri McTigue, OSU College of Advisory Council Optometry Instructional Media Center Mailing Address: David Dreff er (OD‘68) Optometry Alumni & Friends Photographer EΨE Alumni Association Karen Stedfeld, OSU College of 338 West Tenth Avenue Representative Optometry Instructional Media Center Columbus, Ohio 43210-1280 David Bejot (OD‘93) http://optometry.osu.edu/alumni Director of Development Student Representative & Alumni Relations [email protected] Crystal Gardner (‘07) Gayle Glanville Optometry Alumni & Friends is a chartered alumni society of Th e Ohio State University Alumni Association, Inc. 2 AUTUMN 2006 Table of Contents Letter from the Dean . .4 Letter from the Alumni President . .5 7 Letter from the Editor . .6 Cover Cover Story: Where Are Th ey Now? . .7 Story Quinn Family Singers . .12 Alumni Awards . .14 Preceptor Conference . .16 Sheedy- New Dean at Pacifi c . -
Oral History Interview with Ben Shahn, 1964 April 14
Oral history interview with Ben Shahn, 1964 April 14 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Ben Shahn on April 14, 1964. The interview was conducted at Ben Shahn's home in Roosevelt, New Jersey by Richard Doud for the Archives of American Art, Smithsonian Institution. Interview RICHARD DOUD: I'd like to start with a general background of what you were doing prior to the time and how you managed to get with the Resettlement Program. BEN SHAHN: Well, I told you I shared a studio with Walker Evans before any of this came along. I became interested in photography when I found my own sketching was inadequate. I was at that time very interested in anything that had details, you know, I remember one thing, I was working around 14th Street and that group of blind musicians were constantly playing there, I would walk in front of them and sketch, and walk backwards and sketch and I found it was inadequate. So I asked by brother to buy me a camera because I didn't have the money for it. He bought me a Leica and I promised him - this was kind of a bold promise - I said, "If I don't get in a magazine off the first roll you can have your camera back." I did get into a magazine, a theater magazine at the time.