Aquatennial and the Arts in Minneapolis, Minnesota Minneapolis Aquatennial and Arts – Images by Lee Foster by Lee Foster

Total Page:16

File Type:pdf, Size:1020Kb

Aquatennial and the Arts in Minneapolis, Minnesota Minneapolis Aquatennial and Arts – Images by Lee Foster by Lee Foster Aquatennial and the Arts in Minneapolis, Minnesota Minneapolis Aquatennial and Arts – Images by Lee Foster by Lee Foster If you want to plan for a U.S. summer vacation, keep Minneapolis-Saint Paul in mind. Summer pleasures include the annual Aquatennial celebration and an exploding number of drama and music performances. The Aquatennial occurs during ten days in the second half of July. The Aquatennial started as a water festival, as the name implies, emphasizing the region’s natural splendor and outdoor sports. Minnesotans enjoy almost 12,000 lakes, meaning bodies of water covering at least ten acres and fed by a replenishing water source. The scooped-out lakes and gentle hills of Minnesota are a legacy of the glacial ages and a testament to the power of frozen water. License plates assert conservatively that there are 10,000 lakes, a sufficient number, with a better cadence and more imaginative ring than the literal truth. From the air, as you approach the Twin Cities, the extent and importance of these lakes becomes apparent. The lakes have a calming and ordering influence on life here. They spread out the people in an already lightly-populated, park-like setting. Greenery is abundant everywhere. There is so much room here that many houses have a large lawn. Within the Twin Cities there are 22 lakes with 57 miles of biking and jogging trails. It is said that there are a thousand lakes within an hour’s drive of the metro area. The Aquatennial Parade The Aquatennial continues to evolve, as every healthy festival must. One event in this 10-day July celebration that I particularly enjoyed in the past was the parade, which is now a night time Torchlight Parade rather than a day time parade. As a slice of Americana, this parade is choice. I remember bearded Vietnam Vets marching behind the Swede of the Year. High stepping baton twirlers preceded the representatives from Osaka, Japan. La Crescent’s Apple Blossom Festival float reminded parade watchers of a date to put on their calendars. The St. Paul Winter Carnival North Wind Prince sweated it out in his tux as the temperatures climbed to 95 degrees along the parade route. A Winnipeg, Canada float congratulated the neighbors to the south. The Wilmar Elks saluted their Miss Kaffefest. From year to year the details change, but the spirit lives on. I further recall how Renaissance Festival Proclamations are signed for the deaf. There is a Miss everything. The Misses begin for each of the 10,000 lakes and branch outward to other subjects. There is a Miss Mountain Lake and a Miss Ham Lake. The directions then become more specific. There is a Miss East Bethel and a Miss North Shore. The Sons of Norway follow close upon Miss Minnesota Teen. Teenagers rev up on Hondas to perform a precision motorcycle crisscross routine that, in other states, would have liability-conscious parade organizers biting their nails. Minnesota parades are also well managed. Mobile street sweepers follow each horse-drawn unit, of which there are several. The Knights of Columbus Marching Unit puts the priests in the same boat with the princesses. All the fraternal groups are well represented. The Lions have a Miss Deaf Minnesota. There is a Miss Wheelchair Minnesota. A parade in Minnesota serves the socializing and educative process. AAA has the Flintstone characters demonstrating what they call the All-American Buckle-Up for car safety. What is most remarkable at the parade is that participants wave, with genuine friendliness, at the thousands along the parade route, who, in turn, clap their hands and congratulate each passing unit. The sentiments are genuine. The current nigh time torchlight parade will at least allow all participants to avoid the searing heat of the day. A Block Party and More The Block Party on the Nicollet Mall is another pleasing part of the Aquatennial festivities. The mall itself is a curbless, landscaped main street for shopping in downtown Minneapolis, reclaimed for foot traffic and public transportation only. On any day it is a pleasant place to stroll. But during the night of the Block Party, parts of the mall are closed off, bands begin playing, smoke from the barbecue grills wafts through the air, and the beer flows freely. Thousands of Minnesotans gather in the jovial spirit of a summer evening. The other Aquatennial events are an elaborate smorgasbord of fun, water sports, and good causes, all adapting to the changing times. Two of the bigger events are a sandcastling contest and a milk boat carton race. A recycled metal sculpture exhibit stresses both art and recycling. An elaborate scavenger hunt benefits the Salvation Army. A fireworks lights up the night sky, perhaps supplemented by the “heat lightning” that nature sometimes presents. Minneapolis-Saint Paul Sculpture at Minnesota Sculputre Garden in Minneapolis by Mark di Suvero’s sculpture Molecule in Minnesota, Twin Cities Twin Cities Summer Culture Local enthusiasts claim that the Twin Cities have more theater and musical offerings per capita than most other areas, and they may be right. It is said that the Twin Cities spend more private and public money per capita on the performing arts than most other cities outside New York, and that too may be right. Local enthusiasts for the arts have their statistics in hand to substantiate the large numbers of theaters, art galleries, music performance groups, museums, and dance companies that flourish here. The Cowles Center for Dance & Performing Arts, 528 Hennepin Avenue in the downtown theatre district, adds an elegant performance venue, opened in 1911. The Shubert Theatre was moved to the site and a Cowles building added, joining the Schubert with the sturdy and historic 1888 Masonic Temple, forming a block-long performing arts milieu. The setting is particular lovely at night when the Cowles Center is lit in varying colored lights. The Walker Art Center is another must-see venue, both for the traveling shows it hosts and its permanent collection, such as the pixelated portraits of artist Chuck Close. Adjacent to the Walker is the celebrated Minneapolis Sculpture Garden, a fine place to stroll. There you can observe the signature art image for Minneapolis, Claes Oldenburg’s Spoonbridge and Cherry. This lyrical piece is especially lovely in late afternoon when the sun falls both on it and the skyline of Minneapolis in the background. The other cultural area to focus on is the Riverfront District, where you’ll find the Mill City Museum and the Guthrie Theater. This setting is adjacent to St. Anthony Falls, the only major cataract on the Mississippi River. Because of the huge energy potential of the cascading water, many saw mills and then flour mills were organized in Minneapolis, especially 1858-1930. Minneapolis became one of the world’s leading producers of flour. The Mill Ruins Park recalls this heritage, which included intricate waterways providing mechanical power to various mills. Railroads carried out the flour. Today you can walk out on the Stone Arch Bridge, originally a railroad bridge, and look back at the mill area and downtown Minneapolis. This is a remarkable urban walk, showing the Mississippi and the current configuration of St. Anthony Falls. Returning to shore, be sure to allow time for the highly entertaining movie “Minneapolis in 19 Minutes Flat” at the Mill City Museum. The Mill City Museum presents re-enactors who portray characters in 19th century milling history. There is also a notable Flour Tower tour that re-creates the mechanized world of the flour mills. You rise eight floors to the top of the mill and learn how the water power from St. Anthony Falls propelled all the intricate milling machinery. Next door is the world-renowned Guthrie Theater, which has flourished in Minneapolis as a quality repertory company since 1963. I first enjoyed the Guthrie in the 1960s at its original location near the Walker Art Gallery. The company has resided since 2006 in a handsome new riverfront home. The building, designed by French architect Jean Nouvel, has both main stages and smaller performance spaces. There is a striking cantilever bridge outdoor overlook, called The Endless Bridge, facing the river. This outdoor platform is the perfect spot for a pre- performance pause in the twilight. A restaurant on the 5th floor, called the Level Five Café, offers elegant dinners, with no risk that you will miss the play by being stuck in traffic. Whenever I get back to Minnesota, attending a play at the Guthrie is on my must-do list. The 2011 performance of Shakespeare’s Much Ado About Nothing, done with a clever early 20th century look, reminds audiences of how universal and timeless is Shakespeare’s genius at portraying the hopes and foibles of the human animal. One premise of this play is that wit and repartee, so fun at the onset of a love relationship, can inhibit the progression of love when delight in wit becomes an end in itself. Another cultural institution along the riverfront to enjoy, beyond the Guthrie, is the silvery-skinned Frederick R. Weisman Art Museum, 333 East River Road, at the University of Minnesota. The Weisman is a stunning piece of local architecture to observe. Architect Frank Gehry designed this stainless steep showplace. Proceed to the campus and get a close-up view of the building from below it, next to the river. This multi-angled architectural tour de force catches the sun on its many-plane façade. The design is a striking contrast to the usual sturdy, rectangular box look of much Minnesota architecture. For music, see what’s playing at Orchestra Hall, downtown on the Nicollet Mall.
Recommended publications
  • Rift Needs You! We're Seeking Motivated, Out-Going and Hard-Working Interns to Sell Ads and Help out at Events
    Issue7.QXD 9/27/05 7:51 AM Page 1 Issue7.QXD 9/27/05 7:51 AM Page 2 Erik Siljander Chad Weis 612.685.6296 612.501.8595 Issue7.QXD 9/27/057:51AMPage3 CONTENTS OCTOBER 2005 ISSUE 7 INTRO 002 MUSIC FEATURES CHARIOTS by Rich Horton 004 ROBERT SKORO by Jen Parshley 006 DESDEMONA by Christine Mlodzik 008 COLUMNS NOWHERE BAND: Back From the Dead by Keith Pille 010 AND JUSTICE FOR ALL by Galen Eagle Bull 012 MUSIC SCENE COOL LOCAL MUSIC WEBSITES 011 LOCAL MUSIC AT SOUND UNSEEN 2005 013 CD REVIEWS 018 MUSIC BUSINESS/ADVICE AUDIO INSERT: Will You Still Hear Me Tomorrow by Chad Weis 014 RECORD LABEL: Afternoon Records by Rich Horton 016 Issue7.QXD 9/27/05 7:51 AM Page 4 INTRO What Comes Around, Goes Around. ISSUE 7 As Rift Magazine enters its seventh issue, it transitions into a new era. We've been around for more then a year now and I haven't given up yet, RIFT MAGAZINE which is a good sign. Instead of messing around and releasing issues at October 2005 erratic times, I've opted to take the magazine into overdrive status and get it on the stands each month. Loyal readers, you'll no longer have to wait EDITOR IN CHIEF around for two, sometimes three, months to get a healthy dose of Rift. RICH HORTON Of course this means I'm likely going to end up crazy in a mental insti- FEATURES COPY EDITOR tution, but a mind is a terrible thing to waste, so I am going to do my best to AMBER CORTEAU exercise it.
    [Show full text]
  • Regional Arts Council Grants FY 2014
    Regional Arts Council grants page 1 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Ada Chamber of Commerce 2014 RAC 01 Arts Legacy Grant $1,000 Ada Fun in the Flatlands artists for 2014 Ada Chamber of Commerce 2015 RAC 01 Arts Legacy Grant $1,300 Ada Fun in the Flatlands Entertainment Argyle American Legion Post 353 2014 RAC 01 Arts Legacy Grant $9,900 Argyle Design and commission two outdoor bronze veterans memorial sculptures Badger Public Schools 2015 RAC 01 Arts Legacy Grant $1,700 Badger Badger Art Club Encampment at North House Folk School City of Kennedy 2014 RAC 01 Arts Legacy Grant $4,200 Kennedy Public art mural painting by Beau Bakken City of Kennedy 2014 RAC 01 Arts Legacy Grant $930 Kennedy Frame and display artistically captured photography throughout time taken in Kennedy, Minnesota City of Kennedy 2015 RAC 01 Arts Legacy Grant $4,100 Kennedy Kennedy Trompe L'Oeil City of Newfolden 2014 RAC 01 Arts Legacy Grant $10,000 Newfolden Commission a bronze sculpture City of Red Lake Falls 2015 RAC 01 Arts Legacy Grant $10,000 Red Lake Falls Red Lake Falls Public Art Awareness Project 2015 City of Roseau 2014 RAC 01 Arts Legacy Grant $2,250 Roseau Artists for Scandinavian Festival East Grand Forks Campbell Library 2014 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Arts presenters in 2014 East Grand Forks Campbell Library 2015 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Engage East Grand Forks 2015 Fosston Community Library and Arts 2014 RAC 01 Arts Legacy Grant $3,000 Fosston Production of The Money in Uncle George's Suitcase Association Fosston Community Library and Arts 2015 RAC 01 Arts Legacy Grant $3,000 Fosston Summer Musical-Swingtime Canteen Association Fosston High School 2015 RAC 01 Arts Legacy Grant $10,000 Fosston Residency with The Copper Street Brass Quintet Friends of Godel Memorial Library 2015 RAC 01 Arts Legacy Grant $9,450 Warren Donor Tree.
    [Show full text]
  • Applause05.06 10/31/05 4:42 PM Page 1
    Applause05.06 10/31/05 4:42 PM Page 1 FROM THE CHAIR 75:20 FEATURE The Future is Here Celebrating 75:20 A Message from the Chair of the Department of Theatre Arts & Dance Reflecting on 75 years of University Theatre & 20 years of University Dance Theatre by Professor Michal Kobialka, chair, Department of Theatre Arts & Dance by David Bernstein As some of you may know, I was on sabbatical during the 2004-05 year. I The academic year 2005-06 marks the 75th anniver- have returned with new energy and fresh insight to focus on two signature sary of University Theatre, and the 20th anniversary of strengths that I think make us special among university performing arts pro- theatre and dance joined in a single department. Seventy- grams: our emphasis on collaborating across boundaries and disciplines, and five years is not much time in the span of human history, our integration of the creation and practice of theatre and dance with the criti- perhaps, but a ripe old age for a theatre. After all, the cal study of performance. My priority during my first 3-year term as chair was to Guthrie, at 42, is only middle-aged. Penumbra, founded preserve and build on these strengths, and I wish to thank Professor Lance by faculty member Lou Bellamy in 1976, is half our age – Brockman for providing the leadership to move the department forward on though it is one of a very few surviving theatres of the both fronts while I was away. Black Arts and Theater Movements of the early 1970s.
    [Show full text]
  • Fiscal Year 2017 Program Analysis Mission Statement the Arrowhead Regional Arts Council’S Mission Is to Facilitate and Encourage Local Arts Development
    This document is made available electronically by the Minnesota Legislative Reference Library as part of an ongoing digital archiving project. http://www.leg.state.mn.us/lrl/lrl.asp Fiscal Year 2017 Program Analysis Mission Statement The Arrowhead Regional Arts Council’s mission is to facilitate and encourage local arts development. This mission statement grows from a conviction that the arts improve the quality of life in the region. ARAC Vision • The arts are integrated into the social, political, economic fabric, and identity of every community in the region. (Cultural Integration) • Artists, arts organizations, and arts activities thrive and contribute to the regional economy. (Sustainability) • Community members and audiences are arts literate. (Education) • The Council utilizes an innovative rural arts model that ensures the arts are accessible throughout the whole region. (Leadership/Access) Core Values The Arrowhead Regional Arts Council... • will provide financial support, information, and encouragement to the arts community. • will value its responsibility to provide leadership to individuals, arts organizations, and communities. • will communicate clearly and respectfully. • will develop innovative programs and services to meet the needs of its expanding arts community. • will advocate for the essential role of the arts in daily life. Notes 2 Table of Contents 5 ..................................................... Message from the Director 6 .................................................... Region Population Statistics 7
    [Show full text]
  • Jim Denomie B
    2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | www.bockleygallery.com Jim Denomie b. 1955 Education 1995 BFA, University of Minnesota, Minneapolis Grants and Awards and Residencies 2019 McKnight Distinguished Artist Award, Minneapolis 2018 McKnight Artist Fellowship, Minneapolis National Artist Fellowship, Native Arts & Cultures Foundation, Vancouver WA Artist Initiative Grant, MN State Arts Board 2017 Joan Mitchell Center Residency, New Orleans LA 2015 Joan Mitchell Foundation Painters and Sculptors Grant NYC 2012 McKnight Artist Fellowship, Minneapolis 2011 Crow’s Shadow Institute of the Arts Print-making Residency, Pendleton OR 2009 Native American Fine Art Fellowship, Eiteljorg Museum, Indianapolis IN 2008 Bush Artist Fellowship, Bush Foundation, St. Paul 2002 55th Arrowhead Biennial, First Place, Duluth Art Institute 2001 The Return to the Swing, a gathering of indigenous artist participants, hosted by The Evergreen State College, Olympia WA 1999 Jerome Study and Travel Grant, Jerome Foundation, St. Paul Solo Exhibitions 2019 Jim Denomie: Standing Rock Paintings, Bockley Gallery, Minneapolis (Feb 22–Apr 6) Jim Denomie: Fearless, Minnesota State University, Mankato (Jan 14–Feb 4) 2017 Oz, the Emergence, Bockley Gallery (May 5–June 10) 2016 Jim Denomie, Nemeth Art Center, Park Rapids, MN (July 21–Sept 30) 2015 Jim Denomie: Paintings, Projek Traum, Friedrichshafen Germany (Sept 29–Oct 25) 2014 Jim Denomie: Dialogues, Bockley Gallery (Nov 1–Dec 13) 2013-14 Slightly Disturbed, Miller Family Building Center for Visual Research,
    [Show full text]
  • The Reecho, 2016 Winter 15.1
    P1 / FEATURE ARTICLE P6 / MEMBER SPOTLIGHT P8 / ARTIST IN RESIDENCE P11 / NEW TRADITION Learn about the Park’s Meet Don Schimmel, a 1951 Evelyn Raymond was a A lighting ceremony at the firefighters and how they Park High graduate and pioneer artist whose art you historic Milwaukee Road have kept the community Historical Society trustee have probably seen around Depot brightens up the safe for 100 years. and volunteer since 2005. the community. winter season. Collect. Preserve. Share. Volume 15.1 WINTER 2016 “Molly” FIREFIGHTING IN THE PARK: 100 YEARS Photo by Joan Brinkman BY JEANNE ANDERSEN Early St. Louis Park was extremely flammable. When T.B. Walker bought 2,000 acres and attempted to sculpt the Village of St. Louis Park into an industrial adjunct to Minneapolis, his medium was wood. And wood burns. The factories that Walker built in the industrial circle — the center of which is now Highway 7 and Louisiana Avenue — were made of wood. Surrounded by rail spurs, fire was a constant threat; and coupled with the financial panic of 1893, prevented the area from living up to his expectations. Sparks from the railroad set wooden bridges on fire, as well as factories and grain elevators along the rail lines. The homes Walker built for workers’ families were concentrated in south Oak Hill and built on 25-foot lots. Although the concept was supposedly to buy one lot for a house and another for a garden, early maps show them right next to each other >> CONTINUED ON PAGE 4 Factory Store Valentine’s Day TOGETHER WITH LOCALLY MADE products $5 off a purchase of $3o or more Limit one per customer.
    [Show full text]
  • Report to the Minnesota State Legislature Fiscal 2011
    This document is made available electronically by the Minnesota Legislative Reference Library as part of an ongoing digital archiving project. http://www.leg.state.mn.us/lrl/lrl.asp Report to the Minnesota State Legislature Fiscal 2011 Report to the Minnesota State Legislature for the Minnesota Arts and Cultural Heritage Fund Fiscal Year 2011 Summary of Activities January 15, 2012 Submitted To: Senator Michelle Fischbach, Chair, Legislative Coordinating Commission Representative Kurt Zellers, Vice-Chair, Legislative Coordinating Commission Members of the Legislative Coordinating Commission Senator Bill Ingebrigtsen, Chair, Environmental & Natural Resources Committee; Senator Linda Higgins, Ranking Minority Member, Environmental & Natural Resources Committee Members of the Environmental & Natural Resources Committee in the Minnesota Senate Representative Dean Urdahl, Chair, Legacy Funding Division Representative David Dill, Ranking Minority Member, Legacy Funding Division Members of the Legacy Funding Division in the Minnesota House of Representatives Submitted By: Michele Jansen, Ampers President, KBEM/Jazz 88 Station Manager Joel Glaser, Ampers Executive Director Ampers, 2175 Cool Stream Circle, Eagan, MN 55122 (651) 686-5367 Regarding: Minnesota Statute 129D.19, Subdivision 5: “A noncommercial radio station receiving funds appropriated under this section must report annually by January 15 to the commissioner, the Legislative Coordinating Commission, and the chairs and ranking minority members of the senate and house of representatives committees and divisions having jurisdiction over arts and cultural heritage policy and finance regarding how the previous year's grant funds were expended. In addition to all information required of each recipient of money from the arts and cultural heritage fund under section 3.303, subdivision 10, the report must contain specific information for each program produced and broadcast, including the cost of production, the number of stations broadcasting the program, estimated number of listeners, and other related measures.
    [Show full text]
  • BETSY MALONEY [email protected]
    BETSY MALONEY [email protected] Curriculum Vitae EDUCATION PhD: Education, Curriculum & Instruction, Program Area: Art Education University of Minnesota April, 2015 M.F.A. in Dance Performance and Choreography University of Colorado, Boulder Emphasis in Writing: coursework GPA: 3.9, December 1999 Studied with Nada Diachenko, David Capps, Toby Hankin, Nancy Spanier, Mike Vargas, Robin Haig and Kim Olson Guest Artist Workshops: David Dorfman, Guest Artist, University of Colorado, Spring 1999 Jane Comfort, Guest Artist, University of Colorado, Fall 1997 B.A. in Dance, English Gustavus Adolphus College St. Peter, MN 56082 GPA: 3.87, June 1997, Magna Cum Laude Studied with Michele Rusinko, Jill Heaberlin and the following guest artists: Carol Huncik (1996-1997), Sarah Hauss, (1995-1996), Anthony Roberts (1994-1995) and Paula Mann (1993-1994) Additional Dance Training: Modern (Minneapolis): Erin Thompson, Paula Mann, Cyndi Guiterrez-Garner Ballet (Minneapolis): James Sewell, Bonnie Matthis Boston Conservatory Summer Dance Program: July 5th-August 14th, 1998 Ballet: Lance Westergaard, Elaine Bauer Modern: Jennifer Scanlon Body Percussion: Sean Curran 1 TEACHING EXPERIENCE University of Minnesota, College of Education and Human Development 2015-present P & A in Arts in Education; Research Associate Application of Aesthetic Theory to the Classroom, CI 5078 Curriculum Innovations in Art Education, CI 5069 Arts Education Practicum, CI 5096 Student Teaching in Art, CI 5097 Survey of Art Activities, CI 3001 Creating Identities: Learning In and Through
    [Show full text]
  • Arts Access and the Politics of Empowerment in the Twin Cities a PROJECT SUBMITTED to the FACULTY of the GRADUATE SCHOOL OF
    Arts Access and the Politics of Empowerment in the Twin Cities A PROJECT SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Melissa May Metzler IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LIBERAL STUDIES May 2016 © Melissa May Metzler, 2016 Contents Introduction…………………………………………………………………….. 1 1 – Visual Arts: A Strong Local Community …………………………………. 6 2 – Arts Access, and Trends and Values in the Twin Cities ………………….. 16 3 – Minnesota’s Clean Water, Land, and Legacy Amendment ……………….. 24 4 – Arts Access Grant ………………………………………………………….. 31 5 – Grant Reviews and Interview Process …………………………………….. 36 6 – Complex Barriers Prevent Access ………………………………………….. 45 7 – Conclusions, Key Recommendations, Applications for Research, Further Study Recommended …………………………………………… 54 Appendix A: Volunteering and Civic Engagement in Minneapolis-St Paul……… 58 Appendix B: Projected Demographic Changes in the Twin Cities……………… 59 Appendix C: Vote Yes and Legacy Amendment Logos………………………….. 60 Appendix D: Organizations that endorsed The Vote Yes Campaign…………….. 61 Appendix E: Letter from MCA Executive Director Sheila Smith……………… 63 Appendix F: Arts Access Grant recipients FY 2011, 2012, and 2013 ………… 64 Appendix G: Project Distribution Versus Twin Cities Population ……………… 65 Appendix H: Interview questions …………………………………………… 66 Selected Bibliography………………………………………………………… 67 i Acknowledgements This project would not have been possible without the non-profit administrators who met with me to talk about their experiences with Arts Access grants. I thank them for their time and their candor. I admire them for their willingness to take on enormous challenges in their daily work. I have an immense amount of gratitude for Dr. DonnaMae Gustafson. Our conversations served as lifeboats when I was drowning in information.
    [Show full text]
  • For the Masses Or the Classes? Fine Art Exhibits at the Minnesota State Fair 1885–1914 Leo J
    Whither the Passenger Train? St. Paul Union Depot: Decline and Rebirth John W. Diers —Page 12 Summer 2013 Volume 48, Number 2 For the Masses or the Classes? Fine Art Exhibits at the Minnesota State Fair 1885–1914 Leo J. Harris Page 3 This is an oil painting of an Irish wolfhound named “Lion,” painted in 1841 by Charles Deas (1818–1867), an early Minnesota artist. The painting was a first prize winner in the 1860 Minnesota State Fair. In the article beginning on page 3, Leo J. Harris provides the background on this painting and considers fine art exhibitions at the Minnesota State Fair later in the nineteenth and early twentieth centuries. Photo courtesy of the Minnesota Historical Society. RAMSEY COUNTY HISTORY RAMSEY COUNTY President Chad Roberts Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 48, Number 2 Summer 2013 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret Chair The Ramsey County Historical Society inspires current and future generations Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice Chair of presenting, publishing and preserving. William Frels Second Vice Chair Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer Thomas H. Boyd 3 For the Masses or for the Classes? Immediate Past Chair Fine Arts Exhibits at the Minnesota State Fair, 1885–1914 Anne Cowie, Joanne A. Englund, Thomas Fabel, Howard Guthmann, Leo J.
    [Show full text]
  • Celebrating Community Winter 2009 Student
    CELEBRATING COMMUNITY WINTER 2009 STUDENT HOUSING FOR THE 21ST CENTURY New Apartments Mark First Phase of Comprehensive Plan Introducing the Lawson Academy of the Arts A Connecticut Yankee in King Cotton’s Court 1940s Letters Give Daughter Window into Mother’s Life at Converse Bette Hubbard Wakefield ’50 CELEBRATING COMMUNITY 2 President’s Message ________________________________________________________ 4 Student Housing for the 21st Century ________________________________________________________ 6 A Connecticut Yankee in King Cotton’s Court ________________________________________________________ 8 Introducing the Lawson Academy of the Arts ________________________________________________________ 9 Converse 101: Easing the Transition from High School to College ________________________________________________________ PAGE 2 10 Partnership Brings Exquisite Sculptures to Spartanburg ________________________________________________________ STUDENT HOUSING FOR THE 21ST CENTURY 11 Altruism at its Best ________________________________________________________ 12 Three Tall Women ________________________________________________________ 14 Converse News ________________________________________________________ 20 Honor and Memorial Gifts ________________________________________________________ 22 Alumnae News ________________________________________________________ 28 Life Events Editor ________________________________________________________ Beth Farmer Lancaster ’96 PAGE 4 32 Class Notes Guest Editor ________________________________________________________
    [Show full text]
  • The Development of an Artist's Paradise: Minnesota Landscapes 1840-1940
    St. Cloud State University theRepository at St. Cloud State Culminating Projects in History Department of History 2-2004 The evelopmeD nt of An Artist's Paradise: Minnesota Landscapes: 1840-1940 William J. Wittenbreer St. Cloud State University, [email protected] Follow this and additional works at: https://repository.stcloudstate.edu/hist_etds Part of the Museum Studies Commons, and the United States History Commons Recommended Citation Wittenbreer, William J., "The eD velopment of An Artist's Paradise: Minnesota Landscapes: 1840-1940" (2004). Culminating Projects in History. 7. https://repository.stcloudstate.edu/hist_etds/7 This Thesis is brought to you for free and open access by the Department of History at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in History by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. THE DEVELOPMENT OF AN ARTIST'S PARADISE: MINNESOTA LANDSCAPES: 1840-1940 by William J. Wittenbreer B.A., University of Minnesota, 1974 M.L.l.S., Dominican University, 1996 A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree Master of Arts St. Cloud, Minnesota February, 2004 This thesis submitted by William J. Wittenbreer in partial fulfillment of the requirements for the Degree of Master of Arts at St. Cloud State University is hereby approved by the final evaluation committee. THE DEVELOPMENT OF AN ARTIST'S PARADISE: MINNESOTA LANDSCAPES 1840-1940 William J. Wittenbreer An Artist's Paradise: Minnesota Landscapes 1840-1940 was an exhibit that opened on January 25 and ran through June 22, 2003 at the Minnesota Museum of American Art in St.
    [Show full text]