Anthony Mccarten Funny Girl

Total Page:16

File Type:pdf, Size:1020Kb

Anthony Mccarten Funny Girl Foreign Rights List Spring 2014 ESTr 1952 Diogenes Anthony McCarten funny girl . and other books by Erich Hackl Patricia Highsmith · Donna Leon · Sławomir Mrożek Ingrid Noll · Christoph Poschenrieder Benjamin Sommerhalder · Martin Suter and Tomi Ungerer Theatre TV Friedrich Dürrenmatt Sławomir Mrożek Donna Leon Late Hour in On the High Sea First broadcast of Drawing Late Autumn Reading Repertory Theatre Conclusions, the 20th case for Teatro Eva Herz, São Paulo Emigrants Commissario Brunetti, in May The Visit State National Theatre, Ankara 2014. Cast: Uwe Kockisch, David Rott, Lisa Wagner, Bernd Deutsches Theater Berlin The Cultural Society France Michael Lade, Renate Delfs and National Academic Theatre Preseren, Ljubljana Tilo Prückner. Direction: Sigi named after M. Gorkij, Minsk Carnival Rothemund. Scipt: Florian Théatre Du Vieux Columbier, Teatr im. J. Słowackiego, Iwersen. Production: teamWorx, Paris Krakow commissioned by ARD Degeto Württembergisches Staatstheater Teatr Polski, Warsaw for Das Erste in co-operation Stuttgart Kontrakt with BR. Tröndelag Theater, Trondheim Rakvere Theatre Ronacher Raimund Theater, Love on Crimea Martin Suter Vienna Teatr Narodowy, Warsaw His crime novel series Allmen Hercules and Butchery will be realised as TV series, star- the Augean Stables Teatr Laznia Nowa, Krakow ring Sebastian Koch as Johann National Theatre Ivan Vazov, Serenade Friedrich von Allmen. The first Sofia Teatr Impresaryjny, Leslau episode, Allmen and the Dragon- The Conformist A Summer’s Day flies is now filmed. Karakutu Theater, Istanbul Teatrul de Stat Constanta, Direction: Philipp Kadelbach. Traps Prešov Script: Daniel Nocke. Teatro Nair Bello, São Paulo Police Production: by teamWorx, commissioned by ARD Degeto. The Physicists Slovene Popular Theatre, Celje Scheduled broadcast: 2014. Vorarlberger Landestheater, Striptease Bregenz Cartel Theatre, Athens Schauspiel Frankfurt Tango Main protagonist of the Ljubljana City Theatre TV Thüringer Landestheater, planned Allmen series: Schauspielhaus Zurich Rudolstadt Sebastian Koch. Romulus the Great Teatr Zaglebia, Sosnowitz Nationaltheater Radu Stanca, Teatr Wspolczesny, Szczecin Sibiu Teatr Narodowy, Warsaw Seasaare Näitemängu Selts, Viljandi Patrick Süskind Anthony McCarten The Double Bass Schauspielhaus Bochum Death of a Superhero Fundacja Sceny im. Stanislawa Oldenburgisches Staatstheater Wyspianskeigo, Krakow Please find more information at: www.diogenes.ch/rights Photo: Hohenberg © Gregor Exhibitions Cinema Alfred Andersch Doris Dörrie Martin Suter World of language and world Has adapted her own novel The movie adaptation of of drawing – Alfred and Gisela All inclusive into a movie The Cook will be filmed in Andersch: on the occasion of his script and just finished Switzerland and Germany. 100th anniversary (4.2.2014) at directing the film. Produc- Director: Ralf Huettner. the Museum Strauhof, Zurich, tion: Olga Film GmbH in Script: Ruth Toma. Cast: from 11.12.2013 to 2.3.2014, and co-production with Bayeri- Jessica Schwarz, Hamza Jee- at the Museo Comunale d’arte scher Rundfunk and ARD tooa and Hanspeter Müller- moderna, Ascona, from 16.3. Degeto. Distribution: Drossaart. Production: to 18.5.2014. Constantin Film. Senator Film, C-Films AG Alfred Andersch as a Photo- Release: March 2014. and Network Movie. grapher at Deutsches Litera tur- Distribution: Senator Film. archiv Marbach, from 30.1. to Patricia Highsmith Release: September 2014. 16.6.2014. Director and screenwriter Exhibition at his Swiss domicile Hossein Amini has finished Anthony McCarten Loco, Ticino, from April 2014. the post-production for His novel The English Harem The Two Faces of January. will be turned into a movie Friedrich Dürrenmatt Cast: Kirsten Dunst, Viggo by director and screenwriter Balades avec le Minotaure: Mortensen, Oscar Isaac. Oliver Ziegenbalg. The pro - Dürrenmatt’s work compared Production: Timnick Films, duction is planned for spring to those by Paul Klee, Pablo StudioCanal, Working Title 2014, release in autumn 2014. Picasso and Varlin. Films. Distribution: Studio Production: Black Forest Centre Dürrenmatt, Neuchâtel, Canal. Release: 2014. Films, SAT1.Pro7 Media AG from 5.12.2013 to 9.3.2014. The pre-production of His script Theory of Every- Carol / The Price of Salt just thing about Stephen Hawk- started. Director: Todd ing’s life at Cambridge is now Haynes. Screenplay: Phyllis filmed by director James Nagy. Cast: Rooney Mara, Marsh. Cast: Felicity Jones Awards Cate Blanchett. Production and Eddie Redmayne. Co: Film4, Killer Films, Pro duction and distribution: Erich Hackl Number 9 Films. Universal Pictures. Is awarded the ›Adalbert-Stifter Release USA: 2014. Release: 2015. prize‹, one of the most impor- tant cultural awards of Upper Austria. Petros Markaris Doris Dörrie The Spanish edition of his novel In September 2013, she was Hartmut Lange, Donna Leon, Payday is awarded the ›Premio awarded the ›Golden Diogenes Ingrid Noll, Patrick Süskind, Literario Arcebispo Juan de Owl‹. This badge of honour Martin Suter, Bernhard Schlink, San Clemente‹ as best foreign is presented to authors whose Tomi Ungerer, Martin Walker, language novel. The award is work sold more than 1 million Urs Widmer and Leon de Winter. annually given by students of copies. Past receipients of the Galician secondary schools. Owl have been Jakob Arjouni, Erich Hackl Three Tearless Stories s%RICH(ACKLSth birthday will be on 26.5.2014. s!WONDERFULCHRONICLER THANKSTOWHOM the stories of many individuals will not be forgotten. s(ACKLSPRECISE ARTFULLYRESTRAINEDLANGUAGE manages to turn facts into re-experienced reality. Three stories which are kindled by photo- graphs, yet at the same time transcend them, for they bring the depicted scenes back to life. The photographer of Auschwitz The story of Wilhelm Brasse, the Auschwitz inmate and ›camp photographer‹ who became known worldwide. One of his photographs achieved international renown. The Klagsbrunn Family The rise, alienation, fl ight and resistance of the Jewish Klagsbrunn family. Stories 160 pages Tschofenigweg May 2014 On the search for clues about the Austrian World rights are handled by Diogenes, woman Gisela Tschofenig, who had to hold except Spanish rights. her wedding in Dachau concentration camp. Erich Hackl’s books have been published in 25 languages. »A masterful and authoritative chronicler.« Michael Opitz / Deutschlandradio Berlin ErichErichH Hacklackl Erich Hackl ErichErich HacklHackl ErichErichHa Hacklckl AAbschiedbschied ErichErichHa Hacklckl Urs Widmer KöniKönigUrs Widmerg Wamb Wambaa UrsSSaraara Widmer uundnd UrsErichEric WidmerhH Hacklackl UrsEEntwurfntwur Widmerf AAurorasuroras vvonon Ein MärchenMärchen SSimonimon Liebesnacht LiebesnachtMit ZeichnungenZeichnungen vonvon Liebesnacht LiebesnachtIInn f festerester Liebesnachteiner Liebe AnlaAnlaßß SSidonieidonie PaulPaul FloraFlora EineEine endloseendlose Geschichte Umarmung auauff de denn Spiegel Spiegel Geschichten und BBerichteerichte ersten Blick DiogenesDiogenesBestseller Erzählung · DiogenesBestseller ErzählungDiogenesDiogene · Diogeness ErzählungDiogenesDiogene · Diogeness ErzählungDDiogenesiogene · Diogeness ErzählungDiogenesDiogenes · Diogenes Aurora’s Motive Farewell Sidonia King Wamba Sara and Simón In a Firm Love at First Story, 1987 Story, 1989 Fairy-Tale, 1991 Story, 1995 Embrace Sight Stories and A Recollection, Reports, 1996 1999 ErichErich HacklHackl ErichErich HacklHackl Erich Hackl Erich HacklHackl AlsAls ob ein FamilieFamilie Dieses Buch DiDiee Ho Hochzeitchzeit EEngelngel SSalzmannalzmann gehört vonvon ErzählungnachdemErzählung nach dem LebenLeben ErzählungErzählung aus unserer MitteMitte Urs Widmer ErichErich HacklHackl Urs Widmer Urs Widmer meinerUrsUrs W Widmer idmerMutter AuAuschwitzschwitz Anprobierenp LiebesnachtEine BegebenheitBegebenheit eeinesines VatersVaters Liebesnacht Liebesnacht Liebesnacht Geschichten und Erwägungen ErzählungDiogenesDiogene · Diogeness DDiogenesiogenes ErzählungDDiogenesiogene · Diogeness ErzählungDiogenesDiogenes · Diogenes ErzählungErzählunDiogenesg ··Dio Diogenesgenes Wedding at If the Father Fits As if an Angel The Salzmann This Book Auschwitz Stories and Story, 2007 Family Belongs to A True Story, Refl ections, 2004 Story, 2010 My Mother 2002 Novel, 2013 »Erich Hackl’s concise and hauntingly »The name Erich Hackl is a trademark dense works of prose have gained thanks to his wonderfully sensitive him a huge audience and great success.« portraits of individual fates.« Erich Wolfgang Skwara / Tobias Becker / KulturSpiegel, Hamburg World Literature Today, New York Erich Hackl was born in 1954 in Steyr, Austria, studied German and Hispanic and worked for a number of years as teacher and editor. Madrid and Vienna, where he works as a writer and translator, have been home to him for a long time now. His stories have been translated into 25 languages and are based on authentic cases. Aurora’s Motive and Farewell Sidonia are on school reading lists. Solinís Timón Photo: © Pedro Ingrid Noll Til Greed Does Us Part The new pitch-black comedy from Germany’s Queen of Crime. Terminally ill, childless widower Wolfram makes an off er to his former colleague Karla: If she agrees to take care of his funeral and gravestone, she will inherit a quarter of his fortune. If she cares for him until his death, she will inherit half, and if she kills him at his request, she will get everything, a nineteenth century villa included. Til Greed Does Us Part is about the over- whelming desire for more, which leads even a humble woman like the former librarian Karla to engage in monkey
Recommended publications
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • 2017 Producers Book Finalists
    PRODUCERS BOOK & PRINT SOURCE LIST Pre-Festival Edition THE 2017 PRODUCERS BOOK A LETTER FROM THE SCREENPLAY & FILM COMPETITION DIRECTORS Hello! Each year, we prepare our annual Producers Book which contains loglines and contact information for the year’s top scripts in our various Script Competitions. Please feel free to reach out to any of the writers listed here to request a copy of their scripts. Also included is our Print Source List containing information for all films selected for the 2017 Festival. This year’s Semifinalists and Finalists were chosen from a field of 9,487 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Each year we are amazed by the professional quality and talent that we receive and this year wasn’t any different. The Competition is open to feature-length scripts in the genres of drama, comedy, sci-fi, and horror; teleplay pilots and specs, short scripts, stage plays, fiction podcast scripts, and digital series scripts. Year after year, our strive in programming the Austin Film Festival film slate is to discover and champion the writers and those who can translate amazing stories to the screen. We received over 5,000 film submissions this year and had the task of whittling it down to 182 films that embody our mission and passion for storytelling. It was a harrowing task, but it led to our strongest year of film yet. We’re so proud of this year’s diverse group of filmmakers and unique voices and can’t wait for these works to be seen, shared, and loved.
    [Show full text]
  • Northern Gothic: Werner Haftmann's German
    documenta studies #11 December 2020 NANNE BUURMAN Northern Gothic: Werner Haftmann’s German Lessons, or A Ghost (Hi)Story of Abstraction This essay by the documenta and exhibition scholar Nanne Buurman I See documenta: Curating the History of the Present, ed. by Nanne Buurman and Dorothee Richter, special traces the discursive tropes of nationalist art history in narratives on issue, OnCurating, no. 13 (June 2017). German pre- and postwar modernism. In Buurman’s “Ghost (Hi)Story of Abstraction” we encounter specters from the past who swept their connections to Nazism under the rug after 1945, but could not get rid of them. She shows how they haunt art history, theory, the German feuilleton, and even the critical German postwar literature. The editor of documenta studies, which we founded together with Carina Herring and Ina Wudtke in 2018, follows these ghosts from the history of German art and probes historical continuities across the decades flanking World War II, which she brings to the fore even where they still remain implicit. Buurman, who also coedited the volume documenta: Curating the History of the Present (2017),I thus uses her own contribution to documenta studies to call attention to the ongoing relevance of these historical issues for our contemporary practices. Let’s consider the Nazi exhibition of so-called Degenerate Art, presented in various German cities between 1937 and 1941, which is often regarded as documenta’s negative foil. To briefly recall the facts: The exhibition brought together more than 650 works by important artists of its time, with the sole aim of stigmatizing them and placing them in the context of the Nazis’ antisemitic racial ideology.
    [Show full text]
  • Introduction
    Cambridge University Press 978-0-521-14571-8 - German Intellectuals and the Nazi Past A. Dirk Moses Excerpt More information Introduction The proposition that the Federal Republic of Germany has developed a healthy democratic culture centered around memory of the Holocaust has almost become a platitude.1 Symbolizing the relationship between the Federal Repub- lic’s liberal political culture and honest reckoning with the past, an enormous Memorial to the Murdered Jews of Europe adjacent to the Bundestag (Federal Parliament) and Brandenburg Gate in the national capital was unveiled in 2005. States usually erect monuments to their fallen soldiers, after all, not to the vic- tims of these soldiers. In the eyes of many, the West German and, since 1990, the united German experience has become the model of how post-totalitarian and postgenocidal societies “come to terms with the past.”2 Germany now seemed no different from the rest of Europe – or, indeed, from the West generally. Jews from Eastern Europe are as happy to settle there as they are to emigrate to Israel, the United States, or Australia.3 1 Bill Niven, Facing the Nazi Past: United Germany and the Legacy of the Third Reich (London and New York, 2002). For an excellent overview of postwar memory politics, see Andrew H. Beattie, “The Past in the Politics of Divided and Unified Germany,” in Max Paul Friedman and Padraic Kenney, eds., Partisan Histories: The Past in Contemporary Global Politics (Houndmills, 2005), 17–38. 2 For example, Daniel J. Goldhagen, “Modell Bundesrepublik: National History, Democracy and Internationalization in Germany,” Common Knowledge, 3 (1997), 10–18.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Print Your 2020 Oscar Ballot Here
    Presented by Name Score /24 The 2020 OSCAR BALLOT BEST PICTURE ADAPTED SCREENPLAY MAKEUP AND HAIRSTYLING o Ford v Ferrari o Steven Zaillian, The Irishman o Bombshell o The Irishman o Todd Phillips and Scott Silver, Joker o Joker o Jojo Rabbit o Taika Waititi, Jojo Rabbit o Maleficent: Mistress of Evil o Joker o Greta Gerwig, Little Women o Judy o Little Women o Anthony McCarten, The Two Popes o 1917 o Marriage Story o 1917 INTERNATIONAL FEATURE PRODUCTION DESIGN o Once Upon a Time...in Hollywood o Corpus Christi o Once Upon a Time....in Hollywood o Parasite o Honeyland o The Irishman o Les Misérables o 1917 DIRECTOR o Pain and Glory o Parasite o Bong Joon Ho, Parasite o Parasite o Jojo Rabbit o Sam Mendes, 1917 o Todd Phillips, Joker ANIMATED FEATURE SOUND EDITING o Martin Scorsese, The Irishman o How to Train Your Dragon: The Hidden World o Ford v Ferrari o Quentin Tarantino, Once Upon a Time...in Hollywood o I Lost My Body o Joker o Klaus o 1917 ACTOR IN A LEADING ROLE o Missing LInk o Once Upon a Time...in Hollywood o Joaquin Phoenix, Joker o Toy Story 4 o Star Wars: The Rise of Skywalker o Leonardo DiCaprio, Once Upon a Time...in Hollywood o Antonio Banderas, Pain and Glory DOCUMENTARY FEATURE SOUND MIXING o Adam Driver, Marriage Story o American Factory o Ad Astra o Jonathan Pryce, The Two Popes o The Cave o Ford v Ferrari o The Edge of Democracy o Joker ACTRESS IN A LEADING ROLE o For Sama o 1917 o Cynthia Erivo, Harriet o Honeyland o Once Upon a Time...in Hollywood o Scarlett Johansson, Marriage Story o Saoirse Ronan, Little Women
    [Show full text]
  • Die VEREINIGTEN BÜHNEN WIEN Präsentieren
    Die VEREINIGTEN BÜHNEN WIEN präsentieren ÖSTERREICHISCHE ERSTAUFFÜHRUNG 27. Jänner 2017 Ronacher DON CAMILLO & PEPPONE ALS MUSICAL IM WIENER RONACHER! Die Vereinigten Bühnen Wien bringen Anfang 2017 die österreichische Erstaufführung auf die Bühne. Wien, 17. November 2016: Die Vereinigten Bühnen Wien präsentieren das Musical DON CAMILLO & PEPPONE, bekannt durch die legendären Verfilmungen, basierend auf den Romanen „Il Mondo Piccolo“ von Giovanni Guareschi, nun endlich als Musical in Wien. Die VBW entwickelten die Weltpremiere der Bühnenfassung dieses Klassikers in Koproduktion mit dem Theater St. Gallen und zeigen das Stück ab 27. Jänner 2017 im Ronacher erstmals auch in Österreich (UA am 30. April 2016 in der Schweiz). VBW-Musical Intendant Christian Struppeck stellte heute im Rahmen einer Pressekonferenz Team, Produktion und Hauptdarsteller vor. Poetisch, rührend, klug – ein Wiedersehen mit liebgewonnenen Charakteren DON CAMILLO & PEPPONE erzählt liebevoll die Geschichten um den streitbaren katholischen Pfarrer Don Camillo und seinen nicht minder schlagkräftigen Kontrahenten Peppone als heiteres, unbeschwertes Musical. Es verspricht ein Wiedersehen mit charmanten, liebgewonnenen Charakteren. Eine fröhliche Geschichte über das ländliche Italien der 50er Jahre, gesellschaftliche Aufbruchsstimmung, menschliches Miteinander, Toleranz und die Kraft der Versöhnung. Ein Klassiker umgesetzt durch internationale Kreative Michael Kunze, erfolgreichster deutschsprachiger Musicalautor, Buchautor, Liedtexter und Übersetzer, dessen Werke mit 79 Goldenen und Platin-Schallplatten ausgezeichnet wurden, schrieb das Buch und die Liedtexte zum Musical. Zusammen mit einem der prominentesten italienischen Komponisten Dario Farina – vielen bekannt durch seine Kult-Pop-Songs wie „Felicità“ oder durch seine viel beachteten Filmmusiken („Rossini“) – ist ein unterhaltsames, kurzweiliges Stück Musiktheater entstanden, in das der Komponist südländische Leichtigkeit und Romantik einfließen ließ. Musical Supervision und Orchestration steuert VBW-Musikdirektor Koen Schoots bei.
    [Show full text]
  • Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
    Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated
    [Show full text]
  • Oscar Ballot 2020-Filled
    BEST PICTURE BEST SOUND EDITING BEST ANIMATED SHORT FILM █"1917" █ “1917” Ο “Dcera (Daughter)” Ο "Ford v Ferrari" Ο “Ford v Ferrari” █ “Hair Love” Ο "The Irishman" Ο “Joker” Ο “Kitbull” Ο "Jojo Rabbit" Ο “Once Upon…Hollywood” Ο “Memorable” Ο "Joker" Ο “Star Wars: The Rise…” Ο “Sister” Ο "Little Women" Ο "Marriage Story BEST MAKEUP & HAIRSTYLING BEST FOREIGN LANGUAGE FILM O "Once Upon a Time…Hollywood Ο “1917” Ο “Corpus Christi” (Poland) Ο "Parasite” █ “Bombshell” Ο “Honeyland” (North Macedonia) Ο “Joker” Ο “Les Misérables” (France) BEST DIRECTOR O “Judy” Ο “Pain and Glory” (Spain) Ο Martin Scorsese, “The Irishman” O “Maleficent: Mistress of Evil” █ “Parasite” (South Korea) Ο Todd Phillips, “Joker” █ Sam Mendes,“1917” BEST DOCUMENTARY FEATURE BEST VISUAL EFFECTS Ο Quentin Tarantino,”Once Upon… ” █ “American Factory” █ “1917” Ο Bong Joon Ho, “Parasite” Ο “The Cave” Ο “Avengers: Endgame” Ο The Edge of Democracy“” Ο “The Irishman” BEST ACTRESS IN A LEADING Ο For Sama“” Ο “The Lion King” ROLE Ο “Honeyland” Ο “Star Wars: Rise…”” Ο Cynthia Erivo, “Harriet” Ο Scarlett Johansson, “Marriage…” BEST DOCUMENTARY SHORT BEST LIVE ACTION SHORT Ο Saoirse Ronan, “Little Women” Ο “The Absence” Ο “Brotherhood” Ο Charlize Theron, “Bombshell” █ “Learning to Skateboard…” Ο “Nefta Football Club” █ Renée Zellweger, “Judy” Ο “Life Overtakes Me” █ “The Neighbors’ Window” Ο “St. Louis Superman” Ο “Saria” BEST ACTOR IN A LEADING Ο “Walk Run Cha-Cha” Ο “The Sister” ROLE Ο Antonio Banderas, “Pain & Glory” BEST ORIGINAL SCORE BEST FILM EDITING Ο Leonardo DiCaprio “Once
    [Show full text]
  • Vereinigte Bühnen Wien Ges.M.B.H., Prüfung Des Subventionsbedarfes
    TO 14 KONTROLLAMT DER STADT WIEN Rathausstraße 9 A-1082 Wien Tel.: 01 4000 82829 Fax: 01 4000 99 82810 e-mail: [email protected] www.kontrollamt.wien.at DVR: 0000191 KA - K-1/08 Vereinigte Bühnen Wien Ges.m.b.H., Prüfung des Subventionsbedarfes, des Verwaltungsaufwandes, der Produktionserfolge sowie des Umbaues des Ronacher Theaters Ersuchen gem. § 73 Abs. 6a WStV vom 28. Dezember 2007 Tätigkeitsbericht 2008 KA - K-1/08 Seite 2 von 94 KURZFASSUNG Die Prüfung des Subventionsbedarfes, des Verwaltungsaufwandes, der Produktionser- folge sowie des Umbaues des Ronacher Theaters (RON) in der Vereinigte Bühnen Wien Ges.m.b.H. (VBW) führte zu Empfehlungen hinsichtlich der Optimierung des Rechnungswesens bzw. des Controllings bzgl. der Transparenz und Nachvollziehbar- keit. Erforderliche Organisationsänderungen waren aufzuzeigen. Ferner war festzustel- len, dass die wirtschaftliche Verwendung von gewährten Subventionsmitteln nicht im- mer gegeben war und nicht verbrauchte Mittel im Unternehmen verblieben. Es stellte sich heraus, dass der Musicalbereich während der Umbauphase des RON mit seinen Produktionen in anderen Spielstädten (Ronachermobile [RONmobile]) nicht an frühere wirtschaftliche Erfolge anknüpfen konnte. Absatzrückgänge der letzten Long- Run-Produktion führten sogar zu einer frühzeitigen Absetzung des Stückes. KA - K-1/08 Seite 3 von 94 INHALTSVERZEICHNIS 1. Prüfersuchen ...............................................................................................................7 2. VBW ..........................................................................................................................14
    [Show full text]
  • Nexus Nexus Star
    NEXUS English NEXUS STAR References AUDIO EXCELLENCE NEXUS, NEXUS Star TV and Radio Broadcast • 20th Century Fox LA, USA • RBB FS Berlin, Germany • ABC News Los Angeles, USA • RPP Radio Programas del Peru Lima, Peru • All India Radio New Delhi, India • RTL Studio Berlin, Germany • Anhui TV Hefei-Anhui, China • RTL 2 Paris, France • Antena 3 TV Madrid, Islas Baleares, Spain • SAT 1 Zurich, Switzerland • ASTRO Kuala Lumpur, Malaysia • Shanghai Education Television Shanghai, China • BBC Transmission Router London, United Kingdom • SFB Sender Freies Berlin Berlin, Germany • BBC North Manchester, United Kingdom • SR Saarländischer Rundfunk Saarbrücken, Germany • Bernama News TV Kuala Lumpur, Malaysia • Staatlicher Rundfunk Usbekistan Uzbekistan • BFM Radio Paris, France • Star RFM Kuala Lumpur, Malaysia • BR Bayerischer Rundfunk Munich, Germany • Studio Hamburg Hamburg, Germany • Cadena SER Madrid, Barcelona, Valencia, Spain • SWR Südwestrundfunk Stuttgart, Baden-Baden, • Canal Mundo Radio Madrid, Spain Germany • Canal+ Paris, France • Tele 5 Madrid, Spain • CBC Cologne Broadcasting Center Cologne, Germany • Tele Red Imagen Buenos Aires, Argentina • CBS New York, USA • Television Autonomica Valenciana Valencia, Spain • Chong-Qin TV Chong-Qin, China • TF 1 Paris, France • City FM Kuala Lumpur, Malaysia • TV 1 Napoli Naples, Italy • City Plus Kuala Lumpur, Malaysia • TV Tokyo Tokyo, Japan • ESPN Bristol, LA, USA • TVE Radio Televisión Espanola Madrid, Spain • ETABETA Rome, Italy • Unitel Unterföhring, Germany • Eurosport 2 Paris, France • Vatican
    [Show full text]