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Museological Review Extra
Department of Museum Studies Museological Review, Special Issue 10. 2003 Special Museological Review, Museological Review, 10: 2003 Contents Preface .............................................i Editorial ...........................................ii Notes for Contributors ..................iii Areti Galani .......................................1 Mixed Reality Museum Visits: Using new technologies to support co- visiting for local and remote visitors Susan Hazan ...................................16 MUSEOLOGICAL The virtual Aura: the technologies of exhibition and the exhibition of technologies REVIEW EXTRA Esther Solomon ..............................31 Constructing local identity through archaeological finds: the case of A Journal edited by Students of Knossos (Crete, Greece) the Department of Museum Studies Etolia-Ekaterini Martinis ..................48 Bankside Gallery: Audience Research and Development: Special Issue 10 Communicating Works on Paper 2003 Emily Stokes-Rees ..........................67 Methods for a Multi-Sited Study of New National Museums: A Fieldworker’s Experience ISSN 1354-5825 GRADUATE STUDIES MUSEOLOGICAL REVIEW EXTRA A Journal Edited by Students of the Department of Museum Studies Special Issue 10 2003 Editors: Kostas Arvanitis Anastasia Filippoupoliti Museological Review © 2003 Department of Museum Studies, University of Leicester All rights reserved. Permission must be obtained from the Editors for reproduction of any material in any form, except limited photocopying for educational, non-profit use. Opinions -
Download the Play Where You Work Guide
PLAY WHERE YOU WORK BANKSIDERS This is a guide to inspire you and your team to blur your workside into your playside as you return to the neighbourhood. It is London’s Other Side, a neighbourhood with a bold and independent spirit shaped by its rebellious BANKSIDE IS A PLACE past. Located outside the walls of the City, the area was a natural landing place for free thinkers and this is still celebrated today. As restrictions WHERE PEOPLE HAVE COME ease, we’ve packaged ways to inspire creativity beyond the workplace. Embrace the spirit of our neighbourhood and rediscover Bankside’s cultural TO BE ENTERTAINED FOR offer, right on your doorstep. Thrill your artside, satisfy your curious side and OVER 1000 YEARS. reconnect with Bankside, and each other. For practical initiatives and services to support your return to the workplace, see our Roadmap to return guide. 2 What’s on in Bankside this summer: • Explore Bankside’s art galleries and see the latest blockbuster exhibitions and free displays at Tate Modern, Bankside Gallery and Jerwood Arts. Keep your eyes peeled for the Lates programmes at Tate Modern and Jerwood Arts too. • Bankside is all about the Bard. Catch outdoor theatre productions at Shakespeare’s Globe and The Rose Playhouse’s digital events. For more live performance, visit Cervantes Theatre and Union Theatre at Old Union Yard Arches. SATISFY YOUR • Foodies should check out what’s on at Borough Market. • Southwark Cathedral promises a busy summer programme with art installations and music recitals. • Experience the return of live music at Omeara CULTURAL SIDE from September. -
Press Release
PRESS RELEASE GOOD NATURE – a celebration of our planet, its beauty and its fragility and the essential part we all play in preserving it. 30 emerging and eminent artists were invited to make a new work in response to the theme. The work explores the themes of nature, our planet and the environment today. 16 September to 28 October 2017 Tuesday- Saturday 10am – 5pm CANDIDA STEVENS GALLERY Chichester West Sussex PO19 1BA Top left and clockwise: Alice Kettle, David Nash RA OBE, Michael Benson, Eileen Cooper RA OBE, Nicola Green GOOD NATURE celebrates the natural world through the observations of some of the leading artists working in the UK today who awaken our senses to the abundant beauty of our planet. They take inspiration from the warmth of the sun, the green lungs of the forests and the dark depths of the oceans, alongside all life that teems in and under them. We are reminded of the changing and fragile state of Earth and are invited to reflect on how it is necessary for all these elements to interconnect in order to exist. Highly acclaimed, environmental sculptor David Nash RA OBE shows a work created from a Holly tree, charred in his distinctive style, with an associated print. Eileen Cooper RA OBE, and this year’s curator of the RA Summer Show, includes a painting inspired by the domestic use of nature. Stephen Farthing RA makes a new print about the escapism PRESS RELEASE nature provides. Returning from highly successful exhibitions at Venice Biennale, Stephen Chambers RA takes a humorous look at manmade versus nature whilst Nicola Green makes a series of silkscreen prints in response to deforestation. -
E Ileen C Oop Er: P Ersonal S P
Eileen Cooper: Personal Space 3–5 Swallow Street London W1B 4DE 020 7434 4319 huxleyparlour.com Cover image: Sisters, 2019 Eileen Cooper: Personal Space Introduction I am very pleased to introduce our first catalogue of paintings by Eileen Cooper RA, which contains a completely new body of work produced especially for our first exhibition together. It is a remarkable group of pictures that nods to her earliest years as a painter, while also continuing to develop the themes of identity and womanhood that she has explored throughout her career. The exhibition’s particular theme of reflective, personal space is one that seems entirely appropriate to Cooper, whose studio itself is a domestic one, set in a light filled room above the convivial family kitchen in her Brockley home. Here in this high ceilinged, paint splattered sanctuary Cooper quietly makes her pictures, bathed in the rays that flood through the tall sash windows. For many years Cooper worked alone there with her imagination, but more recently she has re-welcomed models – which has given birth to a more immediate intimacy. As one of the country’s most influential female Royal Academicians, Cooper has been a force in the British art world for many years, most recently as a much-loved Keeper of the Royal Academy Schools. In seeking models for the previous project to ours, Cooper found herself welcoming a long queue of former students and their artistic brethren, which is testimony to the esteem and friendship in which she is held. Like them, I have adored getting to know and being around Cooper, whose warmth, and energetic approach to her life and work makes for an intoxicating environment. -
Annual Report 2019/2020 Contents II President’S Foreword
Annual Report 2019/2020 Contents II President’s Foreword IV Secretary and Chief Executive’s Introduction VI Key figures IX pp. 1–63 Annual Report and Consolidated Financial Statements for the year ended 31 August 2020 XI Appendices Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Portrait of Rebecca Salter PRA. Photo © Jooney Woodward. 1 September 2019 – Portrait of Axel Rüger. Photo © Cat Garcia. 31 August 2020 Contents I President’s I was so honoured to be elected as the Academy’s 27th President by my fellow Foreword Academicians in December 2019. It was a joyous occasion made even more special with the generous support of our wonderful staff, our loyal Friends, Patrons and sponsors. I wanted to take this moment to thank you all once again for your incredibly warm welcome. Of course, this has also been one of the most challenging years that the Royal Academy has ever faced, and none of us could have foreseen the events of the following months on that day in December when all of the Academicians came together for their Election Assembly. I never imagined that within months of being elected, I would be responsible for the temporary closure of the Academy on 17 March 2020 due to the coronavirus (COVID-19) pandemic. -
Museums and Galleries of London Abigail Willis
Museums and Galleries of London Abigail Willis EXCERPTS Museums and Galleries of London Written by Abigail Willis Cover photograph: Marcus Foster, Untitled, Image courtesy of the Saatchi Gallery, London © Marcus Foster, 2010 Photo by Sam Drake © Saatchi Gallery Edited by Andrew Kershman Book design by Susi Koch and Lesley Gilmour Illustrations by Lesley Gilmour All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior consent of the publishers and copyright owners. Every effort has been made to ensure the accuracy of this book; however, due to the nature of the subject the To Alex, with love publishers cannot accept responsibility for any errors which occur, or their consequences. 5th edition published in 2012 by Metro Publications Ltd, PO Box 6336 London. N1 6PY Metro® is a registered trade mark of Associated Newspapers Limited. The METRO mark is under licence from Associated Newspapers Limited. Printed and bound in India. This book is produced using paper from registered sustainable and managed sources. Suppliers have provided both LEI and MUTU certification © 2012 Abigail Willis British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN 978-1-902910-44-4 Acknowledgements Contents th This 5 edition of Museums and Galleries of London would not have been Introduction ............................................................. 1 possible without the help of many people. Thanks must go firstly to the team at Metro Publications – Andrew, Susi and Lesley – who published the first edition back in 1998 and who have kept the book in print through all Museums the subsequent editions. -
Print Rebels
Bankside Gallery | 48 Hopton Street | London SE1 9JH | 020 7928 7521 | [email protected] Print REbels Haden, Palmer, Whistler and the Origins of the RE (The Royal Society of Painter-Printmakers) 25 April - 13 May 2018, Private View 24 April 6-8pm Bankside Gallery Then touring to other UK venues in 2018 and 2019 1. Print REbels celebrates the 200th anniversary of the birth of the founder and first President of the Royal Society of Painter-Printmakers, Sir Francis Seymour Haden. A prestigious collection of works has been brought together to show prints produced by Haden along with those who inspired him such as Rembrandt and Dürer, and his contemporaries, including Samuel Palmer and JAM Whistler. In 1880, the time the RE was founded, artists such as Haden, Palmer and Whistler were considered revolutionary in their championing of printmaking as a creative medium. In mid-Victorian England, printmaking was seen primarily as a means to make reproductions of artworks, and many printmakers only made a living working as a copyist. These printmakers were not eligible for membership of The Royal Academy, as creative printmaking was not recognised as an art form on the same level as painting and sculpture. It was this that prompted Haden to rebel against this and form a new society, the RE. Haden and Whistler are credited with instigating the Etching Revival, an art movement which lasted 75 years. The RE has always been closely connected with the RA, with several Royal Academicians being founding members of the RE along with Seymour Haden, and the 2nd 3rd and 4th RE Presidents being also RAs. -
Eileen Cooper: Personal Space
3-5 Swallow Street, London, W1B 4DE / [email protected] Eileen Cooper: Personal Space 17 October - 16 November 2019 Huxley-Parlour Gallery, London will be exhibiting a group of 15 new paintings by Eileen Cooper RA that fuse objective drawing from life, a new part of her practice, with the instantly recognisable, passionate and imaginative works she is known for. Ruby Red, 2019 Entitled Personal Space, the focus of the exhibition is on the female figure in nurturing and intimate spaces, explored with confidence, sensitivity and awareness. Through these images, Cooper revisits and expands on themes that she has explored throughout her forty-year career, those of universal female experience, primarily fertility, sexuality and motherhood. In this latest body of work, Cooper has also incorporated images celebrating friendship, sisterhood and sense of self. Many of the images show female figures in private spaces, engaged in intimate and sometimes simple acts, including brushing or washing hair or applying make up. Cooper’s protagonists are confident, gazing stridently out at the viewer or at their own figures in the many mirrors that populate this body of work. Although not strictly representational, this latest body of work comes after an intensive year of drawing from life, a marked change in the artist’s process, after a lifetime of working directly from imagination. Cooper has skilfully blended this new part of her practise with her characteristic use of graphic, decisive line, flattened space and bold colour palette. The resulting imagery explores the powerful tension created between the universal and the particular, and of the real and the imagined. -
Ma Fille De Ans Pourrait Le Faire
CONTEMPORAINMA FILLE DE ANS POURRAIT LE FAIRE L’ARTBRISONS LES MURS ET LES CLICHÉS Rencontrez 10 artistes - Visitez 100 lieux Découvrez une ville différemment ateliershenrydougier.com AFFICHE_10_100_A3_MA_FILLE_V3.indd 1 24/01/2020 15:06 TISTES10 100LIX UN LIVRE + UN GUIDE Le livre – 2 préfaciers évoquent la scène artistique de la ville depuis 50 ans – 10 artistes racontent leur travail, leurs RTITE inspirations et leur rapport à la ville 10 Londres Le guide Visite guidée de 100 lieux clés de la ville + classés par quartier et par discipline, cartes à l'appui 100LIX Michèle Fajtmann Préfaces de Hannah Barry et Daniel Rachel AU CŒUR DE LA CRÉATION CONTEMPORAINE AU CŒUR DE LA CRÉATION SOM- Créée en 2014, la maison dédition les ateliers henry dougier souhaite « raconter » la société contemporaine dans le monde, en donnant la parole aujourdhui à des témoins souvent invisibles et inaudibles : peuples, régions, métiers, catégories sociales ou générationnelles parlent ici de leurs valeurs, de leur mémoire, MAIRE de leur imaginaire, de leur créativité. Notre objectif : briser les murs et les clichés. Avant-propos de l’auteure 6-9 Préface de Daniel Rachel 10-13 Préface de Hannah Barry 14-17 Entretiens avec 10 artistes 18-97 Portraits de 100 lieux clés 98-155 + cartographie par quartier Index des 100 lieux 156-159 01. ENTRE TIE20.NS Eileen Cooper 28. Akram Khan 36. Anna Meredith 44. Yinka Ilori 52. Mary Katrantzou AVEC 60. Ben Eine 68. Amanda Levete 76. Conrad Shawcross 84. Gillian Wearing RTITE10 92. Simon McBurney | Entretien avec Eileen Cooper | 20 21 ileen Cooper grandit à Glossop. -
Bankside Attractions
in and around in M St Paul's A Cathedral N Historical sites / museums Bank S E 1 Clink Prison Museum L T L Vinopolis C 2 T S E L A S E E Bramah Tea and Coffee Museum G H 3 N W T E M D T C N E Golden Hinde I E 4 R RE R A O N R T T T N 5 Southwark Cathedral S U E N B S IA E E H T S R R S Kirkaldy Testing Museum O T T 6 L T T C C S O S K IC AN RV1 ESC D V L N N E F H R T 7 The Rose Theatre (original site) S C QUEE Mansion O EN RC P L N Blackfriars C CHU R D I Fenchurch O S T House TR A S STREE E U E H E BL D ET Street CA E Art galleries P R DLR Tower Cannon G T UPP S W N ER T 8 Tate Modern Gateway S D IA EMBANKMENT H TH Street T R VICTOR IT IO AM M EA E L ES STCHE IN O A O G P M 9 Union Projects S A Tower Hill L 22 Fashion and Textile Museum TR I G A C E N Monument T OY A Bankside Gallery ET I L T R 10 T K D L S O K S I W R S 11 Jerwood Space M E W R T FREE A U E E I I ST R D S G Y G R TR GHWA N K A E THE HI F LO ET D Theatres D R W W N I E I K R T Y E A H R A R M C E B 12 Southwark Playhouse L E S B B W ST L R A EE I Bankside G T 13 Union Theatre L 5 mins H D T D L B M Pier I E FIE E A 14 Shakespeare's Globe U R The Tower S ITH B M G T Shakespeare's O of London S RV1 - Towards The Strand S D Globe I Markets R D 10 B 15 Borough Market R 14 N E 7 O R Tate IV G D E 8 Modern R Hotels D N RV1 £ I T 18 O Mercure London City Bankside Hotel R Lo H 16 L ndon Bridge A B 23 17 The Southwark Rose Hotel 1 4 City Pier ME K u 18 Premier Lodge Hotel S R 24 E A G 2 u D W DU I Cash point 6 5 K R £ H E S T H R B T T ILL 34 iv 5 Southwark Cathedral 17 T ers -
Artfeed Londonbankside & Southwark Sept 11
G F S A R R T D A C OA R J I R Y TY N IN O MA W 'S G RO RO H A O IN D D RD N N B N O EE N GR U S AL R R T T N R D D EE ETH N R B ST D R OL EET R D WELL RD ST RKEN E IGH LE T EL H C A P L HA LBO ONDO G EC O R N S D H N WAL IT OR N L P H OXF E W g EW WG O l N A B TE H T C h j ST S S S OMMER b G artfEeT ed L CAlondoT n baInksidCeH & southwaCrqkIAL ROsept 1i 1 E NN RE B R AD L A O E U p F Temple N S T CH f r C TRE FEN c m k E D K Cannon Street T . I N R F B A W K R L A E R T . I W S A R E B G E I K D A L T G m l D A A G Charing Cross c I D W E a I n E O R a b E R R b R D G R I B S D b E S B G ET I HA L h S E D G f R R R T H R A T D M O a B GGLOBELOBE I a B E K D A S S I S B I TTHEATREHEATRE R S K o R n O R London Bridge N B R Southwark R F G R O A k A Westminster A R IN K T TR SF I S E R ET E O p Waterloo W P N j C E R B D B JAM RotherhitheN D S W A H W i AI O M TRE C L T O U E R A H O T G R E H B R Bermondsey O S U T LIZ q I Borough D AD o ABE WEST D T O T MI L H NS E E S TER N S T A H B G U O Canada Water a r R E O W d ID O L W S O B I G E s E Lambeth North T R e R C J K O t u A R E S LA D O d O D K MBE N u v TH BRID U A A H G N T E H D L SOUTHWARK E w I EW W v N N K EN D B I PARK E A E g T R Surrey Quay G D A w F M x K P e D s C J T R Elephant&Castle A O R RK R E VA O W x G N y U K E V t D K N C E X P N H E L y z A Y A R O H E L L N M T N L D L I z O D H S Kennington B R F M I T K E T I E E ADVANCED GRAPHG ICS LONDON www.cgpNlondon.org H G N R T T N t 020 7237 1230 O I W a32 TLHong Lane, SE1 4AY (opp Borough D R R D E N A O E O A TubeA) O N Y R D V L AN DILSTON GROVE TheO Gallery will reoEpen on Sep 20. -
Eileen Cooper Showing Off Eileen Cooper Showing Off 2011 Working with Eileen Cooper Over a Combined Period of Twenty Three Years Has Been an Adventure
Eileen Cooper Showing Off Eileen Cooper Showing Off 2011 Working with Eileen Cooper over a combined period of twenty three years has been an adventure. Above all, it has been a pleasurable and rewarding experience, marked by firm friendship, and based on mutual professional trust and respect. During that time, London has become a global art world hub and the number of contemporary art galleries today is more than double that in 1988, when Cooper had her first exhibition at the Benjamin Rhodes Gallery in New Burlington Place. She has been represented by Art First since 1997 and we are very pleased to present her first solo exhibition in the new Art First space in Fitzrovia, at the moment when she takes up her post as Keeper of the Royal Academy. This is a notable appointment in its own right, but it is also an historical break-through because Cooper is the first woman Officer ever to be elected since Sir Joshua Reynolds founded the Academy in 1768. We would like to congratulate Eileen Cooper on her achievement, and to thank her for the many introductions to young graduates whom she has taught, as well as other artists we have been delighted to work with. Cooper has been generous towards her peers over the decades and strongly supportive of those starting out in their careers. In this spirit she brings to the Keepership an exciting fresh focus, and we both look forward to the years to come. Clare Cooper and Benjamin Rhodes Directors, Art First September 2011 The Idealist 2011, pencil on paper, 70.5 x 50 cm Jeanette Winterson was the Speaker at the This brooding business and the hinted horrors of numbness and indifference.