Toy Story 3 :: Rogerebert.Com :: Reviews 10-07-07 4:45 PM
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Introducing the 10Th Annual Michigan Contractor of the Year (Mcoy) Nominees John Ratzenberger Our Top Sponsors
INTRODUCING THE 10TH ANNUAL MICHIGAN CONTRACTOR OF THE YEAR (MCOY) NOMINEES On October 17, 2019, the American Subcontractors Association of Michigan (ASAM) 2019 MCOY KEYNOTE SPEAKER: will be celebrating the 10th Annual MCOY Award Gala at Frederik Meijer Gardens & JOHN RATZENBERGER Sculpture Park. MCOY recognizes Michigan’s general contractors and construction managers with a track record of best practices, professionalism, and collaboration You may know John Ratzenberger from within the subcontracting community. Cheers, where he played the mailman, Cliff Clavin, or from his appearances in major films such as Superman and ASAM IS PLEASED TO ANNOUNCE THIS YEAR’S MCOY AWARD NOMINEES: The Empire Strikes Back. To a younger • The Christman Company • First Companies, Inc. generation, John is known as the only • Dan Vos Construction Company • Owen-Ames-Kimball Co. actor to voice a character in every Pixar • Elzinga & Volkers, Inc. • Pioneer Construction movie, including ‘Hamm the Pig’ in the • Erhardt Construction • Rockford Construction Toy Story franchise. John is an outspoken advocate for manufacturing and skilled ASAM members will vote to determine which of these nominees will take labor, working tirelessly to shine a light home the coveted award. Nominees will be scored on the following criteria: on the importance of manufacturing and trades, and working bid ethics & practices, safety, jobsite supervision, communication, schedule with legislators to bring back trades training in schools and build coordination, project relations, administrative procedures, payment terms, apprentice programs. and quality workmanship. For more information about ASAM and MCOY, please visit ASAMichigan.net. OUR TOP SPONSORS:. -
Millie. Off-Broadway, She Starred in a Coupla' White Chicks Sittin Around
‘OUR FIRST CHRISTMAS’ CAST BIOS DIXIE CARTER (Evie Baer) – Emmy ®-nominated actress Dixie Carter is one of America’s most beloved entertainers. A proud daughter of Tennessee, Carter has arguably created some of the most memorable strong Southern female characters in television history. Her celebrated portrayal of the daring design darling Julia Sugarbaker on the long-running hit series “Designing Women” made her instantly recognizable. The series also allowed the producers to showcase her formidable vocal talents, a gift she continues to share with her fans through sold-out concerts across the country. Carter has starred in no less than six television series, most recently as attorney Randi King on CBS’s “Family Law.” She is also a frequent guest-star on television’s most popular shows. In 2007, Carter received an Emmy ® Award nomination for her guest-starring role as Gloria Hodge on ABC’s “Desperate Housewives.” Carter is no stranger to the Great White Way, first gracing the Broadway stage in Sextet in 1974, followed by Pal Joey in 1976. More recent Broadway turns include her triumphant Maria Callas in Terrence McNally’s Master Class , for which she earned stellar reviews and consistently garnered standing ovations. Carter returned to Broadway to smashing success in 2004 as corrupt, funny landlady Mrs. Meers in the Tony Award-winning musical Thoroughly Modern Millie . Off-Broadway, she starred in A Coupla’ White Chicks Sittin Around Talkin’ and at the New York Public Theatre in Taken in Marriage, Fathers and Sons (Drama Desk Award) and Jesse and the Bandit Queen , for which she won a Theatre World Award. -
197 F.3D 1284 United States Court of Appeals, Ninth Circuit. George
197 F.3d 1284 United States Court of Appeals, Ninth Circuit. George WENDT, an individual; John Ratzenberger, an individual, Plaintiffs- Appellants, v. HOST INTERNATIONAL, INC., a Delaware corporation, Defendant-Appellee, and Paramount Pictures, Corporation, a Delaware corporation, Defendant-Intervenor. No. 96-55243. Dec. 28, 1999. Before: FLETCHER and TROTT, Circuit Judges, and JENKINS, [FN1] District Judge. FN1. Honorable Bruce S. Jenkins, Senior United States District Judge for the District of Utah, sitting by designation. Order; Dissent by Judge KOZINSKI. Prior Report: 125 F.3d 806 ORDER The panel has voted to deny the petition for rehearing. Judge Trott voted to reject the petition for rehearing en banc and Judges B. Fletcher and Jenkins so recommend. The full court was advised of the petition for rehearing en banc. An active Judge requested a vote on whether to rehear the matter en banc. The matter failed to receive a majority of the votes in favor of en banc consideration. Fed. R.App. P. 35. The petition for rehearing is denied and the petition for rehearing en banc is rejected. *1285 KOZINSKI, Circuit Judge, with whom Judges KLEINFELD and TASHIMA join, dissenting from the order rejecting the suggestion for rehearing en banc: Robots again. In White v. Samsung Elecs. Am., Inc., 971 F.2d 1395, 1399 (9th Cir.1992), we held that the right of publicity extends not just to the name, likeness, voice and signature of a famous person, but to anything at all that evokes that person's identity. The plaintiff there was Vanna White, Wheel of Fortune letter-turner extraordinaire; the offending robot stood next to a letter board, decked out in a blonde wig, Vanna-style gown and garish jewelry. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
Acknowledgements
Acknowledgements Analysing scripts – A guide Document Image Acknowledgements Resource 1 Attack the Attack the Block Joe Cornish http://bit.ly/2uU3R6Y Block Script script by Joe Cornish pdf Resource 2: Label the Juno script by Diablo Cody http://bit.ly/2halRkW script elements in Juno Diablo Cody and Resource 3: Add shots and transitions to Juno Writing Openings Document Image Acknowledgements Resource 1: Effective Beasts of the Lucy Alibar and Benh Zeitlin opening techniques Southern Wild http://bit.ly/2uUTXBK script Resource 1: Effective Blade Runner Hampton Fancher and David Peoples opening techniques script http://bit.ly/2lgVOMj Resource 1: Effective Whiplash script Damien Chazelle http://bit.ly/14AgxBJ opening techniques Resource 1: Effective Rear Window John Michael Hayes based on a short story opening techniques script by Cornell Woolrich http://bit.ly/2whHBU3 Resource 1: Effective Raiders of the Lawrence kasdan and George Lucas opening techniques Lost Ark script http://bit.ly/2veMwrP Resource 1: Effective Apocalypse Now John Milius and Francis Coppola opening techniques script http://bit.ly/2whxwpZ Resource 2 Narrative The Hurt Locker Mark Boal and Kathryn Bigelow techniques script http://bit.ly/2vpfxle Resource 5 Writing the Images/stills from Seymour Films and Red & Black Films opening to a horror film Don't Knock twice 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] Developing characters Document Image Acknowledgements Resource 1 Plutchik's Wheel Robert Plutchick Development dialogue of Emotion. -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
"Little Miss Sunshine"
FOX SEARCHLIGHT PICTURES In association with Big Beach Present A Dayton/Faris Film A Big Beach/Bona Fide Production GREG KINNEAR TONI COLLETTE STEVE CARELL PAUL DANO with ABIGAIL BRESLIN and ALAN ARKIN Directed by...................................................................JONATHAN DAYTON & .....................................................................................VALERIE FARIS Written by ....................................................................MICHAEL ARNDT Produced by .................................................................ALBERT BERGER & .....................................................................................RON YERXA .....................................................................................MARC TURTLETAUB .....................................................................................DAVID T. FRIENDLY .....................................................................................PETER SARAF Executive Producers.....................................................JEB BRODY .....................................................................................MICHAEL BEUGG Director of Photography ..............................................TIM SUHRSTEDT, A.S.C. Production Design by...................................................KALINA IVANOV Edited by......................................................................PAMELA MARTIN Costumes Designed by.................................................NANCY STEINER Music Composed by ....................................................MYCHAEL -
Page 1 1 ALL in the FAMILY ARCHIE Bunker Emmy AWARD
ALL IN THE FAMILY ARCHIE Bunker Based on the British sitcom Till MEATHEAD Emmy AWARD winner for all DEATH Us Do Part MIKE Stivic four lead actors DINGBAT NORMAN Lear (creator) BIGOT EDITH Bunker Archie Bunker’s PLACE (spinoff) Danielle BRISEBOIS FIVE consecutive years as QUEENS CARROLL O’Connor number-one TV series Rob REINER Archie’s and Edith’s CHAIRS GLORIA (spinoff) SALLY Struthers displayed in Smithsonian GOOD Times (spinoff) Jean STAPLETON Institution 704 HAUSER (spinoff) STEPHANIE Mills CHECKING In (spinoff) The JEFFERSONS (spinoff) “STIFLE yourself.” “Those Were the DAYS” MALAPROPS Gloria STIVIC (theme) MAUDE (spinoff) WORKING class T S Q L D A H R S Y C V K J F C D T E L A W I C H S G B R I N H A A U O O A E Q N P I E V E T A S P B R C R I O W G N E H D E I E L K R K D S S O I W R R U S R I E R A P R T T E S Z P I A N S O T I C E E A R E J R R G M W U C O G F P B V C B D A E H T A E M N F H G G A M A L A P R O P S E E A N L L A R C H I E M U L N J N I O P N A M R O N Z F L D E I D R E D O O G S T I V I C A E N I K H T I D E T S A L L Y Y U A I O M Y G S T X X Z E D R S Q M 1 84052-2 TV Trivia Word Search Puzzles.indd 1 10/31/19 12:10 PM THE BIG BANG THEORY The show has a science Sheldon COOPER Mayim Bialik has a Ph.D. -
Rick Ludwin Collection Finding
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter