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The Benefits of Solar Power
The Benefits of Solar Power and the future possibilities for Wyckoff By: Camille Dash What is Solar Power and how does it work? 2 Solar Energy ⊷ Solar energy harnesses the energy from the sun, and transforms it into power that can be used by humans 3 Solar Cells/PV ⊷ Photovoltaic cells, or solar panels are the more widely known method of harnessing solar energy ⊷ PV cells are made of semi-conductive material (usually silicon), and when the sunlight hits the solar cells, some electrons are released from their atoms and flow through the material, generating electricity. 4 Solar-Thermal Power Plants ⊷ On a larger scale, these power plants concentrate heat from the sun to use as a power source ⊷ The heat boils water, which drives a steam turbine to create electricity (similar to coal or nuclear power plants) 5 Benefits of Solar Panels Environmental, Health and Financial 6 Environmental Benefits of switching to solar power 7 Environmental Benefits ⊷ Compared to the way Americans manufacture the majority of electricity, through burning coal and natural gas, VS. solar power is green and abundant ⊷ The amount of energy from the sun that reaches Earth in one hour is enough to power the world for one year 8 Environmental Benefits ⊷ Switching to solar helps the fight against climate change, as it doesn’t put carbon dioxide into the atmosphere like burning fossil fuels does ⊷ Clean energy 9 Environmental Benefits According to US In NY, switching to Energy Information solar would eliminate Administration, the the amount of average CT home uses emissions -
Pangaia #47 1 BBIMEDIA.COM CRONEMAGAZINE.COM SAGEWOMAN.COM WITCHESANDPAGANS.COM
Autumn ’07 PanGaia #47 1 BBIMEDIA.COM CRONEMAGAZINE.COM SAGEWOMAN.COM WITCHESANDPAGANS.COM Magazines that feed your soul and liven your spirits. Navigation Controls Availability depends on reader. Previous Page Toggle Next Page Bookmarks First Page Last Page ©2010 BBI MEDIA INC . P O BOX 678 . FOREST GROVE . OR 97116 . USA . 503-430-8817 PanGaia: A Pagan Journal for Thinking People SPECIAL SECTION: DREAMS & VISIONS Dreamweavings: Craft Your Own Magical Talismans People have long made magical dreaming talismans: they weave fabric with mystical patterns; dry fragrant herbs to soothe and comfort; collect stones as sources of power. They twist sinew, thread, and limber twigs into fanciful shapes. In this article, you’ll learn how (and why) to make dreamcatchers and dream pillows. By Elizabeth Barrette … 29 Living in Dreamtime Australia has been a land apart for hundreds of thousands of years. An island continent of vast red deserts, shady eucalyptus groves, meandering rivers, high plains, coastal swamps, and turquoise oceans, her indigenous people know her very, very well. In their lore, they have always been there, traveling across sacred landscapes alive with songs and sto- ries that tell where to hunt and camp, what to eat, where to find water, who to marry, how to care for children and family, and how to honor the Ances- tors. On each step of the journey, the Ancestors of the Dreamtime guide their footsteps. By Mary Pat Mann … 37 Introduction to Lucid Dreaming: Let Your Imagination Take Flight Each night, we lay down our heads and pass into unconsciousness. Although everyone sleeps, (and dreams), few of us make conscious connections be- tween the world of dreams and that of waking real- ity. -
Selling the Sun: Establishing Value for Solar PV Homes
Selling the Sun: Establishing Value for Solar PV Homes August 2, 2017 i Contents Selling the Sun: Establishing Value for Solar PV Homes ................................................................................ i Introduction ................................................................................................................................................. vi Disclaimer................................................................................................................................................. vi Acknowledgements .................................................................................................................................. vi Welcome ................................................................................................................................................... - 8 - Solar for the Real Estate Professionals ................................................................................................. - 9 - Center of the Transaction ................................................................................................................. - 9 - A Note about Terminology .................................................................................................................... - 9 - Structure of the Class .......................................................................................................................... - 10 - What You Will Learn ...................................................................................................................... -
2021-2022 Gold Book
2021-2022 GOLD BOOK Your Guide to the First Year 315 Coffman Memorial Union 612-624-1979 or 800-234-1979 [email protected] ote.umn.edu If you need anything during your transition, we are here to help. Partners in transitioning to college life: Orientation & Transition Experiences and you The mission of Orientation & Transition Experiences is to provide high quality, dynamic experiences that cultivate community while empowering students to champion their development and leverage campus resources. Our goals are to help students understand their transition and how to thrive during it, communicate academic expectations and pathways, share information on how to navigate resources, foster community, and convey the importance of student engagement. Orientation & Transition Experiences will be a constant in your first two years at the University of Minnesota—long after you have completed Orientation and experienced Welcome Week. This publication will answer your questions and help you navigate the vast resources on campus. Use Gold Book into your first semester to ensure a successful first year at the University. Welcome to the University of Minnesota and Orientation Here it is—your first college book! It has many authors: People from more than 50 departments across campus contributed to it with the hope that any information you learn now about the University of Minnesota Twin Cities will help make your transition to college life a smooth one. This book is designed in sections to support At the end of most sections you will find a your transition—Life at the U of M, Learning list of reminders—things that you should at the U of M, and Your Next Steps. -
2019BEGINNING on PAGE 16 Thank You Dr
DRIVEDRIVE 20192019BEGINNING ON PAGE 16 Thank You Dr. Pounders for 30 years of Proudly serving the DFW LGBTQ community! Erin Simms, FNP-C / Steven M. Pounders, MD / Chad Nyland, DO D. Trew Deckard, PA-C, MHS / Cameron Wyatt, FNP-C / Chad Crager, FNP-C PRIMARY CARE HIV SPECIALISTS ASK GENDER AFFIRMATION COSMETIC PROCEDURES ABOUT Concierge Medicine offered PrEP! by Steven M. Pounders, MD GIVE US A CALL TODAY TO SCHEDULE YOUR APPOINTMENT! 214.520.8833 / 3500 Oak Lawn, Ste. 600 / DrPounders.com 2 dallasvoice.com █ 11.08.19 toc11.08.19 | Volume 36 | Issue 27 8 headlines █ TEXAS NEWS 8 Pounders celebrates 30 years 10 ‘Straight Pride’ march set 12 LGBT candidates claim victories Employment █ LIFE+STYLE Discrimination Lawyer 16 AUTO: New and hot in 2020 17 AUTO: style for under $20K 16 20 AUTO: Sexy crossovers Law Office of 22 AUTO: Fuel-efficient trucks Rob Wiley, P.C. █ ON THE COVER DRIVE! Design by Kevin Thomas 214-528-6500 • robwiley.com 2613 Thomas Ave., Dallas, TX 75204 22 departments 6 The Gay Agenda 25 Best Bets 8 News 28 Cassie Nova Style 15 Voices 29 Scene Defined! 16 Life+Style 34 MarketPlace We hate to drop names, but... • Brioni • Bottega Venetta • Caviar • Cartier • Cazal • Celine • Dior • Dolce and Gabanna • Fendi • Fred Lunettes • Miu Miu • Tom Ford • Tom Ford Private Label • Iyoko Inyake • Lara D’ Essedue • Onirico • Nannini • Ziggy • Pomellato • Gucci Smashing High Prices! OFF Open 7 days a week. FRAMES Onsite lab and Optometrist. 3430 Oak Lawn Ave The Largest Selection of Cabinets, Doors, 15% @ Lemmon Ave Vanities and Tubs in the DFW Area OFF LENSES 214-526.6006 Save 40% - 60% Fashionopticaldallas.com mgianni.com 2610 West Miller Rd • Garland • 972-926-0100 15% Present your Partners Card We accept EyeMed, VSP, Spectra, United Health Care, 5832 E. -
Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19
COMUNICADO DE IMPRENSA 02 / 04 / 2019 NOS apresenta dia 12 de julho PRIMAL SCREAM JUNTAM-SE AO CARTAZ DO NOS ALIVE'19 Os escoceses Primal Scream são a mais recente confirmação do NOS Alive’19. A banda liderada por Bobby Gillespie, figura incontornável da música alternativa, sobe ao Palco NOS dia 12 de julho juntando-se assim aos já anunciados Vampire Weekend, Gossip e Izal no segundo dia do festival. Com mais de 30 anos de carreira, Primal Scream trazem até ao Passeio Marítimo de Algés o novo álbum com data de lançamento previsto a 24 de maio, “Maximum Rock N Roll: The Singles”, trabalho que reúne os singles da banda desde 1986 até 2016 em dois volumes. A compilação começa com “Velocity Girl”, passando por temas dos dois primeiros álbuns como são exemplo "Ivy Ivy Ivy" e "Loaded". A banda que tinha apresentado em outubro de 2018 a mais recente compilação de singles originais do quarto álbum de 1994 com “Give Out But Don’t Give Up: The Original Memphis Recordings”, juntando-se ao lendário produtor Tom Dowd, a David Hood (baixo) e Roger Hawkins (bateria) no Ardent Studios em Memphis, está de volta às gravações e revelam algo nunca antes ouvido e uma banda que continua a surpreender. Primal Scream foi uma parte fundamental da cena indie pop dos anos 80, depois do galardoado disco "Screamadelica" vencedor do Mercury Prize em 1991, considerado um dos maiores de todos os tempos, a banda seguiu por influências de garage rock e dance music até ao último trabalho discográfico “Chaosmosis” lançado em 2016. -
Wiseman-Trowse20134950
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Book Section Title: The singer and the song: Nick Cave and the archetypal function of the cover version Creators: Wiseman-Trowse, N. J. B. R Example citation: Wiseman-Trowse, N. J. B. (2013) The singer and the song: Nick Cave and the archetypal function oAf the cover version. In: Baker, J. (ed.) The Art of Nick Cave: New Critical Essays. Bristol: Intellect. pp. 57-84. T Version: Final draft C NhttEp://nectar.northampton.ac.uk/4950/ The singer and the song: Nick Cave and the archetypal function of the cover version Nathan Wiseman-Trowse The University of Northampton A small proscenium arch of red light bulbs framing draped crimson curtains fills the screen. It is hard to tell whether the ramshackle stage is inside or outside but it appears to be set up against a wall made of corrugated metal. All else is black. The camera cuts to a close-up of the curtains, which are parted to reveal a pale young man with crow’s nest hair wearing a sequined tuxedo and a skewed bow tie. The man holds a lit cigarette and behind him, overseeing proceedings, is a large statue of the Virgin Mary. As the man with the crow’s nest hair walks fully through the arch he opens his mouth and sings the words ‘As the snow flies, on a cold and grey Chicago morn another little baby child is born…’. The song continues with the singer alternately shuffling as if embarrassed by the attention of the camera and then holding his arms aloft in declamation or fixing the viewer with a steely gaze. -
Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Believarexic.Pdf
Young adult / fiction www.peachtree-online.com be • bulimarexic believarexic n. bu be • lim • liev • a • rex • ic liev Someone with an eating human disorder marked by an alternation between intense craving for and aversion ood belief in oneself. • to f a • rex H “Compelling and authentic, this story is impossible to put down. Believarexic is a raw, memorable reading experience.” • —Booklist ic “A powerful story of healing and self-acceptance.” —Kirkus Reviews 978-1-68263-007-5 $9.95 be•liev•a•rex•ic Believarexic TPB cover for BEA.indd 1 4/20/17 12:55 PM be•liev•a•rex•ic For Sam— We all have monsters. May yours be a friendly, loyal luck dragon who will fly you in the direction of your dreams. Published by PEACHTREE PUBLISHERS 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2015 by J. J. Johnson All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Design and composition by Nicola Simmonds Carmack Printed May 2015 in Harrisonburg, VA, by R. R. Donnelley 10 9 8 7 6 5 4 3 2 1 First Edition Library of Congress Cataloging-in-Publication Data Johnson, J. J., 1973- Believarexic / JJ Johnson. pages cm ISBN 978-1-56145-771-7 Summary: An autobiographical novel in which fifteen-year-old Jennifer Johnson con- vinces her parents to commit her to the Eating Disorders Unit of an upstate New York psychiatric hospital in 1988, where the treatment for her bulimia and anorexia is not what she expects. -
Words Without Pictures
WORDS WITHOUT PICTURES NOVEMBER 2007– FEBRUARY 2009 Los Angeles County Museum of Art CONTENTS INTRODUCTION Charlotte Cotton, Alex Klein 1 NOVEMBER 2007 / ESSAY Qualifying Photography as Art, or, Is Photography All It Can Be? Christopher Bedford 4 NOVEMBER 2007 / DISCUSSION FORUM Charlotte Cotton, Arthur Ou, Phillip Prodger, Alex Klein, Nicholas Grider, Ken Abbott, Colin Westerbeck 12 NOVEMBER 2007 / PANEL DISCUSSION Is Photography Really Art? Arthur Ou, Michael Queenland, Mark Wyse 27 JANUARY 2008 / ESSAY Online Photographic Thinking Jason Evans 40 JANUARY 2008 / DISCUSSION FORUM Amir Zaki, Nicholas Grider, David Campany, David Weiner, Lester Pleasant, Penelope Umbrico 48 FEBRUARY 2008 / ESSAY foRm Kevin Moore 62 FEBRUARY 2008 / DISCUSSION FORUM Carter Mull, Charlotte Cotton, Alex Klein 73 MARCH 2008 / ESSAY Too Drunk to Fuck (On the Anxiety of Photography) Mark Wyse 84 MARCH 2008 / DISCUSSION FORUM Bennett Simpson, Charlie White, Ken Abbott 95 MARCH 2008 / PANEL DISCUSSION Too Early Too Late Miranda Lichtenstein, Carter Mull, Amir Zaki 103 APRIL 2008 / ESSAY Remembering and Forgetting Conceptual Art Alex Klein 120 APRIL 2008 / DISCUSSION FORUM Shannon Ebner, Phil Chang 131 APRIL 2008 / PANEL DISCUSSION Remembering and Forgetting Conceptual Art Sarah Charlesworth, John Divola, Shannon Ebner 138 MAY 2008 / ESSAY Who Cares About Books? Darius Himes 156 MAY 2008 / DISCUSSION FORUM Jason Fulford, Siri Kaur, Chris Balaschak 168 CONTENTS JUNE 2008 / ESSAY Minor Threat Charlie White 178 JUNE 2008 / DISCUSSION FORUM William E. Jones, Catherine -
Latin Derivatives Dictionary
Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine. -
An Access-Dictionary of Internationalist High Tech Latinate English
An Access-Dictionary of Internationalist High Tech Latinate English Excerpted from Word Power, Public Speaking Confidence, and Dictionary-Based Learning, Copyright © 2007 by Robert Oliphant, columnist, Education News Author of The Latin-Old English Glossary in British Museum MS 3376 (Mouton, 1966) and A Piano for Mrs. Cimino (Prentice Hall, 1980) INTRODUCTION Strictly speaking, this is simply a list of technical terms: 30,680 of them presented in an alphabetical sequence of 52 professional subject fields ranging from Aeronautics to Zoology. Practically considered, though, every item on the list can be quickly accessed in the Random House Webster’s Unabridged Dictionary (RHU), updated second edition of 2007, or in its CD – ROM WordGenius® version. So what’s here is actually an in-depth learning tool for mastering the basic vocabularies of what today can fairly be called American-Pronunciation Internationalist High Tech Latinate English. Dictionary authority. This list, by virtue of its dictionary link, has far more authority than a conventional professional-subject glossary, even the one offered online by the University of Maryland Medical Center. American dictionaries, after all, have always assigned their technical terms to professional experts in specific fields, identified those experts in print, and in effect held them responsible for the accuracy and comprehensiveness of each entry. Even more important, the entries themselves offer learners a complete sketch of each target word (headword). Memorization. For professionals, memorization is a basic career requirement. Any physician will tell you how much of it is called for in medical school and how hard it is, thanks to thousands of strange, exotic shapes like <myocardium> that have to be taken apart in the mind and reassembled like pieces of an unpronounceable jigsaw puzzle.