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Facultad De Artes Carrera De Artes Visuales La Libre Asociación Como

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Facultad De Artes Carrera De Artes Visuales La Libre Asociación Como Facultad de Artes Carrera de Artes Visuales La libre asociación como recurso creativo en la composición de una obra visual en la contemporaneidad. Trabajo de titulación previo a la obtención del título de Licenciado en Artes Visuales. Autor: Jhonatan Andrés Medina Rivera CI: 010508116-0 Correo electrónico: [email protected] Director: Mgtr. Bernardo Martín Vega Durán CI: 010289737-8 Cuenca, Ecuador 08-enero-2020 Resumen: El presente trabajo trata sobre la Libre Asociación o Automatismo en la producción de imágenes y obras visuales en la contemporaneidad, adaptando esta metodología no premeditada, llevada a una superficie subjetiva por parte del autor de la obra; tomando como base el surrealismo y aplicándolo al sentido actual mediante la incorporación de elementos estéticos propios del desarrollo de tendencias artísticas y subculturas actuales. La libertad creativa de este procedimiento valúa al proceso como experiencia o acción poética. Palabras claves: Arte. Libre asociación. Automatismo. Libertad. Creatividad. 2 Jhonatan Andrés Medina Rivera Abstract: The present work that deals with the Free Association or Automatism in the production of images and visual Works in the contemporaneity, adpating this unpremeditated methology taken to a subjective surface by the autor of a work; taking as a base the surrealism and applying it to the real sense throught the incorporation of aesthetic elements of the development of current artistic trends and subcultures. The creative freedom of this procedure values the process as experience or poetic action. Keywords: Art. Free association. Automatism. Freedom. Creativity. 3 Jhonatan Andrés Medina Rivera Índice del Trabajo Líneas de investigación artística, creación y producción de la Facultad de Artes. ............................................. 9 Sublíneas de Investigación de la Carrera en Artes Visuales. ............................................................................ 10 Introducción ..................................................................................................................................................... 13 CAPÍTULO I .................................................................................................................................................... 15 Libre Asociación. ............................................................................................................................................. 15 1.1 Libre Asociación, argumento y contexto. ............................................................................................... 15 1.2 Pintura y Libre Asociación. .................................................................................................................... 16 1.2.1 Lowbrow o Surrealismo Pop. .......................................................................................................... 19 1.3 Imagen y posibilidad. ............................................................................................................................. 24 1.4 Valor Poético en la libre Asociación. ..................................................................................................... 25 1.4.1 Consideraciones para el ejercicio de la Libre Asociación. .............................................................. 29 1.4.2 Consideraciones para el uso y desarrollo del Método de Libre Asociación. ................................... 31 I.5 Referentes visuales y artísticos. .............................................................................................................. 34 1.5.1 Referente Mark Ryden para la producción de la obra. .................................................................... 39 1.6 Elemento de sugestión: Cubo. ................................................................................................................ 40 CAPÍTULO II................................................................................................................................................... 44 Desarrollo de la obra o producto artístico......................................................................................................... 44 2.1 Elaboración del cubo y pedestales. ......................................................................................................... 44 2.2 Intervención pictórica en las superficies del cubo. ................................................................................. 45 2.2.1 Cara Uno, proceso y análisis ........................................................................................................... 47 2.2.2 Cara Dos, proceso y análisis. ........................................................................................................... 52 2.2.3 Cara Tres, proceso y análisis. .......................................................................................................... 59 2.2.4 Cara Cuatro, proceso y análisis. ...................................................................................................... 64 2.2.5 Cara Cinco, proceso y análisis. ........................................................................................................ 69 II.2.6 Cara Seis, proceso y análisis. .......................................................................................................... 73 4 Jhonatan Andrés Medina Rivera CAPÍTULO III ................................................................................................................................................. 77 Resultados. ....................................................................................................................................................... 77 3.2 Conceptualización .................................................................................................................................. 79 3.2.1 Cubo: ser, alteridad y transferencia. ............................................................................................... 79 3. 3 Exposición de la Obra ........................................................................................................................... 80 Conclusiones .................................................................................................................................................... 86 Recomendaciones ............................................................................................................................................. 88 Fuentes de Consulta: ........................................................................................................................................ 89 Anexos:............................................................................................................................................................. 92 Glosario de Términos. ...................................................................................................................................... 93 Índice de imágenes. Imagen 1 Juxtapoz No. 131 Dic. 11 ................................................................................................................. 17 Imagen 2 Portada de la Revista MAD 2010. No. 503 Autor: Alfred Lee Newman .......................................... 20 Imagen 3 Five o´clock shadows in Disney-Daliland. Autor: Todd Schorr (1996) Acrílico sobre Lienzo, 30x40 pulgadas. ................................................................................................................................................ 21 Imagen 4 Diseños para tatuajes vieja escuela. Autor: Norman Keith Collins Sailor Jerry. ............................. 21 Imagen 5 Nido de Búho, obra de Jesse Smith Tattoo ....................................................................................... 22 Imagen 6 Astro Boy Companion de Brian Donelly Kaws (2013) ..................................................................... 22 Imagen 7 Publicidad para Pow! Wow! Hawaii, 2018. Autor: Jasper Wong .................................................... 23 Imagen 8 Into the valley of finks and weirdos (2003) Todd Schorr, Acrílico en Lienzo 60x84”. .................... 23 Imagen 9 Saint Barbie. (1994) Mark Ryden, óleo en tela. ............................................................................... 24 Imagen 10 I´ts in the air 2012. Óleo lienzo. Ali Banisadr. ............................................................................... 34 Imagen 11 Noble Woman 2017. Óleo lienzo 12”x16” Marion Peck. ............................................................... 35 Imagen 12 Ophelia 2014. Óleo en madera 14”x14” Kari-lise Alexander. ...................................................... 35 Imagen 13 #monalisa2018. Óleo en lienzo 48”x36” Alex Gross. .................................................................... 36 Imagen 14 Baciami Ancora 2019. Pintura Marco Battaglini ............................................................................ 36 Imagen 15 Calamity 2010. Edición de 20. Ray Caesar .................................................................................... 37 Imagen 16 Always 2011. Óleo lienzo 18x24” Rex Van Minnen ...................................................................... 37 Imagen 17 The Triptych 2012 vidrio, collage, acrílico y resina. 47 "x 213" x 26.5 " Dustin Yellin ................ 38 Imagen 18 Healer's Reverie. 2018. Óleo lienzo, 40" x 56" Adrian Cox .......................................................... 38 Imagen 19 My Specialty is Special Tea 2015. 48”x45” Acrílico lienzo Greg Craola Simkins. ......................
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