20Th-Century Repertory
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Johannes Brahms String Sextets Mp3, Flac, Wma
Johannes Brahms String Sextets mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: String Sextets Country: Netherlands Released: 2008 Style: Romantic MP3 version RAR size: 1253 mb FLAC version RAR size: 1833 mb WMA version RAR size: 1435 mb Rating: 4.2 Votes: 528 Other Formats: VOC DMF TTA RA MP1 MOD WMA Tracklist String Sextet No. 1 In B Flat Major Op. 18 1 Allegro Ma Non Troppo 15:15 2 Andante, Ma Moderato 9:32 3 Scherzo, Allegro Molto 3:07 4 Rondo, Poco Allegretto E Grazioso 10:22 String Sextet No. 2 In G Major Op. 36 5 Allegro Non Troppo 14:42 6 Scherzo, Allegro Non Troppo, Presto Giocoso 7:11 7 Poco Adagio 9:05 8 Poco Allegro 8:30 Companies, etc. Licensed From – CRD Records Credits Cello – David Smith Cello [With] – Moray Welsh Composed By – Johannes Brahms Engineer – Bob Auger Ensemble – Alberni Quartet* Producer – Simon Lawman Viola – Berian Evans Viola [With] – Roger Best Violin – Howard Davis , Peter Pople Notes This CD is not an individual release, this is the CD#19 of the 60 CD box set: Complete Works - L'Oeuvre Intégrale - Gesamtwerk. Recording: 1978, London. Licensed from CRD Records, UK. Total time: 77'47. Packaging: cardboard CD wallet. Barcode and Other Identifiers Barcode: 5 028421 554198 Label Code: LC09421 Rights Society: STEMRA SPARS Code: DDD Matrix / Runout: 010101 FMG9355419 @ 1 Mastering SID Code: IFPI LW03 Mould SID Code: IFPI AAHT 9 Related Music albums to String Sextets by Johannes Brahms Beethoven - Quartetto Italiano - Beethoven The Late Quartets Johannes Brahms - Violin Sonatas Ensemble Yehudi Menuhin, Johannes Brahms - String Sextets Nos. -
2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public. -
Ceriani Rowan University Email: [email protected]
Nineteenth-Century Music Review, 14 (2017), pp 211–242. © Cambridge University Press, 2016 doi:10.1017/S1479409816000082 First published online 8 September 2016 Romantic Nostalgia and Wagnerismo During the Age of Verismo: The Case of Alberto Franchetti* Davide Ceriani Rowan University Email: [email protected] The world premiere of Pietro Mascagni’s Cavalleria rusticana on 17 May 1890 immediately became a central event in Italy’s recent operatic history. As contemporary music critic and composer, Francesco D’Arcais, wrote: Maybe for the first time, at least in quite a while, learned people, the audience and the press shared the same opinion on an opera. [Composers] called upon to choose the works to be staged, among those presented for the Sonzogno [opera] competition, immediately picked Mascagni’s Cavalleria rusticana as one of the best; the audience awarded this composer triumphal honours, and the press 1 unanimously praised it to the heavens. D’Arcais acknowledged Mascagni’smeritsbut,inthesamearticle,alsourgedcaution in too enthusiastically festooning the work with critical laurels: the dangers of excessive adulation had already become alarmingly apparent in numerous ill-starred precedents. In the two decades prior to its premiere, several other Italian composers similarly attained outstanding critical and popular success with a single work, but were later unable to emulate their earlier achievements. Among these composers were Filippo Marchetti (Ruy Blas, 1869), Stefano Gobatti (IGoti, 1873), Arrigo Boito (with the revised version of Mefistofele, 1875), Amilcare Ponchielli (La Gioconda, 1876) and Giovanni Bottesini (Ero e Leandro, 1879). Once again, and more than a decade after Bottesini’s one-hit wonder, D’Arcais found himself wondering whether in Mascagni ‘We [Italians] have finally [found] … the legitimate successor to [our] great composers, the person 2 who will perpetuate our musical glory?’ This hoary nationalist interrogative returned in 1890 like an old-fashioned curse. -
W. A. Mozart, Die Entführung 3 Es Darf Hier Nicht Verschwiegen Werden, Dass an Der Aus Dem Serail
W. A . M O Z A R T Die Entführung aus dem Serail The Abduction from the Seraglio KV 384 Herausgegeben von / Edited by Gerhard Croll Urtext der Neuen Mozart-Ausgabe Urtext of the New Mozart Edition Bärenreiter Kassel · Basel · London · New York · Prag TP 311 VORWORT Mit dem Blick auf die ersten anderthalb Jahre vorangetriebene Arbeit ins Stocken kommen Mozarts in Wien (Mai 1781 bis August 1782) und sich dann so lange hinziehen. Zunächst erscheint uns die Entführung wie eingespannt die von Mozart für die Fertigstellung der drei zwischen zwei für Mozart lebensentscheidende Aufzüge mitgeteilten Daten: Daten und Ereignisse: Auf der einen Seite der 30. Juli 1781: Beginn der Arbeit (Brief vom Bruch mit dem Erzbischof, die Befreiung vom 1. August 1781). Salzburger Hofdienst (9. und 10. Mai 1781); auf 22. August 1781: „der erste Ackt von der opera der anderen die Hochzeit mit Constanze Weber ist nun fertig.“ (4. August 1782) und, wenn nicht ein „Bruch“, 7. Mai 1782: Mozart hat der Gräfin Thun den so doch ein Zerwürfnis mit dem Vater und, „2:t Ackt vorgeritten“ (Brief vom 8. Mai nach monatelanger Auseinandersetzung, die 1782). Loslösung von ihm. Schließlich – und das muss 30. Mai 1782: Mozart spielt der Gräfin Thun hier andeutend für den größeren biographi- „den 3:ten Ackt“ vor (Brief vom 29. Mai schen Zusammenhang genügen – fällt in die 1782). letzte Phase der Arbeit an der Entführung die für den Komponisten Mozart so wichtige Be- Anfangs hatte es so ausgesehen, als ob Mozart gegnung mit Musik von Händel und Bach bei die Musik zu dem ihm von Gottlieb Stephanie Gottfried van Swieten. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
4 Protecting the Natural and Cultural Values of the Wadden Sea Coast in the Anthropocene
4 Protecting the natural and cultural values of the Wadden Sea coast in the Anthropocene An urgent call for integration Jens Enemark, Ludwig Fischer and Karsten Reise Abstract A shallow sea and coastal plains constitute a natural entity on the Wadden Sea Coast. A highly dynamic history of natural processes and events as well as human intentions and interventions have shaped this unique region. Today, a divergent course has led to the separation of sea and land. This is based on a deep-rooted nature-culture divide in our mentality. However, this old dualism needs to be overcome, especially on a coast challenged by globalisations and a sea level rise of some metres. An approach that keeps nature protection (the sea), coastal protection (along the shore), and the protection of cultural values (in the landscape) separate from each other is bound to run aground. The natural and cultural sciences should join forces together with societies and policymakers in a transdisciplinary approach, developing new concepts for the protection of natural and cultural diversity and for coastal identity. Keywords: Wadden Sea, nature-culture divide, dualism, Anthropocene, transdisciplinary approach Introduction The last two to three generations have witnessed a fundamental change in the way we approach and interact with the Wadden Sea coast. In the 1960s, the Wadden Sea was under heavy environmental pressure, and land Egberts, Linde & Schroor, Meindert (eds.), Waddenland Outstanding: The History, Landscape and Cultural Heritage of the Wadden Sea Region. Amsterdam: Amsterdam University Press, 2018 doi: 10.5117/9789462986602/ch04 68 JENS ENEMARK, LUDWIG FISCHER AND KARSTEN REISE Figure 4.1 Satellite image taken in 2000-2002 and combined to show low tide conditions everywhere. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
Sarti's Fra I Due Litiganti and Opera in Vienna
John Platoff Trinity College March 18 2019 Sarti’s Fra i due litiganti and Opera in Vienna NOTE: This is work in progress. Please do not cite or quote it outside the seminar without my permission. In June 1784, Giuseppe Sarti passed through Vienna on his way from Milan to St. Petersburg, where he would succeed Giovanni Paisiello as director of the imperial chapel for Catherine the Great. On June 2 Sarti attended a performance at the Burgtheater of his opera buffa Fra i due litiganti il terzo gode, which was well on its way to becoming one of the most highly successful operas of the late eighteenth century. At the order of Emperor Joseph II, Sarti received the proceeds of the evening’s performance, which amounted to the substantial sum of 490 florins.1 Fra i due litiganti, premiered at La Scala in Milan on September 14, 1782, had been an immediate success, and within a short time began receiving productions in other cities. It was performed in Venice under the title I pretendenti delusi; and it was the third opera produced in Vienna by the newly re-established opera buffa company there in the spring of 1783. By the time of Sarti’s visit to the Hapsburg capital a year later, Fra i due litiganti was the most popular opera in Vienna. It had already been performed twenty-eight times in its first season alone, a total unmatched by any other operatic work of the decade. Thus the Emperor’s awarding 1 Link, National Court Theatre, 42 and n. -
Hasseltkunstencentrum Burg . Bo
V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt BELGIE-BELGIQUE P . B . 3500.HASSELT.1 1 2 / 7 4 1 BELGIE BELGIE 3500-HASSELTBURG.BOLLENSTR.54KUNSTENCENTRUM 3500-HASSELTBURG.BOLLENSTR.54KUNSTENCENTRUM A Secret in The Shape Of A Song A The ShapeOf in Secret A vr 16 & za 17 april 2010 + Special guests MICK HARVEY, STEFKAMIL CARLENSandmore! vr 16&za17april2010+SpecialguestsMICKHARVEY, NEW RELEASES / 19’ jaargang / 5X per jaar: jan-maart-mei-juli-okt / editie: jan 2010 Afgiftekantoor: 3500 Hasselt 1 - P 206555 O (US / 2009 / 35 mm / 101’) Cast Max Records, Pepita Emmerichs, James Gandolfini (stem), Forest Whitaker (stem), Paul Dano (stem), Catherine O’Har (stem), Regie > Spike Jonze Max Pfeifer, Madeleine Greaves, Joshua Jay, Ryan Corr e.a. Meer nachtmerie dan droom. Muziek Karen O (Yeah Yeah Yeahs) Een verjaardagsfeest van angst en pijn. & Carter Burwell (No Country For Old Men, A Serious Man...) Een open wonde van gekwetste zielen. (Veto) Where the Wild Things Are vertelt het verhaal van de 8-jarige Max (Max Records), een onstuimige en gevoelige belhamel die zich thuis niet begrepen voelt en ontsnapt... naar daar waar de wilde wezens leven! Max belandt op een eiland waar hij brutale, mysterieuze monsters ontmoet. Hun emoties zijn net zo grillig en onvoorspelbaar als hun acties. De fabelach- tige wezens verlangen wanhopig naar een leider. Wanneer Max met een portie bluf tot hun koning wordt gekroond, belooft hij een rijk te creëren waar iedereen gelukkig kan zijn. Max komt er echter al gauw achter dat het niet zo eenvoudig is om koning te zijn. Zijn relaties blijken ingewikkel- der in elkaar te zitten dan hij had gedacht... -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
4„ the Life and Times of Jonathan
/# "-$./' +}ROBIN WRIGHT, P.14 +# ( -+x~ cascadia REPORTINGREPORTING FFROMROM THE HEARTHEART OFOF CASCADIACASCADIA WHATCOMWHATCOM*SKAGIT*ISLANDISLAND*LOWERLOWER B.C. 10.10.15.08 :::: #42#42, v.03 :: !- *-+*-'.$-4 THE LIFE AND TIMES OF JONATHAN SANTOS,P.24 FUNGAL FORAGING: SHROOMS WITH A VIEW, P.16* FLEET FOXES: MUCH MORE THAN A HAIRY PARODY, P.20 2 CASCADIA WEEKLY #42.03 10.15.08 DO IT 3 MAIL 4 VIEWS 6 CURRENTS 8 WORDS 14 GET OUT 16 STAGE 17 ART 18 MUSIC 20 FILM 24 CLASSIFIEDS 28 FOOD 34 “Best ofBellingham” Thanks forVotingUs formen Austin New Keens forFall New Keens forwomen Napa 600+ Localbusinessestaking actionforahealthycommunity Learn frompeersandlocalexperts. Workshop! ZeroWaste Sign upforthenextToward Interested indevelopingyourownwastereductionstrategy? Cost: Members,$25fornon-members Where: When: What: Calling allbusinesses! for moredetailsand to registerorcall360647-7093 $15forSustainableConnections AchievingZeroWaste Visit: www.sustainableconnections.org/bizdev/tzw Thurs., Nov. 6th,1:30-5pm Thurs.,Nov. BroadwayHall,Bellingham Bay CitySupply RV, Pioneer Ford/Vacationland Northwest Recycling,Samuel’s Furniture, cascadia SEE SKAGIT COUNTY "'..-/$./ SHELLEY MUZYLOWKSI ALLEN’S NEW WORKS 34 COME TO LIFE WHEN “MODERN MENAGERIE” OPENS FOOD OCT. 18 AT LA CONNER’S MUSEUM OF NORTHWEST ART. NEW WORKS BY SONJA BLOMDAHL WILL ALSO 28 A glance at what’s happening this week BE ON DISPLAY CLASSIFIEDS 24 10.15.08 10.19.08 WEDNESDAY SUNDAY ON STAGE ON STAGE Suds: 7:30pm, Walton Theatre Oklahoma: 2pm, Sudden Valley Dance Barn The Passion of Dracula: 7:30pm, Coast Capitol Steel Magnolias: 2pm, Claire vg Thomas Theatre, MUSIC 20 FILM Playhouse, White Rock, B.C. Lynden Dream Science Circus: 2pm and 7pm, 142 Ohio St.