<EF|C Sunday Jsfar
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Classic Film Series
Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Fall 2014/Winter 2015 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film This series explores how film has tackled social conflict, morality, and the perennial struggles between right and wrong that are waged from the highest levels of government to the smallest of local communities. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advanced reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Classic Film Series Film Classic Publication Team: Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Genna Sarnak Assistant Manager of Public Programs | Katelyn Williams 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, NEW-YORK HISTORICAL SOCIETY MUSEUM LIBRARY Don Pollard Don ZanettiLorella Collection of the Supreme Court of the United States Justice in Film Chang Lia Friday, October 17, 7 pm Flower Drum Song | 1961 | 133 min. Judge Denny Chin and distinguished playwright David Henry Hwang introduce this classic adaptation of C. Y. Lee’s novel, where Old World tradition and American romanticism collide in San Joan MarcusJoan Denis Racine Denis Francisco’s Chinatown. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
FILM ESTIMATES Progressive Teachers Will Find Dependable Advice in These Estimates on Current Film Releases
116 THE VIRGINIA TEACHER [Volume 18, No. 5 FILM ESTIMATES Progressive teachers will find dependable advice in these estimates on current film releases. Recognizing that one man's meat may be another man's poison, the National Committee on Current Theatrical Films gives three ratings; A, for discriminating adults; Y, for youth; and C, for children. These estimates are printed by special arrangement with The Educational Screen, Chicago. Carnival in Flanders (La Kermesse Hero- to enrich murderous bully, their overlord in vice. ique) (French prod., English titles) Outstanding Decency thrillingly defeated throughout. Fine costume comedy brings to life imaginary episode example of expert screening of outrageous theme. in 17th Century Flanders. Wives heroically ig- (A) Dep. on taste (Y-C) Utterly unwholesome nore terror-stricken men, turn horror of Spanish Seventh Heaven (James Stewart, Simone Si- invasion into hilarity by feminine methods. Mer- mon) (Fox) Notable re-creation in sound of rily sophisticated masterpiece. famous silent of ten years ago, superior to it in (A) Excellent (Y) Doubtful (C) Beyond them dramatic vigor and pictorial technique if not in Clarence (Roscoe Karns, Eleanor Whitney, charm and sentimental appeal. More strength Eugene Pallette) (Para.) Good screening of than subtlety at times. Stewart's Chico excellent. Tarkington's whimsical story of hero, a timid (A) Excell. (Y) Mature bt. gd. (C) Beyond them and unknown genius, plopped into position with Top of the Town (Doris Nolan, Geo. Murphy) a hysterical family where he becomes invaluable. (Univ.) Frenzied noise, jazz, dance, "music" and Class B, but lively and amusing in action, dialog brainless hilarity in glorified cabaret where life is and character. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Rory Tell Undergraduate Seminar Shifting Attitudes On
Rory Tell Undergraduate Seminar Shifting Attitudes on Masculinity in 1930s American Film Introduction: The interaction between politics and film in the 1930s is at the core of this work. In the thirties, the cultural significance of movies was strengthened by its connection to the political circumstances of the era. The year 1933 acts as a watershed moment: there was a Depression and a New Deal, there was a pre-code cinema (films made after the advent of sound in 1929, but before the enforcement of the Motion Picture Production Code censorship guidelines) and a self- censored cinema (films made during Motion Picture Production Code censorship guidelines), and therein lies the symbolic connection of political history and film. The connection of these events requires further investigation, as film studios were not passive participants of New Deal culture; instead, there was a similar ideological function, and an interchange, between politics and films. In the 1930s, Warner Brothers received worldwide recognition for the movies they had been producing. Harry Warner used his film’s success to expand the company so that by the end of the decade, Warner Bros. owned 51 subsidiary companies, including 93 film exchanges and 525 theaters in 188 American cities. Warner Bros. executives, and in specific, co-head of production and one of the founding members, Jack Warner, supported Franklin Roosevelt and the socially progressive platforms of the New Deal. The Warner brothers worked to help elect Roosevelt in 1932 by staging rallies for him in Los Angeles that they broadcasted over radio stations. They contributed to his campaign with financial and promotional support, and Roosevelt, in turn, promised to make Jack Warner the Los Angeles Chairman of the National Recovery Administration, which turned out to be a key component of Roosevelt’s New Deal. -
Sexism and the Academy Awards
Tripodos, number 48 | 2020 | 85-102 Rebut / Received: 28/03/20 ISSN: 1138-3305 Acceptat / Accepted: 30/06/20 85 Oscar Is a Man: Sexism and the Academy Awards Kenneth Grout Owen Eagan Emerson College (USA) TRIPODOS 2020 | 48 This study analyzes the implicit bias of an to be nominated for a supporting the Academy Awards and Oscar’s his- performance in a Best Picture winner. toric lack of gender equity. While there This research considers these factors, are awards for Best Actor and Actress, identifies potential reasons for them, a comparative analysis of these awards and draws conclusions regarding the and the Best Picture prize reveals that decades of gender bias in the Academy a man is more than twice as likely as a Awards. Further, this study investigates woman to receive an Oscar for leading the dissolution of the Hollywood stu- work in a Best Picture. A man is also dio system and how, though brought nearly twice as likely to be nominated on in part by two of the film industry’s as a leading performer in a Best Pic- leading ladies, the crumbling of that ture winner. Supporting women in Best system ultimately hurt the industry’s Pictures fare a bit better with actual women more than its men. trophies, but, when considering nom- inations, a man is still more than one- Keywords: Oscars, Academy Awards, and-a-half times as likely as a wom- sexism, gender inequity, Best Picture. he Academy Awards have been given out annually for 92 years to, among others, the top actor and actress as voted on by the members of the film T academy. -
Cinema-Booklet-Web.Pdf
1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927. -
The Goodlist Choosing and Using Movies from the Lord’S Side of the Line Compiled by Steven K
The GoodList Choosing and Using Movies from the Lord’s Side of the Line Compiled by Steven K. Jones GUIDING PRINCIPLES FOR MAKING For the strength of youth. “While much entertainment is good, some of it can lead you away WISE MEDIA CHOICES from righteous living. Offensive material is often “All safety, all righteousness, all happiness are on the found in concerts, web sites, movies, music, Lord’s side of the line . All that enriches our lives videocassettes, DVD’s, books, magazines, pictures, and prepares us for eternal joy is on the Lord’s side and other media. Satan uses such entertainment to of the line.”(George Albert Smith, Conference Report, deceive you by making what is wrong and evil look Oct. 1949, 5-6) normal and exciting. It can lead you into thinking that everyone is doing things that are wrong. Learn to Discern Do not attend, view, or participate in entertainment that is vulgar, immoral, violent, or pornographic in Teach the difference. And they shall teach my any way. Do not participate in any entertainment that people the difference between the holy and the in any way presents immorality or violent behavior as profane, and cause them to discern between the acceptable.” (For the Strength of Youth, 17.) unclean and the clean. (Ezekiel 44:23) Apply the Practices of Media Wise Parents Live well within the area of good. “To your right are 1. Hold family councils to decide what your media all the good things that can be done in life. The standards are going to be. -
November 2017
November 2017 Independent Living Lifestyle & Leisure Sunday Monday Tuesday Wednesday Thursday Friday Saturday 10:30 PE Fitness with 10:30 PE Fitness with 10:30 PE Chair Exercise 11:00 PE Chair Yoga and Genesis [AR] 1 Genesis [AR] 2 [AR] 3 Meditation with 4 AE Artistic Expression LL Reminisce Time Melody Tunks [AR] 11:30 11:30 CE Educational 1:00 AE Chorus [SO] [WSC] 1:30 LL Bridge Game [AR] CC Community Connections Trivia [AR] PE 3001 E Oakland Blvd 1:30 LL Bridge Game [AR] 2:00 Tai Chi with Judd 3:00 LL Movie Matinee - Classics "The CE Continuing Education 2:00 CE Documentary "Explore China - 1:30 AE Painting Class [AR] Zisquit [AR] Pink Panther" with David Niven Ft. Lauderdale, FL 33306 Culture & Landmarks" [TH] 3:00 LL Ice Cream Social [CK] 4:30 LL Happy Hour with Grace & Peter Sellers [TH] LL Lifestyle & Leisure LL Reminisce Time [WSC] 754-212-1870 3:00 CC Fromen Hearing Testing [CK] 7:30 LL Evening Movie "Some Azar [SO] 4:00 PE Physical Engagement 7:30 LL Night at the Cinema "The 7:30 LL Evening Movie "The Good like it hot" with Tony 7:30 LL Evening Movie "Breezy" Earth" with Paul Muni & Luise Bachelors" with J.K. Simmons SS Spiritual Support Curtis & Marilyn with William Holden & & Julie Delpy [TH] Rainer [TH] Monroe [TH] Kay Lenz [TH] Daylight Saving Time Begins 10:30 PE Morning Warm Up Election Day 10:30 PE Fitness with Genesis 10:00 CC VOTING 10:30 PE Chair Exercise [AR] Veterans Day 10:30 PE Morning Warm Up 5 [AR] 6 11:00 PE Chair Yoga and 7 [AR] 8 REGISTRATION - 9 1:00 AE Chorus [SO] 10 11:00 PE Chair Yoga and 11 [AR] 11:30 -
January 16Th, 2010 Fred Bomar Collection Lot Description Price 9000
January 16th, 2010 Fred Bomar Collection Lot Description Price (lot of 90+) San Francisco 49ers slabbed sports cards, includes some with autographs, players include Steve Young, Joe Montana, Patrick Willis, Kevan Barlow, Terrell Owens, Frank Gore, Jerry Rice, cards include rookie 9000 cards, slabbed fabric patches, etc., note: worth inspection $ 400 (lot of 200+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Antonio Freeman, Curtis Enis, Natrone Means, Doug Feute, Doug Staley, Neil Smith, Skip Hicks, Drew Bledsoe, Deion Sanders, Mark Brunell, Troy Aikman, cards include rookie cards, etc., note: worth 9001 inspection $ 225 (lot of 300+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Eric Dickerson, Joey Porter, Barry Sanders, Maurice Clarett, Doug Flutie, Randall Cunningham, 9002 Matt Cassell, Matt Ryan, cards include rookie cards, etc., note: worth inspection $ 425 (lot of 25) Oakland Raiders football slabbed sports cards, includes some with autographs and cards not graded, players include Johnnie Lee Higgins, Gene Upshaw, Jamarcus Russell, Nnamdi Asomugha, Tim Brown, 9003 cards include rookie cards, etc., note: worth inspection $ 75 (lot of 50+) Basketball slabbed sports cards, includes some with autographs and cards not graded, players 9004 include Dennis Johnson, Joe Smith, Don MacLean, Bernard King, Clyde Drexler, etc., note: worth inspection $ 150 (lot of 30+) Baseball slabbed sports cards, the majority are the -
UCLA Hillel Labor Zionist Folkshul Chaim Shapiro Lamed Shapiro
stop 3: stop 4: stop 2: -------------- -------------- Lamed Shapiro -------------- stop 5: Malka Chaim Shapiro -------------- Heifetz-Tussman Paul Muni 4 5 2 3 stop 1: -------------- Labor Zionist H Folkshul 6 HOME: 1 -------------- BOYLE UCLA Hillel HEIGHTS stop 6: -------------- Peretz Hirschbein 60th Birthday Jubilee www.mappingjewishla.org --------------- Cosponsored by: Yiddishkayt Six Points stop 4: stop 1: stop 2: stop 3: -------------- -------------- -------------- -------------- Labor Zionist Malka Chaim Shapiro Lamed Shapiro Folkshul Heifetz-Tussman Malka Heifetz-Tussman was one of the Formed after a meeting in 1908, the “National-Radical Club” was Shapiro was born in 1886 in Krementshug, Russia (present- Lamed Shapiro was one of the most significant modern Yiddish greatest Yiddish poets of the twentieth the first formal Yiddish organization in Los Angeles, and included day Ukraine) and raised in Kharkov, an industrial city near the writers. He was also an Angeleno. Born in near Kiev in 1878, century. Born in Volhynia (present-day Ukraine) in the mid veterans of the Labor Zionist movement, a movement that wed Dneiper River. As a teenager, he joined the National-Radical by the time he settled in Los Angeles (for the first time), he had 1890s, she immigrated to the United States in 1912. After stays in the territorial ambitions of Zionism with the revolutionary ideals Movement, a movement which combined the territorial ambitions already lived in Warsaw, London, New York, and Chicago. He Chicago and Milwaukee, she eventually settled in Los Angeles in of socialism. The Club was later reorganized as a mutual-aid, of Zionism to the revolutionary ideals of socialism, and helped to spent much of the 1920s in Los Angeles and returned for good in 1941 and remained a Californian until her death in 1987, although fraternal organization, Poalei Tsion, in 1912, and began raising organize the Jewish population in Kharkov to defend themselves 1939, staying until his death nine years later.