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How Relevance Works for News Audiences
DIGITAL NEWS PROJECT FEBRUARY 2019 What do News Readers Really Want to Read about? How Relevance Works for News Audiences Kim Christian Schrøder Contents About the Author 4 Acknowledgements 4 Executive Summary 5 Introduction 7 1. Recent Research on News Preferences 8 2. A Bottom-Up Approach 10 3. Results: How Relevance Works for News Audiences 12 4. Results: Four News Content Repertoires 17 5. Results: Shared News Interests across Repertoires 23 6. Conclusion 26 Appendix A: News Story Cards and their Sources 27 Appendix B: Fieldwork Participants 30 References 31 THE REUTERS INSTITUTE FOR THE STUDY OF JOURNALISM About the Author Kim Christian Schrøder is Professor of Communication at Roskilde University, Denmark. He was Google Digital News Senior Visiting Research Fellow at the Reuters Institute for the Study of Journalism January–July 2018. His books in English include Audience Transformations: Shifting Audience Positions in Late Modernity (co-edited, 2014), The Routledge Handbook of Museums, Media, and Communication (co-edited 2019) and Researching Audiences (co-authored, 2003). His research interests comprise the analysis of audience uses and experiences of media. His recent work explores mixed methods for mapping news consumption. Acknowledgements The author would like to thank the Reuters Institute’s research team for their constructive comments and practical help during the planning of the fieldwork, and for their feedback to a draft version of this report. In addition to Lucas Graves, whose assistance in editing the manuscript was invaluable, I wish to thank Nic Newman, Richard Fletcher, Joy Jenkins, Sílvia Majó-Vázquez, Antonis Kalogeropoulos, Alessio Cornia, and Annika Sehl. -
The Technology, Media and Telecommunications Review
The Technology, Media and Telecommunications Review Third Edition Editor John P Janka Law Business Research The Technology, Media and Telecommunications Review THIRD EDITION Reproduced with permission from Law Business Research Ltd. This article was first published in TheT echnology, Media and Telecommunications Review, 3rd edition (published in October 2012 – editor John P Janka). For further information please email [email protected] 2 The Technology, Media and Telecommunications Review THIRD EDITION Editor John P Janka Law Business Research Ltd The Law Reviews THE MERGERS AND ACQUISITIONS REVIEW THE RESTRUCTURING REVIEW THE PRIVATE COMPETITION ENFORCEMENT REVIEW THE DISPUTE RESOLUTION REVIEW THE EMPLOYMENT LAW REVIEW THE PUBLIC COMPETITION ENFORCEMENT REVIEW THE BANKING REGULATION REVIEW THE INTERNATIONAL ARBITRATION REVIEW THE MERGER CONTROL REVIEW THE TECHNOLOGY, MEDIA AND TELECOMMUNICATIONS REVIEW THE INWARD INVESTMENT AND INTERNATIONAL TAXATION REVIEW THE CORPORATE GOVERNANCE REVIEW THE CORPORATE IMMIGRATION REVIEW THE INTERNATIONAL INVESTIGATIONS REVIEW THE PROJECTS AND CONSTRUCTION REVIEW THE INTERNATIONAL CAPITAL MARKETS REVIEW THE REAL ESTATE LAW REVIEW THE PRIVATE EQUITY REVIEW THE ENERGY REGULATION AND MARKETS REVIEW THE INTELLECTUAL PROPERTY REVIEW THE ASSET MANAGEMENT REVIEW THE PRIVATE WEALTH AND PRIVATE CLIENT REVIEW www.TheLawReviews.co.uk PUBLISHER Gideon Roberton BUSINESS DEVELOPMENT MANAGER Adam Sargent MARKETING MANAGERS Nick Barette, Katherine Jablonowska, Alexandra Wan PUBLISHING ASSISTANT Lucy Brewer EDITORIAL ASSISTANT Lydia Gerges PRODUCTION MANAGER Adam Myers PRODUCTION EDITOR Joanne Morley SUBEDITOR Caroline Rawson EDITor-in-CHIEF Callum Campbell MANAGING DIRECTOR Richard Davey Published in the United Kingdom by Law Business Research Ltd, London 87 Lancaster Road, London, W11 1QQ, UK © 2012 Law Business Research Ltd © Copyright in individual chapters vests with the contributors No photocopying: copyright licences do not apply. -
[.Watch.] News of the World (2020) Movie Online Full 11 June 2021
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Press Freedom Under Attack
LEVESON’S ILLIBERAL LEGACY AUTHORS HELEN ANTHONY MIKE HARRIS BREAKING SASHY NATHAN PADRAIG REIDY NEWS FOREWORD BY PROFESSOR TIM LUCKHURST PRESS FREEDOM UNDER ATTACK , LEVESON S ILLIBERAL LEGACY FOREWORD EXECUTIVE SUMMARY 1. WHY IS THE FREE PRESS IMPORTANT? 2. THE LEVESON INQUIRY, REPORT AND RECOMMENDATIONS 2.1 A background to Leveson: previous inquiries and press complaints bodies 2.2 The Leveson Inquiry’s Limits • Skewed analysis • Participatory blind spots 2.3 Arbitration 2.4 Exemplary Damages 2.5 Police whistleblowers and press contact 2.6 Data Protection 2.7 Online Press 2.8 Public Interest 3. THE LEGISLATIVE FRAMEWORK – A LEGAL ANALYSIS 3.1 A rushed and unconstitutional regime 3.2 The use of statute to regulate the press 3.3 The Royal Charter and the Enterprise and Regulatory Reform Act 2013 • The use of a Royal Charter • Reporting to Parliament • Arbitration • Apologies • Fines 3.4 The Crime and Courts Act 2013 • Freedom of expression • ‘Provided for by law’ • ‘Outrageous’ • ‘Relevant publisher’ • Exemplary damages and proportionality • Punitive costs and the chilling effect • Right to a fair trial • Right to not be discriminated against 3.5 The Press Recognition Panel 4. THE WIDER IMPACT 4.1 Self-regulation: the international norm 4.2 International response 4.3 The international impact on press freedom 5. RECOMMENDATIONS 6. CONCLUSION 3 , LEVESON S ILLIBERAL LEGACY 4 , LEVESON S ILLIBERAL LEGACY FOREWORD BY TIM LUCKHURST PRESS FREEDOM: RESTORING BRITAIN’S REPUTATION n January 2014 I felt honour bound to participate in a meeting, the very ‘Our liberty cannot existence of which left me saddened be guarded but by the and ashamed. -
News Values and Newsworthiness
News Values and Newsworthiness Oxford Research Encyclopedia of Communication News Values and Newsworthiness Helen Caple Subject: Journalism Studies Online Publication Date: Jun 2018 DOI: 10.1093/acrefore/9780190228613.013.850 Summary and Keywords How events become news has always been a fundamental question for both journalism practitioners and scholars. For journalism practitioners, news judgments are wrapped up in the moral obligation to hold the powerful to account and to provide the public with the means to participate in democratic governance. For journalism scholars, news selection and construction are wrapped up in investigations of news values and newsworthiness. Scholarship systematically analyzing the processes behind these judgments and selections emerged in the 1960s, and since then, news values research has made a significant contribution to the journalism literature. Assertions have been made regarding the status of news values, including whether they are culture bound or universal, core or standard. Some hold that news values exist in the minds of journalists or are even metaphorically speaking “part of the furniture,” while others see them as being inherent or infused in the events that happen or as discursively constructed through the verbal and visual resources deployed in news storytelling. Like in many other areas of journalism research, systematic analysis of the role that visuals play in the construction of newsworthiness has been neglected. However, recent additions to the scholarship on visual news values analysis have begun to address this shortfall. The convergence and digitization of news production, rolling deadlines, new media platforms, and increasingly active audiences have also impacted on how news values research is conducted and theorized, making this a vibrant and ever-evolving research paradigm. -
POLITICAL REPORTING in the AGE of INFOTAINMENT Melissa
POLITICAL REPORTING IN THE AGE OF INFOTAINMENT Melissa Oribhabor Jennifer Rowe, Committee Chair August 2014 Introduction The effects of infotainment have been felt by the news industry since politicians started appearing on talK shows and comedy shows, hoping to humanize themselves to the voting public. One of the earliest examples was in 1968 when presidential candidate Richard Nixon appeared on “Rowan and Martin’s Laugh-In” (Xenos 198). Even earlier than that, John F. Kennedy appeared on the “The Tonight Show” with Jack Paar in 1960. But with the 24-hour news cycle and the Internet drawing the public away from traditional forms of news, infotainment has become even more prevalent during the past 30 years. Infotainment can be seen easily on television, with programs such as “The Daily Show” and CNN’s “RidicuList” with Anderson Cooper; however, infotainment in terms of print journalism has not been studied as in- depth. This research not only looks at infotainment in print journalism but more specifically how it affects political journalists. Literature Review Moy, Xenos and Hess in their 2005 article “Communication and Citizenship: Mapping the Political Effects of Infotainment” define infotainment as the convergence of news and entertainment. The paper states that in recent years news programs started developing more elements of entertainment, and entertainment programs started to disseminate the news. The term “infotainment” is largely used in reference to entertainment programs that have elements of news (Moy et. al. 2005, 113). “Soft news” and “infotainment” are often used interchangeably in research on this topic. Soft news includes sensationalized stories, human-interest stories, and stories that focus more on entertainment over serious hard news content (Jebril et. -
GBOS Grant Cycle History Group 2019 Requested 2019 Granted
GBOS Grant Cycle History Group 2019 Requested 2019 granted 2020 requested 2020 granted 2021 request Little Bears Playhouse, Inc $12,045 $9,420 $10,000 $9,333 $10,000 Challenge Alaska $10,000 $6,680 $10,000 $8,945 $10,000 Glacier Valley Transit $5,000 $4,280.00 $5,000 $4,765 $6,000 Girdwood Art Institute $6,000 $4,440 $4,440 $4,612 $5,820 Girdwood Community Club $8,000 $5,180 $8,000 $7,345 $8,000 total $41,045 $30,000 $37,440 $35,000 $39,820 Four Valleys CS $20,000 $20,000 $20,000 $25,000 $25,000 Municipality of Anchorage Girdwood Parks & Recreation Non-Profit Recreation Organization Grant Funding Information Instructions for Grant Reviewers: Applicants will have the opportunity to present their programs at the September 15, 2020 Grant Presentation meeting. GBOS members will receive a copy of each application and an evaluation worksheet. Please read the applications and complete the evaluation worksheet prior to the October 19, 2020 GBOS meeting. As part of this process, you will determine the amount that you recommend is funded for each program. Grant funding will be voted on at the October 19, 2020 regular meeting. Bring your completed evaluation worksheets to the meeting. At that meeting, programs will be discussed and GBOS members will provide their recommendations for funding. GBOS funding amounts will be averaged and adjusted to meet the budget of $35,000, and the revised average will be voted on. Email your completed evaluation worksheets to [email protected] after the October 19, 2020 meeting. -
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory
Truth and Untruth in in the Battle for Media Coverage Publicity Stunts in Terms of News Factor Theory Zoë Visser 10151931 Master’s thesis Graduate School of Communication Master’s programme Communication Science Thesis supervisor: dr. J.W. Boumans Friday June 24th 2016 Abstract The professions of PR and journalism have been changing and widely discussed by scholars and professionals in both fields. Increasing workload in journalism demands journalists to accept an increasing number of ready-made source texts. PR professionals provide such materials, organizing both truthful and untruthful publicity stunts with the aim of becoming the subject of news. Despite all studies on the news selection process, publicity stunts are rarely covered in research. This study aims to take a first step in theorizing both types of stunts in the news process. For this purpose, a quantitative content analysis of the most validated news factors in journalistic selection processes is carried out on a range of stunts and media publications on these stunts in the Netherlands. Results show that publications on untruthful stunts score significantly higher on news factor intensity than truthful stunts, and that non-commercial organizations (governmental and NGOs) score significantly higher on news factor intensity than commercial organizations. No organizational contexts explaining for a higher number untruths in publicity stunts were discovered. It was however found that he truth of a third of untruthful stunts was doubted by the journalist covering the news event, while none of the truthful stunts were questioned. This implies that journalists are capable of distinguishing truthful and untruthful stunts to some extent. -
The Development of the UK Television News Industry 1982 - 1998
-iì~ '1,,J C.12 The Development of the UK Television News Industry 1982 - 1998 Thesis submitted for the degree of Doctor of Philosophy by Alison Preston Deparent of Film and Media Studies University of Stirling July 1999 Abstract This thesis examines and assesses the development of the UK television news industry during the period 1982-1998. Its aim is to ascertain the degree to which a market for television news has developed, how such a market operates, and how it coexists with the 'public service' goals of news provision. A major purpose of the research is to investigate whether 'the market' and 'public service' requirements have to be the conceptual polarities they are commonly supposed to be in much media academic analysis of the television news genre. It has conducted such an analysis through an examination of the development strategies ofthe major news organisations of the BBC, ITN and Sky News, and an assessment of the changes that have taken place to the structure of the news industry as a whole. It places these developments within the determining contexts of Government economic policy and broadcasting regulation. The research method employed was primarily that of the in-depth interview with television news management, politicians and regulators: in other words, those instrumental in directing the strategic development within the television news industry. Its main findings are that there has indeed been a development of market activity within the television news industry, but that the amount of this activity has been limited by the particular economic attributes of the television news product. -
New News, Future News the Challenges for Television News After Digital Switch-Over
New News, Future News The challenges for television news after Digital Switch-over An Ofcom discussion document Publication date: 26 June 2007 Foreword The prospects for television news in a fully digital era are a central element in any consideration of the future of public service broadcasting (PSB). News is regarded by viewers as the most important of all the PSB genres, and television remains by far the most used source of news for UK citizens. The role of news and information as part of the democratic process is long established, and its status is specifically underpinned in the Communications Act 2003. This report, New News, Future News, is one of a series of Ofcom studies focussing on individual topics identified in the PSB Review of 2004/05, and further discussed in the Digital PSB report of July 2006. The others are on the provision of children’s programmes and on the prospects for a Public Service Publisher. All three studies are linked to areas of particular PSB concern for the future, and set out a framework for policy consideration ahead of the next full PSB review. Other Ofcom work of relevance includes the review of Channel 4’s funding. It has not been the role of this report to come up with solutions, and no policy recommendations are put forward. Instead, the report examines the environment in which television news currently operates, and assesses how that may change in future (after digital switch-over and, in 2014, the expiry of current Channel 3 and Channel 5 licences) . It identifies particular issues that will need to be addressed and suggests some specific questions that may need to be answered. -
Analyzing News Values (And More) in Fake Stories
Media and Communication (ISSN: 2183–2439) 2021, Volume 9, Issue 1, Pages 110–119 DOI: 10.17645/mac.v9i1.3331 Article What Is (Fake) News? Analyzing News Values (and More) in Fake Stories Edson C. Tandoc Jr. 1,*, Ryan J. Thomas 2 and Lauren Bishop 2 1 Wee Kim Wee School of Communication and Information, Nanyang Technological University, 637718, Singapore; E-Mail: [email protected] 2 Missouri School of Journalism, University of Missouri, Columbia, MO 65211, USA; E-Mails: [email protected] (R.J.T.), [email protected] (L.B.) * Corresponding author Submitted: 9 June 2020 | Accepted: 9 August 2020 | Published: 3 February 2021 Abstract ‘Fake news’ has been a topic of controversy during and following the 2016 U.S. presidential election. Much of the scholar- ship on it to date has focused on the ‘fakeness’ of fake news, illuminating the kinds of deception involved and the motiva- tions of those who deceive. This study looks at the ‘newsness’ of fake news by examining the extent to which it imitates the characteristics and conventions of traditional journalism. Through a content analysis of 886 fake news articles, we find that in terms of news values, topic, and formats, articles published by fake news sites look very much like traditional— and real—news. Most of their articles included the news values of timeliness, negativity, and prominence; were about government and politics; and were written in an inverted pyramid format. However, one point of departure is in terms of objectivity, operationalized as the absence of the author’s personal opinion. The analysis found that the majority of articles analyzed included the opinion of their author or authors. -
The Wireless News
The Wireless News © 2017 Bart Lee, K6VK For well over a century, radio has provided ships at sea and their well-off passengers with current news of the world (and at times, war news), market data and sports. From Marconi’s wireless telegraph to satellite delivery, the wireless news has been indispensible to voyagers of many sorts, especially on transoceanic routes. Steamship lines saw money to be made in providing this amenity. The technologies of commu- nications and of the printing of newspapers at sea paced each other. Many of these seagoing “newspapers” themselves tell nautical tales and social stories about their readers. But they also illumine their producers in Europe, North America, and Asia, including the shipping lines, the shoreside press, and the radiomen at sea. The radio technology evolved from long waves to satellites, and from spark sets to vacuum tube gear and then to modern solid-state circuits. A demand for current information at sea, far from its sources, created an important maritime revenue stream. The economics of news at sea and the higher socio-economic class of the passengers helped to further the development of the radio art. Introduction – Young Marconi should be preserved and a special edi- Started It tion of The Transatlantic Times was News for passengers and crew at sea, run off for the benefit of the Seamen’s sent through the ether by “wireless Fund at a dollar a copy. ‘Through the telegraphy,” started with Marconi, as courtesy of Mr. G. Marconi,’ it said, did so much else in radio (see Fig.