Special Forces Military Free-Fall Operations

Total Page:16

File Type:pdf, Size:1020Kb

Special Forces Military Free-Fall Operations FM 3-05.211 (FM 31-19) MCWP 3-15.6 NAVSEA SS400-AG-MMO-010 AFMAN 11-411(I) Special Forces Military Free-Fall Operations APRIL 2005 DISTRIBUTION RESTRICTION: Distribution authorized to U.S. Government agencies and their contractors only to protect technical or operational information from automatic dissemination under the International Exchange Program or by other means. This determination was made on 15 December 2004. Other requests for this document must be referred to Commander, United States Army John F. Kennedy Special Warfare Center and School, ATTN: AOJK-DT-SFA, Fort Bragg, NC 28310-5000. DESTRUCTION NOTICE: Destroy by any method that will prevent disclosure of contents or reconstruction of the document. Headquarters, Department of the Army Foreword This publication has been prepared under our direction for use by our respective commands and other commands as appropriate. JAMES W. PARKER RONALD E. KEYS Major General, USA Lieutenant General, USAF Commanding Deputy Chief of Staff U.S. Army John F. Kennedy Special Air & Space Operations Warfare Center and School JOHN M. KELLY J. N. MATTIS Rear Admiral, USN Lieutenant General, USMC Program Executive Officer Commanding General Expeditionary Warfare Marine Corps Combat Development Command *FM 3-05.211 (FM 31-19) MCWP 3-15.6 NAVSEA SS400-AG-MMO-010 AFMAN 11-411(I) Field Manual Headquarters No. 3-05.211 Department of the Army Washington, DC, 6 April 2005 Special Forces Military Free-Fall Operations Contents Page PREFACE .................................................................................................................. v Chapter 1 MILITARY FREE-FALL PARACHUTE OPERATIONS ..........................................1-1 Characteristics .........................................................................................................1-1 Planning Considerations ..........................................................................................1-2 Phases of Military Free-Fall Operations ..................................................................1-5 Chapter 2 MC-4 RAM-AIR PARACHUTE SYSTEM ................................................................2-1 MC-4 Ram-Air Parachute System Components ......................................................2-1 Donning and Recovering the MC-4 Ram-Air Parachute System ..........................2-15 Chapter 3 AUTOMATIC RIPCORD RELEASE .......................................................................3-1 Automatic Ripcord Release Activation Setting and Operation ................................3-1 FF-2 Automatic Ripcord Release ............................................................................3-1 DISTRIBUTION RESTRICTION: Distribution authorized to U.S. Government agencies and their contractors only to protect technical or operational information from automatic dissemination under the International Exchange Program or by other means. This determination was made on 15 December 2004. Other requests for this document must be referred to Commander, United States Army John F. Kennedy Special Warfare Center and School, ATTN: AOJK-DT-SFA, Fort Bragg, NC 28310-5000. DESTRUCTION NOTICE: Destroy by any method that will prevent disclosure of contents or reconstruction of the document. Marine Corps distribution: PCN 14300004300 *This publication supersedes FM 31-19, 1 October 1999. i FM 3-05.211 Page AR2 Automatic Ripcord Release, M451 ................................................................. 3-6 AR2 Barometric Calculator, Model 466-001 ........................................................... 3-9 Sentinel MK 2100 .................................................................................................. 3-20 Military CYPRES ................................................................................................... 3-22 Chapter 4 USE OF OXYGEN IN SUPPORT OF MILITARY FREE-FALL OPERATIONS ..... 4-1 Physiological Effects of High-Altitude Military Free-Fall Operations ....................... 4-1 Oxygen Forms ......................................................................................................... 4-4 Oxygen Requirements ............................................................................................ 4-5 Oxygen Life-Support Equipment ............................................................................. 4-7 The “PRICE” Check .............................................................................................. 4-19 Oxygen Safety Personnel and Preflight Checks ................................................... 4-19 Oxygen Handling and Safety ................................................................................ 4-24 Chapter 5 EQUIPMENT AND WEAPON RIGGING PROCEDURES ..................................... 5-1 Equipment and Weapon Packing Considerations .................................................. 5-1 Parachutist and Parachute Load Limitations .......................................................... 5-1 Hook-Pile Tape (Velcro) Lowering Line Assembly ................................................. 5-3 Combat Packs and Other Equipment Containers ................................................... 5-5 Parachutist Drop Bag ............................................................................................ 5-31 Weapon-Rigging Procedures ................................................................................ 5-36 Life Preservers ...................................................................................................... 5-50 Chapter 6 AIRCRAFT PROCEDURE SIGNALS AND JUMP COMMANDS .......................... 6-1 Aircraft Procedure Signals ...................................................................................... 6-1 Jump Commands .................................................................................................... 6-7 Chapter 7 BODY STABILIZATION ......................................................................................... 7-1 Tabletop Body Stabilization Training ...................................................................... 7-1 Recovery From Instability ....................................................................................... 7-3 Chapter 8 RAM-AIR PARACHUTE FLIGHT CHARACTERISTICS AND CANOPY CONTROL ..................................................................................... 8-1 Ram-Air Parachute Characteristics ......................................................................... 8-1 Ram-Air Parachute Deployment Sequence ............................................................ 8-3 Ram-Air Parachute Theory of Flight ....................................................................... 8-7 Ram-Air Parachute Flight Characteristics ............................................................... 8-8 Canopy Control ....................................................................................................... 8-9 Turbulence ............................................................................................................ 8-19 ii FM 3-05.211/MCWP 3-15.6/NAVSEA SS400-AG-MMO-010/AFMAN 11-411(I) 6 April 2005 FM 3-05.211 Page Land and Sea Breezes ..........................................................................................8-20 Valley and Mountain Breezes ................................................................................8-21 Chapter 9 EMERGENCY PROCEDURES FOR MILITARY FREE-FALL OPERATIONS ......9-1 Refresher Training ...................................................................................................9-1 Emergency Measures ..............................................................................................9-1 Chapter 10 HIGH-ALTITUDE HIGH-OPENING AND LIMITED-VISIBILITY OPERATIONS .......................................................................................................10-1 Techniques and Requirements .............................................................................10-1 Special Equipment .................................................................................................10-2 Free-Fall Delays ....................................................................................................10-3 Parachute Jump Phases .......................................................................................10-3 Limited-Visibility Operations ..................................................................................10-4 Chapter 11 MILITARY FREE-FALL DROP ZONE OPERATIONS .........................................11-1 Responsibilities ......................................................................................................11-1 Drop Zone Selection Criteria .................................................................................11-1 Drop Zone Surveys ................................................................................................11-2 Drop Zone Personnel Qualifications and Responsibilities ....................................11-3 Military Free-Fall Drop Zone Markings ..................................................................11-6 High-Altitude Release Point and Military Free-Fall Drop Zone Detection .............11-6 Aircraft or High-Altitude High-Opening Team Identification ..................................11-7 Authentication System ...........................................................................................11-7 Chapter 12 DELIBERATE WATER MILITARY FREE-FALL OPERATIONS .........................12-1 Additional Support Requirements ..........................................................................12-1
Recommended publications
  • Science Grades 3-4. New York City Board of Education, Brooklyn, N.Y
    DOCUMFNT RESUM1 E ED 023 603 SE 005 416 Science Grades 3-4. New York City Board of Education, Brooklyn, N.Y. Bureauof Curriculum Development. Pub Date 66 Note -353p. Street, Brooklyn, Avatlable from-New York City Board of Education, PublicationsSales Office, 110 Livingston New York 11201 ($250). EDRS Price MF -$150 HC Not Available from EDRS. Descriptors-Biology, *Curriculum, Earth Science, 'ElementarySchool Science, *General Science,Grade 3, Grade 4, Instructional Materials, Physical Sciences, ScienceActivities, *Teaching Guides Identifiers -Board of Education, New York, New YorkCity This handbook provides the elementaryschool teacher with specificsuggestions regarding use of materials and organizationof effective learning experiencesin science at th;*3 level. The book containsthree sections:An introductionemphasizes both science knowledge and processwhile the other two sectionsdeal with subject matter topics for grades 3 and 4.Suggestions for eva!uation followeach science topic.A bibliography of both children's books andprofessiona books for scienceteaching in the elementary school is provided.An extensive filmlistis also developed.Topics developed in grade 3 include electricity,the earth and the sun, needsof plants and animals, sound, weather, friction, gravity,motion, and rocks. Topicsdeveloped in grade 4 include using a compass, the moon,plants, sound, weather, movingthings, and water. (BC) IN SCIENCE Grades 3-4 o o , , jy ;f. 4t, ,r ' r " . e ".4.A of; , o * , 11 4 A: 4it ;0: ,?; \\ me*. "ag 44; ,* =ttrz't " ilas beengrantAi P>rmission toreproduce thisc.,tmtrir71,1erl work Informeon Center(ERIC) and ttli -.3) theEducaVonal Resources operating under contractwith the U.S. Officeor thm organization the ERIC systern EtIwation to reproducedocuments included in of microficheonly, but this rightIs not corferred tO SIN means from the ERICDocument "Ie.,.
    [Show full text]
  • The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
    RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television.
    [Show full text]
  • BOAT CREW HANDBOOK – Boat Operations
    BOAT CREW HANDBOOK – Boat Operations Sumner I. Kimball, USLSS BCH16114.1 December 2017 Sumner Increase Kimball, USLSS A young lawyer from Maine, Sumner I. Kimball was appointed as the chief of the Treasury Department's Revenue Marine Division in 1871. He had joined the Treasury Department as a clerk 10 years earlier and had proven his abilities as a manager. Using his hard-earned political know-how, and a good dose of Yankee common sense, Kimball proceeded to completely overhaul the Revenue Marine and the hodge-podge system of lifesaving stations along the nation's coast that were also under the control of the Revenue Marine Division. His impact on both organizations would prove to be immeasurable. After the Civil War, the Revenue Marine, and the executive branch agencies generally, came under intense Congressional scrutiny. Economy was the name of the game during this time and expenditures were scrutinized across the board. Hence, Kimball decided to order the construction of new cutters not with iron hulls, which entailed considerable expense, but with proven wood hulls. The total number of petty officers and enlisted men was substantially cut and their pay reduced. Kimball also carried out a vigorous "housecleaning" of incompetent Revenue Marine officers and saw to it that discipline was tightened. A special object of his censure was the use of cutters as personal yachts by local Custom officials, a wide-spread abuse during that time. Kimball also put into effect a merit system to determine promotions. He also made one other great contribution to the quality of the Revenue Marine by establishing, in 1877, a School of Instruction, to train young officers.
    [Show full text]
  • Elvis Presley Music
    Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It
    [Show full text]
  • Splicing Guide
    SPLICING GUIDE EN SPLICING GUIDE SPLICING GUIDE Contents Splicing Guide General Splicing 3 General Splicing Tips Tools Required Fid Lengths 3 1. Before starting, it is a good idea to read through the – Masking Tape – Sharp Knife directions so you understand the general concepts and – Felt Tip Marker – Measuring Tape Single Braid 4 principles of the splice. – Splicing Fide 2. A “Fid” length equals 21 times the diameter of the rope Single Braid Splice (Bury) 4 (Ref Fid Chart). Single Braid Splice (Lock Stitch) 5 3. A “Pic” is the V-shaped strand pairs you see as you look Single Braid Splice (Tuck) 6 down the rope. Double Braid 8 Whipping Rope Handling Double Braid Splice 8 Core-To-Core Splice 11 Seize by whipping or stitching the splice to prevent the cross- Broom Sta-Set X/PCR Splice 13 over from pulling out under the unbalanced load. To cross- Handle stitch, mark off six to eight rope diameters from throat in one rope diameter increments (stitch length). Using same material Tapering the Cover on High-Tech Ropes 15 as cover braid if available, or waxed whipping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch work- To avoid kinking, coil rope Pull rope from ing back toward starting point. Cut off thread leaving an eight in figure eight for storage or reel directly, Tapered 8 Plait to Chain Splice 16 inch length and double knot as close to rope as possible. Trim take on deck.
    [Show full text]
  • The Uk's Top 200 Most Requested Songs in 1980'S
    The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37.
    [Show full text]
  • Complete Rope Splicing Guide (PDF)
    NEW ENGLAND ROPES SPLICING GUIDE NEW ENGLAND ROPES SPLICING GUIDE TABLE OF CONTENTS General - Splicing Fid Lengths 3 Single Braid Eye Splice (Bury) 4 Single Braid Eye Splice (Lock Stitch) 5 Single Braid Eye Splice (Tuck) 6 Double Braid Eye Splice 8 Core-to-Core Eye Splice 11 Sta-Set X/PCR Eye Splice 13 Tachyon Splice 15 Braided Safety Blue & Hivee Eye Splice 19 Tapering the Cover on High-Tech Ropes 21 Mega Plait to Chain Eye Splice 22 Three Strand Rope to Chain Splice 24 Eye Splice (Standard and Tapered) 26 FULL FID LENGTH SHORT FID SECTION LONG FID SECTION 1/4” 5/16” 3/8” 7/16” 1/2” 9/16” 5/8” 2 NEW ENGLAND ROPES SPLICING GUIDE GENERAL-SPLICING TIPS TOOLS REQUIRED 1. Before starting, it is a good idea to read through the directions so you . Masking Tape . Sharp Knife understand the general concepts and principles of the splice. Felt Tip Marker . Measuring Tape 2. A “Fid” length equals 21 times the diameter of the rope (Ref Fid Chart). Splicing Fids 3. A “Pic” is the V-shaped strand pairs you see as you look down the rope. WHIPPING ROPE HANDLING Seize by whipping or stitching the splice to prevent the crossover from Broom pulling out under the unbalanced load. To cross-stitch, mark off six to Handle eight rope diameters from throat in one rope diameter increments (stitch length). Using same material as cover braid if available, or waxed whip- ping thread, start at bottom leaving at least eight inches of tail exposed for knotting and work toward the eye where you then cross-stitch working Pull rope from back toward starting point.
    [Show full text]
  • Transgender Woman 'Raped 2,000 Times' in All-Male Prison
    A transgender woman was 'raped 2,000 times' in all-male prison Transgender woman 'raped 2,000 times' in all-male prison 'It was hell on earth, it was as if I died and this was my punishment' Will Worley@willrworley Saturday 17 August 2019 09:16 A transgender woman has spoken of the "hell on earth" she suffered after being raped and abused more than 2,000 times in an all-male prison. The woman, known only by her pseudonym, Mary, was imprisoned for four years after stealing a car. She said the abuse began as soon as she entered Brisbane’s notorious Boggo Road Gaol and that her experience was so horrific that she would “rather die than go to prison ever again”. “You are basically set upon with conversations about being protected in return for sex,” Mary told news.com.au. “They are either trying to manipulate you or threaten you into some sort of sexual contact and then, once you perform the requested threat of sex, you are then an easy target as others want their share of sex with you, which is more like rape than consensual sex. “It makes you feel sick but you have no way of defending yourself.” Mary was transferred a number of times, but said Boggo Road was the most violent - and where she suffered the most abuse. After a failed escape, Mary was designated as ‘high-risk’, meaning she had to serve her sentence as a maximum security prisoner alongside the most violent inmates. “I was flogged and bashed to the point where I knew I had to do it in order to survive, but survival was basically for other prisoners’ pleasure,” she said.
    [Show full text]
  • Big Blast & the Party Masters
    BIG BLAST & THE PARTY MASTERS 2019 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat.
    [Show full text]
  • Heat It up J Lly-Dancers
    J☺lly-Dancers Heat It Up 64 count, 4 wall, intermediate level Choreographer: Maggie Gallagher (UK), October 2006 Choreographed to: “Something Kinda Ooh” by Girls Aloud, CD Single Intro: 36 counts (17 secs), start on the word “Something” Section 1 Kick & Heel Tap, Switch Touch, Hold, Jazz Jump, Hold, Concertina Steps 1&2 Kick right forward, step right next to left, tap left heel forward (12) &3, 4 Step left next to right, touch right toe next to left, hold &5, 6 Jump out forwards on right, jump out left, (feet level), hold &7 Step forward bringing right in, bring left in (feet level) &8 Step forward moving right out, move left out (feet level) Section 2 Together, Left Cross, Hold, Rock, Recover, 1/2 Hinge Turns, Sailor 1/4 Right &1, 2 Step right next to left, cross left over right, hold 3, 4 Step out to right side rocking right, recover onto left 5, 6 1/2 hinge turn to right stepping right to right side, 1/2 hinge turn right stepping left to left side (12) 7&8 Cross right behind left, step left to left side, make 1/4 turn right stepping forward on right (3) Section 3 1/4 Right, Drag, Together, Walks L, R, Left Shuffle, Step, 1/2 Pivot Left 1, 2 Make 1/4 turn right stepping a big step left to left side, drag right towards left (6) &3, 4 Step right next to left, walk forward left, walk forward right 5&6 Step forward on left, step right next to left, step forward on left 7, 8 Step forward on right, make 1/2 pivot turn left (weight on left) (12) Section 4 Right Wizard, Step, Hitch, 1/4 Right, Back Right, Left Coaster 1, 2& Step forward on
    [Show full text]
  • Prison Break: True Stories of the Worlds Greatest Escapes Free
    FREE PRISON BREAK: TRUE STORIES OF THE WORLDS GREATEST ESCAPES PDF Paul Buck | 288 pages | 01 Sep 2012 | John Blake Publishing Ltd | 9781843589600 | English | London, United Kingdom 12 Craziest Prison Escapes of all Time | InTime Please refresh the page and retry. Only this time, it's real. T he video shows inmates Adam Hossein Nayeri, Prison Break: True Stories of the Worlds Greatest Escapes Tieu and Bac Duong finding a way through the wall of their cell, hacking through bars and using bed sheets to make it outside and into a white van. It worked, too. Their bid to flee justice is the latest in a long line of audacious break out attempts not all of which were successful In scenes reminiscent of The Shawshank Redeption, Guzman, the billionaire head of the powerful Sinaloa Cartel, fled via a mile long tunnel that ran from his cell to a building under construction outside the prison's perimeter. Eighteen prison staff were also being questioned in connection with his disappearance. El Chapo was later caught again, after some time spent with Sean Penn, and is now back behind bars. Richard Matt, 48, and David Sweat, 34 apparently crawled along tunnels to flee the all-male Clinton Correctional Facility in Dannemora. Alcatraz Federal Penitentiary, a maximum-security prison that sits on a tiny island off the coast of San Francisco, was supposed to be the jail that no man could escape. Clarence Anglin, John Anglin and Frank Morris were serving time for a litany of crimes including bank robbery and car theft when they resolved to flee Alcatraz and its claustrophobic confines.
    [Show full text]
  • Pg0140 Layout 1
    New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover.
    [Show full text]