November/December 2019

HOLIDAY DELIGHTS at The McKnight Center First Oklahoma Bank President and Co-CEO Tom Bennett III with Chairman and Co-CEO Tom Bennett, Jr.

Henry Would Love It! My grandfather, Henry G. Bennett, would love The McKnight Center. As president of Okla- homa A&M from 1928-50, he led the creation of the campus Master Plan which featured the construction of many buildings. He loved architecture—particularly the Collegiate Georgian style—and buildings, but he most valued the good things that happened for students within those structures. Grandfather would offer a resounding “bravo” to The McKnight Center, OSU’s ‘world-class epicenter for the arts’, and “thank you” to those who made it happen. — Tom Bennett, Jr Chairman and Co-CEO First Oklahoma Bank

Midtown Location: at 4110 S. Rockford Ave. South Tulsa Location: at 100 S. Riverfront Drive, Jenks www.firstoklahomabank.com POLICIES CONTENTS MISSION The McKnight Center inspires and transforms individuals’ lives through artistic excellence, shared creative experiences, and impactful learn- ing opportunities. Performances and events are presented in a supportive en- vironment that seeks to eliminate obstacles to attendance for all audiences.

THE FOUNDATION FOR THE MCKNIGHT CENTER Our Foundation exists to manage and operate The McKnight Center for the Performing Arts at Okla- homa State University in Stillwater, Oklahoma. The McKnight Foundation is governed by an eight-member board of trustees and an executive director. The Foundation is responsible for the operation and programming of The McKnight Center. An aggressive fundraising campaign has been ongoing to supplement construction costs and complete the innovative programming endowment.

LOCATION & BOX OFFICE HOURS Administrative Offices are located at 419 S Monroe, Stillwater, Ok 74074. The Box Office is located in The McKnight Cen- ter at 705 W University Ave, Stillwater, Ok 74074. Box Office hours: Mon-Fri, 9am-4pm and two hours prior to showtime. Telephone: 405-744-9999. E-mail: [email protected]. To get up to date information on performances and events, please subscribe to our broadcast e-mail online at McKnightCenter.org. PARKING Convenient parking is available for a fee in the adjacent 4th Ave Garage, accessed from S Ramsey Street. Parking may also be available for The St. Lawrence String Quartet will appear as part of the 3rd Annual free on certain city and campus streets. All parking is first come, first served. Chamber Music Festival in November.

MARCO BORGGREVE ADMISSION & LATE SEATING Everyone, including children of any age, must have an individual ticket to enter the theater. All tickets must be scanned upon entry to the theater and tickets may be scanned only once. Welcome...... 4 The lobby opens two hours prior to an event. Theater doors open 30 minutes From Mark A. Blakeman prior to curtain time. Latecomers may not be seated until an appropriate mo- ment or may be asked to sit in a different location than printed on the ticket.

EXCHANGES Tickets may be exchanged or donated for a tax-deductible do- On Stage...... 7 nation. Requests for exchanges or donations must be made prior to the event This month at The McKnight Center for the Performing Arts date. Visit McKnightCenter.org for details or contact the Box Office at 405- 744-9999.

TOURS Tours of The McKnight Center are offered free of charge and last ap- 42ft - A Menagerie of proximately 45-60 minutes. Arrangements may be made by calling 405-744- 6849 or visiting McKnightCenter.org. Mechanical Marvels...... 8 Come one, come all. It’s showtime! SERVICES FOR PERSONS WITH DISABILITIES The McKnight Center fa- cilities are accessible to persons with disabilities. Please ask about wheelchair- accessible seating when purchasing your ticket. Accessible parking is located Arts for All...... 12 on every level of the 4th Avenue Garage. The Hester Street entrance offers a passenger pick up and drop off lane, and the lobby is accessible by ramp and A look at the variety of educational programming at power-assist doors. Restroom facilities are located on both sides of the lobby The McKnight Center and mezzanine levels. Service animals (dogs) for guests with disabilities are permitted. All other animals are prohibited. All service animals (dogs) must remain under the control of the handler at all times.The McKnight Center fea- Spotlight...... 14 tures induction loop technology for the deaf and hard of hearing. Inquire at On upcoming events Coat Check for assistance connecting. Devices are provided at no cost.

LOST & FOUND If you are seeking lost items, please contact the House Man- ager at 405-744-6849. Calendar...... 16 Full Schedule of the 2019-20 Season MOBILE & RECORDING DEVICES As a courtesy to the performers and audience, please turn off your mobile devices. The use of recording devices (audio or visual) is strictly prohibited during performances, but please feel free to take photos in the lobby and before the performance begins. We’d love to Michael and Anne Greenwood see your photos! Use #McKnightCenter to join the conversation. School of Music calendar...... 18 INCLEMENT WEATHER Performances are rarely canceled due to inclem- Upcoming events from the Michael and Anne Greenwood ent weather. Under most circumstances the show will go on as planned. In School of Music the event of inclement weather, please plan accordingly and allow for extra travel time. Donor List...... 20 CAMPUS POLICIES Oklahoma State University is designated as a tobacco free campus. Tobacco and smoking preparation (electronic cigarettes, vapor Thank you to our generous family of donors devices, chewing tobacco, etc.) use is prohibited on university property, includ- ing in and around The McKnight Center for the Performing Arts.

Artists, events, times, and prices are subject to change without notice. On the Cover: Photo of Cirque Mechanics by Maike Schulz

OCTOBER 2019 OVATIONS! 3 Jim Langdon, Publisher Jessica Novak, Editor Georgia Brooks, Creative Director Susie Miller, Marketing Coordinator

Welcomeust a short time ago, in October, we were thrilled to raise the curtain on the Inau- gural Season of The McKnight Center for the Performing Arts. Those who joined us for our opening performances, whether in these great halls or on the welcoming lawn of our outdoor plaza, know exactly how electrifying those first concerts were. Board of Trustees JThe New York Philharmonic, our nation’s oldest and most venerable symphony orchestra, Ross McKnight, Chairman Carl Thoma, Vice Chairman christened our Performance Hall with a weekend of music performed for enthusiastic sold- Kirk Jewell, Treasurer out audiences. To hear those expertly played first notes ring out in this brand-new space Gary Clark, Secretary designed for acoustic excellence brought me indescribable joy. John Giovando, Trustee Joe Hall, Trustee Repeatedly throughout the weekend friends and guests approached me to say, “Can you Burns Hargis, Trustee believe this is happening in Stillwater, Oklahoma?” Our community has long been ready for Billie McKnight, Trustee cultural experiences like the ones the New York Philharmonic so expertly brought to Okla- homa. The McKnight Center has ushered in a new era of artistic opportunity to this city and McKnight Center Staff state we all love so much. That pride in our community was so apparent when, for an encore, Mark A. Blakeman, Marilynn and Carl Thoma Executive Director Music Director Jaap van Zweden led the orchestra in the Oklahoma State University Alma Mary Bugg, Administrative and Office Assistant Mater Hymn. Never had the musicians witnessed an entire audience rise to embrace one Chelsea Burns, Digital Marketing Manager another and join the orchestra to sing. That unforgettable moment is just one example of the Lindsay Love, Donor Stewardship and Events Manager special memories The McKnight Center will create for our audience members. Tim Lynch, Director of Operations Now, we’re ready to celebrate our first holiday season and create more indelible moments. I Sara Nichols, Assistant Box Office Coordinator hope you’ll add a performance at The McKnight Center to your family’s holiday traditions. Jessica Novak, Director of Marketing Renae Perry, Box Office Manager Just before Thanksgiving, Cirque Mechanics, a troupe of engineers, aerialists, jugglers, Ethan Ward, Audio Visual Technician strongmen, and all-around incredible entertainers, transports us back to the vintage big top. Gaylin Washam, House Manager Alex Wiedemann, Production Manager Their newest creation, 42ft – A Menagerie of Mechanical Marvels, will immerse you in a world Clint Williams, Director of Development of their own creation that blends mechanical engineering with modern spectacles that pay Darin Williams, Education and Community homage to traditional acts. Cirque Mechanics is known for their flair for storytelling, Engagement Manager and this family-friendly performance is the perfect way to kick off the holiday season. Interns December brings what is perhaps the most well-known and beloved holiday story to life Hayden Bryan, Social Media Intern with Rudolph the Red-Nosed Reindeer: The Musical. Based on the 1964 Christmas stop motion Ali Lewis, McKnight Center Intern animated television special, you’ll recognize your favorite characters and sing along with the Carly Nash, McKnight Center Intern Cara Rich, Graphic Design Intern classic songs that have endured for decades. We know we’ll be seeing kids of all ages in the audience and we can’t wait to share this time-honored story with your family.

Happy holidays from all of us at The McKnight Center. We’ll see you in the new year with OVATIONS! is published by more great performances!

1603 S. Boulder, Tulsa, OK 74119 For advertising information, E-mail: [email protected] MARK A. BLAKEMAN Tel. 918-585-9924, ext. 240, Fax 918-585-9926. Marilynn and Carl Thoma Executive Director No part of this publication may be reproduced without the written permission of The McKnight Center: 405-385-5167, [email protected].

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3RD ANNUAL CHAMBER MUSIC FESTIVAL Anne-Marie McDermott, Artistic Director Our popular Festival returns for its third year in a new fall time slot and perform- ing for the first time in The McKnight Center! Joining Anne-Marie McDermott are world-renowned guest artists Edgar Meyer (double bass), Joshua Roman (cello), and the famed St. Lawrence String Quartet. Known for emotionally alive interpretations of a rich collection of works by celebrated composers, the Festival continues to be a treasured listening experience.

On-Stage Soiree November 7 at 6 p.m. | Americana November 9 at 7:30 p.m. | In Concert November 10 at 3 p.m. PERFORMANCE HALL

JONATHAN BISS The Complete Beethoven Piano Sonata Concert Series Throughout the season, world-renowned pianist Jonathan Biss will perform the complete cycle of Beethoven’s piano sonatas. Among the most important works in music history, the sonatas are believed to have revolutionized the musical form and are some of the most expressive piano works ever composed. Considered to be the foremost authority on Beethoven’s sonatas, Biss’s “performance is blazing, nimble, fleet of finger and dangerous” (The Guardian). This series of performances is sold out, but each performance will be broadcast live to the LED wall in The McKnight Center’s outdoor plaza, where you can listen to the concert for free.

November 15 at 7:30 p.m. RECITAL HALL

BENJAMIN EALOVEGA

CIRQUE MECHANICS 42ft – A Menagerie of Mechanical Marvels Be transported back to the timeless adventure of the big top circus ring. Cirque Mechanics uses innovative mechanical staging and vibrant storytelling to bring to life the thrills and excitement of the circus. 42ft features strongmen, acrobats, aerialists and even a larger-than-life galloping mechanical horse. This imaginative spectacle must be seen to be believed.

November 22 at 7:30 p.m. | November 23 at 7:30 p.m. PERFORMANCE HALL

MAIKE SCHULZ

RUDOLPH THE RED-NOSED REINDEER The Musical Great bouncing icebergs! Rudolph will be guiding Santa’s sleigh straight to Stillwater for this special musical performance. The beloved television classic soars from screen to stage, bringing to life your favorite characters, including Rudolph, Hermey the Elf, Yukon Cornelius, and of course, Santa. Join them as they set off on adventure to save Christmas, learning some important lessons along the way.

December 12 at 7:30 p.m. PERFORMANCE HALL

OCTOBER 2019 OVATIONS! 7 A MENAGERIE OF MECHANICAL MARVELS

Come one,come all. It’s showtime!

BY NANCY C. HERMANN PHOTOS BY MAIKE SCHULZ

aring, spine-chilling attractions and career adventure they would never regret. cess, including runs in Montreal, off-Broad- the glamor and allure of a bygone “I was hooked then on the idea of mixing way in New York, and overseas in Istanbul era coalesce in Cirque Mechanics’ circus with theatre,” recalls Lashua from and Dubai. Birdhouse will return to the stage newestD show, 42ft - A Menagerie of Mechanical his home in California. “I immersed myself next year. Other Cirque Mechanics produc- Marvels. In this Valentine to the one-ring in that world. I learned everything I could tions include the Steampunk-fueled Pedal circus, the intimate look and feel of vintage about contemporary circus, about theatre Punk, which will have a resurgence soon in circus combines with ingenious engineering and prop building, and I took my background Hong Kong, and Orchestra Project. to tell a tender-hearted story of a down- with bicycle and BMX into this circus world. The company’s fifth venture, 42ft is slated on-his-luck roustabout who finds a home Taking bikes apart and putting them back for an upcoming five-week Off-Broadway in the spotlight. Jugglers, sword swallow- together in different configurations to make run. It is set in a time before the three-ring ers, strongmen, and artists provide apparatuses that were new and different — variety of circus was the norm, and before thrills for all ages in one spectacular evening that was the beginning of it.” the extravagant Las Vegas-type contempo- of over-the-(big)-top fun. Aloysia Gavre, the co-director and cho- rary became the rage. The mastermind and founder of Cirque reographer for 42ft, worked with Lashua at The one-ring circus was the idea of the Mechanics is Chris Lashua. Known globally on the first of his projects British equestrian performer Philip Astley. in the 1980s as “King of Flatland” for his to combine machine and aerialist. She later Like John Bill Ricketts, who brought the BMX free-style bicycle riding, Lashua was came to him with an invitation extended first modern circus to America, Astley’s pro- recruited in Japan by a fledgling Cirque du by the Circus Center of San Francisco to ductions featured riders on horseback. Jane Soleil in 1993. That company first featured create a show that would incorporate his Austen and Charles Dickens mentioned Lashua’s bike skills, and then Lashua as the inventions. his shows in their books. His popularity focus of its opening act, the German Wheel, “We built our first show around these even reached France, where he performed in Cirque’s 1996 production, Quidam. contraptions,” recounts Lashua. “We called before Louis XV at Versailles. Astley’s The modified German Wheel that it Birdhouse Factory. That turned out to be research revealed that 42 feet is the diam- Lashua created for Quidam was “a wacky the way we built all of our shows. We built eter of a track most desirable to keep a rider mix” of rollers, cranks and levers that these mechanical contraptions and then we balanced on a galloping steed. His legacy, allowed him to do the wheel act in a found a universe in which they would be and the 250th anniversary of his 42-foot ring, smaller space. His inventive expertise most at home, whether that universe be a was the perfect vehicle on which to frame earned him positive feedback from the factory in the 1930s [Birdhouse Factory], or a a story that could showcase Lashua’s brand audience, and from his colleagues. After goldmining town in the 1880s [Boom Town]. of intimate circus theatrics. “The idea of the five years with Cirque du Soleil, packing We then decided on a look and feel and center ring or the single ring is to focus all degrees in marketing and advertising from flavor. The narrative actually came later on, the attention on something that we can all Boston University, Lashua and his wife, once we started casting the show.” center around communally,” he explains. Aida, threw their hats into the ring for a Birdhouse Factory enjoyed enormous suc- Having played in 20,000-seat arenas,

8 OCTOBER 2019 OVATIONS! A MENAGERIE OF MECHANICAL MARVELS Lashua has a feel for the size and scale appropriate to a circus. “You lose intimacy almost exponentially every time you go to a larger space,” he notes. While the 450- to 2,000-seat theaters and music halls Cirque Mechanics appears in are not set up “in the round” like the original one-ring circus, the performers work to connect with the audi- ences as much as possible. “That’s the heart of what circus was about. It was about this immersive environ- ment,” emphasizes Lashua. “It’s a sad thing for me that many people have not seen a traditional one-ring circus show in the way it was intended. In that way, it was the most beautiful. We’re trying to bring that home — show audiences that and keep it alive.” In designing 42ft, Cirque Mechanics’ cre- ative team based action around the agility and strength of a carousel contraption that serves as rigging for aerial acts. It rotates on stage to reveal the gritty backlot of the circus grounds and, alternately, the glitzy, spot-lit center ring. The piece is so integral for that day’s 7:30 p.m. “curtain.” By 10:00 embodies the personality or function of the to the overall production, it nearly becomes p.m., the set does a vanishing act, and han- circus ,” says Lashua. “He’s kind of a character itself, serving as a theatrical, dlers get the show on the road by midnight. like a Harold Lloyd kind of character. The scenic and structural element of the show. “The practicality of it is not pretty,” he physical comedy is done by Justin and the “The curved structure above it, while it adds. “You’ve got to get in and get out.” audience participation piece is also done by technically supports our circus acts, also Travelling with the 42ft show are 12 him.” Throughout two-and-a-half hours on echoes the shape of the big top, the tent, performing artists, the majority from the stage, the performers take turns with such and it creates a sort of half-shell image,” United States. Tatiana Vasilenko hails from acts as “Revolving Ladder,” “Zombie Cape,” details Lashua. “That structure is on a Russian circus family. Her father was a jug- “Knife-Throwing Wheel,” “,” wheels. It rotates to enable us to trans- gler. She graduated from the Moscow Circus and more. form the space from inside the circus ring, Show before relocating to Las Vegas in 2014. Lashua encourages the artists to get and and when we turn it around, suddenly we As a tribute to the origins of one-ring cir- stay involved with the creative process. That are behind the circus ring. We also can cuses, one of Vasilenko’s acts in 42ft features kind of investment by the artist, he says, is turn it sideways. So, the big top is moving her atop the mechanical horse “Rosebud,” what keeps the show growing and evolving. during much of the show.” which was built specifically for the show. What’s more, the audience connects with Lashua points out that people are The strongman Tulga Battulga that, he believes. “The artists just absolutely enthralled with the engineering feats of Battogtokh, known as “The Titanic Tulga,” love what they are doing, and that joy comes Cirque Mechanics, but the machinery is one is a descendant of the Mongolian warrior across in their performances.” among many essential components. “We Genghis Khan. His feats of strength include A circus about circus was exciting to plan didn’t build a show only for those people bowling balls and a tele- and produce for the big-top devotees that interested in mechanical engineering,” he phone pole around his body like a baton. make up the 42ft creative team. Co-director says. “That is a layer of what we are doing, New Mexico juggler Esther de Aloysia Gavre has coached and choreo- but so is the comedy, the dance, the circus Monteflores is one of the few circus graphed for film and TV, including Water and the . Mechanical engineering performers in the States who specialized in for Elephants and Pitch Perfect 2. She runs with a circus, with storytelling — that’s the slack-wire walking. Flying high, Colorado a in L.A. teaching the next sweet spot for us.” acrobat Ariel Mosier has been working with generation of circus people and working Sets, costumes and the machinery for her acrobat partner, Gregory McElroy, on a with other professionals who attend her 42ft, as with all of Lashua’s shows, travel duo . They, like many in the cast, school for recreational classes or to hone from city to city in one 26-foot truck. are multi-faceted performers. their skills. “That’s the biggest truck you can rent,” he Joining these artists on stage are more Composer Michael Picton’s origi- says. The carousel and other production acrobats, trapeze artists, jugglers, and nal music is a huge part of any Cirque accoutrements have to be loaded in and a mime/clown, Justin Therrien, who Mechanics project. installed within two hours in preparation plays the roustabout and traveler. “Justin The award-winning composer began as a

OCTOBER 2019 OVATIONS! 9 ity to re-arrange the orchestration to support wrangling also are key elements of the the choreography to match pieces that are Cirque Mechanics business. Minding the already written. It is pretty unique and business overall, co-producer and collabo- really one of the things that was special and rator Aida Lashua has extensive front-of- elevates the production values of the show house circus experience and marketing greatly, because these pieces are written chops that have been an immense asset to specifically for the action that you see.” the troupe. She’s done a balancing act as Another member of Cirque Mechanics’ business partner, wife to Chris, and mother dream team is a 10-year veteran of Cirque to their three sons for more than 20 years. du Soleil, Steven Ragatz. A circus enter- The company of Cirque Mechanics tainer who has traveled the world, he is entreats children of all ages to step right up the company’s dramaturge and writer. He and experience the magic and enchantment has written the narrative for all the Cirque under the big top. As Ernest Hemingway Mechanic projects. once wrote, “The circus is the only fun you “We’re acrobats and circus people. We are can buy that is good for you.” not theatre actors, so the stories we tell we “We are paying tribute to an art form,” have to be careful not to overreach,” says sums up Lashua. “Many people question its keyboardist with Cirque due Soleil’s Quidam. Lashua. “We have to tell stories that we can place in modern day, and in some ways its He’s written for Ringling Brothers and tell in pantomime.” For example, Ragatz place is yet to be defined. It has to evolve, Barnum and Bailey, and penned the Marvel was tasked with writing the action for the much like anything that has been around a Universe Live superhero arena shows that show’s pivotal clown role. “Steve wrote to long time. The circus is 250 years old. It’s currently tour. Justin’s strengths. That is so artfully done still a compelling art form. It gives us thrills “Michael is fantastically talented,” by Steve. He’s really fun and good at it. It’s and excitement, and it can give us poignant enthuses Lashua. “He can write music that not easy to do that in a way that is sweet and moments as well. It can support a whole we can choreograph to, and we can create charming, and the audience can easily follow. range of arts in a way few art forms take something that he can write to. It is phe- We are proud that people come to the show advantage of. People of different back- nomenal. It allows us to create videos during and everyone leaves with an understanding grounds can find something they love about early research, and he might be inspired and of what’s going on. That’s not the case with the circus, and it’s always been that way. We send back a teaser of what soundtrack might contemporary circus.” want to assure people that it will continue work. That’s huge. And then he has the abil- Set design, lighting, costuming and tech to be that way for years to come.” O

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OCTOBER 2019 OVATIONS! 11 ARTS FOR ALL

uch has been said about Billie LESSONS FROM THE MASTERS practicing their performing skills for a live and Ross McKnight’s visionary The festivities included a four-day resi- audience, and music enthusiasts from the $25 million gift that created dency by the New York Philharmonic, gen- community learn more about the process of Man innovative program endowment for erously sponsored by Dick Sias in memory becoming an artist. For high-schoolers and The McKnight Center for the Performing of Jeannette Sias. adult music students alike this is an incred- Arts. Born from their passion for music and Over the course of 16 master classes, ible chance to enjoy a performance and pride in their alma mater, their gift ensures plus a panel discussion on current issues absorb some of the wisdom being imparted. funding for world-class performances is in the field of arts administration, select Throughout the residency, the New secured for generations to come. music students in the Michael and Anne York Philharmonic master classes The brilliance of the McKnight’s gift is Greenwood School of Music had the thrill- impacted an impressive 996 individuals. that it allows the center to extend its reach ing opportunity to hone their technique beyond what audiences traditionally see on and performance skills through one-on-one UNLOCKING IMAGINATIONS the stage. Students and arts enthusiasts of instruction by principal musicians of the Cultivating a love for the performing arts all ages build unique experiences through venerated orchestra. starts at a young age. Special youth pro- interactions with visiting artists. A master class provides aspiring musi- gramming at The McKnight Center nur- “It was all about a vision that would cians the opportunity to showcase a piece tures young minds and creates a welcoming provide wonderful opportunities for of music they’ve been polishing and gain space for children to explore and create. Oklahoma and OSU,” said Billie McKnight. invaluable insights from professional per- On October 14, 2019, the New York Echoing that sentiment Ross added, “It is forming artists. For professors, it’s reward- Philharmonic Brass Quintet, along with exciting to see how The McKnight Center ing to watch the exhilaration of students principal violist Rebecca Young, treated will enable students at Oklahoma State to who come away from a master class with 1,070 first- and second-graders from achieve their fullest potential by interact- an “ah-ha” moment. Dr. Jeffrey Loeffert, Stillwater Public Schools to a Very Young ing and learning from some of the finest Professor and Director of the Michael and People’s Concert. The fun-filled hour artists in the world.” Anne Greenwood School of Music, said taught students about the different types of In October 2019 the center saw this “Having the New York Philharmonic per- instruments that live within an orchestra. vision of arts for all come to thrilling life form in Stillwater was already an impactful Titled Philharmonic Families, the con- during its grand opening weekend. Through event. The chance to receive instruction cert featured silly props (including a bicy- master classes and special performances and feedback on an individual level cre- cle and a giant paper airplane), “talking” designed for the youngest concert-goers, ates inestimable value for our students and instruments, and an animated penguin the center built upon OSU’s historically elevates their experience exponentially.” named Philippe. The McKnight Center’s impressive arts education programs while All master classes invite the public to two large LED screens showed animations sharing these experiences with a wider observe free of charge, serving two edu- and close-up videos to provide additional community. cational purposes: students benefit from visuals.

OSU student Jacob Grice in a master class with New York Philharmonic Associate Principal Viola Rebecca Young | Robin Herrod; Right: Stillwater elementary students try out the marimba before a performance by the New York Philharmonic Brass Quintet. | Brand Management/Oklahoma State University

12 OCTOBER 2019 OVATIONS! The program was conceived by THE FUTURE IS BRIGHT objectives front and center with a focus on Philharmonic musicians together with The New York Philharmonic residency the inventions and contraptions incorpo- faculty of Columbia University Teacher’s marked the beginning of a season that is rich rated into the show. The artists of Cirque College. The concert is an interactive with many exciting educational activities. Mechanics (which includes acrobats, jug- experience that combines games, storytell- In November the third annual Chamber glers and strongmen, among others) will ing, and great music to create a memorable Music Festival will offer master classes hold a question and answer session with theater experience. for OSU’s string and piano students students after the performance to further OSU percussion students were also led by Anne-Marie McDermott (piano), promote curiosity and learning. present to provide pre- and post-concert Edgar Meyer (double-bass), Geoff Nuttall Through a partnership with Carnegie entertainment while classes waited for (violin), Lesley Robertson (viola) and Hall, The McKnight Center will bring the their buses. After giving short performances Christopher Costanza (cello). hall’s Link Up: The Orchestra Sings program and talking about their instruments, they During the Festival the all of the guest to Stillwater’s third-, fourth- and fifth- invited a few students on stage for hands- artists will also give a special performance graders. Through hands-on classroom on experience playing the marimba while for all sixth-graders from Stillwater public activities and a culminating interactive they accompanied on hand drums and schools. As interdisciplinary ambassadors performance with the Enid Symphony rhythm shakers. of chamber music, these artist-teachers Orchestra, students will learn about mel- For many children, this performance was have developed concert programming that ody and other elements of music. their first exposure to a live symphonic con- engages students in active listening, illu- Thanks to donors like Billie and Ross cert. They responded with cheers, laughter minating chamber music works for a new McKnight, The McKnight Center provides and excitement. “This is one of the most generation of listeners. these enrichment programs at no cost well-thought out educational programs I’ve Stillwater’s seventh- and eighth-graders to students and schools. Students of all ever seen,” said Mark Blakeman, Marilynn will experience the thrill of the vintage ages, on the OSU campus and throughout and Carl Thoma Executive Director for The circus when they take a memorable field the entire region, will receive world-class McKnight Center. “Ms. Young is a vibrant trip to The McKnight Center for a daytime entertainment and engaging opportunities narrator and she connected with every matinee showing of 42ft – A Menagerie of to further their learning. Undoubtably, The member of the audience. The Very Young Mechanical Marvels, performed by touring McKnight Center will play a principal role People’s Concert was a vital part of this company Cirque Mechanics. in shaping the next generation of perform- residency and exemplifies the excellence we 42ft puts STEAM (Science, Technology, ing artists and supporters. O seek in every level of our programming.” Engineering, Art, Mathematics) learning

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OCTOBER 2019 OVATIONS! 13 SPOTLIGHT On upcoming events

DANNY CLINCH STEVEN GARDNER PRESERVATION HALL JAZZ BAND 1964: THE TRIBUTE This quintessential New Orleans musical institution guarantees Make this Valentine’s Day unforgettable with the magic of The an electrifying night of music as they perform songs from their Beatles! 1964: The Tribute recreates a live Beatles concert with most recent releases as well as traditional New Orleans repertoire. artful precision including period instruments, clothing, onstage Critics praise the group for their “insistent grooves and catchy banter, and of course the hairstyles! Whether you’re celebrating riffs,” (The Guardian) saying they’re “playing hotter, harder and your first date or your fiftieth, this performance will help you fall in more smartly than ever.” (NPR) love all over again. Catch Beatle-mania and tell that special some- one, “I wanna hold your hand!” January 30 at 7:30 p.m. Performance Hall February 14 at 7:30 p.m. Performance Hall

BENJAMIN EALOVEGA ROBERT TORRES JONATHAN BISS ACADEMY OF ST. MARTIN IN THE FIELDS The Complete Beethoven Piano Sonata Concert Series with Joshua Bell Pianist and Beethoven scholar Jonathan Biss continues his explo- With over 500 recordings and an in-demand international touring ration of the composer’s 32 piano sonatas. Tickets are sold out, program, the Academy presents symphonic repertoire and cham- but these moving concerts will be broadcast live and in surround- ber music on a grand scale. The acclaimed London-based orches- sound to The McKnight Center outdoor plaza. Bring a blanket and tra brings two different programs to The McKnight Center, featur- watch the performance for free. ing works by Paganini, Brahms and Mendelssohn. The Academy is led by virtuoso violinist Joshua Bell, one of the most celebrated February 20 at 7:30 p.m. | February 21 at 7:30 p.m. Recital Hall violinists of his era. February 26 at 7:30 p.m. | February 27 at 7:30 p.m. Performance Hall

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Menus and reservations are now available online at ORANGECONNECTION.org/mcknight Inaugural Season 2019-20 New York Philharmonic Cirque Mechanics: New York Philharmonic Residency sponsored in 42 Ft – A Menagerie of memory of Jeannette Sias Mechanical Marvels Opening Gala Concert Friday, November 22 I 7:30 PM Friday, October 11 | 6 PM Saturday, November 23 I 7:30 PM A Fantastique Introduction Rudolph the Red-Nosed Saturday, October 12 | 7:30 PM Reindeer: The Musical How Legends Begin Thursday, December 12 I 7:30 PM Sunday, October 13 | 2 PM Preservation Hall Jazz Band Jonathan Biss Thursday, January 30 I 7:30 PM Friday, October 25 I 7:30 PM Sunday, October 27 I 3:00 PM 1964: The Tribute Friday, November 15 I 7:30 PM Friday, February 14 I 7:30 PM Thursday, Februaury 20 I 7:30 PM Academy of St. Martin in Friday, Februaury 21 I 7:30 PM the Fields with Joshua Bell Friday, March 27 I 7:30 PM Wednesday, February 26 I 7:30 PM Saturday, March 28 I 7:30 PM Thursday, February 27 I 7:30 PM The Phantom of the Opera An American in Paris Silent Film with organ Thursday, March 5 I 7:30 PM performance by Peter Krasinski The Buddy Holly Story Thursday, October 31 I 7:30 PM Thursday, April 2 I 7:30 PM Friday, April 3 I 7:30 PM Chamber Music Festival: On-Stage Soiree Sarah Coburn in Concert Saturday, April 4 I 7:30 PM Thursday, November 7 I 6:00 PM Americana André Watts in Concert Saturday, November 9 I 7:30 PM Friday, April 17 I 7:30 PM In Concert with the OSU Symphony Orchetra Sunday, November 10 I 3:00 PM Sunday, April 19 I 3:00 PM

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OCTOBER 2019 OVATIONS! 17 MICHAEL AND ANNE GREENWOOD SCHOOL OF MUSIC College of Arts and Sciences

Upcoming Events at the McKnight Center November Saturday, November 23 ~ 2:30pm ~ MCRH Sunday, November 3 ~ 2:30pm ~ MCRH Senior Recital: Ali Lewis, mezzo-soprano Senior Recital: Joy Evans, clarinet Saturday, November 23 ~ 5:00pm ~ MCRH Sunday, November 10 ~ 7:30pm ~ MCRH Senior Recital: Cole Woods, horn Senior Recital: Dustin Boatright, tenor Saturday, November 23 ~ 7:30pm ~ MCRH Tuesday, November 12 ~ 7:30pm ~ MCPH Senior Recital: Daniel Taylor, tenor OSU Jazz Orchestra** Sunday, November 24 ~ 2:30pm ~ MCRH Wednesday, November 13 ~ 7:30pm ~ MCRH Faculty Recital: Dr. Laura Talbott-Clark, violin Senior Recital: Samantha Kerns, cello Monday, November 25 ~ 7:30pm ~ MCPH Thursday, November 14 ~ 7:30pm ~ MCPH OSU Jazz Ensemble** OSU Wind Ensemble** Monday, November 25 ~ 7:30pm ~ MCRH Sunday, November 17 ~ 2:30pm ~ MCPH Graduate Recital: Jing Hu, piano OSU University Singers** December Sunday, November 17 ~ 2:30pm ~ MCRH Monday, December 2 ~ 7:30pm ~ MCPH Senior Recital: Thomas Borgman, percussion OSU Youth & Community Orchestras Sunday, November 17 ~ 5:00pm ~ MCRH Thursday, December 5 ~ 7:30pm ~ MCRH Senior Recital: Courtney Stott, percussion Faculty Recital: Jack Helsley, double bass Sunday, November 17 ~ 7:30pm ~ MCRH Friday, December 6 ~ 7:30pm ~ MCRH Senior Recital: Tiffany Johnson, percussion & flute OSU Jazz Combos Tuesday, November 19 ~ 7:30pm ~ MCPH Saturday, December 7 ~ 2:30pm ~ MCRH OSU Symphonic Band** OSU Community Music School Wednesday, November 20 ~ 7:30pm ~ MCRH Saturday, December 7 ~ 7:30pm ~ MCRH Faculty Recital: Dr. Erin Murphy, flute Senior Recital: Carly Nash, soprano

** Tickets: $12 Adults/$10 Senior Citizens/$7 Students MCPH ~ McKnight Center Performance Hall MCRH ~ McKnight Center Recital Hall

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OCTOBER 2019 OVATIONS! 19 The McKnight Center for the Performing Arts would like to sincerely thank our family of donors for their generous support.

PRODUCER’S CIRCLE Betty and Bob Kerns FOUNDING DONORS ($10,000 and above) Caroline and John Linehan Patty and Stephen Armbruster PATRONS Malinda and Dick Fischer Manhattan Construction Company Arvest Foundation ($1 Million and above) Ann and Jim Halligan Pam and Joe Martin Sheryl and Bruce Benbrook Edward E. & Helen T. Bartlett Denise and David Houston Kay and Greg Massey Foundation Edward E. & Helen T. Bartlett Ron and Marilynn McAfee Susan and A. J. Jacques Foundation Lee and Harriet Brown Billie and Ross McKnight Amy and Brett Jameson Mike Bode and Preston Carrier John McNeese Nickie and Doug Burns Craig and Paula Boelte Sharon and Robert Keating Kellie and Robert Merrick Chickasaw Nation Lee and Harriet Brown Caroline and John Linehan Lou & Connie Miller Charitable Cheryl and John Clerico Richard and Diane Buchanan Kay and Greg Massey Foundation Pat and Pat Cobb Nickie and Doug Burns Lou and Jim Morris Lou & Connie Miller Terri and Brett Carver Lerri and Rick Cooper Charitable Foundation Carol and Frank Morsani Chickasaw Nation Suzanne and Norm Myers Jonathan Drummond Family Jeannette and Dick Sias Foundation Jane and Gary Clark Pat and Laura O’Hara Monica and Joe Eastin ADVOCATES Cheryl and John Clerico OSU Foundation ($50,000-$99,999) Jim Click, Jill Click King, OSU President’s Office Anne and Mike Greenwood and Joel Click Sheryl and Bruce Benbrook Shayna and Mark Paden Vickie and Joe D. Hall Linda Cline and Amy Cline Jane and Gary Clark Robert Glenn Rapp Foundation Ann and Burns Hargis Pat and Pat Cobb Joie and Steve Dickey Ludmila and Frank C. Robson Helen Hodges Dana Cole Evans & Associates Juli Schreiber College of Arts and Sciences Cathey and Don Humphreys Mary and Spencer Sewell Cathy and John Jameson Lerri and Rick Cooper Inasmuch Foundation Jeannette and Dick Sias Kellie and Robert Merrick Terri Cooper Billie and Ross McKnight Simmons Bank Juli Schreiber Joie and Steve Dickey Carol and Frank Morsani Sherman E. Smith Family Jim Vallion Jonathan Drummond Foundation Ludmila and Frank C. Robson Monica and Joe Eastin Spears College of Business Sherman E. Smith Family FRIENDS Nancy Payne Ellis Becky Steen Foundation ($25,000-$49,999) Evans & Associates LaRue and Bill Stoller LaRue and Bill Stoller Mike Bode and Preston Carrier Malinda and Dick Fischer Julie and Russ Teubner Julie and Russ Teubner Valerie and Brent Gooden Craig and Paula Boelte Marilynn and Carl Thoma Marilynn and Carl Thoma Thom Maciula Richard and Diane Buchanan Jim Vallion Anne and Mike Greenwood Mollie Williford BENEFACTORS Linda Cline and Amy Cline ($500,000-$999,999) Starla and Brandon Halcomb Bill Witman Valerie and Brent Gooden Vickie and Joe D. Hall Robert Glenn Rapp DIRECTOR’S CIRCLE Foundation Thom Maciula Ann and Jim Halligan ($5,000-$9,999) Greg and Kristen Hart Ann and Burns Hargis Staci Bejcek and Behfar Jahanshahi PARTNERS Sally Harris ($250,000-$499,999) Kim and Kirk Hilbig Linda and Reed Bramlett Greg and Kristen Hart Brian Hobbs and Mark Sarno Rae and Mike Hyatt Mary and Jerry Burson Kim and Kirk Hilbig Ann and Tracy Caine Betty and Bob Kerns Karen and Tom Kapella Brian Hobbs and Mark Sarno Tracie and Eric Chapman Lou and Jim Morris Pam and Joe Martin Helen Hodges Pam and Paul Crawford Ron and Marilynn McAfee Suzanne and Norm Myers Cathey and Don Humphreys Christine and Ron Fisher John McNeese Simmons Bank Rae and Mike Hyatt Carolyn Gang and Edward Pat and Laura O’Hara Inasmuch Foundation Noltensmeyer CONTRIBUTORS Susan and A. J. Jacques ($100,000-$249,999) Roger Gose Amy and Brett Jameson Diane and Bob Graalman Jim Click, Jill Click King, and Joel Click Cathy and John Jameson Rodette and Rick Green Karen and Tom Kapella Susan Honska Sharon and Robert Keating Jeanene and Ron Hulsey

20 OCTOBER 2019 OVATIONS! KEYS TO SUCCESS ANNUAL GIVING FUND DONORS

Janette and Rick Jungers Jane and Monty Butts Betty and Bud Townsend Sue Coberly Betsy and Doug Koontz Kelly and Chris Campbell Laurence and Risë Tucker Beth and Don Coble Sharon and John Lee Caroline Crain Tina Walker James Coburn Louise and Jeff Linihan Diane Crane and Doyle Wright Charlene and Richard Warner Richard Cochran Shirley & William S. McIntyre Lisa Croston Lou and Wes Watkins Beverly and Kevin Collin Foundation Pat Darlington Patti and Joe Weaver Shannon and Andrew Conner Denise Unruh Melot and Richard Sara Earnest LaJean and Carl Whitcomb Sharri and Tyrrell Conway Melot Jane and Barry Epperley Mary Paul and Jimmy Williams Terry and Walter Corbett Charlotte and Kirk Pittman Lynn and Frank Evans Myriam and Sidney Williams Ginny Cornelsen Kathleen and Joe Porter Jennifer and Allen Glenn Nikki and Robert Williams Debbie Craine Susie and Stephen Reel Janet and Martin Hagan Rose Yurczyk and Stu VanOrden Eileen Cravello Bob Sandmeyer Kathy and Doug Hall Bobby Curtis Sharon and Roy Scott DEBUT Janice Haunschild ($100-$999) Christine Sumner-Davis and Jeri and Alan Seefeldt J. T. Davis Christie Hawkins Kathryn Aichele Carol and Tom Stewart Karen and Scott Dean Angie and Scott Heddleston Robin and Dan Alaback Kerry and Robert Sweeney Rita and Al Dearmon Pam and Steve Holton Kathy Albright Brandi and Mark Waits Laura and Dan Deaver Jim Horn Judy and Gary Allen Susan and Ed Devero CENTER STAGE Kathy and Jim Huston Nancy Allford ($2,500-$4,999) Cindy and Terry DeVore Sherry and Ryan Jenlink Jodi and Buddy Ames Judi Baker Richard Dix Nigel Jones Micki and Don Anderson Wade Beard Catherine Drummond Sue and Pat Kennedy Susan Anderson Nicole and Adam Buchanan Kari and Jacob Easson Pat and Bob Knaub Paula and Bobby Anthony Deb and Dave Engle Chrissy and Raymond Eberle Kelli and Brian Koons Jamie Armstrong Jacque and Doug Foster Judith and Ron Elliott Jamie and Katie Lathrop Joan and Chris Armstrong Marybeth and Ike Glass Maryellen and Francis Epplin Robin and Brad Leverett Corabell Arps Lynda and Brent Hillery Cheryl and Tom Evans Laura and Rick McDonald Melindea and Howard Aufleger Jennifer and Ken Hudgeons Margaret Ewing Mary and Kenneth McKinley Betsy and Greg Avery Lynn Hughes Katy Fabrie Martha and Roger McMillian Julie and Jim Barnard Marsha and Steve Maison Judy and Jim Farley Julia and Steve Moomau Andrea Nielsen-Bartlett and Gary Julie Ross-Martin and Mel Martin Nancy and Jon Patton Bartlett Judy and Dennis Ferrell Pamela and Clint Roush John Peters Casey and Kevin Batson Janet and Bill Fisher Betty and John Scheffler Melissa and John Phillips Marcia and Bob Baumel Jeane’ and Ken Flesner Ted Schupbach Faye and Glade Presnal Nancy and Jim Beckstrom Tonya and David Ford Lisa and Mark Snell Sydney Reding Cara and Ronald Beer Ashlee Ford-Versypt Colbi and Corby Smithton Paula and Joe Reed Julie and Drew Boersma Carol and Charles Foreman Bonnie Stout Verna Lou and Karl Reid Kim and Terry Bourke Hughla Foreman Lana and Chuck Van Cleave Mary Kaye and Paul Rogers Kathy and Troy Bower Mark Fossey Marta and Dennis White Ranay and Martin Roth Shelley and David Bowersock Sarah and Kermit Frank BACKSTAGE Sherry and Jay Schallner Fern Bowling Nancy and Gary Franklin ($1,000-$2,499) Carson Scott Priscilla Brashear Karen Fraser Roberta and Bill Armstrong Leanita Shelby Kristy and Kyle Briggs Ann and Fred Fulmer Andrea and Ed Arquitt Pam Shockley-Zalabak John Bush Jack Fyffe Becky and Keith Ashburn Brenda and Craig Spaulding Shelly and Charles Cameron Priscilla and Kevin Gerfen Mark Blakeman Mary and Stan Stack Rita and James Carley Bill Gertsen Suzy and David Bennett Connie and Jim Stiegler Monica Casey Bonnie Givens Ann and Jim Berry Scott Stubbs Dorothy Cate Kevin Gloyne Peggy and Del Boyles Yash Tamhankar Susan and David Chastain Leona Gwinn Kelly and Gregg Bradshaw Lisa and Brooks Thomas Helen Clements Kay Endorf Haidary Linda Burks Joe Tippens Judith Cline Philip Haney Jean and Charlie Burns

OCTOBER 2019 OVATIONS! 21 KEYS TO SUCCESS ANNUAL GIVING FUND DONORS

Stacy and John Hart Tracie and Jimmy Morris Janet Sorenson Betty Edgley Lisa and Andrew Hartfiel Judy and James Moses Lisa Stanley Nora Eharis Diane and James Harwick Tessa and Travis Moss Elizabeth and Chris Stark Michelle Eisenberg Dineo Heilmann Toni Moss Ray Stark Linda Evans Nelda and Ken Helt Elaine and Jerry Muhlberg Kristi and Joseph Strubhart Vonda Evans Edna Mae and Harold Holden Kay Murphy Lela and Mark Sullivan Tena Floeter Mary Ellen and Harold Holley Kelly and Kelly Murphy Teresa and Ed Sutter Leeann Flower Linda and Steven Horstman Miwa and Scott Murphy Linda and David Talley Gerald Frank Gretchen Howell Geneva and Don Murray Jaime Testerman Micah Gillezeau Kathy and James Huston Mindy and Randy Murray Dennis Tewell Mary Ann Grimsley Winfrey Houston Jeannie and David Nethery Erin and David Tingler Melisa and Todd Gungoll Margaret and Joe Hrencher Thuy-Trang and Raphael Nguyen Brenda and Gary Tripp Genevieve Hurst Maxine and Laddie Hudgins Homer Nicholson June Tucker Mary Taylor Jackson and Keely and George James Julie and Chris Norris Patricia and Roger Tucker Scott Jackson Lorrie and Juergen Janzen Diana Noteware Judie and William Varnum Peter Jensen Issy and Richard Jennings Carol and Kent Olson Sharon and Robert Varnum Christopher Jurgensmeyer Jan and Kirk Jewell Dee Ann O’Neal and John Special Andrea and Tom Volturo Laura Ketchum Lori and David Jirousek Maurie and Jim Overton Kay and Don Wagner Darrel Kletke Carol and Earl Johnson Anna and Randy Parks Andrea and James Walker Randy Kluver Pamela and Carlos Johnson Joanne and Kenneth Parrott Latena and Kip Ward Dave Lafferre Vivian and Frederick Johnson Carla Parvis Mimi and Clement Ward Brian Lambert Susan and Kim Jones Mark Parvis Jill and Bruce Webber Carol and Seth Lawton Kelcey and Daniel Jordan Terri Peak Grace and Bob Wettemann Suzanne and Devon Lyles Rachelle and Will Joyce Janice Pellam Lori and Mike Wieder Lindsey Marsh Kappa Alpha Theta Beverly and Larry Perkins Cathy and Neil Williams Katherine McCollom Kristi and Steve Kelle Bonnie and Bruce Petty Melanie and Dennis Williams Anna McCormick Lori and Benny Kellner Shelley and Chad Phillips Peggy and John Williams Amanda and Aaron McDonald Bryson Kinder Nancy Postier Kathy and Barry Wilson Janice and Don Mitchell Marian and Reginal King Nancy and Steve Pracht Judy and Stan Woodward Susie Murray Marilyn King Jacqueline and Clarke Randle Kathy and John Yeaman Cheryl Newberry Jennifer Kinnard and Anton Stacy and John Reding Ava and Lynn Osborn Menning SUPPORTERS Jamie Payne Jennie and Stuart Reeves ($1-$99) Denise and Kris Kinzie Gwen and Richard Powell Brenda and Mike Ridgway Ken Adams Kevin Klein Jane Price Genifer and Robert Ring Federico Aime Brenda and Greg Kozakis Donna and Russ Rhinehart Carroll and Dick Risk Ruby Basler Lambert Construction Company Shin and Bob Rowe Ginger Roach Rickie Baxter Jan Largent Reda and Roger Rozendal Steve Roach Larry Beeby Steven Law Mike Ruby Sula and Doug Robertson Karen and Ken Bell Nancy and Bobby Lisle Steve Ruby Tracey and Juan Roybal Rachel Benbrook Phyllis Luebke Jose Sagarnaga Jim Rutledge Charles Benoit David Luetkemeyer Kathy and Ronald Schachar Kathy and Gary Sandefur Lacy and Chance Branson Abbey and Michael Martin Lynn Schwartz and Jim Cox Karen and John Shiflet Pat Brock Cynthia and Terry Martindale Pamela and George Schwenk Ruth Schuermann Mary Bugg Katy and David Mays Nedra Segall Theresa and Robert Schwartz Janis and Gary Burger Linda and Paul McElligott Connie Sells Jan and Jeff Scott Chelsea and Ryan Burns Terri and Mark McGugan Brad Stewart Craig Shelton Robin and Randy Byford Melinda and Chancer McPherson Mary and Michael Stovall Barbara Shultz Rashel and Jack Carnefix Ulrich Melcher Phil Thomas Linda and Gary Smeltzer Leigh DeFreitas Barbara Miller Stephen Tweedie Kay Smith Douglas Dodson and Dan Juanita Miller Mary Henderson Smith and Lowrance Susan and Nate Webb Louise and Ron Miller Rob Smith Dee Dutt and Jean D’Offay Christopher Weimer Carol Moder and Brewster Fitz Renee Smith Jerry Ann Dunn John Wolfe Ursula and Joseph Monroe Alicia and Bob Sorelle Renee and Mark Ebert Shu Yan

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