Fairport Convention Gladys' Leap Mp3, Flac, Wma

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Fairport Convention Gladys' Leap mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gladys' Leap Country: UK Released: 1985 Style: Folk Rock MP3 version RAR size: 1402 mb FLAC version RAR size: 1629 mb WMA version RAR size: 1366 mb Rating: 4.4 Votes: 426 Other Formats: TTA FLAC MP3 RA WAV MIDI AHX Tracklist Hide Credits How Many Times A1 3:26 Written-By – Richard Thompson Bird From The Mountain A2 4:45 Violin [Electric] – Ric SandersWritten-By – Ralph McTell Honour And Praise A3 5:17 Written-By – John Richards The Hiring Fair A4 5:46 Violin [Electric] – Ric SandersWritten-By – Dave Mattacks, Ralph McTell Instrumental Medley '85: The Riverhead, Gladys' Leap, The Wise Maid B1 5:01 Violin [Electric] – Ric SandersWritten-By – Dave Pegg My Feet Are Set For Dancing B2 3:59 Vocals – Cathy LesurfWritten-By – Cathy Lesurf Wat Tyler B3 5:28 Written-By – Ralph McTell, Simon Nicol Head In A Sack B4 4:19 Guitar [Lead] – Richard ThompsonWritten-By – Dave Whetstone Credits Drums, Keyboards – Dave Mattacks Engineer [Assistant] – Mark Powell, Tim Matyear Guitar [Bass], Mandolin, Bouzouki, Vocals – Dave Pegg Producer, Engineer – Fairport Convention Vocals, Guitar – Simon Nicol Notes Recorded and mixed at Woodworm Studios, Oxfordshire Other versions Category Artist Title (Format) Label Category Country Year Fairport Gladys' Leap Woodworm WR007 WR007 UK 1985 Convention (LP, Album) Records Fairport Gladys' Leap Woodworm WRCD007 WRCD007 UK 1985 Convention (CD, Album) Records VARRICK CD Fairport Gladys' Leap Varrick VARRICK CD USA & Unknown 023 Convention (CD, Album, RP) Records 023 Canada Fairport Glady's Leap AM55 Amalthea AM55 Sweden 1985 Convention (LP, Album) VARRICK CD Fairport Gladys' Leap Varrick VARRICK CD USA & 1986 023 Convention (CD, Album) Records 023 Canada Related Music albums to Gladys' Leap by Fairport Convention Ralph McTell - I Want You Fairport Acoustic Convention - Old - New - Borrowed - Blue Fairport Convention - Beyond The Ledge (Filmed Live At Cropredy '98) The GP's - Saturday Rolling Around Ralph McTell - Streets Of London Fairport Convention - Rising For The Moon Ralph McTell - From Clare To Here Fairport Convention - In Real Time (Live '87) Fairport Convention - Rosie Fairport Convention - Live Legends.

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Fairport Convention XXXV Mp3, Flac, Wma
Fairport Convention XXXV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: XXXV Country: UK Released: 2014 MP3 version RAR size: 1122 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1324 mb Rating: 4.1 Votes: 339 Other Formats: VOC WAV AA AUD AAC XM MIDI Tracklist A1 Madeleine 4:23 A2 My Love Is In America 4:43 A3 The Happy Man 2:48 A4 Portmeirion 5:56 B1 The Crowd 6:09 B2 The Banks Of Sweet Primroses 4:27 B3 The Deserter 6:55 C1 The Light Of Day 6:11 C2 I Wandered By A Brookside 4:52 C3 Neil Gow's Apprentice 4:43 C4 Everything But The Skirl 4:05 D1 Talking About My Love 2:40 D2 Now Be Thankful 3:45 D3 The Crowd Revivited 2:35 Bonus Tracks (Live From XXXV 2002 Tour) D4 The Widow Of Westmorland's Daughter 4:43 D5 Rosie 4:27 Companies, etc. Phonographic Copyright (p) – Eagle Rock Entertainment Ltd. Copyright (c) – Eagle Rock Entertainment Ltd. Copyright (c) – Let Them Eat Vinyl Notes Record Store Day 2014 release. Barcode and Other Identifiers Barcode: 803341420038 Other versions Category Artist Title (Format) Label Category Country Year XXXV: The 35th Fairport Woodworm WRCD038 Anniversary Album WRCD038 UK 2002 Convention Records (CD, Album) XXXV: The 35th Fairport Compass 7 4332 2 Anniversary Album 7 4332 2 US 2002 Convention Records (CD, Album) XXXV: The 35th Fairport ER 20110-2 Anniversary Album Eagle Rock ER 20110-2 US 2007 Convention (CD, Album, RE) XXXV: The 35th Eagle EAGCD350, Fairport EAGCD350, Anniversary Album Records, Europe 2007 0000350 EAG Convention 0000350 EAG (CD, Album, RE) Eagle
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
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Cropredy Report.Indd 43 25/11/2010 12:03
FEATURE: FAIRPORT’S CROPREDY CONVENTION 2010 2010 FAIRPORT’S Despite its size, the single stage, eclectic line- CROPREDY up and one-bar-serves-all formula makes Cropredy the great leveller. Words and CONVENTION pictures by Noel Harvey. n the 60s and early 70s, you’re all in it together. labelling of the music as ‘Bible of the great and good (announced festival punters were not Local band Leatherat played a belt noir’, while Martyn Joseph’s or otherwise) stepped up for a overly keen on having too thrashing, metal-hued blend of interjected analysis of Bruce turn. Johnny Logan, Martin Barre, much choice. Perhaps folk-rock that amply justifi ed the Springsteen’s ‘One Step Up, Two Jacqui McShee, and yes, even the it was the pervading ideals of preponderance of fans proudly Steps Back’ may yet fi nd itself (once) late, great Dave Swarbrick Iegalitarianism and free love, or wearing their T-shirts. Cornwall transcribed and handed in as part made an appearance. ere were maybe it was something in the air trio 3 Daft Monkeys delivered an of an essay by some hopeful media classics aplenty, of course. ‘Walk (or the roll-ups). But whatever it eclectic melee of folk, Gypsy and studies student. Awhile’, ‘Crazy Man Michael’, was, you needed neither a degree goodness knows what else with ose in search of bona fi de ‘Matty Groves’ and a fi nal, rousing in logistics nor a clear head to be an energy that was anarchic and legends could happily return home ‘Meet On e Ledge’ must have at the right stage at the right time exuberant enough to permeate and announce they’d seen Rick fi red up many a fading memory.
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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
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Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
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Generator Power for Cropredy Festival 2017
caseGenerator Powerstudy for Cropredy Festival 2017 Powerhire once again provide festival generator power for Fairport Convention’s sell out folk and rock music PROJECT gig in the village of Cropredy! Powerhire provide festival 60s folk band, Fairport Convention, played its first concert generator power for in a church hall in May 1967. The youngsters ‘convened’ for Fairport Convention’s rehearsals at a house named Fairport, the family home of Festival at rhythm guitarist Simon Nicol. Thus was born the name of a Cropredy, Oxford band. Unit B1 Colliery Business Park, t 01304 833900 Pike Road, Eythorne, Kent e [email protected] CT15 4FE www.powerhire.uk.com A DIVISION OF TGC INTERNATIONAL LTD CS-143-POW-P2774-R0 ©TGC International Ltd 2017 case study After many years of success, musician changes and tragedies, the band decided to call it a day in 1979 playing their final outdoor concert in the Oxfordshire Village of Cropredy. The following year, the band staged a reunion concert in the same village of Cropredy and the famous festival was born. Starting out with just a couple of thousand spectators, Fairport’s Cropredy Convention now attracts up to 20,000 people each year, including regulars BBC Radio Oxford and welcoming this year ITV, making it the largest annual festival of its kind in Britain. Powerhire are lucky to have an engineer who has been providing generator power consultancy for the music extravaganza for 25 years. Through his many years of experience, he is aware of the festival’s generator power requirements and makes sure the necessary equipment is allocated in advance for the event at this busy time of year.
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Roots Report: Take Me out of the Ballgame
Roots Report: Take Me Out of the Ballgame Okee dokee folks … I am going to preface my column by stating that much to my father’s disappointment, I do not like baseball at all. Last week I received a mass e-mail that must have been sent to every musician in the state (they didn’t blind cc the e-mail) from the Pawtucket Red Sox. They asked performers to play before each one of their home games. Sounds like a good gig, doesn’t it? Well, it’s not. It pays peanuts. Actually, it doesn’t pay at all. They only offer a hot dog and general admission to the game that you perform for. You provide your own sound system and play for almost two hours. So, in essence, with set-up, you work about four hours for free, err … for a hot dog. In Motif‘s Oct ’14 issue, I wrote a bit about musicians performing for free. I guess the PawSox didn’t see that column. Before I go on, I have to admit that last year I agreed to go play this gig. Why, you may ask? As I mentioned before, my father is a HUGE baseball fan. He actually tried out for the Red Sox after he got out of the Air Force, but was told that he was too old. He ended up playing softball on Sundays for most of his life — until the artificial hip benched him! I wasn’t crazy about doing the gig. It was kind of sketchy, but they agreed to let me sing the National Anthem before the game.
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FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age.
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Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
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A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18.
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Fairport Convention Beyond the Ledge (Filmed Live at Cropredy '98) Mp3, Flac, Wma
Fairport Convention Beyond The Ledge (Filmed Live At Cropredy '98) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Beyond The Ledge (Filmed Live At Cropredy '98) Country: UK Released: 1999 Style: Folk Rock MP3 version RAR size: 1379 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1127 mb Rating: 4.2 Votes: 845 Other Formats: ASF MP4 WMA DXD MOD APE MIDI Tracklist Hide Credits Programme Start : Meet On The Ledge 1 1:50 Arranged By, Performer – Ric SandersWritten-By – Richard Thompson The Lark In The Morning 2 6:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Traditional Life's A Long Song 3 3:00 Written-By – Ian Anderson Woodworm Swing 4 3:18 Written-By – Ric Sanders Crazy Man Michael 5 5:03 Written-By – Dave Swarbrick, Richard Thompson Dangerous 6 5:29 Written-By – Kristina Olsen The Flow 7 5:13 Arranged By – Ric SandersWritten-By – Chris Leslie Close To You 8 4:24 Written-By – Chris Leslie The Naked Highwayman 9 4:56 Written-By – Steve Tilston The Hiring Fair 10 6:57 Written-By – Ralph McTell Jewel In The Crown 11 3:31 Written-By – Julie Matthews Cosmic Intermezzo 12 5:29 Written-By – Ric Sanders The Bowman's Retreat 13 3:08 Written-By – Ric Sanders Who Knows Where The Time Goes 14 7:11 Featuring – Chris WhileWritten-By – Sandy Denny Come Haste 15 4:36 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* Spanish Main 16 4:40 Written-By – Chris Leslie, Maartin Allcock* John Gaudie 17 6:03 Written-By – Chris Leslie Matty Groves 18a 11:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* The Rutland Reel / Sack The Juggler 18b Written-By – Ric Sanders Meet On The Ledge Guest – Anna Ryden*, Chas McDevitt, Chris Knibbs, Chris While, Dave Cousins, David 19 7:10 Hughes , Rabbit*, Maartin Allcock*, P.J.
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Cassandra Music Credits
Music Trevor Lucas Ian Mason Post Sync and Music Recording Engineer Tony Buettel 'Stimulation' 'Sugar Free' Performed by Wa Wa Nee Courtesy of CBS and Epic Records Written by Paul Gray Published by MCA Gilbey 'Land of the Free' Written and Published and Performed by Bluey and Curly 'She's a Mystery' Written and Performed by John Brewster and Allan Lancaster Published by Rondor Music Co-composer Trevor Lucas: Richie Unterberger at Allmusic provides this brief proﬁle of Trevor Lucas, here: Trevor Lucas was a secondary but notable ﬁgure in the British folk- rock scene of the late 1960s and 1970s, principally as a member of Fotheringay and the mid-'70s version of Fairport Convention. Originally from Australia, he came to the UK in the mid-1960s to work on the traditional folk circuit, and made an obscure and run- of-the-mill traditional folk solo album in 1966, Overlander. From late 1967 to late 1969, the singer-guitarist was in Eclection, a little- known British folk-rock group that made recordings with Elektra. Lucas became romantically involved with Fairport Convention singer Sandy Denny in the late 1960s, and together the pair formed Fotheringay, who made a good folk-rock album in 1970. Despite the group's considerable promise, it folded after that sole LP, when Denny, the biggest talent in the band by far, left for a solo career. Lucas joined Fairport Convention, who at that point had been shorn of all their original members, in mid-1972, with Denny (whom Lucas married in 1973) rejoining the band in early 1974.
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