DOCSLIB.ORG

Citr/Discorder JOB OPPORTUNITIES

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Citr/Discorder JOB OPPORTUNITIES __^-°A? _5A* •<_. JPV __#••» I II Hi Arl.. M.TS IIWCI Special* evetty cUuf toc&fat ou* Often : .99 cent nl*6u *7ue& - Sett. X:00ft** - 2:00am * ffo &we%, ewfaf Su*uUuf& to- 7ftid*u$At it cvfale it Icwto. * C**t»4 &Ht*t Z>.f. StftUtfUMA Wit 7«*«* 315 East Broadway at Kingsway 876 - 7003 JULY 1991 - ISSUE #102 URGE OVERKILL Drugfree?...you decide fIREHOSE fROMOHIO to the Minuter GOD'S LITTLE MONKEYS Life after Malcolm's Interview. ... SEAWEED Eatthe banana!!!! BORN AGAINST 'Convenient answers, a cheap way out'. DWARVES VS. MUMMIES CLASH OF THE TITANS A chat with Anthrax Peace sells, who's buyin'?.. •iWif.va FELICITY DUNBAR... SUBTEXT 18 VANCOUVER SPECIAL....22 BUOUX 19 REAL LIVE ACTION .23 UN DER REVIEW .20 ON THE DIAL 24 CHARTS .25 , .26 MilAltM DUMMYHEDS FOUND IN SUPPOSEDLY EMPTY EQUIPMENT AT SEATTLE, WASHINGTON •MM-.?! The cover was designed by Jeff Tollefsen. MJJM-i'M-f']:iU EDITORS Lady Jane Grey Elementary, Lance Exeter ART DIRECTOR Johanna Block, Deborah Bollngbroke-Prlce PRODUCTION MAN­ AGER Lydia Schymansky EDITORIAL/PRODUCTION ASSISTANTS Mindy Abramowitz, Deborah Bollngbroke-Prlce, Helen Oodolphin, Randy Iwata, Robynn "Humming" Iwata, Redd Mc Jan, Chris Taylor, Braden Zrno, J Bradford, the Division 6 class of Lady Jane Grey Elementary GRAPHICS Deborah Bollngbroke-Prlce, Robynn "a" Iwata, Jeff Tollefsen PMT Robynn "tune" Iwata PROGRAM GUIDE Adam Sloan SPINLIST Robynn Iwata ADVERTISING Greg Elsle/Llnda Scholten LOON+MOOSE LOCAL DISTRIBUTION Matt Stefflch SUBSCRIPTIONS/MAIL DISTRI­ 5 "LIVE" BANDS PER NIGHT! BUTION Lydla Schymansky DATEBOOK/DELIVERV FRIEND Randy NIGHT Iwata TECHNICAL SUPPORT Ted 'n' Sue PUBLISHER/ACCOUNTS Linda Scholten HEART AND SOUL the Iwatas, Phil and Landls and HIGHBALLS their gerblls Marge and Antonio CALL 874-BAND Discorder Copyright © 1991 by The Student Radio Society of the University of British Columbia. All rights reserved. Discorder Is that $1.25 magazine from CITR 101.9 fM, and Is printed monthly In Canada on paper manufactured In Canada. Discorder prints what it wants to, including the CITR On The Dial program guide and the CITR SplnUst BATTLE OF THE playlist charts. Circulation Is 17,500 copies distributed free to over CAGED GO GO 230 locations. 12-month subscriptions are $15 In Canada, $15 (US) to FEAR+LOATHiNG the states, and $24 elsewhere. Please make cheques or money orders DJS DANCERS payable to Discorder Magazine. "Wh*n th* going gat* tough, tho tough got going. Byo. **- Mr Carlson. Deadline for ads and submissions Is the ALTERNATIVE DOUBLE LONG SHOOTER 15th of the month. We want your stuff—send It our way, and If we like It, we'll use It; If not, we'll lose It. Al ISLAND NIGHT SHOCK EVERY HOUR CITR 101.9 fM Is 1800 watts of neurotic bliss from UBC to Langley, BZZR BASH $1.25 YI uncs IN t« tat IETOIE un Squamish, and points beyond. We're also on all major cable systems In the Lower Mainland except Shaw In White Rock. Office hours for CiTR, Mobile Sound, and Discorder are Monday-Friday, 10-4. Call CITR DJ line 9 822 CITR, our offices 9 822-3017, our news + sports 9 222-2487, #7 ALEXANDER STREET fax us c/o CITR 9 822-6093, or write Discorder, #233-6138 SUB Boulevard, Vancouver, BC, CANADA V6T 1Z1 GASTOWN 682-8550 ••iillt'lH'll.'I'mVM E_^_5_iS__3( ,—&Mtfma%Y/Ha»~~ CANADA'S LARGEST AND BEST KNOWN RECORD STORES CONSOLIDATED friendly fascism 8" cass ^J OR LESS In Concert Wednesday, July 31 THE COMMODORE with MEAT BEAT MANIFESTO Also Available: The Myth Of Rock A99coss ^J OR LESS I fi99cd I ^^ OR LESS (§)ETTWERK PRICES IN EFFECT JULY 1st to 31st WHILE QUANTITIES LAST. CANT FIND IT7-SAMS HAS WESTERN CANADA'S LARGEST SELECTION AND MOST COMPREHENSIVE SPECIAL REQUEST SERVICE! DOWNTOWN 568 Seymour Street- EATON CENTRE METROTOWN Burnaby - SURREY PLACE Surrey - RICHMOND CENTRE Richmond years of the magazine, from what I area"] I could pick up 4 pirate and 5 Finally PJ., Radio One is not ALL OR NOTHING could conclude. or 6 listenable popular radio sta­ the censor, the people at 10 Down­ ing Street call the shots on playlist I have always respected Dis­ tions. The stand-out amongst these Dearest Airhead: corder Magazine for what it was. would be G.L.R. or Greater London no no's. [Downing Street is right Once the news hit me, I was Nothing more. Nothing less. We are Radio [92.4 fm]..A sensible mix of near Big Ben, remember? You must ready to pee my pants. I sat in my truly blessed citizens to be recipi­ news, sports, and, better than John have some travel snaps! ] Be realistic cold room listening to their music ents of a publication that allows its Peel, live studio sets with established after 10 years of Thatcher and her for 43 hours. Yah. It's been a whole writers to be as incredibly huge pre­ and new alternative musicians/ Tories how couldn't the B.B.C. be a year since I was placed in the same tentious, pedantic, and downright groups; amongst those who I man­ little dodgy. room as they to bop up and down to condescending as they possibly can aged to catch: the Cramps, They I do hope the next time you their sounds. The day came, and my be. Edward Humphrey has nothing Might Be Giants, Dave Edmunds, visit the Motherland you will spend friend and I packed the car for the on Mr. Mushet. the Replacements, B.A.D., and the more time turning your radio and long journey to the Cruel Elephant Charlatans. T.V. dial. That way you will be able Dear Ms. Marr, I congratulate from our home in Maple Ridge. We to present your readers with a more you on your immensely wise and Please teD me how you deter­ decided to make the second show realistic impression ofthe U.K. mu­ clever "Where Are They Now?" ar­ mined that the "Beeb" has a monop­ since it was such a glorious day and sic scene and the British Public. ticle, fori am not certain you believe oly on new music airplay. There are we went skating and riding. We Maybe next time you should stay this but your article is proving to plenty of alternative stations and, arrived just in time to pay our cover more than three weeks! have been more than the brief snip­ besides England's geographyallows charge. A split second before our pets of information on past employ­ many groups to use the small club Yours, Tho' unrecognized thru money was taken we were told ALL ees of Discorder magazine that you tour as a vehicle for their commer­ the "Radio Hell" yean: would not be playing for us. Why? probably intended it to be. I believe cial success. Groups such as the In­ Ian 'THE BEA VE" Warren We asked the wise man. "I don't your article is a dynamic, growing spiral Carpets, Stone Roses, Charla­ know, they just aren't" So there we entity, much like Discorder always tans, and the "Sell out" Happy Mon­ PJ. replies: were. Broken hearted, tried to shit has been since the halcyon days of days all rode on the backs of the Ah well, yes, perhaps I should have but only farted. What the hell? We yore. Do you require proof? Mr. Manchesterclub scene. Having been taken more trouble lo explain that I sat for an hour, hoping it was just a am English and have lived in glori­ nightmare. After bumping into Mr. ous Birmingham (or near by) for all ALLhimself, we were told that there 0STU0D DuHrtYii&OS© bul the lasl 4 of my 26 years, during was an advertising screw up, and in ALAS POOR MUSHET, them. Of the records I reviewed in which I have been over here as a fact they were only supposed to play WE KNEW HIM WELL the pages of Discorder, including all student. As this makes your amateur one show. At least he apologized to of the ones you quoted from in the sarcasm null and void, I'll ignore il us. Now, now, we all make mis­ Discorder/Lisa Marr: May issue, ALL were bought pri­ and just say: takes, but was it really? I guess we "DO WE LOOK CON­ vately by myself. While I did re­ 1.1 didn't mention Manchester clubs will ALL never know. ANYWAY, CERNED" You fucking well should. ceive numerous cassettes from 'cos this article was aboul RADIO. we headed to the Luvafair (after Never mind regrets, I hold you in around the world — the result of an 2. Yes, Canada has problems, but changing into black clothing) and extensive letter writing campaign thenl wasn't talking aboul Canada. found a loud beat We drank a shit- —CiTR showedno interest inmain- 3.1 mentioned pirate radio stations load of Vodka, since that is all they of apathy do not impress me, and taining a cassette library or in pro­ and the nasty things that the govern­ sell. After a few drinks, I was feel­ they are ultimately irrelevant You moting the kind of music they doc­ ment does to them if they find them - ing tipsy and I proceeded to dance angered several people with thatfea- umented. So, you can take your as­ and try living outside the capital for on one of those big boxes. I felt boss. ture and it seems that I was the only sumptions and shove them up your a real taste of those olher "listen- It was almost as good as the ALL one foolish enough to respond to the ass.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • In Search of Silence Kindle
    IN SEARCH OF SILENCE PDF, EPUB, EBOOK POORNA BELL | 272 pages | 02 May 2019 | Simon & Schuster Ltd | 9781471169212 | English | London, United Kingdom In Search of Silence PDF Book Traveling across the country and meeting and listening to a host of incredible characters, including doctors, neuroscientists, acoustical engineers, monks, activists, educators, marketers, and aggrieved citizens, George Prochnik examines why we began to be so loud as a society, and what it is that gets lost when we can no longer find quiet. The book was also rather puffy around the middle and it felt like we were going over and over again about the same points. Your First Name. More filters. Frank Allen and Tina Chunna Zhang. Sort order. Signed up for the Goodreads Reading Challenge and looking for tips on how to discover and read more books? The producers selected to create work have been announced and the CBAA's third annual National Features and Documentary Series is shaping up as a must-listen in late Error rating book. Single and video use the video edit of the song. Digital release [6]. Want to Read saving…. About In Pursuit of Silence A brilliant, far-reaching exploration of the frontiers of noise and silence, and the growing war between them. I feel that she could have explored the topic at a much deeper level. The colorful descriptors draw you into her experience, inviting you to observe and participate in her emotions and journey to forgiveness through unimaginable grief and loneliness. In Search of Silence is the recognition of the echo chamber we find ourselves in, in terms of what constitutes a successful, fulfilling life.
    [Show full text]
  • 8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off the Record26
    Goddard Out At Kiss 4 GEMA Fees Up12% 5 8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off The Record26 Europe's Music Radio Newsweekly . Volume 8 . Issue 24 . June 15, 1991. 3, US$ 5, ECU 4 New Feature: RESEARCH BIDDING POOL GROWS M&M Debuts Nielsen To Bid For Jazz Page Jazz followers get a double treat Radio Contract this week in M&M, as we high- our media research resources here light the world of jazz music (see by Hugh Fielder page11)andlauncha new and we have also submitted an monthly page covering the jazz US broadcast research firm A. C. application for the JICNAR read- radio and record industries (see Nielsen has thrown its hat into ership contract." Last year the page 10). the ring for the new joint inde- company vied unsuccessfully for Coordinated by M&M chart pendent radio/BBC audience the BARB TV audience survey. reports manager and jazzafi- research contract (RAJAR). Nielsen joins a growing list of cionado Terry Berne, this new Nielsen UK media sales exec- biddersfortheproject. A monthly page will include airplay utive Lisa Rudman confirms, spokesperson for RSGB, which reports from jazz stations/presen- "We shall definitely be in the run- currently holds the JICRAR con - ters, Top 20 album sales,the THE BEST OF FRIENDS - Old friends Cliff Richard and popular ning. We have been building up (continueson page26) Most -PlayedAlbums,reviews, Yugoslav singer Alexander Mezek relax with Phonogram executives after station/presenterprofiles,label performing their single "To A Friend" (Mercury) on Germany's most popu- marketing/promotion activities, lar game show "Wetten Dass".
    [Show full text]
  • 2011-11-25 1. När Det Är Spelning På Nuclear Nation Brukar Det Komma
    Nuclear Nation Quiz - 2011-11-25 1. När det är spelning på Nuclear Nation brukar det komma mycket folk. Det gör det ibland även annars och då kan det bli långa köer som ringlar sig runt Linköping. Under tidigt 2000-tal kunde NN- besökare vid ett festtillfälle slippa kötristeseen och gå direkt in på festen förutsatt att de uppfyllde ett krav. Vad skulle två NN-besökare göra för att få gå före i kön? A: Bära likadana kläder B: Kunna texten till Headhunter utantill och sjunga den tvåstämmigt C: Vara fastkedjade i varandra 2. Ni befinner er just nu på synthquiz med den anrika synthföreningen Nuclear Nation, men det var inte helt självklart att vi skulle heta just så. Vilket annat namn fanns som förslag? A: Eclipse B: Solaris C: SUN 3. Apoptygma Berzerk gjorde 98 en spelning i Leipzig från vilken i alla fall en liten del kom med på skivan APBL98. Trots att bandet körde på som hårdast med en Depeche-cover som folk verkade uppskatta, så fick spelningen ett snöpligt slut. Men vad hände? A: Det utbröt en mindre en brand i ljudteknikerbåset pga. underdimensionerade elkablar. B: Spelningen råkade äga rum samma kväll som kraftverket Holzkohle fallerade, vilket ledde till Leipzigs hittills största elavbrott. C: Trots att Apoptygma ville köra en låt till, så stängde polisen ner konserten i förtid. 4. En inställd spelning är också en spelning brukar man säga och ett band som skulle ha spelat på NN för ett antal år sedan, men som tyvärr fick ställa in p.g.a. sjukdom var... ja, vilket band då? A: Covenant B: VNV Nation C: Tyskarna från Lund 5: Ett band som dock har spelat på NN är LOWE.
    [Show full text]
  • Front Line Assembly Vanished Mp3, Flac, Wma
    Front Line Assembly Vanished mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Vanished Country: US Released: 2004 Style: EBM, Industrial MP3 version RAR size: 1870 mb FLAC version RAR size: 1451 mb WMA version RAR size: 1205 mb Rating: 4.6 Votes: 183 Other Formats: AA VOX WMA MP4 RA MOD MMF Tracklist Hide Credits Vanished (Illusions Of Grandeur Mix) 1 7:35 Vocals [Female] – Leah Randi 2 Stürm 6:08 3 Disseminate 7:03 Uncivilized 4 6:45 Vocals [Male], Sampler [Additional Samples] – Jamie Muhoberac Vanished (Re-entry Mix) 5 7:08 Vocals [Female] – Leah Randi Companies, etc. Copyright (c) – Metropolis Records Phonographic Copyright (p) – Metropolis Records Mastered At – Bernie Grundman Mastering Pressed By – Cinram, Olyphant, PA – Z26643 Credits Design [Graphic] – Carylann Loeppky Mastered By – Brian Gardner Mixed By – Greg Reely Photography By – US Department Of Energy Photograph Producer – Bill Leeb, Rhys Fulber Producer [Additional] – Greg Reely Programmed By – Rhys Fulber Notes ©&℗ 2004 Metropolis Records Made in the USA Barcode and Other Identifiers Barcode (Text): 7 82388 03232 2 Matrix / Runout: Z26643 4 MET80323-2 01 M0S1 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U4C Other versions Category Artist Title (Format) Label Category Country Year SPV 055-63753 Front Line Vanished (CD, Synthetic SPV 055-63753 Germany 2004 CDS Assembly Maxi) Symphony CDS Front Line Vanished (5xFile, none Metropolis none US 2004 Assembly AAC, EP, 128) Related Music albums to Vanished by Front Line Assembly Various - Percolator Fear Factory - Remanufacture / Cars L'Âme Immortelle - Gezeiten Fear Factory - Remanufacture (Cloning Technology) Front Line Assembly - Prophecy Front Line Assembly - Shifting Through The Lens Front Line Assembly - Millennium Front Line Assembly - Provision Front Line Assembly vs.
    [Show full text]
  • Dead Master's Beat Label & Distro October 2012 RELEASES
    Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”.
    [Show full text]
  • Central Florida Future, Vol. 25 No. 38, February 9, 1993
    University of Central Florida STARS Central Florida Future University Archives 2-9-1993 Central Florida Future, Vol. 25 No. 38, February 9, 1993 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 25 No. 38, February 9, 1993" (1993). Central Florida Future. 1182. https://stars.library.ucf.edu/centralfloridafuture/1182 • OPINIONp. 7 SPORTSp.12 • • • entra uture Serving The University of Central Florida Since 1968 • ' ' Vol. 25, No. 38 TUESDAY, February 9, 1993 16 P·ages BOR's ·'flexibility' threatens state students • by Biii CUshlng give the BOR·greater control over univer­ "We'reallforflexibilityforgreateruseof offices on Wednesday morning. The idea rL sity system financial resou,rces, allowing it resources, butnotforsettingtuition,"DjBona the action is to tie up legislative phone lines EDITOR IN CHIEF to enact tuition increases on its own rather said. He added that giving the board the with calls requesting members of both the • Florida university students face the than having to go through the state. · final say in· setting tuition prices could subcommittee and the full committee to chance of some drastic cost increases and Onee the bill comes out of subcommittee result in "15 to 20 percent tuition increases vote in favor of retaining legislative power UCFs student government is wJling to on Wednesday, it goes to the full committee every year." overtuition prices.
    [Show full text]
  • The Daily Egyptian, July 10, 1986
    Southern Illinois University Carbondale OpenSIUC July 1986 Daily Egyptian 1986 7-10-1986 The aiD ly Egyptian, July 10, 1986 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_July1986 Volume 72, Issue 173 Recommended Citation , . "The aiD ly Egyptian, July 10, 1986." (Jul 1986). This Article is brought to you for free and open access by the Daily Egyptian 1986 at OpenSIUC. It has been accepted for inclusion in July 1986 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily EgJptian Southern Illinois University:;' Carbondale Thursday, July 10, 1936, Vol. 72, No. '17~ 12 Pages Department chair to bring grievance to Judicial Board By Dmd SMeta . Pro..-"'!ure for Faculty, which SWfWrtler was revised in April, Bender's and stacy Trlmn.ll matter must pass from tile SludenIWrtler COLA ck'an to John Guyoo, vice president for academic The Anthropology Depart· affairs, before tile JRB can Dl.Slt chair is preparing to rule on an appeal. appeal his grievance agafnst Bender said Guyoo reef· tile College of Liberal Arts fmned Jackson's decision in a dean before tile University's letter to Bender!!a:...i July 2. Judicial Review Board. Guyon .... as unavailable Lionel Bender, antbropoiogy Wednes~IY for comment. cr.air, said be is seeking legal Be"der reluctantly advice 00 tile matter but mllSt elaborated on his grievance, ~t his case to tile JRB by and said if tile ma tter is beard _u1y 24_ by tile JRB, he hoped tile board The grievance stems from would not make a decision Beooer's c:barae that John based 011 what was printed in Jacbon.
    [Show full text]
  • "Authenticity" in Rap Music by Consumers."
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L.
    [Show full text]
  • The Daily Egyptian, February 26, 1993
    Southern Illinois University Carbondale OpenSIUC February 1993 Daily Egyptian 1993 2-26-1993 The aiD ly Egyptian, February 26, 1993 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February1993 Volume 78 This Article is brought to you for free and open access by the Daily Egyptian 1993 at OpenSIUC. It has been accepted for inclusion in February 1993 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Southern lllinois University at Carbondale Friday. f~bruary 26. 1993. Vol. 78. No. 110, 16 Pages Snowstorm clo campus By Jeremy Roley Special Assigrvnenl Writer SlUe sludent Todd Doughly awoke Wednesday morning cold. tired, and found his car buried in snow, and couldn', remember being happier. Doughty had spent the nighl studying for an economics exam Thursday. but he did DOl mind heanng his phone ring early or fmd:ng his car buried in )nQW in the morning - he knew it """",I :hal school was closed for the day. Doughty was one of 2O.<XXl srudenlS who gOl an unexp<etcd holiday and for some a reprieve from lests and assignmenlS Wednesday when \0 inches of snow feU on Carbondale. SlUe Presidenl John C. Guyon said he was updalOO all through las' night from night ere". before he made the decision to close the unive~ity . Guyon said the crew consists of University grt""'nds keepers and m:llntenaJo<:e workm who must work through the night to keep him informed 3hou1 the condition of the school. Wednesday night's snow brought "ilh il differenl conditions !han the heavy soo" f.!J Feb.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • Emotions, Situations and Music
    Durham E-Theses A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence BANNISTER, SCOTT,CRAIG How to cite: BANNISTER, SCOTT,CRAIG (2020) A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13582/ Use policy This work is licensed under a Creative Commons Attribution Non-commercial 3.0 (CC BY-NC) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence Scott Bannister Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music Durham University, September 2019 ABSTRACT The phenomenon of musical chills has attracted extensive attention in previous music and emotion research, correlating the experience with musical structure, psychoacoustics parameters, individual differences in listeners, and the listening situation. However, there are three crucial limitations in the literature: 1) The emotional characteristics of musical chills have not been explored, and are poorly understood; 2) musical chills have never been causally manipulated, and no theories have been tested; and 3) it is unclear whether chills are a unified psychological construct, or a set of distinct experiences, distinguished at the levels of subjective feeling, psychophysiological
    [Show full text]