Intercom 2017 Hall a Booth # 6940 Key-Largo Keyboard Mixer and DAC

NAMM intercom 2017 Hall A Booth # 6940 Key-largo Keyboard Mixer and DAC

The Key-Largo™ is a Radial first… it is a combination keyboard mixer, DAC, effects loop and remote control in a super compact pedal format. Think about performance… think about your main keyboards, a controller and your Mainstage sound bank wrapped up in your laptop. Then think about Radial and our world-famous direct boxes. This is Key-Largo. Learn More pg.4

New! Honeycomb EFX Loop Fabric wrapped and paintable panels Read More pg.14 XLR

USB ¼” Outputs

Presenter Hafler Amplifiers Complete keynote solution New amps for the studio and home The Presenter™ combines a microphone preamp and a USB program input to create the ul- Read More pg.10 timate interface for any presentation, from school lectures to corporate audio. An XLR mic input allows you to connect a podium microphone and provide it with phantom power. The mic signal can then be adjusted using three EQ controls: a high-pass filter rolls off excessive low end, and Low and High knobs allow you to tailor the frequency response. A program input level controls the volume of the USB input or the 3.5mm jack on the front of the unit, so you can connect the outputs of your laptop, smartphone, or MP3 player and blend it with the signal from the microphone. XLR outputsMAIN OUTPUT provideINPUT balanced feeds for a set of powered speakers, providing an all-in-one portableMONO LIFTsolution for any speaking engagement.

USB RIGHT LEFT 48V MIC

MIC INPUT 48V LEFT LIFT RIGHT MONO USB 5VDC PRESENTER TM

MIC IN LOW HIGH PROGRAM HPF POWER

USB 3.5mm MIN MAX MIN MAX New Pedals MICROPHONE & LAPTOP PRESENTATION MIXER Classics reborn and some new ‘soon to be’ favorites for your pedal board INPUT R800 8011 00 Read More pg.6 MAP $299.99 USD Shipping April 2017 Backtrack Stereo audio switcher

The Backtrack™ is a compact stereo audio switcher, perfect for bands running redundant backing tracks on stage. Connect both source devices to the Backtrack via ¼” or 3.5mm connectors, and switch between them or mute them altogether using the front panel controls or a JR-2 remote footswitch. A headphone output with level control allows you to check either input at any time, and ¼” monitor outputs feed powered speakers for playback on stage. Dual XLR outputs feed the PA system, and feature a ground lift switch and transformer isolation to prevent buzz and hum from ground loops. The Backtrack lets you easily connect a laptop computer, MP3 player, or recording interface and ensure that even if your primary backing track source fails, the show still goes on. R800 8102 00 MAP $349.99 USD Shipping March 2017 Mains MAIN OUT RIGHT

LIFT LEFT/ MONO 15 VDC (A) RIGHT LEFT MONITOR OUT INPUT B INPUT A

TM BACKTRACK STEREO BACKING TRACK SWITCHER

(B)

HEADPHONES B

INPUT SELECT MUTE SELECT PHONES A A B

MIN MAX REMOTE IN 3.5mm A B LEVEL INPUT Powered Monitors

Studio-Q Compact talk-back solution

With more and more recording happening in smaller studios, the need for a simple talk-back system has become evident. Yes, there are other cue systems on the market, but most have too many features, are too costly, or are too large. The Studio-Q presents a desk-top solution that manages to do it all in a super compact design.

The Studio-Q™ begins with a simple cue switch that turns on the built-in microphone or the ‘producer’ mic XLR input. Each mic is equipped with an individual trim control along with a master mic volume. These can also be remotely activated using a remote JR1 footswitch. Once depressed, the signal is routed to the studio headphone system while it automatically shunts the program to the desired level. The program signal path is balanced for easy in- tegration with any console with fully variable level control on the front panel. When the band is full-on, a remote output may be used to send a dry contact to a beacon and attract attention. This can also be set with DC power to accommodate the soon to be released LED Beacon™.

R800 1435 00 Beacon™ MAP $259.99 USD Shipping March 2017 Beacon Program Talk-back to musician LED notifyer in another room The Beacon™ is a simple LED system to con- Talk-back Mic nect with the Studio-Q to notify the musican when the talk-back is active.

R800 1437 00 MAP $99.99 USD Shipping March 2017 ®

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.2 Artist update JDX Direct-Drive Analog amp simulator Carl Miner Flatpicking pro The Direct-Drive™ is a combination amp Taylor Swift, Sam Bush, The emulator and direct box that lets you per- Greencards, Pink Martini form live or record without a guitar amplifier. It features a Voicing Control with “I’ve tried virtually every DI out there, but three amp simulation EQs starting with a the minute I tried the J48, I knew I was done. There’s a clarity in this box that doesn’t traditional Radial JDX™ 4x12 tone; next - a seem to exist in any others. Thanks, Radial!” beefy sounding Marshall™ Half-Stack for rock and metal; and finally - a clean Fender Twin™ tone for blues and country picking. A Jason Mowery bright switch acts like the presence on your Fiddle & Mandolin Keith Urban, Shania Twain, amp. Connect your guitar to your pedals, Travis Tritt, John Fogerty the pedals to the Direct-Drive and the XLR output to the PA. Easy! You can even send Part# R800 1404 00 “The Radial JDI Duplex™ is built like a tank a signal to your amp and tuner! Finally, a MAP $199.99 USD and sounds absolutely fantastic. I love it.” great sounding stage amp that won’t break Now Shipping your back!

Jimmy Mattingly Fiddle, Mandolin, Acoustic Reba McEntire, Dolly Parton, Garth Brooks

“The ProRMP™ works great and doesn’t mess with my sound. It actually warmed my tone up. Being an acoustic player, keeping the integrity of the tone is really important. It’s a tone saver - exactly what I need.”

Coy Bowles 4-play Multi-Instrument Musician Zac Brown Band Multi-channel DI The 4-Play™ is a multi-channel direct box “Radial gear is tried and true. They build the that has been specifically developed for products like tanks, it all sounds great, and multi-instrumentalists to enable them to it does exactly what it’s supposed to.” quickly change instruments on stage, without disrupting the audio engineer or creat- ing a mess of cable spaghetti to contend with. Dan Weller Guitarist/Banjo/Mandolin Florida Georgia Line It works like this: Mute your guitar using the mute footswitch. Then, disconnect your “The PZ-Pre™ has been the foundation of guitar and reconnect your mandolin. Hit the my touring banjo tones. The PZ-Pre is bullet- output selector footswitch to advance the proof, dead quiet, and extremely versatile.” Part# R800 1432 00 output from 1 to 2 and then turn the au- MAP $279.99 USD dio back on by hitting the mute footswitch Now Shipping again. It’s that easy. LED status indicators

Stuart McCredie tell you which output is active. Producer/Engineer The Fratellis, Simple Minds, Tuner Echo & The Bunnymen, Kelly Clarkson “The Direct Drive™ blew everyone away. When running the DI out from the Direct Drive, we got 100% repeatability of the signal from the Direct Drive.”

The design begins with three stereo input channels for your analog synths. Each channel is Shotgun equipped with a level control and an effects send. Then, a 4th input for a USB connection to 4-CH amp driver your laptop to play back audio files and mix them with the live keys. A stereo effects loop lets The Shotgun™ is a compact guitar-level you add a rackmount delay or reverb to your vintage Mini-Moog or share it with the others signal buffer designed to drive up to and remotely activate the effects loop using the left onboard footswitch. Direct outputs let four amplifiers simultaneously and fit you feed your stage monitors while balanced isolated outputs feed the PA system. A momen- nicely on any pedalboard. tary footswitch is assigned for sustain, making it easy to connect to your piano patch. Side access MIDI connectors are available to allow you to use a MIDI controller with your laptop soft-synths.

USB + 3 stereo inputs: Control Monitor Out: Stereo ¼” TRS balanced Stereo XLR Outputs: Balanced your mainstage and analog outputs for powered speakers. outputs, transformer isolated. keyboards. R800 7215 00 MAP $169.99 USD Now Shipping Level Control: Adjust input levels of analog Switchbone v2 MIDI: IN and OUT and USB inputs. connections. ABY/ C Amp Select The ultimate ABY/C guitar amp EFX: Send and switcher. The Switchbone V2™ lets receive with indi- Sustain: Built in vidual controls on sustain pedal to use you switch and combine up to three each channel. with your keyboard. guitar amplifiers without introducing distortion.

R800 1427 00 MAP $379.99 USD Shipping Feb 2017

Catapult Cat 5 snake R800 7081 00 MAP $259.99 USD The Radial Catapult™ is a modular snake Now Shipping system that drives four analog or AES audio channels over a single shielded Cat 5 cable. mix-blender The Catapult enables system contractors Buffer & Mixer to take advantage of pre-wired networks to The Mix-Blender™ is a multi-function connect one room to another, and allows live pedal that lets you mix two instruments sound technicians to take advantage of the or effects together and then send the low cost of Cat 5 cable for return or cross- combined signal through a mixer-style stage snakes. The Catapult is available in effects loop for processing. direct-wired or isolated splits.

Cat 5 Cable

R800 7207 00 MAP $169.99 USD Now Shipping

Capital University of Ohio is finishing construction on its first academic building in 50 years and both Radial and Primacoustic products figure prominently in the new facility. The Con- vergent Media Center will house multiple programs including Music Technology, Radio, Digi- tal Media and Communications.

Primacoustic panels were selected and installed in the new 1400 sq. ft recording studio. Four mixing and post production suites were each treated with a set of Primacoustic Broadway™ panels, London™ bass traps, and Stratus™ clouds.

Each of the production suites have been outfitted with Radial JDI™ passive direct boxes and two PowerStrip™ 500 series 3-slot power racks. Students also have access to a Gold Digger™ 4-Channel mic selector, Cherry Picker™ studio preamp selector, and a PhazeQ™.

mPress Modular press distribution system

The mPress™ is a radically new press distri- mPress R800 8010 00 bution system that offers near unlimited ex- MAP $1099.99 USD pansion without signal degradation or noise. Now Shipping Traditionally the press box has always been presented as a suitcase with a mic input and a host of mic outputs. In recent years, the use of active signal buffers have replaced the transformer to cut manufacturing costs. Un- fortunately, this has resulted in noise creep- ing back into the audio system, deteriorat- ing the audio quality. The mPress solves the problem by combining a high octane active 14 Outputs per Exo-Pod drive circuit with a host of transformer-iso- 4 Exo-Pods can be connected in series lated floor boxes called Exo-Pods. It features per output channel two mic inputs, 48V phantom, an overload 8 Output channels on the mPress

limiter and eight built-in XLR outputs for mic 448 Total outputs

6 7 8 0 1 6 7 8 9 0 1

LOOP 9 LOOP LIFT LIFT LIFT LIFT LIFT LIFT LIFT LIFT LIFT LIFT C C D

level recorders. These can be switched for D

R R THRU THRU

extra-power to feed Exo-Pod external distri- INPUT INPUT mPress EXO POD mPress EXO POD 10 CHANNEL PRESS BOX & EXPANDER 10 CHANNEL PRESS BOX & EXPANDER Made in Canada Made in Canada TRIM TRIM bution boxes. 1 LIFT 2 LIFT 3 LIFT 4 LIFT 5 LIFT A B 1 LIFT 2 LIFT 3 LIFT 4 LIFT 5 LIFT A B

Exo-Pod R800 8012 00 MAP $279.99 USD Now Shipping

Classic V9 What Makes a Great Classic American Overdrive Overdrive

The Classic V9™ is a distortion pedal with Today, there are literally thousands several gain stages. But unlike many distor- of distortion and overdrive pedals to tion pedals that are limited in their range, choose from and making a decision can the Classic V9 features a switch that lets you be overwhelming to say the least. So select the range between light, moderate how do you choose? Or more to the and intense distortion. But what truly sets point, what differentiates one from the Classic V9 apart is its ability to capture another? the dynamics of the player. Distortion Vs Overdrive Part# R800 7011 00 The first thing you need to know is the MAP $169.99 USD Now Shipping difference between a distortion pedal and an overdrive. Although the lines Famous Tonebone Classic Users are absolutely blurred, an overdrive leans towards being cleaner while a distortion pedal tends to offer a greater degree of saturation. Most overdrive pedals tend to have single or dual gain stages that produces the distortion, while distortion pedals can have several gain stages that are cascaded together. Eric Johnson Randy Bachman Steve Lukather Range and Flexibility Over the past 15 years, one of the key attributes that have been engineered Hot-british V9 into each Tonebone pedal is range and Metal Maximum Gain flexibility. This of course is a double- edged sword. With flexibility comes the The Hot British is often described as the best chance that a guitarist will get into trou- Marshall® amp in a stomp box ever made. ble with a Tonebone. But there is a tre- Although there have been generations of mendous up-side: with flexibility, this Marshall amps, the tone of the Hot British means that with a single pedal, you can stems from the latter years when older Mar- find your voice and develop your tone shalls were modified to enable them to pro- as your playing evolves. Powerful con- duce distortion without having to be played trols let you make slight adjustments to on 10. The contour control lets you voice the refine your tone. Hot British V9™ like no other. Continue Next Page >> Part# R800 7022 00 MAP $169.99 USD Now Shipping

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.6 North-Star >> Continued Modern Country Rock Dynamics The North-Star™ is an overdrive pedal that When you plug a guitar directly into an targets the player who is looking to embel- amp, you achieve maximum control and lish the sound of a small amp that is being dynamics. This means that when you pushed hard. As a dual-mode pedal, it can turn down the volume on your guitar, drive the amp using a powerful clean boost the front end of the amp cleans up. It or add saturation for solos with extra dis- also means that when you play legato tortion. What distinguishes the North-Star (softly), the amp will also play softer pedal from many others is the ability to re- with less saturation. This is the con- tain the distinctiveness of each note. nection that allows your playing style to shine through. Most distortion ped- Part# R800 7017 00 als completely obliterate this connec- MAP $169.99 USD tion. Tonebone pedals employ a unique Shipping Jan 2017 Class-A front end that buffers the signal while retaining the natural relationship between your fingers and the amp. You get the distortion, yet you retain the Regency connection. Progressive Amp Driver Noise The Regency™ is a dual-mode overdrive that targets users who have pre-saturated amps. Rarely discussed, yet a super important In other words, it is intended for players who design element of a distortion pedal, is already set their amps with a degree of dis- noise. Turn on most distortion pedals tortion using the preamp drive and master and you are immediately accosted with volume. The Regency is on the cleaner side tremendous levels of hiss and noise. of the overdrive spectrum and lets you ei- With high gain amps the noise is ampli- ther add clean boost or extra distortion to fied so much that often times the gui- your signal path. The beauty with the Regen- tarist will seek to find a way to eliminate cy is that it has been designed to add more the noise by using a gate so that when Part# R800 7013 00 color and sustain without thinning out your he stops playing, the noise goes away MAP $169.99 USD Now Shipping guitar tone. in between songs. The problem with a gate is that when you play softly, you in- variably lose the dynamics and the gate cuts off the sustain when soloing. The Tonebone engineering team is obsessed with eliminating noise. This means that when you turn down your guitar and use your fingers to produce the dynamics, your Tonebone pedal will not drown texas pro out your playing with hiss! Blues Rock Revival Durability The Texas Pro™ is an overdrive pedal with a twist. Instead of being a ‘one trick pony’, We quickly learned if you build a prod- the Texas Pro offers up three generations of uct using higher quality components, overdrive to suit those who are looking for the result is longevity. We use heavy traditional Ibanez® TS9 type tones, the ex- 14-gauge steel that will stand up to tra crunch akin to the Fulltone® OCD or the hundreds of thousands of stomps with- type of custom modified TS9 tone that has out metal fatigue. This protects the become popular in recent years. The Texas sensitive inner circuit board from stress Pro is likely the most powerful overdrive which can lead to premature cold sol- made today. der joints and part failure. Although it Part# R800 7027 00 costs more to build products this way, MAP $169.99 USD Shipping Jan 2017 we save with very low warranty returns.

The Bumper™ is a compact instrument selec- Scott Holiday tor that lets you switch between four instru- Guitarist ments using a simple footswitch. An innova- Rival Sons tive circuit advances through the connected inputs depending on what is connected. Full “The SGI™ helps me retain the clarity and size, super-bright LEDs follow the selector pureness of my tone while the JDX™ helps switch for instant visual feedback. me sound like 2 guitar players at once!”

Each input features Radial’s legendary Class-A input buffers to drive long cables Part# R800 7094 00 Nalle Colt without noise, distortion or artifact. Each in- MAP $169.99 USD Guitarist Now Shipping Vintage Trouble put is also equipped with either Drag™ control load correction or a TRIM, depending on how it is set. This allows guitarists or bass “With the Radial JD7™ Injector I can put to- players that use multiple instruments to gether all my favorite amps and use them how I please. The sky is the limit.” quickly change instruments while optimiz- ing the load on passive pickups or matching the level when using louder active sources. Rhonda Smith A dedicated tuner out is always on hand for Bass Player Jeff Beck, Prince, Beyoncé, on-the-fly adjustments. Justin Timberlake, Lee Riten- our, Patti LaBelle

“I’m impressed when using the Bassbone™ in my bass rig. It’s essential for me to easily switch between acoustic and electric basses Headlight while matching both instrument levels.” Amp switcher

There are plenty of crazy guitarists that Tyler Chiarelli will plug into four amps at the same time! Band Leader and Guitarist Florida Georgia Line Why, say you? With a catalog of songs, having the ability to select the right amp for the right tune not only sounds better, it makes “Everyone in Florida Georgia Line, including them groove on stage. In the studio, quick- our drummer, uses Radial. Radial and Tone- bone is reliable and that’s built to last” ly switching between one amp to another without having to bring a rack and large multi-selector footswitch makes things all Nathan East that much easier. The Headlight™ is made Part# R800 7096 00 Bass Player for these folks. MAP $189.99 USD Eric Clapton, Fourplay, Toni Now Shipping Braxton, Lionel Richie, Phil Collins The design begins with Radial’s award win- ning Class-A buffer and Drag™ control load “The Bassbone™ is just what I have been correction for absolute best tone and natu- looking for... I can maintain the integrity of two instruments on stage with control over ral feel. A single rotational footswitch ad- the balance and keep my high standards for vances the signal to all of the outputs that my low notes!” are connected. A series of color-coded LEDs follow along for instant visual feedback. To ensure quiet performance, the outputs Joe Trohman are transformer isolated. These eliminate Guitarist ground loops and the hum and buzz that Fall Out Boy seems to always be present with other switchers. Ground lift and 180º polarity re- “The Headload™ by Radial does an amaz- verse switches are also available to further ing job of attenuating my amp level without quiet down the system and ensure all amps sucking my tone.” play in phase.

Part# R800 7210 00 Part# R800 7212 00 Part# R800 7214 00 MAP $99.99 USD MAP $99.99 USD MAP $99.99 USD Now Shipping Now Shipping Now Shipping Bigshot ABY Bigshot I/O Bigshot EFX ABY switcher Instrument selector Effect loop switcher The Radial BigShot ABY™ is a compact, The BigShot EFX™ is a true-bypass effects The Radial BigShot i/o™ is an easy to use true-bypass ABY switcher that enables you loop switcher that lets you set up two sepa- instrument selector that lets you quickly to either switch between two amplifiers rate effects loops and insert them into your transition between any two instruments and or combine the signal when you want both pedal chain. This means that noisy pedals or send the output signal to your amp. Because amps to play at the same time. With the tone-robbing non true-bypass pedals that the i/o is 100% true-bypass, it addresses the BigShot ABY, you get the pure tone from you ‘love to hate’ can now be used and com- needs of the most demanding purist. your guitar plugged direct into your amp! pletely taken out of the signal path when they are not needed.

CAB-link Speaker cab splitter

The Cab-Link™ provides an easy way to connect one amp head to two speaker cabinets, allowing you to connect cabinets in series or parallel configurations as required. Completely passive and requiring no power, the Cab-Link is compact and can sit on top of your amp or be tucked in the back of a speaker cab. Both cabinets are connected via speaker cables to outputs A and B, and an easy-to-use guide on the top of the Cab-Link lets you know which input to connect your amp to, depending on the impedance ratings of your cabinets. A line out provides additional functionality, with the option to run the signal to another amplifier or pedal chain.

Part# R800 7088 00 MAP $79.99 USD 16Ω 16Ω Shipping March 2017 Marshall® JTM45™ running two 4x12 cabs in parallel

8Ω

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.9 Check this Out For the audio perfectionist PH50B ST-70 Phono Stage for MM Tube Power Amp The Hafler PH50B is a high performance phono stage for moving mag- The original Dynaco® ST-70™ is a true classic. The new net (MM) cartridges with ground lift ST-70 marks the introduction of a third generation of and adjustable low-cut filter. Gold vacuum tube products bearing the Dynaco name. This plated RCA connectors ensure opti- “new 70” reflects the illustrious history of Dynaco’s mal signal transfer and XLR outputs involvement with vacuum tube designs along with the provide balanced +4dB line level latest advances in vacuum tube technology. signals with adjustable gain.

Through it’s long history, the ST-70 has proven a robust design of exceptional value. We have sought to preserve the considerable virtues of the original ST-70 while making use of more modern parts plus advanced circuit techniques. These improvements include precision metal-film resistors, poly-composition capacitors and high-capacity power supply capacitors to improve “stiffness” of the power supply making for a tighter bottom end.

The ST-70 uses four dual triodes for the PH50B PHONO PREAMP OUTPUT GROUND INPUT FOR MOVING MAGNET LEFT LEFT input gain, phase splitting and to drive Hafler the output tubes. This combination was CE RIGHT RIGHT explored by David Hafler for higher end R 15VDC · 400mA LEFT BALANCED RIGHT Hafler is a division of Radial Engineering Ltd. amplifiers and has been well tested in the audiophile community. Part# H100 0052 00 MAP $449.99 USD Shipping March 2017 We like to think of the ST-70 as the update that David Hafler would have made if he were alive today. Part# H310 0101 00 PH60B Shipping April 2017 Phono Stage for MC The Hafler PH60B is an exceptional phono preamp for moving coil (MC) ST-1 Tube Preamp cartridges, featuring both RCA and Dynaco’s heritage lives on XLR outputs to allow for connection to high-fidelity playback systems as The venerable Dynaco PAS3™ was without a doubt one of the most important preamplifiers well and pro audio recording inter- ever made. David Hafler’s original design brought true stereo control to a tube preamplifier faces and equipment. Adjustable and for many, introduced them to the world of audiophile listening with the warm, rich tone load matching ensures the best sig- than can only be attributed to tubes. nal for the phono cartridge in use.

The Dynaco ST-1 is based on the original, but has been upgraded to reflect today’s listening preferences and to better suit the improvements in both amplifier and speaker designs that have transpired over the past 50 years. Retained from years gone by is the predominantly tube architecture – an essential part of the heritage, yet the preamp has been redesigned without the noise. New features include a moving coil input with selectable impedance to match the cartridge, a loudness control for low-level listening and a built-in headphone amplifier for those that want to indulge in their private quiet paradise!

PH60B PHONO PREAMP OUTPUT GROUND INPUT LEFT FOR MOVING COIL LEFT Hafler RIGHT CE RIGHT R

15VDC · 400mA LEFT BALANCED RIGHT Hafler is a division of Radial Engineering Ltd.

Part# H200 0011 00 Shipping April 2017 Part# H100 0062 00 MAP $549.99 USD Shipping March 2017

The Hafler HA75 tube driven headphone amp has already received critical acclaim from many of the ‘golden ears’ of the recording industry, including Alan Parsons, Chuck Ainlay, and Frank Filipetti. The new HA75-DAC™ adds a USB DAC for digital audio playback at up to 192 kHz resolution, and includes a load impedance selector that allows users to choose the optimal impedance for their headphones. The key to the HA75-DAC is still the on-board 12AX7 tube, which provides subtle but pleasing tube character, while also introducing natural compression when pushed hard. Also included is the innovative Focus control, which can be dialed in to simulate the effect of listening to live speakers. The HA75-DAC also features analog inputs, with both XLR and RCA connections, to allow the perfect blend of analog and “With the Hafler HA75™ digital in one outstanding headphone amplifier. Tube Head, I am happy to spend hours rather than min- utes doing the all-important reviews of my recordings and mixes on headphones, especially at higher levels.”

Alan Parsons - Engineer (The Beatles, Pink Floyd, Al Stewart, The Alan Parsons Project)

Part# H400 0078 00 MAP $1299.99 USD Shipping March 2017 p3100 2 channel MOSFET studio amplifier

David Hafler pioneered the use of MOSFETs during the 1970’s as a means to approach the “The Hafler HA15™ head- sonic character of tubes and transition to the more practical side of discrete solid-state elec- phone amplifier delivers the tronics. Lateral MOSFETs were designed specifically for linear audio amplification with their same Hafler qualities that I high speed and superior sonic characteristics compared to the vertical MOSFETs or bipo- have grown to trust.” lar output transistors used by many other amplifier makers. Inside the P3100™ is the latest refinement of the trans-nova circuit that was developed by industry guru Jim Strickland. Glen Ballard - Producer/Engineer The trans-nova circuit squeezes the most out of every component to reduce the gain stages (Alanis Morissette, Michael Jackson, Shakira, Katy Perry, Annie Lennox, Dave down to three in lieu of the five typically employed by others. The shorter path results in a Matthews, Van Halen) much more open sounding and realistic sound stage.

In use the Hafler P3100 is rich in detail, depth of field and musicality. With 150 watts of available power per channel at 8 Ohms and 200 watts at 4 Ohms, the P3100 has plenty of headroom to drive the most power-hungry loudspeakers. Bridged in mono, 400 watts are available for sub-woofers or as a matched pair for larger 2-channel setups.

“The Hafler HA75’s™ warmth and clarity make it the ideal choice for reference and mixing.”

Dave Stewart - Producer/Engineer (Eurythmics, Stevie Nicks, Tom Petty, Bono, Sinead O’Connor, Mick Jagger, Katy Perry, Jon Bon Jovi) Part# H300 3100 00 MAP $1999.99 USD Shipping April 2017

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.11 “I have been using Hafler amps for over 25 years. Their dynamics are just what I look for, and if someone was looking for amps, Hafler is what I would recommend.”

Al Schmitt - Producer/Engineer (Barbra Streisand, Steely Dan, Ray Charles, Quincy Jones, Diana Krall, Frank Sinatra, Toto)

CI Series Amps “Following a careful review New multi-channel amps for custom installations of the Hafler PH50™ phono stage, all I can say is it sounds Hafler will be releasing three multi-channel amplifiers intended for the custom installation great. The imaging and clar- market: the 6 channel CI-6120e™, 8 channel CI-855e™, and the 12 channel CI-1255e™. Pro- ity are remarkable.” viding high quality audio and legendary Hafler performance to multi-room smart homes, res- taurants, social houses and community centers. Andrew Mendelson - Mastering Engineer (The Rolling Stones, The White Stripes, The CI-6120e delivers 120 watts per channel, while the CI-855e and CI-1255e provide 55 Kings of Leon, Mariah Carey, Elton John) watts per channel and also allow the last two channels to operate in bridged mono mode to power a subwoofer with over 120 watts at 8 Ohms. RCA inputs and Euroblock (Phoenix® style) connectors are available on each channel, along with a global master buss that can be accessed via RCA or a 3.5mm jack. Connectivity options can be increased via an Omnip- ort™ port, which allows the use of optional modules such as a Dante® digital network card, Jensen™ transformer-isolated inputs, or Euroblock inputs. All three of these amps utilize class-AB circuit topology for the most demanding listening needs, and are equipped with an ecoSystem™ energy conservation circuit, which automatically shuts off the amplifier after one minute when not in use, powering back on automatically within 10ms. “The PH60™ translated so incredibly well in conjunction with not one, but all of our turntables that have moving coil cartridges!”

Emily Lazar - Mastering Engineer (Coldplay, Foo Fighters, Moby, Lou Reed, Garbage, Natalie Merchant, Destiny’s CI-6120e CI-855e Child, Alanis Morissette) 6 ch x 120 watt 8 ch x 55 watt Part# H310 6120 00 Part# H310 0855 00 MAP $899.99 USD MAP $799.99 USD Shipping March 2017 Shipping March 2017

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.12 Power your home 5 The Hafler CI-1255e can drive high quality audio to as many as 6 separate stereo zones throughout your home. True Class- AB circuitry ensures optimal performance, 4 delivering 55 watts per channel. Use the CH 11/12 in bridged mono to power a sub woof- er in your home theater. 3 1 Dining Room

2 Living Room 2

3 Kitchen

4 Deck 6 1 5 Pool

6 Sub Home Theater

CI-1255e 12 ch x 55 watt Part# H310 1255 00 MAP $899.99 USD Shipping March 2017

The Primacoustic Honeycombs™ are a range of acoustic absorbers that are designed to give users more aesthetic options in their rooms. Rather than being limited to the typical square and rectangular panels found in most studios, the hexagonal shape and beveled edges allow the panels to be installed in unique patterns and clusters. Now primary reflections and flut- ter echo can be controlled with an acoustic treatment layout that is personalized to your space.

The 16” (406mm) Honeycombs are 1.5” (3.8cm) thick, and are constructed from 6lb high density glass wool for optimal broadband absorption. As with all Primacoustic panels, the Honeycombs have been tested to achieve stringent Class-A fire ratings, making them safe for use in installations worldwide. The Honeycomb absorbers are available in black, grey or beige Broadway™ acoustic fabric, or in Primacoustic’s proprietary Paintables™ white finish. Part# P115 1416 XX Color Codes XX = 00 03 08 09 MAP $279.99 USD per box of 12 Shipping March 2017

Jensen Twin-Servo Review By Resolution Magazine

Reviewed by George Shilling “The Jensen Twin-Servo™ is incredibly clean and quiet - possibly thanks to the transformers’ excellent common-mod rejection (-72db). The clarity is quite remarkable, with immense detail in the high frequencies, especially when using something like a Neumann U87. This can seem almost over-bearing with some vocalists and have you reaching for a warmer mic. But the low end is also extremely fulsome. It has a touch of musical enhancement you get with an API, but a fairly neutral and responsive translation of the mic’s character (like a Maselec or Millennia), with some enhanced high frequency detail. The DI input is wonderfully fluid, and bass guitar sounded huge and present, clearer than anything else I compared. “

Part# R700 0111 00 “Clean, plenty of gain and headroom, incredible frequency response.” MAP $999.99 USD Now Shipping

Daniel Adair The MIX 2:1™ is a simple yet highly useful Drummer Nickelback mixer that passively sums two audio channels down to one. This enables you to easily sum the stereo outputs of a console, record- “When I put Primacoustic Broadway™ Pan- els up the difference was amazing! The room ing interface, or portable playback device went from unruly to tight and controlled.” down to mono. You can also combine two separate signals, matching the input levels Part# R800 1036 00 between them. Inputs can be accessed via MAP $129.99 USD Shipping Feb 2017 Nic Hard XLR or ¼” connectors, allowing you to use Engineer The Bravery, The Church, balanced or unbalanced sources. Each in- Snarky Puppy, Charlie Hunter put features an on/off switch, variable level control, and a ground lift to prevent buzz MIX 2:1 “I think that every studio should own at and hum. Input-2 also has a polarity reverse least a pair of the Twin Servo’s™. I’m glad to switch to eliminate cancellation if the two see that Radial has taken the helm on recre- signals are out of phase. ating this one. They’ve knocked it out of the park, again.”

Butch Walker sat-2 Engineer/Producer Avril Lavigne, Fall Out Boy, Stereo audio attenuator P!nk, Sevendust, Hot Hot Heat, Simple Plan The SAT-2™ is a stereo audio attenuator and monitor controller, providing an adjustable “My Primacoustic panels are up and kicking level control wherever you need it. To use butt in my new studio. I love the way the control room and tracking room sounds... the SAT-2 as a monitor controller, connect and so does everyone that records here!” it between your playback device and a pair of powered speakers for a number of useful features. In addition to an overall level Part# R800 1035 00 control, there is also a dim switch with an MAP $99.99 USD Jason Hook Shipping Feb 2017 Guitarist adjustable level, plus mono sum and mute Five Finger Death Punch switches. Inputs are accessed via ¼” or XLR SAT•2 connectors, for balanced or unbalanced op- “We tested a number of different acoustic eration, with outputs on XLR connectors. treatments and chose Primacoustic. It was easy… Primacoustic did the best job and my studio sounds amazing!” LX-2 & LX-3 The Wolf (Steven Wolf) Line level splitters Drummer / Programmer Alicia Keys, Céline Dion, P!nk, The LX-2™ and LX-3™ are passive line-level Beyoncé, Johnny Cash, Steely splitters that distribute a balanced audio Dan, Bee Gees signal to multiple destinations noiselessly. “I have the RX7 Recoils™ set up, and they Both units feature premium Jensen isolation sound great! The clarity of detail they bring transformers for exceptional audio quality, out in my monitors blew me away.“ and XLR/¼” combo inputs for easy connectivity. The LX-2 features a trim control to Part# R800 1033 00 Part# R800 1034 00 MAP $219.99 USD MAP $259.99 USD attenuate the input, allowing you to reduce Shipping Feb 2017 Shipping Feb 2017 Richard Chycki the level from hard-driven mic pre’s to avoid Mixer/Engineer Rush, Aerosmith, Dream clipping the input of a recording interface, or Theater, Mick Jagger use in any situation where you need to tame direct the signal level. Both units have ground lifts “The Space Heater 500™ lets me enhance on each XLR output to further reduce buzz isolated a track with anything from subtle tube and hum from ground loops, ensuring that warmth to extreme tube overdrive grit. Why settle for ordinary when extraordinary is the signal reaches each destination noise- right there?” free.

Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.15 Wireless freedom with bluetooth Artist update BT-Pro Bluetooth DI Devin Townsend Finally you can control the music while Guitarist/Producer Devin Townsend Project, you’re moving around, the BT-Pro™ pairs Steve Vai, Strapping Young Lad with Bluetooth® to wirelessly connect your laptop, phone or tablet. Balanced outputs “My annoying inability to compromise has with trim control allow for connection to lead me to some odd places in music, and microphone or line level inputs on any PA fortunately, has also lead me to the ultimate no-compromise tonal solutions from system. A headphone output is provided to Radial.“ test the audio output before connection to the PA. The FCC approved BT-Pro offers stereo reception up to 30’ (10 meters) from George Seara the source using the A2DP interface over Engineer/Producer Rihanna, Drake, Holly Cole, 2.0 EDR and converts to analog ensuring the Sting, Herbie Hancock best audio quality. Part# R800 1055 00 “My studio space sounds fantastic thanks to MAP $229.99 USD Primacoustic. Tightening up the bottom end Now Shipping in my room was my primary goal and the panels have done an incredible job!”

Joe Satriani Guitarist Chickenfoot

“The Reamp™ is the recording guitar play- Radial Does Dante! er’s best friend. There is no other device out The world’s first stereo Dante network DI there that can take a recorded DI performance and have the amp receive it exactly DAN-TX as if you were plugging in your guitar.” The Radial DiNET™ DAN-TX™ transmitter Part# R800 1062 00 and DAN-RX™ receiver deliver 24bit/96kHz MAP $399.99 USD resolution across any modern Ethernet net- Victor Wooten work using the Dante protocol. Connect any Bass Player Flecktones, Soul Circus, instrument, laptop or line-level source to Bass Extremes, the DAN-TX using the RCA, 1/4” or 3.5mm analog inputs and drop two audio channels “The Bassbone™ works great in the studio to any location and output the signal via bal- or on the live stage. Throw it in your gig bag anced XLRs. The built-in headphone amp is and take it wherever you go.” ideally suited for monitoring, trouble shoot- DAN-RX ing or just listening to the pristine audio. Part# R800 1063 00 MAP $399.99 USD Andrew Scheps Built ‘Radial tough’ for the most demanding Engineer tours, the DiNET DAN TX and RX make it Metallica, Red Hot Chili easy to capture your music and put it where Peppers, Audioslave, Linkin Park, Green Day, U2 it needs to be. “Reamping and using pedals while mixing have always been part of my work flow, but with the Radial EXTC™ it’s finally easy and Shipping March 2017 bullet proof.”

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