Maryland Historical Magazine, 1954, Volume 49, Issue No. 1
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Manipulating the Landscape: a Mark, Not Just on the Land, but on the Minds of Men
Northeast Historical Archaeology Volume 47 Northeast Historical Archaeology Article 4 2018 Manipulating the Landscape: A Mark, Not Just on the Land, but on the Minds of Men Kathleen E. Clifford Smithsonian Environmental Research Center, [email protected] Follow this and additional works at: https://orb.binghamton.edu/neha Recommended Citation Clifford, Kathleen E. (2018) "Manipulating the Landscape: A Mark, Not Just on the Land, but on the Minds of Men," Northeast Historical Archaeology: Vol. 47 47, Article 4. Available at: https://orb.binghamton.edu/neha/vol47/iss1/4 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Northeast Historical Archaeology by an authorized editor of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Northeast Historical Archaeology/Vol.47, 2018 33 Manipulating the Landscape: A Mark, not just on the Land, but on the Minds of Men Kathleen E. Clifford Comparative studies of landscapes and architecture provide additional insights to research already available on mid- to late-18th-century plantations and the mindsets of the colonial elite who oversaw their construction. Many examples exist of plantation owners modifying landscapes rather than using natural topography, suggesting the plantation layout is a mirror of the owner’s personal worldview or, on a deeper level, a projection of future aspirations. By mapping plantation landscapes and comparing spatial layouts, it may be possible to see patterns in the way planters structured themselves socially within their own class and used their plantations as a means to rise within their social circles. -
To the Point
Summer 2009 To The PoinT Chesapeake Bay Maritime Museum Chesapeake Folk Festival–July 25 The July 25 Chesapeake Folk Festival at CBMM is the one place to be to experience the essence, culture and traditions of the Bay. And it’s an opportunity that comes only once a year! This celebration of the Bay’s people, traditions, work, food and music offers a unique chance to enjoy hands-on demonstrations by regional craftspeople and live musical crab prepared a number of ways, as well as barbeque chicken prepared by St. Luke Church of Bellevue, Md., 10-layer Smith Island cakes, homemade ice cream, organic granola and organic coffee. A number of documentary films about living and working on the Bay will be introduced and screened throughout the day. “Eatin’ Crabcakes, Chesapeake Style” follows crab expert Whitey Schmidt as he lays down his commandments for eating crabcakes. “Chesapeake Bugeye” features Sidney Dickson and Dr. John Hawkinson and the log bugeye vessel they performances by the Zionaires, the New Gospelites, Chester constructed. Other films include: River Runoff, and the Raging Unstoppables. There will also “Charlie Obert’s Barn,” “Band be skipjack and buyboat rides on the Miles River along with Together” (a 7-minute preview), plenty of crab cakes, beer and barbeque chicken. “Island Out of Time,” “Hands of “The festival is a way to celebrate the Bay’s traditions and Harvest” (screening), “Muskrat the people and work being done here on the Bay right now,” Lovely,” “Watermen,” and “The says Dr. Melissa McLoud, director of the Museum’s Breene M. New American Farmer.” Kerr Center for Chesapeake Studies. -
Delaware in the American Revolution (2002)
Delaware in the American Revolution An Exhibition from the Library and Museum Collections of The Society of the Cincinnati Delaware in the American Revolution An Exhibition from the Library and Museum Collections of The Society of the Cincinnati Anderson House Washington, D. C. October 12, 2002 - May 3, 2003 HIS catalogue has been produced in conjunction with the exhibition, Delaware in the American Revolution , on display from October 12, 2002, to May 3, 2003, at Anderson House, THeadquarters, Library and Museum of the Society of the Cincinnati, 2118 Massachusetts Avenue, NW, Washington, D. C. 20008. It is the sixth in a series of exhibitions focusing on the contributions to the American Revolution made by the original 13 he season loudly calls for the greatest efforts of every states and the French alliance. Tfriend to his Country. Generous support for this exhibition was provided by the — George Washington, Wilmington, to Caesar Rodney, Delaware State Society of the Cincinnati. August 31, 1777, calling for the assistance of the Delaware militia in rebuffing the British advance to Philadelphia. Collections of the Historical Society of Delaware Also available: Massachusetts in the American Revolution: “Let It Begin Here” (1997) New York in the American Revolution (1998) New Jersey in the American Revolution (1999) Rhode Island in the American Revolution (2000) Connecticut in the American Revolution (2001) Text by Ellen McCallister Clark and Emily L. Schulz. Front cover: Domenick D’Andrea. “The Delaware Regiment at the Battle of Long Island, August 27, 1776.” [detail] Courtesy of the National Guard Bureau. See page 11. ©2002 by The Society of the Cincinnati. -
The Martinak Boat (CAR-254, 18CA54) Caroline County, Maryland
The Martinak Boat (CAR-254, 18CA54) Caroline County, Maryland Bruce F. Thompson Principal Investigator Maryland Department of Planning Maryland Historical Trust, Office of Archeology Maryland State Historic Preservation Office 100 Community Place Crownsville, Maryland 21032-2023 November, 2005 This project was accomplished through a partnership between the following organizations: Maryland Historical Trust Maryland Department of Natural Resources Martinak State Park Chesapeake Bay Maritime Museum Maritime Archaeological and Historical Society *The cover photo shows the entrance to Watts Creek where the Martinak Boat was discovered just to the right of the ramp http://www.riverheritage.org/riverguide/Sites/html/watts_creek.html (accessed December 10, 2004). Executive Summary The 1960s discovery and recovery of wooden shipwreck remains from Watt’s Creek, Caroline County induced three decades of discussion, study and documentation to determine the wrecks true place within the region’s history. Early interpretations of the wreck timbers claimed the vessel was an example of a Pungy (generally accepted to have been built ca. 1840 – 1920, perhaps as early as 1820), with "…full flaring bow, long lean run, sharp floors, flush deck…and a raking stem post and stern post" (Burgess, 1975:58). However, the closer inspection described in this report found that the floors are flatter and the stem post and stern post display a much longer run (not so raking as first thought). Additional factors, such as fastener types, construction details and tool marks offer evidence for a vessel built earlier than 1820, possibly a link between the late 18th-century shipbuilding tradition and the 19th-century Pungy form. The Martinak Boat (CAR-254, 18CA54) Caroline County, Maryland Introduction In November, 1989 Maryland Maritime Archeology Program (MMAP) staff met with Richard Dodds, then curator of the Chesapeake Bay Maritime Museum (CBMM), and Norman H. -
The Chesapeake
A PUBLICATION OF THE CHESAPEAKE BAY MARITIME MUSEUM The Chesapeake Log Winter 2012 contents Winter 2012 Aboard the Barbara Batchelder Mission Statement The mission of the Chesapeake Bay Maritime In the fall issue of The Chesapeake Log, “The Birthplace of Rosie Parks,” author Museum is to inspire an understanding Dick Cooper interviewed Irénée du Pont Jr. about his own skipjack, the Barbara of and appreciation for the rich maritime Batchelder, also built by Bronza Parks in the mid-1950s. This past September, heritage of the Chesapeake Bay and its Museum President Langley Shook, Chief Curator Pete Lesher, Project Manager tidal reaches, together with the artifacts, cultures and connections between this Marc Barto, and Shipwright Apprentice Jenn Kuhn were invited to sail on the place and its people. Chester River aboard the Barbara Batchelder with Irénée and his wife Barbara, the skipjack’s namesake. Vision Statement The vision of the Chesapeake Bay Maritime Museum is to be the premier maritime museum for studying, exhibiting, preserving and celebrating the important history and culture of the largest estuary in the United States, the Chesapeake Bay. Sign up for our e-Newsletter and stay up-to-date on all of the news and events at the Museum. Email [email protected] to be added to our mailing list. Don’t forget to visit us on Facebook! facebook.com/mymaritimemuseum Follow the Museum’s progress on historic Chesapeake boat restoration projects as well as updates for the Apprentice For a Day Program. Chesapeakeboats.blogspot.com 3 President’s Letter 13 Education 23 Calendar Check out Beautiful Swimmers, by Langley R. -
Three Centuries of Southern Poetry
THREE CENTURIES OF Southern Poetry (1607-1907) CARL HOLLIDAY, M.A. Professor of English Literature, Cox College, Atlanta. Author of A History of Southern Literature^ The Cotton- Picker and Other Poems, Etc. Nashville, Tenn.; Dallas, Tex. Publishing House of the M. E. Church, South Smith & Lamar, Agents Copyright, 1908, BY Smith & Lamar. "hat most pleasant of men lnd most zealous of teachers, ir. (Eljarbfi HiUimn KfttJ PREFACE. Within the last decade the interest in Southern literature has become widespread. Nearly every Southern college and university now offers a course in the subject, and the summer schools and Chautauquas frequently make it a special feature. All this is as it should be. There nre Southern writers scarce- ly known by name to-day who are deserving of careful atten- tion. Especially is this true among the Southern poets, who, amidst prosperity and adversity, have sung songs of gladness and of sorrow that stand among the finest productions in American literature. How few of them are intimately, lov- ingly known at the present day! This collection is made in the hope that still further in- terest may be aroused. Other collections have been made, but they have dealt almost entirely with the poets living in the first sixty years of the nineteenth century. In the present compilation specimens are given from three centuries of Southern verse—from 1607 to 1907. Because of this fact the book, it is hoped, will be of interest not only to students of literature, but also to students of history and to lovers of the old and curious in general. -
Palliative Care : the 400-Year Quest for a Good Death
Palliative Care This page intentionally left blank Palliative Care The 400-Year Quest for a Good Death Harold Y. Vanderpool McFarland & Company, Inc., Publishers Jefferson, North Carolina ISBN 978-0-7864-9799-7 (softcover : acid free paper) ISBN 978-1-4766-1971-2 (ebook) ♾ LIBRARY OF CONGRESS CATALOGUING DATA ARE AVAILABLE British Library cataloguing data are available © 2015 Harold Y. Vanderpool. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: clockwise from top left hospice nurse with patient (Stockbyte/Thinkstock); Doctor Onstine, medical doctor, making an examination, 1943 (Library of Congress); Doctor and nurse examining patient in hospital room (Digital Vision/Thinkstock); The doctor’s office on Transylvania Project, Louisiana, 1940 (Library of Congress); Intensive Care Unit (iStock/Thinkstock) Printed in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com For Jan This page intentionally left blank Table of Contents Acknowledgments ix Preface 1 1: From Proclamation to Recognition: 1605–1772 5 2: Minute Details and Codified Conduct: 1789–1825 23 3: That Science Called Euthanasia: 1826–1854 39 4: Polarities Between Attention and Disregard: 1859–1894 58 5: Challenging the Overreach of Modern Medicine: 1895–1935 76 6: Never Say Die Versus Care for the Dying: 1935–1959 93 7: Times of Momentous Transition: 1960–1981 112 8: Progress, Threatening Seas, and Endurance: 1982–1999 140 9: Choices: 2000 to the Present 173 Epilogue 207 Chapter Notes 211 Bibliography 243 Index 265 vii This page intentionally left blank Acknowledgments Research on the topics in this history began when I wrote the first of two master’s degree theses as a Kennedy fellow in medical ethics and the history of medicine at Har- vard University. -
US Medical Education Reformers Abraham Flexner (1866-1959) and Simon Flexner (1863-1946)
DOCUMENT RESUME ED 443 765 SO 031 860 AUTHOR Parker, Franklin; Parker, Betty J. TITLE U.S. Medical Education Reformers Abraham Flexner (1866-1959) and Simon Flexner (1863-1946). PUB DATE 2000-00-00 NOTE 12p. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Biographies; *Educational Change; *Educational History; Higher Education; *Medical Education; *Professional Recognition; *Social History IDENTIFIERS *Flexner (Abraham); Johns Hopkins University MD; Reform Efforts ABSTRACT This paper (in the form of a dialogue) tells the stories of two members of a remarkable family of nine children, the Flexners of Louisville, Kentucky. The paper focuses on Abraham and Simon, who were reformers in the field of medical education in the United States. The dialogue takes Abraham Flexner through his undergraduate education at Johns Hopkins University, his founding of a school that specialized in educating wealthy (but underachieving) boys, and his marriage to Anne Laziere Crawford. Abraham and his colleague, Henry S. Pritchett, traveled around the country assessing 155 medical schools in hopes of professionalizing medical education. The travels culminated in a report on "Medical Education in the United States and Canada" (1910). Abraham capped his career by creating the first significant "think tank," the Institute for Advanced Study in Princeton, New Jersey. The paper also profiles Simon Flexner, a pharmacist whose dream was to become a pathologist. Simon, too, gravitated to Johns Hopkins University where he became chief pathologist and wrote over 200 pathology and bacteriology reports between 1890-1909. He also helped organize the Peking Union Medical College in Peking, China, and was appointed Eastman Professor at Oxford University.(BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
Anglo-American Law on the Frontier: Thomas Rodney and His Territorial Cases
19541 REVIEWS the material is included, since admittedly the essay is not a complete catalogue of treaty practice. It is certainly not clear why a tenth of the book is devoted to the development of the Alabama claims rules. On the other hand, the im- portant service Professor Wilson performs must not be overlooked: he redirects attention and provides a valuable guide to that aspect of the foreign relations of states to which international law is inextricably bound and in which lies abundant material for further profitable research. GERTRUDE LEIGHTON't ANGLO-AMERICAN LAw ON THE FRONTIER: THOM[AS RODNEY AND His TERRI- TORIAL CASES. Edited by William Baskerville Hamilton. Durham: Duke University Press, 1953. Pp. xii, 498. $12.50. THE study of American legal history as a distinctive field for inquiry is slowly but surely accumulating momentum. A few years ago, courses bearing the label were to be found in the announced curricula of but one or two law schools in this country. Whatever the cause, interest in American legal history has by now sufficiently manifested itself to lead to the introduction of courses or seminars in the subject in at least eight law schools. If a casebook is thought to be a pre- requisite to the christening of a field, this subject "arrived" five years ago.' In any collection of materials treating developments in American law in the nineteenth century, one of the principal themes to which space must be devoted is that of the "reception" of the common law in the territories. Relevant materials on this problem for the Northwest Territory are rather fully represented on libraries' shelves by the editorial labors of Professors Blume, Pease, Philbrick, Pollack, and others.2 The present volume constitutes a very welcome and a quite interesting addition to this corpus of materials. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Boats and Harbors Publication 9-06
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The Webfooter
September 2016 Remembering the Wild, Wild Westerns Remembering the Wild, Wild Westerns – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Remembering the Wild, Wild Westerns Before Batman, before Star Trek and space travel to the moon, Westerns ruled prime time television. Warner Brothers stable of Western stars included (l to r) Will Hutchins – Sugarfoot, Peter Brown – Deputy Johnny McKay in Lawman, Jack Kelly – Bart Maverick, Ty Hardin – Bronco, James Garner – Bret Maverick, Wade Preston – Colt .45, and John Russell – Marshal Dan Troupe in Lawman, circa 1958. Westerns became popular in the early years of television, in the era before television signals were broadcast in color. During the years from 1959 to 1961, thirty-two different Westerns aired in prime time. The television stars that we saw every night were larger than life. In addition to the many western movie stars, many of our heroes and role models were the western television actors like John Russell and Peter Brown of Lawman, Clint Walker on Cheyenne, James Garner on Maverick, James Drury as the Virginian, Chuck Connors as the Rifleman and Steve McQueen of Wanted: Dead or Alive, and the list goes on. Western movies that became popular in the 1940s recalled life in the West in the latter half of the 19th century. They added generous doses of humor and musical fun. As western dramas on radio and television developed, some of them incorporated a combination of cowboy and hillbilly shtick in many western movies and later in TV shows like Gunsmoke.