Tropical Medicine Congress
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Impa Gendel NEW YORK5 21-03-2008 13:19 Pagina 1
impa gendel NEW YORK5 21-03-2008 13:19 Pagina 1 ALL AROUND FULCO DI VERDURA MILTON GENDEL impa gendel NEW YORK5 21-03-2008 13:19 Pagina 2 Cover: 28. Fashion Icon, Venice, 1963 impa gendel NEW YORK5 21-03-2008 13:19 Pagina 3 ALL AROUND FULCO DI VERDURA MILTON GENDEL AT 745 FIFTH AVENUE SUITE 1205 NEW YORK, NEW YORK 10151 TELEPHONE 212.758.3388 www.verdura.com Thursday, May 1st to Friday, May 30th 10 AM - 6 PM DAILY (CLOSED SATURDAY & SUNDAY) impa gendel NEW YORK5 21-03-2008 13:19 Pagina 4 impa gendel NEW YORK5 21-03-2008 13:19 Pagina 5 THE DUKE WARD LANDRIGAN Duke Fulco di Verdura’s career was as remarkable as his cast of friends. Born in Palermo Sicily in 1898 he inherited his ducal title in 1921. While a houseguest of Cole and Linda Porter in Venice in 1925, Fulco met one of the most significant people in his young life – Mme Coco Chanel. Coco was intrigued by the attractive young nobleman and invited him to Paris. He helped her remake the jewelry given to her by wealthy admirers and created her signature Maltese Cross Cuffs. Verdura was her jewelry designer until 1934 when the Porters lured him to New York. Fulco loved their sky-high palace in the Waldorf Towers but the rest of America beckoned. Together he and Nicky de Gunsburg bought a Packard convertible and motored to Palm Beach, then to the Paley’s in Mexico and finally on to Hollywood. With his excellent introductions Verdura was soon creating bold and innovative jewelry for film stars including Joan Crawford, Marlene Dietrich, Tyrone Power, Gary Cooper and Katherine Hepburn. -
HISTORY and CURIOSITY 1. the Writing on the Terrina
HISTORY AND CURIOSITY The writer’s corner, Claudio Colaiacomo” Discover curiosities and secrets of Rome ; The stories below concern places very close to Palazzo Olivia: 1. Piazza della Chiesa Nuova (The writing on the Terrina) 2. Piazza della Cancelleria (The underground lake beneath the Palace of the Chancellery) 3. Via del Governo Vecchio (Pasquin) 4. Via Giulia (The cemetery of the drowned dead) Based on ebook “Keep calm e passeggia per Roma”, Claudio Colaiacomo, Edizioni Newton-Compton, 2015 - www.newtoncompton.com 1. The writing on the Terrina The fountain in the square overlooking the Chiesa Nuova has a rather unusual history. Its nickname is the Terrina and it was designed and sculpted by Giacomo della Porta in the XVI century to adorn the center of Piazza Campo de 'Fiori. At that time it was quite different; it did not have the cover we see today and the basin was decorated with two bronze dolphins. The funny cover was an expedient designed as a solution to the misuse the fountain was subjected to, when it was used as a dustbin for market waste. Perhaps offended initially by the abuse received from the people and then by its unrewarding cover, the fountain moved in 1889 to make way for the statue of Giordano Bruno. It was only in 1921 that it appeared in its current day location, inside an attractive rectangular basin. On the surface of the cover one can just about make out a mysterious inscription dated to 1622 that reads” ama dio e non fallire fa del bene e lassa dire” "Love God, fail not, do good and abide not by what others say". -
Milton Gendel: Fotografie
impa gendel ROMA 4 ese def 21-03-2008 12:53 Pagina 1 MILTON GENDEL FOTOGRAFIE impa gendel ROMA 4 ese def 21-03-2008 12:53 Pagina 2 Copertina: Fantasmagoria Borghese (particolare), Roma, 1996 impa gendel ROMA 4 ese def 21-03-2008 12:53 Pagina 3 MILTON GENDEL FOTOGRAFIE GALLERIA FRANCESCA ANTONACCI VIA MARGUTTA, 54 - 00187 ROMA TELEFONO 0039 06 45433036 - FAX 0039 06 45433054 [email protected] - www.francescaantonacci.com 28 novembre - 20 dicembre 2006 IN COLLABORAZIONE CON TRINITY FINE ART LTD 29 BRUTON STREET - LONDON W1J 6QP TELEFONO 0044 (0) 20 7493 4916 - FAX 0044 (0) 20 7355 3454 [email protected] - www.trinityfineart.com impa gendel ROMA 4 ese def 21-03-2008 12:53 Pagina 4 Francesca Antonacci GALLERIA FRANCESCA ANTONACCI Via Margutta, 54 - 00187 Roma Telefono: 0039 06 45433036 Fax: 0039 06 45433054 e-mail: [email protected] www.francescaantonacci.com In collaborazione con: John Winter Jonathan Mennell TRINITY FINE ART LTD 29 Bruton Street - London w1j 6qp Telefono: 0044 (0) 20 7493 4916 Fax: 0044 (0) 20 7355 3454 e-mail: [email protected] impa gendel ROMA 4 ese def 21-03-2008 12:53 Pagina 5 RIFLETTENDO SULL’ ISOLA TIBERINA JONATHAN DORIA PAMPHILJ Sono veramente onorato di aver ricevuto l’invito a scrivere una breve introduzione per questa collezione di fotografie di Milton Gendel, sebbene sia nello stesso tempo preoccu- pato, poiché non sono uno storico d’arte, né un critico, ma solo un suo amico. Per- tanto, mi auguro di rendere giustizia tanto a Milton quanto alle sue foto. Tra le fotografie, le più gradite per me sono quelle legate ai momenti semplici passa- ti con gli amici. -
INDEX 673 672 More Detailed References, Or
672 INDEX 673 Apoxyomenos 478; (findspot of) 417 Attila, king of the Huns 15 Appius Claudius 538, 558 Auditorium (Parco della Musica) 536 INDEX Aprile, Francesco 143, 596 Augustine, St 15, 210, 562 Aquarium 530 Augustus, emperor 12, 54, 59, 72, 74, 93, Aqudeucts, general and Park of 558 102, 590, 666; (and Ara Pacis) 174, 176[ Anio Novus 12, 314, 323, 577 (Arch of) 79; (Forum of) 116; (house of) Anio Vetus 559, 577 102–3; (mausoleum of) 173; (Prima Porta Appia 558 statue of) 55, 475 More detailed references, or references to places where an artist’s work is best represented, are Claudia 12, 99, 287, 314, 323, 559, 559, Aula Isiaca 98 given in bold. Numbers in italics are picture references. An asterisk by an artist’s name denotes 588 Aulenti, Gae 352 an entry in the Glossary of Artists beginning on p. 634. of Domitian 99 Aureli, Cesare 421 Felice 35, 37, 340, 596 Aurelian, emperor 14 Julia 596 Aurelian Walls 311, 313, 314, 379, 397, Marcia 276, 338, 588, 596 406, 514, 528, 594, 596 Abbazia delle Tre Fontane 524, 525 Allegrini, Francesco 206 Paola 426, 445 Auriti, Giacinto, collection of 139 Abbot Luigi, ‘talking’ statue 223 Allori, Alessandro 409 Pia Marcia 338 Avanzi, Jacopo 156 Accademia di San Luca 121. 591 Almone, stream 539, 543 Tepula 596 Aventine hill 266ff Accademia Nazionale dei Lincei 409 Altare della Patria 137 Virgo 187, 348, 351, 588 Avignon, popes in 304 Accommodation 609ff Altemps, Cardinal Marco 201 Vergine 348, 365, 371, 375 Aymonino, Carlo 44 Acqua Paola (see Fountains) Altemps, family chapel 405 Ara Maxima 263, 264 Azzurri, -
Explanatory Or More Detailed References
606 BACKGROUND INFORMATIONINDEX INDEX 607 Apollo Belvedere 27, 358, 450 Aristeas and Papias, copyists 53 Apollodorus of Damascus, architect 114, Arnolfo di Cambio (c. 1245–1302) 47, 62, 124, 547 279, 280, 301, 297, 392, 425, 484 Apollonius, sculptor 314, 451 Arrigucci, Luigi (active 1620–30) 548 Explanatory or more detailed references (where there are many), or references to Apoxyomenos 450 Arx, citadel of Rome 35 places where an artist’s work is best represented, are given in bold. Numbers in italics Appartamento dei Conservatori 41–43 Aspetti, Tiziano (1565–1607) 135 are picture references. Dates are given for all artists, architects and sculptors. Ancient Appiani, Andrea (1754–1817) 364 Asprucci, Antonio (1723–1808) 355, 356 names are rendered in italics, as are works of art. Aprile, Francesco (d. 1685) 548 Asprucci, Mario (1764–1804) 355 Aqueducts, general 525 Auditorium, the 501 Acqua Felice 24, 36, 310, 312, 524, 525, Augustine, St 16, 526 A Allegrini, Francesco (1587–1663) 186 566 Augustus, Emperor 13, 14, 54, 66, 90, Abbazia delle Tre Fontane 485–86 All Saints, church of 349–50, 584 Acqua Paola 25, 413, 525 121, 161; Forum of 120–23; (house of) Abbot Luigi, talking statue 207 Altemps collection 181ff Acqua Vergine Nuova 343, 525 99–100, 99; (mausoleum of) 162; (as Accademia Nazionale dei Lincei 196, 385 Altemps, Roberto 188 Anio Novus 287, 525, 540 pontifex maximus) 314; (Prima Porta Accademia di San Luca 554–55 Amato, Orazio (1884–1952) 383 Anio Vetus 524, 525, 540 statue of) 55, 446–47; (other portaits of) Acqua Paola (see Fountains) American Academy 400 Aqua Appia 525 52, 446, 471, 479 Acquario Romano 559 Amici, Luigi (1817–97) 178, 426 Aqua Claudia 14, 287, 520, 524, 525, 564 Aula Isiaca 97 Acquisti, Luigi (1745–1823) 557 Ammannati, Bartolomeo (1511–92) 340, Aqua Julia 525, 566 Aulenti, Gae (b. -
Authorised Defacement: Lessons from Pasquino 529-551
Proceedings of the European Society for Aesthetics Volume 7, 2015 Edited by Fabian Dorsch and Dan-Eugen Ratiu Published by the European Society for Aesthetics esa Proceedings of the European Society of Aesthetics Founded in 2009 by Fabian Dorsch Internet: http://proceedings.eurosa.org Email: [email protected] ISSN: 1664 – 5278 Editors Fabian Dorsch (University of Fribourg) Dan-Eugen Ratiu (Babes-Bolyai University of Cluj-Napoca) Editorial Board Zsolt Bátori (Budapest University of Technology and Economics) Alessandro Bertinetto (University of Udine) Matilde Carrasco Barranco (University of Murcia) Josef Früchtl (University of Amsterdam) Robert Hopkins (New York University) Catrin Misselhorn (University of Stuttgart) Kalle Puolakka (University of Helsinki) Isabelle Rieusset-Lemarié (University of Paris 1 Panthéon-Sorbonne) John Zeimbekis (University of Patras) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l’Europe 20 1700 Fribourg Switzerland Internet: http://www.eurosa.org Email: [email protected] Proceedings of the European Society for Aesthetics Volume 7, 2015 Edited by Fabian Dorsch and Dan-Eugen Ratiu Table of Contents Paul Crowther The Need for Art, and the Aesthetics of the Self: A Copernican Turn 1-21 The Aesthetics Group Turn, Turn, Turn: Civic Instrumentalisation and the Promotion of Autonomy in Contemporary Arts Funding 22-45 Gemma Argüello Manresa Participatory Computer-Based Art and Distributed Creativity: the Case of Tactical Media 46-67 Zsolt Bátori Photographic Deception 68-78 Alessandro Bertinetto Gombrich, Danto, and the Question of Artistic Progress 79-92 Stefan Bird-Pollan Benjamin’s Artwork Essay from a Kantian Perspective 93-103 The Branch Collective Towards Gesture as Aesthetic Strategy 104-114 iii Proceedings of the European Society for Aesthetics, vol. -
Antibiotics 2020
3rd Global Congress on Antibiotics, Antimicrobials & Resistance Rome, Italy | June 15-16, 2020 Antibiotics 2020 Scrutinizing Modern Research Developments on Antibiotics, Antimicrobial & Antibiotic Resistance Antibiotics 2020 Antibiotics 2020 Future Shape of Antibiotics: Accessions, Organizations & Research Update yourself to drive your market share accordingly Meet experts and potential scientists, share your recent researches and information’s and build a splash with Antibiotics Opportunity beyond any Comparison to Attend & Network Experience the Global Ambiance with Researchers with Similar Significance Make New Associations and Fostering Potential Partnerships Learn about the applications of Antibiotics for treating the emerging diseases Explore the best in Cutting Edge Research Learn Beyond your Field of Interest Professional Development to Elevate your Knowledge and Skills Antibiotics 2020 Speakers Representation from 50+ Countries 1 Conference | 2 Days | 3rd Conference in Antibiotics Series 15 Keynote Talks | 75 Plenary Speakers | 17 Interactive sessions Symposia | Workshops | Best Poster Award 200 Attendees | 50 Professors | and many more . Greetings! Welcome to most exciting and fascinating Rome, Italy! With immense pleasure Antibiotics 2020 plan to deliver a conference that will exceed your expectations. Antibiotics 2020 welcomes all the members around the globe to participate in our CPD Accredited “3rd Global Congress on Antibiotics, Antimicrobials & Resistance” scheduled for June 15-16, 2020 at Rome, Italy. The Conference will be organized around the theme “Scrutinizing Modern Research Developments on Antibiotics, Antimicrobial & Antibiotic Resistance”. Welcome Message Antibiotics 2020 anticipates more than 500 participants around the globe to experience thought provoking Keynote lectures, Oral & Poster presentations. This year conference will offer ample opportunities for all stakeholders working on Antibiotics and Antimicrobial resistance to expose their research work. -
Passeg Romane Ing 1
“Passeggiate Romane” 18 ITINERARIES TO UNVEIL, STEP AFTER STEP, THE WONDERS OF ROME AZIENDA DI PROMOZIONE TURISTICA DI ROMA “PASSEGGIATE ROMANE” AZIENDA DI PROMOZIONE TURISTICA DI ROMA Via Parigi, 11 - 00185 Roma High Commissioner: Walter Veltroni Director: Guido Improta An editorial realization by the Publishing Department of the APT of Rome Text: Fiorenza Rausa Claudia Viggiani Layout and cover design: Marco Filippetti Translations: Studio Aitef Photos: Archives APT of Rome Cover: Trajan’s Forum Printed by: Stilgrafica Srl Complimentary copy SUMMER • Itinerary 1 WATER IN ROME: Fountains of All Kinds • Itinerary 2 MOSAICS: from Santa Maria Maggiore to Santa Maria in Trastevere • Itinerary 3 MEDIEVAL CLOISTERS G.L. Bernini: Angel – Ponte Sant’Angelo – Ponte G.L. Bernini: Angel • Itinerary 4 ALONG THE TIBER “At last, for the first time, I live! It (Rome) beats everything: it leaves the Rome of your fancy, your education, nowhere. It makes Venice, Florence, Oxford, London, seem like little cities of pasteboard… For the first time I know what the picturesque is.” Henry James, Letters of Henry James, edited by Leon Edel, London Macmillan 1974; Vol.1 1843-1875. “mixed fish fry”. The group was transferred to Itinerary 1 4 H ¡ Piazza Vittorio and replaced with the figure of WATER IN ROME: Glaucus Fighting a Triton. Fountains of All Kinds For those with a sweet tooth a stop at the Dagnino bar-pastry shop, Via V. Emanuele Orlando 75, is a Undoubtedly there is no city in the world that must. It offers the best Sicilian specialities, from can- has more waters and fountains than Rome.