DOCSLIB.ORG

TPTV Schedule August 24Th to August 30Th 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TPTV Schedule August 24Th to August 30Th 2020 th th TPTV Schedule August 24 to August 30 2020 Date Time Programme Synopsis Mon 24 00:05 The Cotton Club 1984. Drama. Director: Francis Ford Coppola. Stars Richard Gere, Gregory Hines, Diane Aug 20 Lane & Nicholas Cage. The Cotton Club was a night club in Harlem, famous for its visitors and Jazz music. Mon 24 02:40 Girl In the Picture 1957. Drama. Directed by Don Chaffey. Starring Donald Houston, Patrick Holt and Junia Aug 20 Crawford. George Keefe's policeman brother was murdered four years ago and the killer is still on the loose. (SUBTITLES AVAILABLE) Mon 24 03:55 The Wayward Parkside Productions present Don Archell in 'The Wayward Wind'. Aug 20 Wind Mon 24 04:00 Widows Series 2, Episode 1. 1985. Stars Ann Mitchell, Maureen O'Farrell, Fiona Hendley & Debby Aug 20 Bishop. It is six weeks after the robbery and Dolly has returned to England. (S2, E01) Mon 24 05:00 Monty Nash The Time of the Eagle. 1971. Stars Harry Guardino, Armand Alzamora & Carmen Aug 20 Argenziano. Monty Nash, an undercover investigator is called in whenever the nation's security is in question. Mon 24 05:30 For the Love of The Baby. Stars: Wilfred Pickles, Irene Handl & Jack Smethurst. As Ruth appears to be Aug 20 Ada going into labour, Ada and Walter are slightly troubled in their new home by the presence of a ghost. (S4, E01) Mon 24 06:00 Frail Women 1932. Drama directed by Maurice Elvey and starring Mary Newcomb and Owen Nares. The Aug 20 story of Lillian who has an illegitimate war baby adopted by a wealthy spinster. Filmed at Twickenham Studios (SUBTITLES AVAILABLE) Mon 24 07:30 The Black Sheep 1942. Comedy. Directed by Basil Dearden & Will Hay. Stars Will Hay, John Mills, Basil Aug 20 Of Whitehall Sydney & Felix Aylmer. A Professor discovers that a Nazi agent is sent to prevent a trade treaty from being signed Mon 24 09:00 Sir Francis Drake The Governor's Revenge. 1962. Stars Terence Morgan, Jean Kent, Patrick McLoughlin. Aug 20 King Phillip's viceroy to Santa Marta drugs John Hawkins and frames him for theft. Mon 24 09:30 Bridlington in A wonderful children's adventure day out in 1936. Great shots of Bridlington harbour in the Aug 20 1936 - Glimpses 30s and Brempton and even a pony and trap ride along with a trip on the ferry. Mon 24 09:45 Charley Moon 1956. Musical. Director Guy Hamilton. Stars Max Bygraves, Dennis Price & Michael Aug 20 Medwin. Life and loves of a country boy who makes it on the London stage, but misses home. (SUBTITLES AVAILABLE) Mon 24 11:45 Circle of Danger 1951. Drama. Directed by Jacques Tourneur. Stars Ray Milland, Patricia Roc & Marius Aug 20 Goring. An American in England finds the truth behind his brother's death in occupied France. Mon 24 13:30 IWM: A tribute to the cameramen of the newsreel companies and the British Service film units, Aug 20 Cameraman at compiled by Len Lye with commentary by Raymond Glendenning. War (1943) Mon 24 13:50 The Band Parade Made around 1949. Ted Lewis and his band perform 'Sunny Side Of The Street', 'Me And Aug 20 My Shadow', 'Three Blind Mice', 'Isn't She Pretty 'and 'I'm The Leader Of The Band'. Mon 24 14:00 Together Episode 1. 1980. Stars Ernest Hare, Kathleen Byron , Richard Everett, Victor Maddern. Aug 20 Welcome to Rutherford Court where new residents are getting to know each other. Mon 24 14:30 For the Love of 1972. Comedy. Stars Irene Handl, Wilfred Pickles, Barbara Mitchell & Jack Smethurst. Aug 20 Ada Based on the hit Thames sitcom, it follows the late-flowering romance between two young-at-heart pensioners. (SUBTITLES AVAILABLE) Mon 24 16:15 School For 1946. War. Director Peter Ustinov. Stars Ralph Richardson and Richard Attenborough. Aug 20 Secrets During World War II, on the eve of the Battle of Britain, British scientists develop the first radar systems. Mon 24 18:30 Smokescreen 1964. Drama. Directed by Jim O'Connolly. Starring Peter Vaughan, John Carson & Yvonne Aug 20 (1964) Romain. A blazing car goes over the cliff to the east of Brighton. Suspicions mount when no body can be found. (SUBTITLES AVAILABLE) Mon 24 20:00 Hannay The Good Samaritan. 1989. Stars Robert Powell, Sharon Maughan & Marc Zuber. The Aug 20 pleasures of travelling on the Trans Europe Express from Venice are often relished! But not for Hannay... (S2, E04) Mon 24 21:00 Special Branch Downwind of Angels. Stars: George Sewell, Patrick Mower, Paul Eddington. The media Aug 20 carries the news: Murder at Maison Igor's. Craven must use their own approach to get a line in an unseen gunman. Mon 24 22:00 The Gentle Hammer. 1980. Director: Tony Wharmby. Stars Jill Gascoine, William Marlowe & Derek Aug 20 Touch Thompson. After a series of robberies, Maggie must uncover if these were committed by a team or one person (S2, E05) Mon 24 23:00 Come Back, Little 1952. Drama. Director: Daniel Mann. Stars: Burt Lancaster, Shirley Booth & Terry Moore. A Aug 20 Sheba loveless marriage is rocked when a young woman rents a room in the couple's house. (SUBTITLES AVAILABLE) Date Time Programme Synopsis Tue 25 01:00 Dracula: Prince 1966. Horror. Directed by Terence Fisher. Stars Christopher Lee, Barbara Shelley & Andrew Aug 20 of Darkness Keir. Dracula is resurrected, preying on four unsuspecting visitors to his castle. Tue 25 02:50 Fighting Mad 1957. Drama. Muscles Tanner (Joe Robinson), a boxer, gives up the ring after two Aug 20 fatalities and emigrates to Canada and gets involved with two crooked lumbermen. Tue 25 03:55 Trooping the 1929. Factual. Rare, short archive footage of the Trooping of the Colour in 1929. Aug 20 Colour Tue 25 04:00 Widows Series 2, Episode 2. 1985. Stars Ann Mitchell, Maureen O'Farrell, Fiona Hendley & Debby Aug 20 Bishop. Tue 25 05:00 Monty Nash Where have all the Children Gone. 1971. Stars Harry Guardino, Armand Alzamora & Aug 20 Carmen Argenziano. Monty Nash, an investigator is called in whenever the nation's security is in question. Tue 25 05:30 For the Love of Bowling. Stars: Wilfred Pickles, Irene Handl & Jack Smethurst. Ada's convinced that the Aug 20 Ada baby is overdue, and Walter gambles his months pension. (S4, E02) Tue 25 06:00 Three Steps to 1953. Drama. Directed by John Gilling. American cargo ship Officer Stevens (Scott Brady), Aug 20 the Gallows finds out that his brother is the frame-up victim of a smuggling gang and is due to be executed for murder. (SUBTITLES AVAILABLE) Tue 25 07:40 False Colours 1943. Western. Director: George Archainbaud. Stars: William Boyd, Andy Clyde, Jimmy Aug 20 Rogers. To obtain water rights, bad guy Mark Foster murders the heir to a cattle ranch. (SUBTITLES AVAILABLE) Tue 25 09:00 William Tell The Cuckoo. Stars: Conrad Phillips, Willoughby Goddard & Jennifer Jayne. Gessler's Aug 20 problem is compounded further when he receives a message from the emperor demanding taxes Gessler hasn't collected. Tue 25 09:30 The Man 1953. Drama. Director: Carol Reed. Stars: James Mason, Claire Bloom & Hildegard Knef. Aug 20 Between After World War 2, Susanne Mallison travels to visit her older brother in Berlin. (SUBTITLES AVAILABLE) Tue 25 11:30 34 Moore Street - Visit the Gray family at 34 Moore Street, Chelsea, London in 1958. An insight into family Aug 20 Glimpses life. A Baby's First steps, mud pies, playing in the street, a brownie parade and a christening. Tue 25 11:40 Bonnie Prince 1948. Bio. Directors: Anthony Kimmins. Stars: David Niven, Margaret Leighton, Morland Aug 20 Charlie Graham. In the Jacobite Rising, Bonnie Prince Charlie leads a rebellion to restore his family to the throne. Tue 25 14:00 Together Episode 2. 1980. Stars Sarah Greene, Kathleen Byron, Richard Everett, Victor Maddern. Aug 20 Mrs Webber seems to be having problems with the maintenance man who also happens to be her husband. Tue 25 14:30 The Polite 1929. Comedy. Directed by Sadie Andrews. This film was designed as a test for attendees Aug 20 Burglar - to see if they could spot the deliberate continuity mistakes in the film Tue 25 14:45 Highly 1950. Drama. Directed by Roy Ward Baker. Stars: Margaret Lockwood, Dane Clark, Marius Aug 20 Dangerous Goring. An entomologist travels to a Balkan country to investigate germ warfare. Tue 25 16:30 IWM: Squadron 1940. Documentary dramatisation of life in a barrage balloon defending the Forth Bridge, Aug 20 992 (1940) Second World War. Directed by Harry Watt. Tue 25 17:05 Night Without 1951. Drama. Director: Anthony Pelissier. Stars David Farrar, Nadia Gray, Maurice Teynac. Aug 20 Stars A partially blind Englishman retires to the French Riviera where he falls for a French widow. Tue 25 18:50 IWM: Shunter 1941. produced by Sydney Box. WW2 dramatised short 'based on a true' story of a shunter Aug 20 Blacks Night Off in a marshalling yard and his actions to save the yard and keep the trains running. Directed (1941) by Max Munden Tue 25 19:00 The Angry 1960. Drama. Director: Guy Green. Stars: Richard Attenborough, Pier Angeli, Michael Craig Aug 20 Silence & Bernard Lee. Tom Curtis works at a factory but refuses to participate in an unofficial strike. Tue 25 21:00 Budgie Fiddler on The Hoof - part 2. Stars: Adam Faith, Iain Cuthbertson & Lynn Dalby. Two-part Aug 20 episode in which Budgie's domestic difficulties are complicated by his dad. Tue 25 22:00 Silver Bears 1978.
Load more

Recommended publications
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • Paulo Renato Oliveira a Tradição Do Filme Documental E Realista
    Universidade de Aveiro - Departamento de Línguas e Culturas 2001 Paulo Renato A Tradição do Filme Documental e Realista Britânico Oliveira dos anos 30 aos anos 70 Universidade de Aveiro - Departamento de Línguas e Culturas 2001 Paulo Renato A Tradição do Filme Documental e Realista Britânico Oliveira dos anos 30 aos anos 70 The British Documentary-Realist Film Tradition from the 1930s to the 1970s Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Estudos Ingleses, realizada sob a orientação científica do Prof. Doutor Anthony Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro O Júri Presidente Prof. Doutor Anthony David Barker, Professor Associado da Universidade de Aveiro (Orientador) Vogais Prof. Doutor Abílio Manuel Hernandez Ventura Cardoso, Professor Associado da Faculdade de Letras da Universidade de Coimbra Prof. Doutor Kenneth David Callahan, Professor Associado da Universidade de Aveiro Acknowledgements I want to express my gratitude to Professor Anthony Barker for all his enthusiastic support, encouragement, corrections and suggestions and, also because of all the insightful and enlighten discussions about Film. I would also like to thank Professors David Callahan and Aline Salgueiro for their contribution to my formation in Literature and Cultural Studies. This work would not have been possible without the cooperation of the British Film Institute. I am particularly indebted to the staff of the viewing services at the BFI, for providing me with some of Ken Loach’s plays to watch in their premises. Unfortunately these important television plays are not available to the general public and the only usable copies are kept at the BFI in London.
    [Show full text]
  • Ltda in Dialogue with Mayor, Tfl & City Over Proposed
    LTDA The newspaper of the Licensed Taxi Drivers’ Association www.ltda.co.uk @TheLTDA #468 19 May 2020 A MAN IN BLACK: p17 TOP CAB – THE NEED FOR SPEED SIGNS OF THE TIMES LTDA IN DIALOGUE WITH MAYOR, TFL & CITY OVER PROPOSED RESTRICTIONS 2 TAXI |||| 19 May 2020 www.ltda.co.uk |||| @TheLTDA Uber to be Bitten by Guide Dog Refusals? NEWS ‘like a second-class citizen’ and becomes of transportation services, and workers ‘anxious when booking’ – Commenting are employees rather than self-employed Uber are set for more court dates later on BBC Radio, Dan also said, “Uber is a drivers, then Uber are responsible as this year as Chris Fry, Senior Partner at service provider and has a responsibility a service provider and in turn for the Fry Law prepares his case on behalf of not to discriminate against people for acts of their employees – who are their businessman and guide dog owner, Dan using a guide dog” agents. Chris, a specialist in disability Williamson, under the 2010 Equality Act. law, commented that the differences with Supreme Court Outcome this challenge is that there is film footage Uber Over 100 Refusals Solicitor, Chris Fry explained during the and witness evidence to support the scrambling to install partitions into a Dan, who’s owned a guide dog for two interview that he is awaiting the ruling prosecution case. range of non-purpose-built vehicles. years, states he has evidence of over 100 of the Supreme Court (where Uber Uber have also bitten the dust in Uber’s reported approach is to pay the occasions where he has been refused is scheduled to appear this summer).
    [Show full text]
  • Celluloid Television Culture the Specificity of Film on Television: The
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. https://eprints.bbk.ac.uk/id/eprint/40025/ Version: Full Version Citation: Sexton, Max (2013) Celluloid Television Culture The Speci- ficity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Celluloid Television Culture The Specificity of Film on Television: the Action-adventure Text as an Example of a Production and Textual Strategy, 1955 – 1978. Max Sexton A thesis submitted for the Degree of Doctor of Philosophy, Birkbeck, University of London, 2012. Declaration I hereby declare that the thesis presented by me for examination of the PhD degree is solely my own work, other than where I have clearly indicated. Birkbeck, University of London Abstract of Thesis (5ST) Notes for Candidate: 1. Type your abstract on the other side of this sheet. 2. Use single-spacing typing. Limit your abstract to one side of the sheet. 3. Please submit this copy of your abstract to the Research Student Unit, Birkbeck, University of London, Registry, Malet Street, London, WC1E 7HX, at the same time as you submit copies of your thesis. 4. This abstract will be forwarded to the University Library, which will send this sheet to the British Library and to ASLIB (Association of Special Libraries and Information Bureaux) for publication to Index to Theses .
    [Show full text]
  • Academy Events
    ACADEMY EVENTS BAFTA, 195 Piccadilly Wednesday, 29 April 2009 BAFTA Rocliffe New Writing Forum with Mike Newell BAFTA and ROCLIFFE are delighted to present the New Writing Forum with extracts from We are delighted to welcome Mike Newell, highly acclaimed and award-winning Director of Four three scripts followed by Q&A Weddings and a Funeral , Donnie Brasco , Pushing Tin , Love in the Time of Cholera , Harry Potter and with Mike Newell the Goblet of Fire and forthcoming feature Prince of Persia: The Sands of Time with Jake Gyllenhaal. Rocliffe Curators - Farah Abushwesha, Pippa Mitchell FEATURE: THE MOST BEAUTIFUL ANGEL by JR BERNUCCI - [email protected] BAFTA Team - Alex Cook, Jenny Keys This is the story of Lucifer trying to save mankind and regain paradise… for himself. In the early 1950’s Lucifer is summoned into our world by a group of curious students. Keeping a low Casting - Laura Dickens CDG profile, he spends the next fifty years travelling the world and sampling its delights in the ([email protected]) company of tramps and beggars. The misery of the human condition finally gets to him and he comes up with a plan to save the human race, and get back into heaven in the process. Art Work - Kem White As the Lord of Deception he will use his ability to appear to different people in different ([email protected]) guises to blackmail them into taking direct action against sources of world suffering. As he Directors - Paul Callahan does his rounds, he visits corporations’ CEOs, African warlords, Middle-Eastern tribal chiefs ([email protected]), and other influential people.
    [Show full text]
  • London Underground Films Over a Century
    The Scala Underground film map, station to station Film Underground Station Year 28 Days Later Bank 2002 30 is a Dangerous Age, Cynthia Barking 1968 80 Million Women Want-? Woodford 1913 A Clockwork Orange Fulham Broadway 1971 A Hard Day's Night Goodge Street 1964 A Kind of English Bethnal Green 1986 A Lizard in a Woman's Skin Wood Green 1971 A Matter of Life and Death Ruislip Gardens 1946 A Place to Go Old Street 1963 Abominable Dr. Phibes, The Stanmore 1971 Absolute Beginners White City 1986 Afraid of the Dark West Brompton 1991 Alfie Bayswater 1966 Alien North Acton 1979 All Neat in Black Stockings East Putney 1968 An American Werewolf in London Tottenham Court Road 1981 And Now for Something Completely Different Totteridge & Whetstone 1971 Animal Farm Highbury & Islington 1954 Another Year Wanstead 2010 Arsenal Stadium Mystery, The Arsenal 1939 Attack the Block Brixton 2011 Babymother Harlesden 1998 Bargee, The Moor Park 1964 Bed-Sitting Room, The Leyton 1969 Bedazzled Gunnersbury 1967 Belle Rickmansworth 2013 Berberian Sound Studio Bromley-by-Bow 2012 Beware of Mr. Baker Neasden 2012 Black Narcissus South Ruislip 1947 Blacksmith Scene Kenton 1893 Blowup North Greenwich 1966 Blue Lamp, The Royal Oak 1950 Bob Marley and the Wailers: Live! At the Rainbow Finsbury Park 1977 Boy Friend, The Preston Road 1971 Brazil Holland Park 1985 Breakfast on Pluto Leicester Square 2005 Breaking Glass Barkingside 1980 Breaking of Bumbo, The St. James's Park 1970 Bride of Frankenstein Dagenham Heathway 1931 Bright Young Things Broadgate (closed) 2003
    [Show full text]
  • Mick Jagger © Felix Aeppli 04-2020 / 09-2021
    Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance.
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]
  • Crime Wave for Clara CRIME WAVE
    Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,
    [Show full text]
  • Space, Gender & Hierarchy in British Gangland Film
    BETWEEN A ROCK AND A HARD PLACE: Space, Gender & Hierarchy in British Gangland Film Sally Tatham Robertson Williams Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of PhD October 2010 Acknowledgements Firstly, I‟d like to thank Alan Brooke for his unfailing enthusiasm, encouragement and inspiration throughout an unexpected academic journey, which he initiated over a decade ago: following my enquiry regarding a weekly evening class in the History of Art, he persuaded me instead to embark upon a full-time BA (Hons) in Cultural Studies, subsequently employing me as lecturer and tutor on the course team and beyond! Thanks also to Dr Penny Lane, who insisted I should „consider‟ a PhD (and subsequently refused to take no for an answer); to Jenny Bloodworth, for her friendship when I needed it most; and to my supervisors, Professor Tony Shaw and Dr Steven Peacock, without whom this thesis would not have seen the light of day. Most of all, however, I am of course indebted to my family for their enduring patience, love and support: it goes without saying that I wouldn‟t have achieved any of this without you. i Abstract A principal aim of this research has been to establish the capacity of British Gangland film to articulate its era of production through the cinematic interpretation of contemporary concerns and anxieties in narratives relating to the criminal underworld. In order to do so, the study has concentrated on the analysis of space, gender and hierarchy within representative generic texts produced between 1945 and the present.
    [Show full text]
  • 1261 08/26 Issue One Thousand Two Hundred Sixty-One Thursday, August Twenty-Six, Mmxxi
    LAST UPDATED: MONDAY, SEPTEMBER 6, 2021 6:15:27 PM #1261 08/26 issue one thousand two hundred sixty-one thursday, august twenty-six, mmxxi “ABBOTT ELEMENTARY” Series / ABC 05-20-21 ê PRODUCTION OFFICE 1149 N. Gower St., Suite 271, Hollywood, CA 90038 [email protected] [email protected] PHONE: 323-785-2255 STATUS: August 16 LOCATION: Los Angeles PRODUCER: Justin Halpern - Patrick Schumacker WRITER/PRODUCER: Quinta Brunson DIRECTOR: Randall Einhorn LP: Werner Walian PM: Jeffrey Schwartz 1AD: Shahrzad Davani CAST: Tyler James Williams - Janelle James - Chris Perfetti - Lisa Ann Walter - Sheryl Lee Ralph CD: Wendy O'Brien WARNER BROS. TELEVISION 4000 Warner Blvd. Burbank, CA 91522 818-954-6000 [email protected] 20TH TELEVISION 10201 West Pico Boulevard, Los Angeles, CA 90035 310-369-1000 A workplace comedy about a Group of teachers brouGht toGether in one of the worst public schools in the country, simply because they love teachinG. The teachers will rely on each other to make it through the day, and find a way to counteract the school district’s bullshit attitude toward educating children. The eternally optimistic Janine is in her second year teaching at an underfunded, underserved elementary school in her hometown of Philadelphia, where she comes up aGainst jaded but devoted teachers, children in challenGinG situations and a principal who's basically out to lunch. (AuGust 16 - November 5) “ACKLEY BRIDGE” 05 Series / Channel 4 06-24-21 ê THE FORGE // THE FORGE ENTERTAINMENT (AB5) LIMITED 2nd Floor, The Zeppelin Building 59-61 Farringdon Road, London EC1M 3JB [email protected] PHONE: +44 020 8104 2200 STATUS: November 2021 LOCATION: Yorkshire, UK PRODUCER: Alex Lamb - George Faber - George Ormond - Jade Taylor WRITER/PRODUCER: Ayub Khan Din - Kevin Erlis - Malcolm Campbell DIRECTOR: Jordan Hogg - Jon East LP: Matthew Hamilton CD: Beverley Keogh - David Martin Ackley BridGe is a small Yorkshire town, home to larGely divided white and Asian populations.
    [Show full text]
  • Theories of the Subject: British Cinema and 1968 Martin Jonathan Hall University of Stirling Submitted for the Degree of Doctor
    Theories of the Subject: British Cinema and 1968 Martin Jonathan Hall University of Stirling Submitted for the degree of doctor of philosophy August 2018 Aiming to make an intervention in critical theory, film-philosophy and British Cinema scholarship, this thesis investigates what a marriage of Lacanian and Badiouian theories of the subject can bring to the study of the radical British feature film of 1968: films which in differing ways represent the political and intellectual debates current in the culture. The question of what can be learnt through an analysis situated within theories of the subject has not been addressed within British Cinema studies. Psychoanalytic film theory in its previous incarnations utilised a section of Lacan’s thought in order to focus on the ways in which the spectator was placed into a subject position by the unseen workings of the apparatus. Furthermore, the limited amount of Badiouian film scholarship is concerned with whether films can be thought philosophically. A fuller use of Lacan with Badiou as a hermeneutic model to address films from a specific period and context creates a new interpretive model on the porous boundary between critical theory and film-philosophy. This thesis utilises Lacan’s categories of the Imaginary, Symbolic and, predominantly, the Real alongside the Badiouian Event to interrogate the ways in which Morgan: A Suitable Case for Treatment (Karel Reisz, 1966), Privilege (Peter Watkins, 1967), Herostratus (Don Levy, 1967), Performance (Donald Cammell & Nicolas Roeg, 1970) and if…. (Lindsay Anderson, 1968) represent the radical subject of 1968, in order to argue for the efficacy of ideological critique, to think politically about cinema, and advocate the continuing resonance of the period in contemporary praxis.
    [Show full text]