University of Oklahoma Libraries Western History Collections Ethel

Total Page:16

File Type:pdf, Size:1020Kb

University of Oklahoma Libraries Western History Collections Ethel University of Oklahoma Libraries Western History Collections Ethel and Chauncey O. Moore Collection Moore, Ethel, and Chauncey O. Moore. Manuscript, n.d. 4 feet. Compilers. A manuscript (n.d.) entitled “Ballads and Songs of Oklahoma.” This book was published as Ballads and Songs of the Southwest. An accompanying Ethel and Chauncey Moore Collection of tapes (n.d.) of American, British, and Scotch folk-songs recorded throughout Oklahoma is also in the Western History Collections. Box 1 Manuscript titled, The Ballads and Songs of Oklahoma. This book was published as Ballads and Songs of the Southwest. Collected and edited by Ethel and Chauncey O. Moore, n.d. The manuscript includes information about English and Scottish ballads; then British and American songs. Binder 1 Preface References I. English and Scottish Ballads pg. 3-7 Riddles Wisely Expounded (Child, No. 1) pg. 8-16 The Elfin Knight (Child, No. 2) pg. 17 The False Knight Upon the Road (Child, No. 3) pg. 18-79 Lady Isabel and the Elf-Knight (Child, No. 4) pg. 80-106 Earl Brand (Child, No. 7) pg. 107-194b The Twa Sisters (Child, No. 10) Binder 2 pg. 195-240 Lord Randal (Child, No. 12) pg. 241-293 Edward (Child, No. 13) pg. 294-295 Hind Horn (Child, No. 17) pg. 296-309 Sir Lionel (Child, No. 18) pg. 310-314 The Cruel Mother (Child, No. 20) pg. 315-353 The Three Ravens (Child, No. 26) pg. 354-357 Captain Wedderburn's Courtship (Child, No. 46) pg. 358-387 The Twa Brothers (Child, No. 49) pg. 388-425 Young Beichan (Child, No. 53) pg. 426-432 The Cherry-Tree Carol (Child, No. 54) pg. 433-476 Young Hunting (Child, No. 68) Binder 3 pg. 477-576 Lord Thomas and Fair Annet (Child, No. 73) pg. 577-642 Fair Margaret and Sweet William (Child, No. 74) pg. 643-686 Lord Lovel (Child, No. 75) pg. 687-740 The Lass of Roch Royal (Child, No. 76) pg. 741-778 The Wife of Usher's Well (Child, No. 79) Box 2 Binder 1 pg. 779-814 Little Musgrave and Lady Barnard (Child, No. 81) pg. 815-931 Bonny Barbara Allan (Child, No. 84) pg. 931-961 Lady Alice (Child, No. 85) pg. 962-969 Lamkin (Child, No. 93) pg. 970-1047 The Maid Freed from the Gallows (Child, No. 95) pg. 1048-1055 Johnie Scot (Child, No. 99) pg. 1056-1068 The Bailiff's Daughter of Islington (Child, No. 105) pg. 1069-1072 The Famous Flower of Serving-Men (Child, No. 106) pg. 1073-1075 The Baffled Knight (Child, No. 112) pg. 1076-1080 Johnie Cock (Child, No. 114) Binder 2 pg. 1081-1106 Sir Hugh, or The Jew's Daughter (Child, No. 155) pg. 1107-1110 The Hunting of Cheviot (Child, No. 162) pg. 1111-1120 Mary Hamilton (Child, No. 173) pg. 1121 Willie MacIntosh (Child, No. 183) pg. 1122-1124 Bonnie House of Airlie (Child, No. 199) pg. 1125-1193 The Gypsy Laddie (Child, No. 200) pg. 1194-1195 Bessie Bell and Mary Gray (Child, No. 201) pg. 1196-1226 Geordie (Child, No. 209) pg. 1227-1228 Bonnie James Campbell (Child, No. 210) pg. 1229-1234 The Braes O'Yarrow (Child, No. 214) pg. 1235-1238 The Broom of Cowden-Knows (Child, No. 217) pg. 1239-1241 Katharine Jaffray (Child, No. 221) pg. 1242-1249 Lizie Lindsey (Child, No. 226) pg. 1250-1356 James Harris (The Demon Lover) (Child, No. 243) pg. 1357-1362 The Gray Cock (Child, No. 248) pg. 1363-1394 Henry Martin (Child, No. 250) Binder 3 pg. 1395-1398 The Suffolk Miracle (Child, No. 272) pg. 1399-1452 Our Goodman (Child, No. 274) pg. 1453-1464 Get Up and Bar the Door (Child, No. 275) pg. 1465-1498 The Wife Wrapt in Wether's Skin (Child, No. 277) pg. 1499-1564 The Farmer's Curst Wife (Child, No. 278) pg. 1565-1567 The Jolly Beggar (Child, No. 279) pg. 1568-1572 The Crafty Farmer (Child, No. 283) pg. 1573-1618 The Sweet Trinity (The Golden Vanity) (Child, No. 286). pg. 1619-1638b The Mermaid (Child, No. 289) pg. 1639-1643 John of Hazelgreen (Child, No. 293) pg. 1644-1681 The Brown Girl (Child, No. 295) pg. 1682-1687 Trooper and Maid (Child, No. 299) II. British Folk Songs Box 3 Binder 1 pg. 2-9 Flora MacDonald and the King pg. 10-13 Men's Clothing I'll Put On pg. 14-19 The Drummer Boy of Waterloo pg. 20-27 In Good Old Colony Times pg. 28-36 The Battle of the Boyne pg. 37-38 Bonnie Black Bess pg. 39-41 Captain Kidd pg. 42 The Three Butchers pg. 43-52 The Boston Burglar pg. 53-62 The Butcher Boy pg. 63-67 The Rambling Boy pg. 68-78 The Wexford Girl pg. 79-87 The Gaspard Tragedy pg. 88-103 The Bramble Briar pg. 104-117 The Silver Dagger pg. 118-136 Young Edward of the Lowlands pg. 137-142 The Sheffield Apprentice pg. 143-152 The Silk Merchant's Daughter pg. 153-162 Fair Fannie Moore pg. 163-169 Molly Bond pg. 170-174 William Taylor pg. 175-183 Caroline of Edinburgh Town pg. 184-188 The Sailor's Sweetheart pg. 189-194 The Banks of Sweet Dundee pg. 195-200 Lady Flower pg. 201-206 The Lover Freed from the Gallows pg. 207-218 The Squire of Tamworth pg. 219-229 Johnny German pg. 230-245 Jackie Frazier pg. 246-256 The Sailor's Return pg. 257-269 John Riley pg. 270-282 William Hall pg. 283-290 The Lady LeRoy pg. 291-294 The Lily of the West pg. 296-301 The Pretty Mohee pg. 302-310 Erin's Green Shore pg. 311-320 Little Sparrow pg. 321-331 The Drowsy Sleepers pg. 332-336 The Charming Beauty Bright Binder 2 pg. 337-342 The Journeyman Tailor pg. 343-347 I’ll Hang My Harp on a Willow Tree pg. 348-351 Lavender and Blue pg. 352-356 The Cuckoo pg. 357-366 The Banks of the Cloddie pg. 367-374 Green Grows the Laurel pg. 375-378 Jimmy the Miller pg. 379-391 The Girl I Left Behind Me pg. 392-402 Young Johnny pg. 403-408 Early, Early in the Spring pg. 409-414 Rainbow Willow pg. 415-423 The Nightingale pg. 424-426 The Riddle Song pg. 427-430 The Foggy, Foggy Dew pg. 431-434 Whistle, Daughter, Whistle pg. 435-440 My Pretty Maid pg. 441-445 The Milk Maid pg. 446-455 The Quaker's Wooing pg. 456-463 The Spanish Lady pg. 464-467 Billy Boy pg. 468-470 Common Bill pg. 471-483 Johnny Sands pg. 484-492 The Best Old Feller in the World pg. 493-496 The Deaf Woman's Courtship pg. 497-501 The Dumb Maid pg. 502-511 There Was an Old Miller pg. 512-517 The Old Woman Who Went to Market pg. 518-521 Devilish Mary pg. 522-526 The Bonny Wee Window pg. 527-531 The Cottage By the Sea pg. 532-534 Dublin Bay pg. 535-537 Lily Lee pg. 538-544 The Farmer's Boy pg. 545-552 Mary of the Wild Moor pg. 553-558 Wicked Polly pg. 559-562 The Romish Lady pg. 563-568 The Little Family pg. 569-584 The Twelve Apostles pg. 585-591 The Twelve Joys pg. 592-594 I Saw Three Ships A-sailing Binder 3 pg. 595-600 The Babes in the Woods pg. 601-604 Perrie, Merrie, Dixi, Domini pg. 605-609 Mary and Willie pg. 610-611 Brennan on the Moor pg. 612-616 Widdecombe Fair pg. 617-625 Bold Rangers pg. 626-640 Old Mister Grumble pg. 641-643 Three Jovial Huntsmen pg. 644-646 The Song of a Hunter pg. 647-661 The Frog and the Mouse pg. 662-664 Jacket So Blue pg. 665-667 Greenland Fishery pg. 668-673 The Old Man Who Came Over the Moor pg. 674-676 The Skin and Bones Lady pg. 677-683 Oliver Cromwell pg. 684-688 The Irish Wake pg. 689-701 Paper of Pins pg. 702-704 Would You Know How Does the Farmer? pg. 705-710 Miss Jennie Jones pg. 711-712 Lucy Locket pg. 713-714 Green Gravel pg. 715-720 The Farmer in the Dell pg. 721-722 The Needle's Eye pg. 723-725 London Bridge pg. 726-728 The Mulberry Bush pg. 729-732 The Old Woman Who Bought a Pig pg. 733-734 Go Tell Aunt Rhody pg. 735-737 Old Hogan's Goat pg. 738-743 The Fox Walked Out pg. 744-746 Rinordine pg. 747-748 King William Was King James's Son pg. 749-752 Polly Oliver pg. 753-755 Barney McCoy pg. 756-759 Homer Wright pg. 760-762 She Sang Like a Dove pg. 763-764 The Wildwood Flowers pg. 765-766 A Lady of London pg. 767-769 A Fragment pg. 770-771 The Boatman and the Chest pg. 772-773 Keep Your Garden Clean pg. 774 Grandma's Advice pg. 775-779 Jessie of Ballington Brae pg. 780-780b The Darby Ram pg. 781-769 Poor Old Maids (pages are misnumbered) pg. 782-783 Three Grains of Corn pg. 784-785 An Old Man and a Young Man pg. 786-787 The Maiden Who Dwelt by the Shore pg. 788-789 As I Roved Out pg. 789-792 Squire Nathaniel and Betsy (pages are misnumbered) pg. 793-794 Billy Grimes III. American Folk Songs Box 4 Binder 1 pg. 3-7 Major Andre pg. 8-13 James Bird pg.
Recommended publications
  • The Ballads of the Southern Mountains and the Escape from Old Europe
    B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time.
    [Show full text]
  • INTERPRETING POETRY: English and Scottish Folk Ballads (Year 5, Day Department, 2016) Assignments for Self-Study (25 Points)
    The elective discipline «INTERPRETING POETRY: English and Scottish Folk Ballads (Year 5, day department, 2016) Assignments for Self-Study (25 points) Task: Select one British folk ballad from the list below, write your name, perform your individual scientific research paper in writing according to the given scheme and hand your work in to the teacher: Titles of British Folk Ballads Students’ Surnames 1. № 58: “Sir Patrick Spens” 2. № 13: “Edward” 3. № 84: “Bonny Barbara Allen” 4. № 12: “Lord Randal” 5. № 169:“Johnie Armstrong” 6. № 243: “James Harris” / “The Daemon Lover” 7. № 173: “Mary Hamilton” 8. № 94: “Young Waters” 9. № 73:“Lord Thomas and Annet” 10. № 95:“The Maid Freed from Gallows” 11. № 162: “The Hunting of the Cheviot” 12. № 157 “Gude Wallace” 13. № 161: “The Battle of Otterburn” 14. № 54: “The Cherry-Tree Carol” 15. № 55: “The Carnal and the Crane” 16. № 65: “Lady Maisry” 17. № 77: “Sweet William's Ghost” 18. № 185: “Dick o the Cow” 19. № 186: “Kinmont Willie” 20. № 187: “Jock o the Side” 21. №192: “The Lochmaben Harper” 22. № 210: “Bonnie James Campbell” 23. № 37 “Thomas The Rhymer” 24. № 178: “Captain Car, or, Edom o Gordon” 25. № 275: “Get Up and Bar the Door” 26. № 278: “The Farmer's Curst Wife” 27. № 279: “The Jolly Beggar” 28. № 167: “Sir Andrew Barton” 29. № 286: “The Sweet Trinity” / “The Golden Vanity” 30. № 1: “Riddles Wisely Expounded” 31. № 31: “The Marriage of Sir Gawain” 32. № 154: “A True Tale of Robin Hood” N.B. You can find the text of the selected British folk ballad in the five-volume edition “The English and Scottish Popular Ballads: five volumes / [edited by Francis James Child].
    [Show full text]
  • History of the Welles Family in England
    HISTORY OFHE T WELLES F AMILY IN E NGLAND; WITH T HEIR DERIVATION IN THIS COUNTRY FROM GOVERNOR THOMAS WELLES, OF CONNECTICUT. By A LBERT WELLES, PRESIDENT O P THE AMERICAN COLLEGE OP HERALDRY AND GENBALOGICAL REGISTRY OP NEW YORK. (ASSISTED B Y H. H. CLEMENTS, ESQ.) BJHttl)n a account of tljt Wu\\t% JFamtlg fn fHassssacIjusrtta, By H ENRY WINTHROP SARGENT, OP B OSTON. BOSTON: P RESS OF JOHN WILSON AND SON. 1874. II )2 < 7-'/ < INTRODUCTION. ^/^Sn i Chronology, so in Genealogy there are certain landmarks. Thus,n i France, to trace back to Charlemagne is the desideratum ; in England, to the Norman Con quest; and in the New England States, to the Puri tans, or first settlement of the country. The origin of but few nations or individuals can be precisely traced or ascertained. " The lapse of ages is inces santly thickening the veil which is spread over remote objects and events. The light becomes fainter as we proceed, the objects more obscure and uncertain, until Time at length spreads her sable mantle over them, and we behold them no more." Its i stated, among the librarians and officers of historical institutions in the Eastern States, that not two per cent of the inquirers succeed in establishing the connection between their ancestors here and the family abroad. Most of the emigrants 2 I NTROD UCTION. fled f rom religious persecution, and, instead of pro mulgating their derivation or history, rather sup pressed all knowledge of it, so that their descendants had no direct traditions. On this account it be comes almost necessary to give the descendants separately of each of the original emigrants to this country, with a general account of the family abroad, as far as it can be learned from history, without trusting too much to tradition, which however is often the only source of information on these matters.
    [Show full text]
  • Barbara Allen
    120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor­ porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad­ mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow­ ledged that there are enough resemblances between the two to allow both to be called by the same name.
    [Show full text]
  • Popular Ballads /1
    Popular Ballads /1 POPULAR BALLADS Ballads are anonymous narrative songs that have been preserved by oral transmission. Although any stage of a given culture may produce ballads, they are most character- istic of primitive societies such as that of the American frontier in the eighteenth and nineteenth centuries or that of the English-Scottish border region in the later Middle Ages. These northern English songs, even divorced from the tunes to which they were once sung, are narrative poems of great literary interest. The origins of the popular (or folk) ballad are much disputed. The theory that they were first composed by communal effort, taking shape as the songs with which prim- itive people accompanied ritual dances, no longer seems plausible. On the other hand, the forms in which the ballads have come down to us show that they have been subjected to a continuing process of revision, both conscious and unconscious, by those through whose lips and memories they passed. Though the English ballads were probably composed during the five-hundred-year period from 1200 to 1700, few of them were printed before the eighteenth century and some not until the nineteenth. Bishop Thomas Percy (1729–1811) was among the first to take a literary interest in ballads, stimulated by his chance discovery of a seventeenth-century manuscript in which a number of them had been copied down among a great welter of Middle English verse. Percy’s publication of this material in his Reliques of Ancient English Poetry inspired others, notably Sir Walter Scott, to go to the living source of the ballads and to set them down on paper at the dictation of the border people among whom the old songs were still being sung.
    [Show full text]
  • Popular British Ballads : Ancient and Modern
    11 3 A! LA ' ! I I VICTORIA UNIVERSITY LIBRARY SHELF NUMBER V STUDIA IN / SOURCE: The bequest of the late Sir Joseph Flavelle, 1939. Popular British Ballads BRioky Johnson rcuvsrKAceo BY CVBICt COOKe LONDON w J- M. DENT 5" CO. Aldine House 69 Great Eastern Street E.G. PHILADELPHIA w J. B. LIPPINCOTT COMPANY MDCCCXCIV Dedication Life is all sunshine, dear, If you are here : Loss cannot daunt me, sweet, If we may meet. As you have smiled on all my hours of play, Now take the tribute of my working-day. Aug. 3, 1894. eooccoc PAGE LIST OF ILLUSTRATIONS xxvii THE PREFACE /. Melismata : Musical/ Phansies, Fitting the Court, Cittie, and Countrey Humours. London, 1 6 1 i . THE THREE RAVENS [MelisMtata, No. 20.] This ballad has retained its hold on the country people for many centuries, and is still known in some parts. I have received a version from a gentleman in Lincolnshire, which his father (born Dec. 1793) had heard as a boy from an old labouring man, " who could not read and had learnt it from his " fore-elders." Here the " fallow doe has become " a lady full of woe." See also The Tiua Corbies. II. Wit Restored. 1658. LITTLE MUSGRAVE AND LADY BARNARD . \Wit Restored, reprint Facetix, I. 293.] Percy notices that this ballad was quoted in many old plays viz., Beaumont and Fletcher's Knight of the xi xii -^ Popular British Ballads v. The a Act IV. Burning Pestle, 3 ; Varietie, Comedy, (1649); anc^ Sir William Davenant's The Wits, Act in. Prof. Child also suggests that some stanzas in Beaumont and Fletcher's Bonduca (v.
    [Show full text]
  • Section Last Name First Name DOB DOD Additional Information BEEMAN Bee-09 Huffman E.P
    Section Last Name First Name DOB DOD Additional Information BEEMAN Bee-09 Huffman E.P. m. Eleanor R. Clark 5-21-1866; stone illegible Bee-09 Purl J. C. 8-25-1898 5-25-1902 s/o Dr. Henry Bosworth & Laura Purl; b/o Aileen B. (Dr. Purl buried in CA) Bee-10 Buck Cynthia (Mrs. John #2) 2-6-1842 11-6-1930 2nd wife of John Buck Bee-10 Buck John 1807 3-25-1887 m.1st-Magdalena Spring; 2nd-Cynthia Bee-10 Buck Magdalena Spring (Mrs. John #1) 1805 1874 1st w/o John Buck Bee-10 Burris Ida B. (Mrs. James) 11-6-1858 2/12/1927 d/o Moses D. Burch & Efamia Beach; m. James R. Burris 1881; m/o Ora F. Bee-10 Burris James I. 5-7-1854 11/8/1921 s/o Robert & Pauline Rich Burris; m. Ida; f/o Son-Professor O.F. Burris Bee-10 Burris Ora F. 1886 2-11-1975 s/o James & Ida Burris Bee-10 Burris Zelma Ethel 7-15-1894 1-18-1959 d/o Elkanah W. & Mahala Ellen Smith Howard Bee-11 Lamkin Althea Leonard (Mrs. Benjamin F.) 7-15-1844 3/17/1931 b. Anderson, IN; d/o Samuel & Amanda Eads Brown b. Ohio Co, IN ; s/o Judson & Barbara Ellen Dyer Lamkin; m. Althea Bee-11 Lamkin Benjamin Franklin 1-7-1836 1/30/1914 Leonard; f/o Benjamin Franklin Lamkin Bee-11 Lamkin Benjamin Frank 11-9-1875 12-17-1943 Son of B.F. & Althea; Sp. Am. War Mo., Pvt.
    [Show full text]
  • Representative Poetry
    REPRESENTATIVE POETRY BALLADS SIR PATRICK SPENS The king sits in Dumferling toune, Drinking the blude-reid wine: "0whar will I get guid sailor, To sail this schip of mine? " Up and spak an eldern knicht, Sat at the kings richt kne: "Sir Patrick Spence is the best sailor, That sails upon the se." The king has written a braid letter, And signd it wi his hand, 10 And sent it to Sir Patrick Spence, Was walking on the sand. The first line that Sir Patrick red, A loud lauch lauched he ; The next line that Sir Patrick red, The teir blinded his ee. "0wha is this has don this deid, This ill deid don to me, To send me out this time o' the yeir, To sail upon the se! 20 "Mak hast, mak haste, my mirry men all, Our guid schip sails the morne:" "0say na sae, my.master deir, For I feir a deadlie storme. "Late, late yestreen I saw the new moone, Wi the auld moone in hir arme, And I feir, I feir, my deir master, That we will cum to harrne." 0 our Scots nobles wer richt laith To weet their cork-heild schoone; 30 Bot lang owre a' the play wer playd, Thair hats they swam aboone. 0 lang, lang may their ladies sit, Wi thair fans into their hand, Or eir they se Sir Patrick Spence Cum sailing to the land. 0 lang, lang may the ladies stand, Wi thair gold kems in their hair, Waiting for thair ain deir lords, For they'll se thame na mair.
    [Show full text]
  • English 577.02 Folklore 2: the Traditional Ballad (Tu/Th 9:35AM - 10:55AM; Hopkins Hall 246)
    English 577.02 Folklore 2: The Traditional Ballad (Tu/Th 9:35AM - 10:55AM; Hopkins Hall 246) Instructor: Richard F. Green ([email protected]; phone: 292-6065) Office Hours: Wednesday 11:30 - 2:30 (Denney 529) Text: English and Scottish Popular Ballads, ed. F.J. Child, 5 vols (Cambridge, Mass.: 1882- 1898); available online at http://www.bluegrassmessengers.com/the-305-child-ballads.aspx.\ August Thurs 22 Introduction: “What is a Ballad?” Sources Tues 27 Introduction: Ballad Terminology: “The Gypsy Laddie” (Child 200) Thurs 29 “From Sir Eglamour of Artois to Old Bangum” (Child 18) September Tues 3 Movie: The Songcatcher Pt 1 Thurs 5 Movie: The Songcatcher Pt 2 Tues 10 Tragic Ballads Thurs 12 Twa Sisters (Child 10) Tues 17 Lord Thomas and Fair Annet (Child 73) Thurs 19 Romantic Ballads Tues 24 Young Bateman (Child 53) October Tues 1 Fair Annie (Child 62) Thurs 3 Supernatural Ballads Tues 8 Lady Isabel and the Elf Knight (Child 4) Thurs 10 Wife of Usher’s Well (Child 79) Tues 15 Religious Ballads Thurs 17 Cherry Tree Carol (Child 54) Tues 22 Bitter Withy Thurs 24 Historical & Border Ballads Tues 29 Sir Patrick Spens (Child 58) Thurs 31 Mary Hamilton (Child 173) November Tues 5 Outlaw & Pirate Ballads Thurs 7 Geordie (Child 209) Tues 12 Henry Martin (Child 250) Thurs 14 Humorous Ballads Tues 19 Our Goodman (Child 274) Thurs 21 The Farmer’s Curst Wife (Child 278) S6, S7, S8, S9, S23, S24) Tues 24 American Ballads Thurs 26 Stagolee, Jesse James, John Hardy Tues 28 Thanksgiving (PAPERS DUE) Jones, Omie Wise, Pretty Polly, &c.
    [Show full text]
  • Oral Tradition 29.1
    Oral Tradition, 29/1 (2014):47-68 Voices from Kilbarchan: Two versions of “The Cruel Mother” from South-West Scotland, 1825 Flemming G. Andersen Introduction It was not until the early decades of the nineteenth century that a concern for preserving variants of the same ballad was really taken seriously by collectors. Prior to this ballad editors had been content with documenting single illustrations of ballad types in their collections; that is, they gave only one version (and often a “conflated” or “amended” one at that), such as for instance Thomas Percy’s Reliques of Ancient English Poetry from 1765 and Walter Scott’s Minstrelsy of the Scottish Border from 1802. But with “the antiquarian’s quest for authenticity” (McAulay 2013:5) came the growing appreciation of the living ballad tradition and an interest in the singers themselves and their individual interpretations of the traditional material. From this point on attention was also given to different variations of the same ballad story, including documentation (however slight) of the ballads in their natural environment. William Motherwell (1797-1835) was one of the earliest ballad collectors to pursue this line of collecting, and he was very conscious of what this new approach would mean for a better understanding of the nature of an oral tradition. And as has been demonstrated elsewhere, Motherwell’s approach to ballad collecting had an immense impact on later collectors and editors (see also, Andersen 1994 and Brown 1997). In what follows I shall first give an outline of the earliest extensively documented singing community in the Anglo-Scottish ballad tradition, and then present a detailed analysis of two versions of the same ballad story (“The Cruel Mother”) taken down on the same day in 1825 from two singers from the same Scottish village.
    [Show full text]
  • DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
    DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM.
    [Show full text]
  • The Creighton-Senior Collaboration, 1932-51
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Athabasca University Library Institutional Repository The Creighton-Senior Collaboration, 1932-51 The arrival of Doreen Senior in Halifax in the book, and she was looking for a new collaborator summer of 1932 was a fortuitous event for Canadian who could note the melodies while she wrote down folksong collecting. Doreen, a friend and disciple of the words. In her autobiography, A Life in Folklore, Maud Karpeles, was a folk and country dance she recalled her first meeting with Doreen in the instructor, trained by the English Folk Dance Society, following terms: who anticipated a career as a music teacher making good use of Cecil Sharp's published collections of For years the Nova Scotia Summer School had Folk Songs for Schools. She was aware that Maud been bringing interesting people here, and one day I was invited to meet a new teacher, Miss had recently undertaken two successful collecting Doreen Senior of the English Folk Song and trips to Newfoundland (in 1929 and 1930), and was Dance Society. She liked people and they liked curious to see if Nova Scotia might similarly afford her to such an extent that whenever I met one of interesting variants of old English folksongs and her old summer school students in later years, ballads, or even songs that had crossed the Atlantic they would always ask about her. She was a and subsequently disappeared in their more urban and musician with the gift of perfect pitch and she industrialized land of origin.
    [Show full text]