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A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Words of Ages: Democracy and Adversity 1919-1945 Historical Perspectives
WORDS OF AGES: DEMOCRACY AND ADVERSITY 1919-1945 HISTORICAL PERSPECTIVES ® CLOSE UP IN CLASS HISTORICAL PERSPECTIVES: WORDS OF AGES DEMOCRACY AND ADVERSITY UNIT 4 INTRODUCTION In the 25 years following the end of World War I, the United States endured dramatic changes of fortune on its roller-coaster ride from riches and material 1923 excess to severe economic depression and back to world economic and military Ku Klux Klan membership dominance. During these tumultuous years, paradigms shifted and literary forms reaches its peak. companies grew bigger. Mass marketing and consumer loans enabled middle-class citizenschanged to dramatically. own automobiles At first, and the modern 1920s household were marked conveniences. by great Artwealth. of all Largetypes 1925 F. Scott Fitzgerald publishes The Great Gatsby. wars, many authors sought new themes and modes of expression. For example, Africanflourished, Americans as wealthy developed consumers their and own patrons literary grew forms in number. and mes Betweensages, inspired the world by black music and experiences. 1927 sound, The Jazz Singer, is halt. Within a few years, mil lions of Americans had lost their jobs and homes in The first motionreleased. picture with theWith Great the stockDepression. market Desperatecrash of 1929, for newhowever, economic boom leader times ship, came voters to an electedabrupt with the American people led 1929 President Franklin Delano Roosevelt in 1932. His promise to make a “New Deal” to the creation of federal crashes, and the Great agencies and pro grams to The DepressionNew York stock begins. market give people jobs, economic assistance, and hope. Writers, dramatists, visual artists, and 1930 from government programs President Herbert Hoover tophotogra sup port phers the all artsbenefited and Tariff Act. -
JMAD New Zealand Media Ownership Report 2013
JMAD New Zealand Media Ownership Report 2013 Published: November 28, 2013 Author: Merja Myllylahti This New Zealand Ownership Report 2013 published by AUT’s Centre for Journalism, Media and Democracy (JMAD) outlines how the financialisation of New Zealand media intensified as News Limited pulled out of Sky TV, and as lenders took 100 percent control of MediaWorks. In 2013, controversy erupted when it was revealed that a journalist’s phone records had been handed to a ministerial inquiry without her consent. The move was condemned by over 300 journalists as the government’s invasion of privacy was seen as a threat to media freedom. The government also passed legislation giving extra surveillance powers to the Government Communication Security Bureau (GCSB). This represented an institutional threat to journalistic autonomy. The report also finds that the bloggers and blogosphere gained prominence and influence in relation to the commercially driven mainstream media. In October 2013, there were 280 ranked blogs in New Zealand, and the top political blogs recorded high visitor numbers. Key events and trends concerning New Zealand media ownership Financial institutions take control of Sky TV and MediaWorks MediaWorks goes into receivership, keeps losing content rights Bauer media grows in influence, buys The Listener and other magazines Sky TV stirred, but not shaken by the Commerce Commission and new competitors Leading newspapers stall paywalls, local papers launch them APN and Fairfax newsrooms shrink, profit boosted by asset sales and job cuts This New Zealand Media Ownership Report is the third published by AUT’s Centre for Journalism, Media and Democracy (JMAD). -
Drugs, Guns and Gangs’: Case Studies on Pacific States and How They Deploy NZ Media Regulators
‘BACK TO THE SOURCE’ 7. ‘Drugs, guns and gangs’: Case studies on Pacific states and how they deploy NZ media regulators ABSTRACT Media freedom and the capacity for investigative journalism have been steadily eroded in the South Pacific in the past five years in the wake of an entrenched coup and censorship in Fiji. The muzzling of the Fiji press, for decades one of the Pacific’s media trendsetters, has led to the emergence of a culture of self-censorship and a trend in some Pacific countries to harness New Zealand’s regulatory and self-regulatory media mechanisms to stifle unflattering reportage. The regulatory Broadcasting Standards Authority (BSA) and the self-regulatory NZ Press Council have made a total of four adjudications on complaints by both the Fiji military-backed regime and the Samoan government and in one case a NZ cabinet minister. The complaints have been twice against Fairfax New Zealand media—targeting a prominent regional print journalist with the first complaint in March 2008—and twice against television journalists, one of them against the highly rated current affairs programme Campbell Live. One complaint, over the reporting of Fiji, was made by NZ’s Rugby World Cup Minister. All but one of the complaints have been upheld by the regulatory/self-regulatory bodies. The one unsuccessful complaint is currently the subject of a High Court appeal by the Samoan Attorney-General’s Office and is over a television report that won the journalists concerned an investigative journalism award. This article examines case studies around this growing trend and explores the strategic impact on regional media and investigative journalism. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Spring 2008 Chris Peters – Wired for Sound Captioning Close Up
CaptivateSpring 2008 Chris Peters – Wired for Sound Captioning Close Up The key to online success How to access captions Captivate contents Editorial ..............................................................................................................1 Chris Peters – Wired for Sound .....................................................2–7 Cochlear Implants ........................................................................................5 Close Up ...................................................................................................8–10 The Key to Online Success .........................................................11–13 How to Access Captions .......................................................................14 WHO BENEFITS FROM CAPTIONS? 430,000 New Zealanders are deaf or hearing-impaired and cannot fully enjoy television programmes. Captioning gives them, as well as those with English as a second language, access to TV. Research in the US also suggests that captions benefit children who are learning to read. If you have a Teletext TV set, press the TEXT button, then page 801. You will see the captions appear on your TV screen. Check which programmes are captioned on page 320 of Teletext. TVNZ Captioning, Television Centre, 100 Victoria Street West, PO Box 3819, Auckland, New Zealand. Tel 09 916 7392, Fax 09 916 7902. Editorial – TVNZ Captioning Team. Designer – Thomas Pavitte. Printer – Mike Green Productions, PO Box 147-183, Ponsonby, Auckland. Captivate is published biannually by TVNZ Captioning. -
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-036 Hammond TVNZ Eyes Wide Shut Movie containing sex scenes, language, drug use Children's interests Upheld 2008-032 Findlay TVNZ Rome Historical drama contained course language Good taste and decency Upheld 2007-138 LM TVNZ Skin Doctors Woman undergoing breast augmentation Privacy Upheld 2008-040 Pryde RNZ Nine to Noon Update on situation in Fiji Accuracy, balance Upheld (accuracy) 2008-066 Harrison TVNZ Ugly Betty Contained sexual themes Programme classification, Upheld promo children's interests, good (programme taste and decency classification and children's interests) 2008-039A Nudds TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency 2008-039B McIntosh TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency Not Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-041 Scott TVWorks Ltd 3 News Report that celebrity had obtained diversion for Privacy Not Upheld shoplifting 2008-030 Blazey TVWorks Ltd 3 News Item showed clothed body of dead teenager Good taste and decency Not Upheld 2008-017 South Pacific RadioWorks Radio Live Host disclosed address of house used in TV Privacy Not Upheld Pictures Ltd programme 2008-027 FitzPatrick TVNZ Close Up Discussion about ASA ruling Balance Not Upheld 2008-042 Clancy -
Download This Issue (PDF)
FORTIS INSTITUTE IN ERIE SALUTES OUR 2016 GRADUATING CLASS! Fortis Institute (formerly Tri-State Business Institute) has been training Erie residents for over three decades! We are proud to be a community leader and in meeting the critical needs of local employers. A.S.B. – HEALTH INFORMATION A.S.T. – DENTAL HYGIENE A.S.T. – PRACTICAL NURSING DIPLOMA – HEATING, A.S.T. – COSMETOLOGY EDUCATION TECHNOLOGY Abbott, Shayna Billings, Jamie VENTILATION, AIR CONITIONING & & SALON MANAGEMENT Burns, Stacie Anderson, Karrina Brunner, Christina REFRIGERATION Olson, Victoria Dixon, Kimberley DeMarco, Lisa Bush, Jessica Arney, Rashaan Robison, Nadene Kingen, Bridget Fehlman, Amanda Clayton, Sheri Austin II, Thomas Massoud, Jordanna Felmlee, Aneisa Haibach, Chelsea Cooper, Harley DIPLOMA – COSMETOLGY Prenatt, Cassandra Foulk, Morgan Hallock, Telicia Edwards, Richard OPERATOR Watts, Becca Glotz, Valerie Lindner, Deanna Heffner, Joel Adams, Megan Hart, Cristina McGinnett, Brenda Larsen, David Bernhardt, Rachel A.S.T. – MEDICAL ASSISTING Lacki, Kaitlyn Piazza, Nicholas Larsen, Travis Brooks, Cassandra Barnes, Karen Lewis, Hayley Pindur, Victoria Martin, Jeffrey Bush, Shaina Bogert, Stefanie Naqvi, Syed Pullium, Monique Martin, Robert Hancox, Kathryn Braden, Ryann Osborne, Morgan Rizzo, Jennifer Meek, Juanita Hayes, Abigail Bumpers, Mildred Pham, Thi Shultz, Danielle Newcomer, Michael Hemstreet, LeAnnah Burleson, Tabbatha Sheth, Hiral Smith, Kristin Rizzo, Joseph Kelso, Justin Chrispen, Acacia Straight, Cassie Swick, Rebecca Ruiz, Wilson Pizarro, Maritza -
Final ASB Employee Handbook 2020
ARKANSAS SCHOOL FOR THE BLIND AND VISUALLY IMPAIRED EMPLOYEE HANDBOOK 2020 10 SCHOOL ADDRESS Arkansas School for the Blind 2600 W. Markham Little Rock, AR 72205 Main Number (501) 296-1810 Front Office Fax 296-1065 Business Office Fax 603-3532 https://www.arkansasschoolfortheblind.org Arkansas State government does not discriminate on the basis of race, creed, color, sex, age, national origin, religion or disability. The State’s Affirmative Action goals dictate that all citizens have equal access and opportunity for employment in Arkansas State government. 11 Table of Contents Introduction to Handbook……………………………………………………………….7 General Information about the Arkansas School for the Blind and Visually Impaired A Message from the Superintendent ……………………………………8 ASB Mission and Vision ………………………………………………..9 History of ASB ………………………………………………………….10 Introducing ASB Board of Trustees …………………………………….12 Organizational Chart …………………………………………………….12 ASB Departments ……………………………………………………….13 Employment Types of Employees ……………………………………………………..14 Probationary Employment ……………………………………………....16 Assurances ………………………………………………………………17 Veterans Preference Act …………………………………………...……18 Employment Policy Affirmative Action Statement …………………….19 Employee Conduct Standards and Code Code of Conduct …………………………………………...……………20 Policy Statement ……………………………………………...…………21 Progressive Discipline …………………………………………………..23 Professional Conduct Arkansas Code of Ethics for Educators ………………………………....39 Dress Code ………………………………………………………………40 Attendance ………………………………………………...…………….40 -
Damian Golfinopoulos
Damian Golfinopoulos. Phone: 021-023-95075 Email: [email protected] Website: damian.pictures Work History • News Video Editor at Mediaworks New Zealand • Freelance Sound Technician / Stage Management March 2013 - Present (3 years 6 months) 2006 - 2012 News and current affairs video editing for all of TV3/NewsHub News Corporate to mayhem - Ive done the lot. I have worked as a venue Programmes: Firstline, 12News, 6 O Clock, Nightline, Campbell Live, technician for Mainline Music (2006), The International Comedy Fes- The Nation, 360 and The Nation. tival (2007 /2008), Kings Arms, Bacco & Monte Cristo Room,Wham- my Bar, Wine Cellar, The Powerstation, Leigh Sawmill, DogsBollix, Big • Media Exchange Operator at Mediaworks New Zealand Day Out (2010) and more! I have worked with international perform- ers, bankers through to Tool Cover bands. March 2012 - Present (1 year 1 month) General ingest and data wrangling duties for TV3/NewsHub News. Honors and Awards • Director/Writer at Candlelit Pictures • The Sun Hates Me - Vimeo Staff Pick 2014 January 2013 - Present (3 years 8 months) • Show Me Shorts - Semi Finalist ‘Best Music Video’ I joined Candlelit Productions in 2013 to help edit and Direct ‘The Sun Hates Me’ which was staff picked on Vimeo and since then have gone through the Candlelit ‘Emerging Directors Program’ where I pitched for, and won 4 NZ On Air Music Video projects. From this ex- Education perience I have been lucky to work as a Director with many profes- sional film crews. Candlelit is currently helping me develop a short • AUT - 1 year Communications film to go into production. -
Television Current Affairs Programmes on New Zealand Public Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AUT Scholarly Commons Death of a Genre? 1 The Death of a Genre?: Television Current Affairs Programmes on New Zealand Public Television Sarah Baker School of Communication Studies, Auckland University of Technology Abstract “We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p. iv) “In a public system, television producers acquire money to make programmes. In a commercial system they make programmes to acquire money” (Tracey, 1998, p.18). Television current affairs programmes have from their inception been a flagship genre in the schedules of public service broadcasters. As a television form they were to background, contextualise and examine in depth issues which may have appeared in the news. They clearly met the public broadcasters' brief to 'inform and educate' and contribute to the notional 'public sphere'. Over the past two decades policies of deregulation and the impact of new media technologies have arguably diminished the role of public broadcasting and profoundly affected the resources available for current or public affairs television with subsequent impacts on its forms and importance. This paper looks at the output of one public broadcaster, Television New Zealand (TVNZ), and examines its current affairs programming through this period of change Communications, Civics, Industry – ANZCA2007 Conference Proceedings Death of a Genre? 2 Introduction From their inception current affairs programmes have played an important part in the schedules of public broadcasters offering a platform for citizens to debate and assess issues of importance. They are part of the public sphere in which the audience is considered to be made up of thoughtful, participating citizens who use the media to help them learn about the world and debate their responses and reach informed decisions about what courses of action to adopt (Dahlgren & Sparks, 1991). -
ISB/ASB 2019 @ISB ASB2019 Isb2019.Com
INTERNATIONAL/AMERICAN SOCIETY OF BIOMECHANICS ISB/ASB 2019 @ISB_ASB2019 isb2019.com Telus Convention Centre July 31 - August 4 Calgary, Canada Our Sponsors Tier 1 Tier 2 Tier 3 ISB Gold Sponsors ISB Silver Sponsors ISB Bronze Sponsors XXVII Congress of the International Society of Biomechanics Welcome from the Conference Chair Dear Delegates, Welcome to the XXVII Conference of the International Society of Biome- chanics and the American Society of Biomechanics (ISB/ASB 2019). It seems like only yesterday that we hosted ISB 1999. Nobel Prize winner Andrew Huxley opened the proceedings with the Wartenweiler Memorial Lecture, unforgettable! He needed an overhead projector for his presen- tation, which we had not anticipated, but we made it happen at the last minute nevertheless. The late Paavo Komi was the Muybridge award winner. This time around, he will be honoured in the ASB-sponsored Jim Hay Memorial Symposium for his invaluable contribution to biomechanics research and to the profes- sion. In 1999, Ralph Mueller was the winner of the Promising Young Sci- entist Award, and this time around, he will give the ISB Muybridge Award Lecture. There is a symmetry to all this, as the circle closes. Scientists around the world write to me and remind me that they were in Calgary, in 1999, and each one has a story, a memory and usually a little smile. This is my memory of 1999: Andrew Huxley with my two sons at the Royal Tyrrell Dinosaur Museum in Drumheller. Andrew wanted to visit the world-famous site with his wife, and to share this experience with children, so they took along Jens and Pascal, aged 7 and 5.